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Lot 212
Andy Warhol (1928-1987) after.Mona Lisa (Sunday B. Morning)Screenprint in colours, 2019, numbered from the edition of 2,500 in pencil verso, published by Sunday B Morning, with their rubber stamp in blue ink verso, on Archival Museum Board, the full sheet printed to the edges, each sheet 890 x 585mm (35 x 23in) This work is accompanied by a certificate of authenticity issued by the publisher.
Lot 42
Shepard Fairey (b. 1970)Obey Lotus Diamond (Black & Gold)Screenprint in colours with diamond dust, 2013, signed in pencil verso, numbered from the edition of 75 verso, published by Paul Stolper Gallery, London, on Somerset Satin paper, the full sheet printed to the edges, sheet 873 x 664mm (34 3/8 x 26 1/8in)
Lot 84
Salvador Dalí (1904-1989)L'Immortalité, from Alchimie des Philosophes (Field 75-12D; M&L 839a)Lithograph and screenprint in colours with drypoint and etching, 1975, signed in black felt tip ink, numbered from the edition of 225, printed by Viglino/Arts Litho/CAZA, published by Art et Valeur, Paris, on vellum, the full sheet printed to near the edges, sheet 772 x 575mm (30 3/8 x 22 5/8in)
Lot 41
Shepard Fairey (b.1970)Obey Lotus Crescent (Black & Gold)Screenprint in colours with diamond dust, 2013, signed in pencil verso, numbered from the edition of 75 in pencil verso, published by Paul Stolper Gallery, London, on Somerset Satin paper, the full sheet printed to the edges, sheet 873 x 664mm (34 3/8 x 26 1/8in)
Lot 40
Shepard Fairey (b. 1970)Obey Lotus Diamond (White & Gold)Screenprint in colours with diamond dust, 2013, signed in pencil verso, numbered from the edition of 75 verso, published by Paul Stolper Gallery, London, on Somerset Satin paper, the full sheet printed to the edges, sheet 873 x 664mm (34 3/8 x 26 1/8in)
Lot 145
Howard Hodgkin (1932-2017) In a French Restaurant (Heenk p.223)Screenprint in colours, 1982, signed in orange pencil, a proof aside from the edition of 500, printed by Cromacomp, published by Petersburg Press, New York, on TH Saunders Waterford white wove paper, the full sheet printed to the edges, 1210 x 1460mm (47 5/8 x 57 1/2in)Provenance: Ex. coll. Julia Lane, former wife of Howard Hodgkin (CH CBE 1932-2017)
Lot 43
Shepard Fairey (b.1970)Obey Lotus Crescent (White & Gold)Screenprint in colours with diamond dust, 2013, signed in pencil verso, numbered from the edition of 75 in pencil verso, published by Paul Stolper Gallery, London, on Somerset Satin paper, the full sheet printed to the edges, sheet 873 x 664mm (34 3/8 x 26 1/8in)
Lot 207
Cy Twombly (1928-2011)Untitled, from The New York Collection for Stockholm (Bastian 38)Screenprint and lithograph printed in colours, 1973, signed and dated in pencil verso, numbered from the edition of 300, printed by Styria Studio, published by Experiments in Art and Technology, Inc., New York, with the printer's inkstamp verso, on wove paper, with full margins, sheet 243 x 232mm (9 5/8 x 9 1/8in)
Lot 1
Peter Blake (b.1932)I Love You (White Diamond Dust)Screenprint in colours with white diamond dust, 2010, signed in pencil, numbered from the edition of 175, printed by Coriander Studios, published by CCA Galleries, London, on wove paper, with full margins, sheet 420 x 1365mm (16 1/2 x 53 3/4in)
Lot 199
Gordon Appelbe Smith (British/Canadian 1919-2020), 'Grey Over Orange', c1968, limited edition screenprint on paper, signed in pencil 'Gordon Smith' bottom right, titled and numbered 'Grey over Orange 3/10' in pencil on the bottom left, framed and glazed, frame 64.5cm high x 64.5cm wideArtist's Resale Right fees will also apply to this lot if it sells for a hammer price of £1,000 or over.Condition: Signs of foxing or spots from having been stored in a damp environment to glass, wide paper margins and lightly on the white edges of the printed surface. Unopened, therefore unexamined out of frame.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail. Please see below for cost estimates, including packing:UK (Guaranteed Price): £25.52 USA (Estimated Price): £85.00 EU (Estimated Price): £30.00 R.O.W. (Estimated Price): £69.00All above quoted packing and shipping prices will have VAT added at 20%. Unless otherwise indicated above, these are estimates only but we aim to be as accurate as possible. To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email requesting packing and shipping for your lot(s). The actual packing and shipping cost will then be added to your invoice and your invoice will be resent to you for payment.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.INSURANCE The above quotes do not include insurance. If you require insurance, please request this when you request your lots to be packed and shipped. We can only know the cost of insurance after the hammer falls as it is only then that we will know the value to be insured.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered for any loss or damage. Lots must be paid for in full before they will be released.
