We found 12813 price guide item(s) matching your search

After Gunter Huniat b.1939- 'Blick uach Juney'; screenprint in colours, signed, titled and numbered 103/200 in pencil, bears blind stamp, 35.5x35cm: Lesbia Thorpe b.1919- 'The Sea Bed'; linocut printed in colours, signed, titled and numbered 3/9 in pencil and with stamped initials: L Binder late 20th Century- Abstract form; etching, signed, dated 89 and titled, numbered 103/200: together with six other late 20th Century screen prints, etchings and lithographs by various hands, (9) (unframed)

After Ian Hamilton Finlay, Scottish 1925-2006 and Richard Demarco 1930- 'The Little Seamstress'; screenprint printed in colours, signed by both artists within the plate and titled within the plate, 45x59cm: After Raymond T Cowern RA 1913-1986- Children by rabbit hutches; lithograph, signed and numbered 80/125 in pencil, (2)

Issam El Said (Contemporary). Figure Seated. Limited edition screenprint. Rigned and dated 79 in pencil within the margin lower left. Inscribed 25/70 lower right. P. 54.5cm x 34.5cm. And. Pierre Doutrelehl (Contemporary). Dasies in a blue vase. Limited edition photolithograph. Rigned in pencil within the margin lower right. Inscribed 102/350 lower left. R. 64cm x 50cm (2). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid

David Humphries (Contemporary) ‘Hop Farm Kent'. Limited edition screenprint. Rigned in pencil within the margin lower right. Inscribed with title lower centre and 77/100 lower left. R. 52cm x 76.5cm. N. Peperell (Contemporary). Henley Regatta. Acrylic 30.5cm x 45.5cm. Don Kinrade (Contemporary) ‘Shadows in the Lane' ‘Riverside Footpath. The first pastel. The second watercolour. Each signed. Each 31.5cm x 41.5cm. And two photographic prints, the first after A. Kaldor, the second after B. J. Zhang (6). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid

V. Charlesworth (20th century) ‘Clover';. Wildflower. Each limited edition screenprint. Each signed lower right. Each numbered 214/300 or 17/300. Each s. 24cm x 20.5cm. And eight other prints and pictures (10). (see illustration on our website). Please note - this lot may be subject to Droit de Suite

Rupert Shephard (1909-1992). Birds in trees. Limited edition linocut. Rigned in pencil within the margin lower right. Inscribed 'To Ginelle' and II 6/50 lower left. P. 48cm x 38cm. Reven botanical aquatints, each p. 45.5cm x 29.5cm, D. Docherty, 'Untitled after Grunerwald', etching and screenprint, p. 25.5cm x 28cm, unframed (9). (see illustration on our website)

Toni Onley RCA, Canadian b.1928- "Brockton Point Lighthouse, Vancouver"; screenprint, signed, titled and numbered 123/150 in pencil, 32.5x40.5cm

After Francis Picabia 1879-1953- ''Petite Solitude Aumilieu Des Soleies, Tableau Peint Pour Raconter Non Pour Prouver''; screenprint printed in colours, signed within the plate, numbered 1/300 in ink, 57.6x41.6cm., (unframed)

JOHN BYRNE (B.1940) STILL LIFE WITH GUITAR Screenprint, signed, inscribed and numbered 12/20 78cm x 58cm (30.75in x 23in)

WILLIAM GEAR (1915-1997) ABSTRACT PRINT I, 1988 Screenprint, edition of 25, number 13/25, signed and editioned in pencil 46cm x 60cm (15.75in x 23.5in)

WILLIAM GEAR (1915-1997) ABSTRACT PRINT II, 1988 Screenprint, edition of 25, number 14/25, signed and editioned in pencil 46cm x 60cm (15.75in x 23.5in)

Bruce McLean (b. 1944), 'Burnt', Limited edition screenprint 13/75, Signed in pencil lower right, Inscribed with title and numbered, S. 119cm x 92cm, Unframed, Bruce McLean was born in Glasgow and studied at the Glasgow School of Art. He reacted against the 'pomposity' of modern sculpture by his humorous performance art and sculptures made from rubbish. He taught at Croydon School of Art, Maidstone College, and Epsom School of Art. In the late 70s he turned back to more traditional forms of art, prints and paintings, however, despite his growing international reputation, he continued to mock the art world, and even himself. His work is held by the Arts Council and the Scottish National Gallery of Modern Art.

