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Nuremberg Chronicle - Creation of Man - Sanctification - Dürer sketch -1493
Description
Nuremberg Chronicle - Creation of Man - Sanctification - Dürer sketch -1493 / Description: Two impressive Old colored woodcuts from the Sixth and Seventh day of creation involving Albrecht Durer for the design, most notable in the four winds. The woodcuts are on recto and verso of a sheet from the first edition of Hartmann Schedel, "Liber Cronicarum", from 12 July 1493. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, who was Dürer's godfather. Wohlgemut was Albrecht Dürer's tutor between 1486-90. The young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made and he was probably involved in a certain amount of them. In the case of this 'creation of Man - work of the sixth day, the sketch was previously not found in the archives known to contain drawings by Wolgemut and his workshop. Only in 1972 it was rediscovered on the end papers of two volumes of the Koberger German bible of 1483 in the Nuremberg City Library. These design drawing for the seven days of creation still exist. The drawer of the designs is not identified but possibly involves Albrecht Dürer. This attribution is supported by the striking resemblance of the four winds in the woodcut for the Sanctification of the Seventh Day who are attributed to Dürer by Dr. Sladecsek based on the comparison with the winds on plate 7 of Dürer's Apocalypse woodcut. (See Adrian Wilson - 1976: The making of the Nuremberg Chronicle, p.94.). Here we have a fine oldcoloured example of this impressive woodcuts from the old colored luxury editions of the Cronicarum who were of the most expensive ones. / Dimensions: 27,30 and 22,40 cm height x 22,50 cm width / Condition: Very good and fresh condition. A crack in the bottom of the paper carefully closed. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. --- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. / Medium: Woodcut /Circa: 1493 900
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Nuremberg Chronicle - Creation of Man - Sanctification - Dürer sketch -1493 / Description: Two impressive Old colored woodcuts from the Sixth and Seventh day of creation involving Albrecht Durer for the design, most notable in the four winds. The woodcuts are on recto and verso of a sheet from the first edition of Hartmann Schedel, "Liber Cronicarum", from 12 July 1493. The wood blocks were designed by Michael Wolgemut and his stepson Wilhelm Pleydenwurff and their assistants, including the young Albrecht Dürer, who was apprenticed to Wolgemut at the time. The printing was carried out under the supervision of the great scholar-printer Anton Koberger, who was Dürer's godfather. Wohlgemut was Albrecht Dürer's tutor between 1486-90. The young Dürer was working in the workshop in the years 1486-1489 when many of the early designs for the Chronicle were made and he was probably involved in a certain amount of them. In the case of this 'creation of Man - work of the sixth day, the sketch was previously not found in the archives known to contain drawings by Wolgemut and his workshop. Only in 1972 it was rediscovered on the end papers of two volumes of the Koberger German bible of 1483 in the Nuremberg City Library. These design drawing for the seven days of creation still exist. The drawer of the designs is not identified but possibly involves Albrecht Dürer. This attribution is supported by the striking resemblance of the four winds in the woodcut for the Sanctification of the Seventh Day who are attributed to Dürer by Dr. Sladecsek based on the comparison with the winds on plate 7 of Dürer's Apocalypse woodcut. (See Adrian Wilson - 1976: The making of the Nuremberg Chronicle, p.94.). Here we have a fine oldcoloured example of this impressive woodcuts from the old colored luxury editions of the Cronicarum who were of the most expensive ones. / Dimensions: 27,30 and 22,40 cm height x 22,50 cm width / Condition: Very good and fresh condition. A crack in the bottom of the paper carefully closed. / Literature: Liber Chronicarum, here a first edition , printed by Anton Koberger in Nuremberg on 12 July 1493 in old coloring. The luxury editions in old coloring are mentioned in literature and were of the most expensive. --- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. / Medium: Woodcut /Circa: 1493 900
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Shipping:
Buyer pays shipping costs.
All customs charges, import taxes, other taxes and costs must be paid by the buyer.
We organize all shipping, worldwide at fixed prices:
Europe: 25 €
Outside Europe: 48 €
All Items must be paid in full before they will be shipped.
Items will be send insured. An insurance fee might be added to the invoice.
Claims for lost or broken items during transport are handed over to the insurance policy of the shipper and be reimbursed according to their terms. Old master print cannot be held responsible for any additional compensation for the loss or damage of the item.
The buyer is free to organize his own shipping at his own expense.
The items can only be released after full payment.
If the buyer arranges his own shipment or pick-up, OLD MASTER PRINT can not be held responsible for damage or loss of the goods after a period of two months after the date of the sale.