Lot 229
Sandra BLOW (1925-2006) Screenprint 1973, Christmas card from Rene & Marcus Brumwell From a folio issued by Design Research Unit, London, 1970sBearing facsimile signature, unframed and in original folio sleeve with personal inscription from Rene & Marcus BrumwellNote: Marcus Brumwell was a British advertising pioneer, designer, businessman, political activist, and art collector, particularly friendly with the 'St Ives set', most notably Ben Nicolson and Barbara Hepworth. This print is from a series, the prints were intimate personal Christmas gifts to friends and colleagues. Each print was commissioned with the consent and input of the artist, may of whom were personal friends. The series consisted of work from: Enzo Mari; Deiter Rot; Ceri Richards; Donald Hamilton Fraser; Barbara Hepworth; John Hoyland (1975); Victor Pasmore; Joe Tilson (1971); Henry Moore; Ben Nicholson; Robyn Denny (1974); Kenneth Martin (1977); Patrick Heron (1976); Jean-Michel Folon; Sandra Blow (1973); Bridget Riley. From the Estate of Dr Roger SlackDr Roger Slack became the GP for St Ives in 1947. He treated all of the notable artists in the community at that time, and had surely one of the most illustrious groups of patients of any doctor. Many became close personal friends. During the 1950s Roger began to tape reminiscences of elderly locals, including the memories of the painter Alfred Wallis's friends and neighbours. His recordings have been an invaluable resource for many writers and researchers. His work is now housed at the St Ives Archive Centre.
Lot 178
* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941, UNTITLED screenprint on paper, signed and dated '72mounted, framed and under glassimage size 47cm x 35cm, overall size 62cm x 48cmNote: Will Maclean RSA, Professor of Painting in the University of Dundee, is one of the outstanding Scottish artists of his generation. He was born in Inverness where his father, a former sailor, was harbour master, and he spent his childhood between Inverness and Skye. His art is rooted in his knowledge of the Highlands, the Highland people and their history and in his own early associations with sailors and the sea. These things make it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and in its concerns.