Bruce McLean (b. 1944), 'Coco Butter', Mixed media screenprint, Signed lower right, S. 115cm x 87cm, Unframed

Tully Crook (Contemporary), 'The Floating Land', Limited edition screenprint, Signed and inscribed with title lower right, Inscribed 193/200 lower left, S. 53.5cm x 72.5cm, Unframed, J. T. English (mid 20th century), 'Lupins', Linocut, Signed and dated 1957 lower right, Inscribed with title lower left, S. 50cm x 42.5cm, Unframed, Francis Kelly (Contemporary), 'The Hoop', Limited edition aquatint, Signed lower right, Inscribed with title and 45/50 lower left, P. 40cm x 49.5cm, Unframed, and a quantity of other unframed prints (qty), (see illustration on our website),

Georges Braque (1882-1963), Landscape, Screenprint, Signed in pencil within the margin lower right, Inscribed 111/300 lower left, S. 40.5cm x 80cm

Ralph Steadman (b. 1936), Thumbs Up, Colour reproduction, Signed and numbered 211/300 in pencil, 52cm x 42cm Together with Allen Jones (b. 1937), Runny Mede, Colour screenprint, 37cm x 45.5cm(3), (see illustration on our website),

Bernard Cheese (b. 1925), Shakespeare's Kings, Colour screenprint, Signed, inscribed, dated 1964 and numbered 32/50 in pencil, 50cm x 38cm, Together with; Edwin Cadell (Contemporary), Shakespeare's Birthplace, Colour screenprint, Signed, inscribed and numbered 28/50, 50cm x 38cm; Alistair Grant (1925-1997), Ophelia, Colour screenprint, Signed, inscribed and numbered 21/50, 50cm x 37cm; Norman Ackroyd (b. 1938), Richard III, Colour print, Signed and numbered 17/50, 50cm x 38cm; Colin Hayes (1919-2003), The Taming of the Shrew, Colour print, Signed and numbered 45/50 in pencil, 37cm x 50cm (5)

Philip Sutton (b. 1928), Abstract bird, Limited edition screenprint, Signed and inscribed 243/250 lower right, S. 58cm x 78.5cm, David Humphries (Contemporary), 'NN74', Limited edition screenprint, Signed in pencil within the margin lower right, Inscribed with title lower centre and 77/100 lower left, S. 62.5cm x 89cm, and twenty-four other limited edition prints by various artists, all unframed (26), Philip Sutton's work is diverse, ranging from tapestry designs, paintings, tiles, Post Office greetings stamps, posters and prints.

Roy Conn b.1931- Untitled abstract; screenprint in colours, signed, dated 86 and numbered 4/10 in pencil, 53.7x55.5cm, (may be subject to Droit De Suite)

Richard Deacon RA b.1949- Untitled abstract composition; photo screenprint, 50.8x63.5cm: Glynn Boyde Harte b.1948- 'Asparagus & Champagne'; lithograph in colours, signed and numbered 130/195 in pencil: together with two other colour lithographs by the same hand, both signed and numbered in pencil, (4) (may be subject to Droit de Suite)

Takashi Murakami, b. 1962 EYE LOVE SUPERFLAT signed, dated 03 and numbered 43/50 colour screenprint laid onto paper image: 59 by 59cm.; 23.5 by 23.5in. sheet: 65 by 65cm.; 25.5 by 25.5in. Provenance Marianne Boesky Gallery, New York

pETER BLAKE (B. 1932) fAG PACKETS (BOULE), 2004 signed and numbered in pencil, screenprint, edition of 95, number 9/95 105cm x 76cm (sheet size)

pETER BLAKE (B. 1932) fAG PACKETS (VISA), 2004 signed and numbered in pencil, screenprint, printed on Somerset satin paper, edition of 95, number 95/95 105cm x 76cm (sheet size)

