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δ Banksy (b.1974)Bomb LoveScreenprint in pink and black, 2003, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet printed to the edges, sheet 694 x 494mm (27 3/8 x 19 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Weston Super Mare (Signed)Screenprint in colours, 2003, signed and dated in black ink, numbered from the edition of 750, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 350 x 995mm (13 3/4 x 39 1/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Sale Ends 'V.2.' (Signed)Screenprint in red and black, 2017, signed in pencil, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, with full margins, sheet 570 x 765mm (22 1/2 x 30 1/8in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)NapalmScreenprint in colours, 2004, numbered from the edition of 500, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 495 x 700mm (19 1/2 x 27 1/2in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)No Ball Games (Green) (Signed)Screenprint in colours, 2009, signed in green crayon, numbered from the edition of 250 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 668 x 698mm (26 1/4 x 27 1/2in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Girl with BalloonScreenprint in red and black, 2004, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 698 x 490mm (27 1/2 x 19 1/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Donuts (Strawberry) (Signed)Screenprint in colours, 2009, signed in pink pencil, numbered from the edition of 299, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 wove paper, the full sheet, sheet 552 x 754mm (21 3/4 x 29 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Christ with Shopping Bags (Signed)Screenprint in colours, 2004, signed, dated and numbered from the edition of 82 in pencil, printed and published by Pictures on Walls, London, on wove paper, with margins, sheet 690 x 490mm (27 1/4 x 19 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Choose Your Weapon (Bright Pink) (Signed)Screenprint in pink and black, 2010, signed in pink pencil, numbered from the edition of 25, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 695 x 695mm (27 3/8 x 27 3/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Have a Nice Day (Anarchist Book Fair) (Signed)Screenprint in colours, 2003, signed, inscribed 'A' (Anarchy) and numbered from the edition of 67 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 319 x 998mm (12 1/2 x 39 1/4in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Sandra BLOW (1925-2006) Red Melange, 2006 Screenprint and collageSignedNumbered 115/130Image size 71.5 x 71.5cmPaper size 92 x 90.5cmThere is foxing to the margins of this unframed print, predominantly along the lower edge (please see images). The image itself appears to be in good condition with no foxing visible and the collaged elements are secure.
Wilhelmina BARNS-GRAHAM (1912-2004) Homage to Johnny, 2002 ScreenprintSigned and dated 2002Numbered 41/7526.5 x 35cmRelated to three paintings entitled Goodbye to Johnny, made after the death of John Wells in 2000Literature - 'The Prints of Wilhelmina Barns-Graham' by Ann V. Gunn, illustrated page 109 cat.46 108 Fine Art Limited, Harrogate (label verso)Wilhelmina Barns-Graham Trust, inventory No. 4621 (label verso)This beautifully presented screenprint is in perfect condition
William Weege (American, 1935-2020). Screenprint on handmade paper titled "Cowomonoco," depicting a rainbow of abstract lines crisscrossing one another, 1979. Pencil signed and dated along the lower right; numbered 26/50 along the lower center, titled along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Unframed; height: 21 in x width: 20 1/2 in. Framed; height: 27 in x width: 27 1/4 in.
Eyvind Earle (American, 1916-2000). Screenprint titled "Winter Quiet," depicting a house and two trees on a moonlight winter night, ca. 1985. Pencil signed along the lower right; numbered 138/300 along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.Image; height: 20 in x width: 39 1/2 in. Framed; height: 27 in x width: 47 in.
Herbert Bayer (American/Austrian, 1900-1985). Framed screenprint on paper from the portfolio "Edition Domberger Stuttgart Portfolio," 1968. Pencil signed along the lower right and numbered 2/85.(Portfolio) height: 20 1/2 in x width: 10 1/8 in. (Prints) sight; height: 19 in x width: 18 1/2 in. Framed; height: 27 in x width: 26 1/2 in.
Herbert Bayer (American/Austrian, 1900-1985). Framed screenprint on paper from the portfolio "Edition Domberger Stuttgart Portfolio," 1968. Pencil signed along the lower right and numbered 2/85.(Portfolio) height: 20 1/2 in x width: 10 1/8 in. (Prints) sight; height: 19 in x width: 18 1/2 in. Framed; height: 27 in x width: 26 1/2 in.
Yaacov Agam (Israeli, b. 1928). Agamograph color screenprint depicting an American flag along one side and a United Kingdom "Union Jack" along the other. When viewed at a different angle, blocks of color can be seen. Pencil signed and numbered 210/300 along a margin. With a blue ribbon to store the print.Height: 9 in x width: 19 in.
§ PATRICK CAULFIELD (BRITISH 1936-2005) BROWN POT, 1994 Screenprint, 77/80, signed and numbered in pencil to margin, published by Advanced Graphics, London, with their blindstamp Dimensions:image size 73cm (28 3/4in), 52cm (20 1/2in)Provenance:Provenance: Alan Cristea Gallery, London, 2002.Royal Academy Summer Exhibition, 2002.
