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Lot 560
§ John Piper OM, CH (1903-1992) Caernarvon Castle, 1971signed 'John Piper' (lower right); numbered 31/70screenprint, printed by Marlborough Graphics Ltd.53 x 78cmNot examined out of the frame, outer margins obscured by mount so not available for inspection. Overall in very nice clean condition, the centre of the lower margin with one isolated foxing spot. Likewise, the lower margin and the bottom of the mount with some debris and some thunderflies trapped beneath the glass.
Lot 581
§ Sir Eduardo Paolozzi CBE (1924-2005) Parrot; from the series As Is Whensigned and dated 'Eduardo Paolozzi 1964' (lower right); A/Pscreenprint83 x 58cmProvenance:From the estate of Freda Paolozzi (née Elliott)Overall discolouration to the margin, small abrasion to the left of the print in the margin
Lot 621
§ Ian Hamilton Finlay CBE (1925-2006) Evening/Sail screenprint, unframed 80 x 28cmUnframed and unsigned, bearing no blindstamps. Margins appear slightly toned in appearance, this is largely even and uniform throught, though deepening slightly in colour at the outermost edges. One small handling crease to the lower margin and two deeper, though still small, creases along the top right and left hand edges. One light foxing spot visible to the reverse. The image itself has several light surface scratches, otherwise in nice condition. From a local private collection.
Lot 608
§ Robyn Denny (1930-2014) Waddington Suite No.3 signed 'Denny' (lower right); numbered 48/75 screenprint 60.5 x 51.5cm Provenance: With Abbott & Holder, where acquired in May 2009Exhibited: London, The Arnolfini Gallery (details untraced) Usual slight discolouration. Small mark, possibly pencil to the top left corner
Lot 587
§ Sir Eduardo Paolozzi CBE (1924-2005) Allegro Moderato Fireman’s Parade; from the series Calcium Light Nightsigned and dated 'Eduardo Paolozzi 1974' (lower right); numbered A/P 6/25 and bearing the dedication 'for Freda'screenprint97 x 67cmProvenance:From the estate of Freda Paolozzi (née Elliott)
Lot 607
§ Bridget Riley CH, CBE (1931-) Firebird, 1971signed 'Bridget Riley' (lower left); numbered 38/75screenprint76.5 x 102cmProvenance:Sale; Christie's, 8 December 2010, lot 506Updated to include unframed images. Crack to the right hand top corner of the frame and with two light scuffs to the front perspex. The paper support is perhaps slightly toned though this is largely uniform in nature, with some very minor yellowing to the outermost borders. Some very minor scattered accretions along the lower margin and with some very minor foxing visible along the lower edges, otherwise in very nice overall condition. See additional images.
Lot 610
§ Robyn Denny (1930-2014) All Through the Daysigned and dated 'Denny 70' (lower right); numbered 28/95screenprint72 x 76cmVery faint crease lower right just above the signature - 2 inches. Small marks around the edges in places, a faint crease towards the bottom of the picture and a thumb size abrasion to the syrface towards the left of the print
Lot 1980
LANCELEY, Colin(1938 Dunedin - 2015 Sydney) "Bluebeard's castle"Farbsiebdruck auf Karton. Bleistiftsignatur. 1968. Exemplar: 47/300. Blatt: 103 x 70 cm. In den Ecken kleine Löcher durch Befestigung, Blatt etwas gebräunt. Australischer Maler und Grafiker: "To look at his paintings from any period is to see an artist who believed, with Matisse, that art should be a celebration of life and beauty. In Lanceley's case, a taste for vibrant colour was allied to the most painstaking composition. His best pieces are notable for their lyricism and visual intelligence." (Nachruf auf CL von John McDonald, in: The Sydney Morning Herald, 2015, https://www.smh.com.au/national/colin-lanceley-pioneering-artist-was-devoted-to-beauty-20150220-13k3d6.html). Aufrufzeit 26. | Okt 2023 | voraussichtlich 18:39 Uhr (CET) LANCELEY, Colin(1938 Dunedin - 2015 Sydney) "Bluebeard's castle"Color screenprint on cardboard. Pencil signature. 1968. copy: 47/300. Sheet: 103 x 70 cm. In the corners small holes by attachment, sheet somewhat browned. Australian painter and printmaker: "To look at his paintings from any period is to see an artist who believed, with Matisse, that art should be a celebration of life and beauty. In Lanceley's case, a taste for vibrant color was allied to the most painstaking composition. His best pieces are notable for their lyricism and visual intelligence." (Obituary for CL by John McDonald, in The Sydney Morning Herald, 2015, https://www.smh.com.au/national/colin-lanceley-pioneering-artist-was-devoted-to-beauty-20150220-13k3d6.html). Call time 26 | Oct 2023 | expected 18:39 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lot 131
ZOE ANKER, ATOMIC multi layered one of a kind screenprint with hand cut stencils on card album cover, signed31cm x 31cmZoe Anker studied MA Design for Textiles Future at Central St Martins College of Art and Design, London; graduating in 2004. Since that time she worked within the fashion Industry, before returning to her passion for printmaking full time. Silkscreen printing has always been Zoe’s medium of choice, whether that be art pieces on paper or fashion fabrics. Zoe has a strong passion for the juxtaposition of colour, geometric shape and mark making, with the use of layers to create interesting and unique forms. Zoe is currently based at Wimbledon Art Studios, London. Instagram: zoeanker
Lot 71
HEATH KANE, MAGGIE screenprint on card album cover, signed31cm x 31cm Heath Kane is an Australian artist, based in the UK. Heath is synonymous with creating bold, striking, often lurid art. He embeds subtle, subversive themes that encourage a political or social conversation. Heath’s approach to art has always been driven by the practice of design thinking: combining his experience in commercial art with the origins of pop-art. Heath has collaborated with Wired Magazine and Saatchi Art, and has partnered with Penguin Books to create the last published covers of George Orwell’s most famous books. Heath exhibits his work in solo shows all around the globe, and his originals and prints frequently appear in leading galleries worldwide.Instagram: byheathkane
Lot 273
RAVI ZUPA, A FRIEND 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 275
RAVI ZUPA, KEEP MOVING 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 78
EYESAW, HOMER GLITCH mixed media, 2 layer screenprint, hand finished glitches on card album cover, signed31cm x 31cm EYESAW’s involvement in the street art scene, as a street, graffiti, and urban artist, spans back to the early 2000s. Starting out with basic tags and letter forms, and later developing into more thought-provoking artworks using a wide variety of techniques such as stencils, stickers, paste ups, and freehand graffiti murals. Not limited to the street, self-taught artist Eyesaw also adopts a wide range of skills within his studio practice. The use of mixed media, sculpture, printmaking, acrylic, spray, and oil paint can be found throughout his studio work. His work draws inspiration from popular culture, iconic symbolism, typography, logo design, propaganda, and advertising. Eyesaw’s work has been exhibited in countless galleries and festivals throughout the U.K. Europe, USA, Netherlands, and Japan. Instagram: eyesaw_nft
Lot 247
RAVI ZUPA, WHAT'S COOLER 3 colour screenprint on paper, created in 2021, signed28cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand.