eDPETER BLAKE (B. 1932) fAG PACKETS (FIFTH AVENUE), 2004 signed and numbered in pencil, screenprint and silver foil, printed on Somerset satin paper, edition of 95, number 94/95 105cm x 76 cm (sheet size)

pETER BLAKE (B. 1932) rED POWER, 1972 signed and inscribed in pencil, colour screenprint, edition of 125, number 62/125. Part of the Wrestlers series (group of 5) 20.2cm x 8cm (plate size)

pETER BLAKE (B. 1932) pRETTY BOY MICHELANGELO, 1972 signed and numbered in pencil, screenprint, edition of 125, number 62/125. Part of the Wrestlers series (group of 5) 20.5cm x 10.5cm (plate size)

pETER BLAKE (B. 1932) eBONY TARZAN, 1972 signed and numbered in pencil, screenprint, edition of 25, number 62/125. Part of the Wrestlers series (group of 5) 30 cm x 12cm (plate size)

pETER BLAKE (B. 1932) tHE TUAREG, 1972 signed and inscribed in pencil, screenprint, edition of 125, number 62/125. Part of the Wrestlers series (group of 5) 25.5cm x 13cm (plate size)

dAVID HOCKNEY (B. 1937) sNOW, 1973 signed and numbered in green crayon, lithograph and screenprint printed on on Arjomari mould-made paper, edition of 98, number 19/98. From The Weather Series, published by Gemini G.E.L., Los Angeles. 85cm x 72 cm (plate size) 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4cm x 71.9cm

mARINO MARINI (1901-1980) cOMPOSITION, 1975 signed proof, coloured screenprint 20cm x 16cm (plate size)

pATRICK HERON (1920-1999) bLUE & BEEP VIOLET WITH ORANGE signed, numbered and dated pencil, screenprint, printed on wove paper, edition of 100, numbered 85/100. Printed by Kelpra Studio, London 59cm x 79cm (plate size)

pATRICK HERON (1920-1999) sIX IN VERMILLION WITH VIOLET IN REDS, 1970 sigend and numbered in pencil, screenprint, printed on wove paper, edition of 100, number 7/100. Printed by Kelpra Studios, London 58cm x 77cm (plate size)

pATRICK HERON (1920-1999) sECOND VERTICAL SCREENPRINT,1976 signed in pencil, screenprint, edition of 50, not numbered. From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm 43cm x 30cm (plate size) From The Shapes of Colour Portfolio of 20 screenprints, all signed From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm

pATRICK HERON (1920-1999) vERTICAL LIGHT: MARCH, 1957 signed in pencil, screenprint, edition of 50, not numbered. From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm 29cm x 64cm (plate size)

pATRICK HERON (1920-1999) pIANO, 1976 signed in pencil, screenprint, edition of 50, not numbered. From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm 19cm x 28cm (plate size)

bRIDGET RILEY (B. 1931) eDGE OF LIGHT, 2003 signed and numbered in pencil, screenprint, edition of 85 with 10 artist proofs, number 30/85. Proofed and printed by Artizan Editions, Hove. Print originally designed in 1981, published by Karsten Schubert 2003. 83.1cm x 71.9cm (plate size)

bRIDGET RILEY (B. 1931) uNTITLED (CHICAGO 7), 1971 signed, numbered and dated in pencil, screenprint, edition of 150, number 60/150. Printed by Kelpra Studios, London. Donated by Riley to help fund the Chicago Seven defendants. Schubert 15 51cm x 38cm (plate size)

Douglas Magonowicz (20th century), Regatta, Colour screenprint, Signed, inscribed and numbered 4/30 in pencil, 43cm x 69cm. Best Bid

* Agar (Eileen, 1904-1991). Two Figures, colour screenprint, signed and numbered 27/75 in pencil to lower margin, sheet size approx. 730 x 540mm (28.75 x 21.25 in), image size approx. 585 x 435mm (23 x 17 in), framed and glazed (1)