Lot 155
* VICTOR PASMORE (1908 - 1998), THE EARTH FROM SPACE limited edition screenprint on paper, signed, dated '79 and numbered 54/70framed and under glassimage size 54cm x 101cm, overall size 81cm x 122cmProvenance: certificate of authenticity from is included with this lot.Note: British painter, printmaker, and maker of constructions who is unusual in having achieved eminence as both a figurative and an abstract artist. After early experiments with abstraction he reverted to naturalistic painting, and in 1937 he combined with William Coldstream and Claude Rogers in forming the Euston Road School. Characteristic of his work at this time and in the early 1940s are some splendid female nudes and lyrically sensitive Thames-side landscapes that have been likened to those of Whistler (Chiswick Reach, 1943, NG, Ottawa). In the late 1940s he underwent a dramatic conversion to pure abstract art, and by the early 1950s he had developed a personal style of geometrical abstraction. As well as paintings he made abstract reliefs, partly under the influence of Ben Nicholson. His earlier reliefs had a hand-made quality but later, in using transparent perspex, he gave them the impersonal precision and finish of machine products. Through work in this vein he came to be regarded as one of the leaders of Constructivism in Britain. Later paintings are less austere and more organic. Pasmore was an influential teacher, notably at King's College, Newcastle upon Tyne (now Newcastle University), where he was head of the painting department, 1954–61. The ‘basic design’ course he taught there (based on Bauhaus ideas) spread to many British art schools. He was also much concerned with bringing abstract art to the general public, notably as consulting director of urban design (1955–77) for the south-west area of Peterlee New Town, County Durham. His most personal contribution there is the Apollo Pavilion (1963–70), which he described as ‘an architecture and sculpture of purely abstract form’. In his later career Pasmore was also a prolific printmaker. He won many honours and Kenneth Clark described him as ‘one of the two or three most talented English painters of this century’.
Lot 63
Mark Wallinger (British b.1959), Ghost, signed 'Mark Wallinger' (lower right), edition no. 88/500, screenprint, with Whitechapel stamp verso, published by Whitechapel Art Gallery for the artist's 'No Man's Land' exhibition, 16 Nov 2001-13 Jan 2002, 51 x 44 cm, framed and glazed 62 x 55 cmProvenance Private collection, UK.Overall in good condition and ready to hang. A few spots of surface dirt. Glazed and unexamined out of frame. Minor scratches and indentations to the frame, especially on the right side.
Lot 402
Richard Estes (American, b. 1932). Screenprint on paper titled "Pressing Machinery" depicting a storefront window from the portfolio "Urban Landscapes No. 2," 1979. Pencil signed along the lower right; numbered 17/100 along the lower left.Sight; height: 20 in x width: 13 1/2 in. Framed; height: 28 1/2 in x width: 20 1/4 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or signs of restoration. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 532
Harmony Hammond (American, b. 1944). Group of five prints. Includes the "Dance of the Ladder" suite, four color lithographs with screen printing on paper, all pencil signed, dated 1981, and numbered A.P. 8/10 along the lower right. With "Fan Lady Meets Cactus Lady," color lithograph, screenprint, etching, and collage on black paper; pencil signed, dated 1981, and numbered 47/48 along the lower right.Height ranges from 20 1/4 in to 29 1/2 in; width ranges from 29 1/2 in to 41 1/4 in.Condition: The colors are bold and bright. Due to the nature of the works, it is difficult to discern if there is damage; however, there are no major tears, losses, or restorations that do not appear original to the artistic process. The works are not framed.
Lot 41
A large original screenprint in color on Hahnemuhle watermarked paper from the portfolio Chinatown by Chryssa Vardea Mavromichal. Part of a limited Artists Proof edition. Blindstamp of the printer Domberger KG, Stuttgart, Germany on lower left. Published by Strahl and Pitsch, New York, and distributed by Parasol Press S.A., New York. Artists signature and edition number in graphite on lower edge: AP 11/12, Chryssa. Artist: Chryssa Vardea Mavromichali (Greek/American, 1933-2013)Issued: 1978Dimensions: 31.25"L x 38.25"HCondition: Age related wear. Small bending around the edges.
Lot 47
Very large original color screenprint on wove paper entitled Green Waters (Algi) that American Expressionist John Griefen made with abstracted forms of kaki green, sky blue, fuchsia, lavender and orange on a warm brown background. Edition number, signature, date, and title in graphite on lower part of screenprint and on verso: 70/100, Green Water, John Griefen 71. On verso: stamp for Chiron Screenprint Co., Inc. New York City. Artist: John Adams Griefen (American b. 1942)Issued: 1971Dimensions: 40"L x 29.50"HEdition Number: 70 of 100Country of Origin: United StatesCondition: Age related wear.
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14878 item(s)/page