§ RICHARD HAMILTON C.H. (BRITISH 1922-2011) FIVE TYRES REMOULDED, 1972 The complete set of 8 works including seven screenprints in black on frosted mylar (superimposed on each other), and one relief cast in white silicone elastomer, 2/150, with accompanying collotype text sheet, all loose (as issued) contained in the original cream portfolio with printed title, signed and numbered in pencil on the Depths of Cut screenprint and on the reverse of the silicone relief, (there were also 15 artist's proofs), co-published by Professional Prints A.G., Zug, and Eye Editions, Switzerland and OhiosDimensions:each sheet 60cm (23 1/4in), 85cm (33 1/2in)Provenance:Provenance: Bloomsbury Auctions, London, 11th December 2013, lot 167.Note: 'All art is equal - there was no hierarchy of value. Elvis was to one side of a long line while Picasso was strung out on the other side ... TV is neither less nor more legitimate an influence than, for example, is New York Abstract Expressionism'Richard Hamilton was interested in graphics and printing, particularly the impact of technology on the production of art and the evolution of a creative idea. He had studied engineering draughtsmanship as well as art, and worked for a period as a commercial designer. Always keen to embrace new technologies, he was quick to utilise computer-generation in the production of artworks. We can see many of Hamilton’s interests and technical skills come together in Five Tyres Remoulded.This iconic work from 1971 was many years in the making; Hamilton originally started work on the first drawings that would evolve into this project in 1951. He wanted to engage with the visual impact of an everyday but skilfully-designed object, the car tyre. He started with a series of perspective drawings which eventually became a six-coloured screenprint in 1964. He wanted to emboss the sheet with a very stark relief but was not yet able to fully resolve how to do this; the work therefore became Five Tyres Abandoned. It was not until 1970 that a solution arose, when the art dealer Carl Solway saw the work in Hamilton’s studio and suggested he find a computer programme that would resolve the perspective problems.The final work comprises one collotype printed with text, seven screenprints in black on mylar that superimpose over each other and one relief cast in white silicone elastomer. Conveying the perspective, depth and texture of tyre design, the refined composition belies the complex, near-two-decade production process. Five Tyres Remoulded showcases and elevates an everyday item; for Hamilton, something as carefully designed as car tyre would always be an artwork.
§ SIR PETER BLAKE C.B.E., R.A. (BRITISH 1932-) MADONNA ON VENICE BEACH II, 1996 Screenprint, 97/100, signed and numbered in pencil to marginDimensions:image size 26cm (10 1/4in), 22.5cm (9in)Provenance:Provenance: Nishimura Gallery, Tokyo.Bloomsbury Auctions, London, 4th December 2009, lot 383.
Nicholas Bristow - 'July Meadow', 20th century screenprint, signed, titled and editioned 451/500 in pencil, sheet size 2cm x 29.5cm, together with a collection of similar screenprints by the same hand and a quantity of other prints and drawings by David Thompson.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Egerton Piper - Stansfield, screenprint in colours on wove paper, signed and editioned 91/100 in pencil and with CCA blindstamp, published 1986, sheet size 104cm x 62.5cm, within a metal frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Tom Phillips - 'Ten Union Jacks', screenprint in colours on wove paper, published for PSA Supplies Division by Editions Alecto Ltd., London 1976, sheet size 96.5cm x 56.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Jim Starr - Medusa, mixed media screenprint with spray paint on canvas laid onto board, circa 2010, 122cm x 81cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Dorothy Bart - 'Village en Juillet', 20th century screenprint in colours, signed, titled and editioned 26/55 in pencil, 48.5cm x 68.5cm, within a stained wood frame, together with a 20th century woodcut by a different hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Copyright - Mother, screenprint on wove paper, signed and editioned 3/33 in ink, circa 2013, 79cm x 79.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Jim Starr - Double Trouble, mixed media screenprint with spray paint on canvas laid onto board, 40cm x 30cm, within an ebonized tray frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Jim Starr - Audrey Hepburn, 21st century screenprint on wove paper, signed and dated 2006 in ink, 90cm x 69.5cm, together with two other screenprints by the same hand, Bikini Bond Ranger, and 'Samurai'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Peter Blake - Appropriated Alphabets No. 10, screenprint in colours, signed and editioned 16/100 in pencil recto, Art Republic label verso, published 2013, sheet size 45cm x 44cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Jim Starr - 'Samurai', 21st century screenprint on paper, signed, titled and editioned 5/10 in pencil, 60cm x 44cm, together with two other screenprints by the same hand, Bikini Bond Ranger, and Audrey Hepburn.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Shepard Fairey - 'Liberte, Egalite, Fraternite', 21st century screenprint in colours, signed and dated '18 in pencil, sheet size 90.5cm x 60cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Copyright - Lady of the Lake (Gold), screenprint on wove paper, signed and editioned 5/10 in ink, circa 2013, 70.5cm x 49.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Jim Starr - Americana, mixed media screenprint with spray paint on canvas, laid onto board, 28.5cm x 23cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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12816 item(s)/page