Ann-Marie LeQuesne (b. 1946) Not now Bernard Screenprint in colours Signed in pencil within the margin lower right Titled and 'A/P' 99.5cm x 64.5cm This lot may be subject to Droit de SuiteBest Bid

Chris Plowman (b. 1952) Small World Screenprint in colours Signed and dated 1973 in pencil within the margin lower right Titled and '5/35' S. 53.5cm x 72cm This lot may be subject to Droit de SuiteBest Bid

D anthony Frost (British, b.1951) Red Beat, 1994 signed lower right A Frost 94 screenprint 43 x 32cm

maqbool Fida Husain (Indian, b. 1915) Finishing Point signed lower right Husain screenprint 37 x 48cm

EDWARD PIPER (BRITISH, 1938-1990) THE RED PEIGNOIR Screenprint, signed and numbered 97/185 50cm x 66cm

Patrick Caulfield RA (1936-2005) Coat Stand 1973. Screenprint Signed in pencil within the margin lower right and AP P. 70.5cm x 92.5cm

Patrick Caulfield RA (1936-2005) Loudspeaker 1968. Screenprint in colours P. 69cm x 91cm

Bruce McLean (Scottish b. 1944) Lobster Futur 10 days 1-14. Screenprint in colours Signed title and 51/75 in pencil to lower margin P. 117.5cm x 91cm

Sir Eduardo Paolozzi RA (1924-2005) War Games Revised (from Universal Electronic Vacuum) 1967 Computer Epoch Each screenprint in colors The first pencil titled and inscribed 6890 and Specimen Set to lower margin The first pencil titled and inscribed No 6862 and Specimen Set to lower margin Each p. 101cm x 67.5cm (2)

Richard Smith (b. 1931) Pendulum Screenprint in colours collage and string Signed in pencil upper left Dated (19)73 upper right 90cm x 59.5cm

Patrick Caulfield RA (1936-2005) Brown pipe Screenprint in colours Signed in pencil within the margin lower right and AP P. 98cm x 72.5cm

Fraser Taylor (b. 1960) Crouched woman Screenprint in colours Signed titled and 16/150 in pencil to lower margin P. 104cm x 87.5cm

d 404. Joe Tilson RA (b. 1928) Ziggurat 6. Screenprint in colours Signed and dated 1966 in pencil lower right Titled and Proof lower left P. 65cm x 98cm

Victor Vasarely (French/Hungarian 1908-1997) Two Blue Squares Screenprint in colours Signed in pencil within the margin lower right 57/150 lower left Image 89cm x 48cm

Terry Willson (b. 1948) Anonymous Portrait No. 5. Screenprint in colours Signed in pencil within the margin lower right 71/150 lower left P. 97cm x 75cm

Patrick Heron (1920-1999) Blue and deep violet with orange brown and green Screenprint in colours Signed and dated (19)70 in pencil within the margin lower right 32/100 lower left 60cm x 78cm Unframed (some light scuff marks)

Olwen Jones (b. 1945) The Columbran Press Screenprint in colours Signed title and 19/30 in pencil within the lower margin 50.5cm x 38cm; Together with Robert Tavener (b. 1920) Kentish Oast Houses (No.4) Screenprint in colours Signed title and 10/50 in pencil within the lower margin 50.5cm x 65.5cm Both unframed (2)

**Banksy. Screenprint, Soup Can, unsigned, numbered in pencil 111/250, Pictures On Walls blind stamp, 19" x 13.25", framed. ILLUSTRATED.

Andy Warhol Sunday B Morning. Screenprint, Campbell’s Soup 1, tomato blue ink and Fill In Your Own Signature stamp verso, 22" x 34", framed. ILLUSTRATED.

John Piper 1903-1992- 'Buckden in a Storm', (l.281), publ by Christie's Contemporary Art- screenprint in colours, signed and numbered 36/100 in pencil, bears publisher's blind stamp, 69x94cm

Sandy Sykes (b. 1944) 'Spell for Expressing a Train of Force' Screenprint Signed titled and 'A/P' in pencil within margin P. 51cm x 51cm; Together with etchings screen and other limited edition prints by the same hand The first framed with 25 unframed