Lot 252
SHEPARD FAIREY, GRACE AND POWER UNDER PRESSURE (GREEN) artist's proof screenprint on thick cream Speckletone paper, signed and marked A/P from an edition of 30061cm x 40.5cmShepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London. Instagram: obeygiant
Lot 264
RAVI ZUPA, KEEP MOVING 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 263
RAVI ZUPA, TOGETHER AGAIN 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 284
RAVI ZUPA, A FRIEND 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 244
RAVI ZUPA, THRILLING 3 colour screenprint, created in 2020, signed28cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand.
Lot 172
A. CE, UNTITLED 3 acrylic and screenprint on card album cover, signed31cm x 31cmA.CE is a London based artist. He has been active in the UK scene for the last 2 decades. In that time, his instantly recognisable wheat-pasted images, in his bold signature style, have featured prominently across the urban landscape, drawing inspiration in part from Dadaism, Pop art, collage, graffiti and the skate scene of the 80’s and 90’s. A.CE’s work is a raw presentation of nostalgic imagery intuitively selected, blended and remixed with contemporary fragments, resulting in a new narrative with ambiguities and incongruities, humor and messages that reflect the absurdities of popular culture and a media-rich consumer drive society. His art has been featured in a number of notable books and magazines and exhibited in galleries across the world, including London, Paris, Chicago, Tokyo and New York. Instagram: a.celondon
Lot 245
RAVI ZUPA, STAYING IN 3 colour screenprint, created in 2021, signed28cm x 43cm Ravi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand.
Lot 171
A. CE, UNTITLED 2 acrylic and screenprint on card album cover, signedA.CE is a London based artist. He has been active in the UK scene for the last 2 decades. In that time, his instantly recognisable wheat-pasted images, in his bold signature style, have featured prominently across the urban landscape, drawing inspiration in part from Dadaism, Pop art, collage, graffiti and the skate scene of the 80’s and 90’s. A.CE’s work is a raw presentation of nostalgic imagery intuitively selected, blended and remixed with contemporary fragments, resulting in a new narrative with ambiguities and incongruities, humor and messages that reflect the absurdities of popular culture and a media-rich consumer drive society. His art has been featured in a number of notable books and magazines and exhibited in galleries across the world, including London, Paris, Chicago, Tokyo and New York. Instagram: a.celondon31cm x 31cm
Lot 120
909 ART, WOKE 2 layer screenprint on card album cover, signed31cm x 31cmWith influences ranging from Jean Michel Basquait and Banksy to Blek Le Ret, 909 Art likes to incorporate numerous techniques to create art pieces from abstract and fluid shapes. With work exhibited both nationally, and internationally, 909's artistic sensibilities, and fun take on the street art genre, appeal to a wide audience. 909 has work exhibited in the UK as well as the USA and Europe. Instagram: 909art.co.uk
Lot 170
A. CE, UNTITLED 1 acrylic and screenprint on card album cover, signed31cm x 31cmA.CE is a London based artist. He has been active in the UK scene for the last 2 decades. In that time, his instantly recognisable wheat-pasted images, in his bold signature style, have featured prominently across the urban landscape, drawing inspiration in part from Dadaism, Pop art, collage, graffiti and the skate scene of the 80’s and 90’s. A.CE’s work is a raw presentation of nostalgic imagery intuitively selected, blended and remixed with contemporary fragments, resulting in a new narrative with ambiguities and incongruities, humor and messages that reflect the absurdities of popular culture and a media-rich consumer drive society. His art has been featured in a number of notable books and magazines and exhibited in galleries across the world, including London, Paris, Chicago, Tokyo and New York. Instagram: a.celondon
Lot 237
ROAMCROUCH, LOST ANGELS 2020 artist's proof 36 colour hand-pulled screenprint on 310gsm fine art paper, signed and numbered A/P42cm x 91cmRoamcouch is a Japanese stencil artist, and an urban, contemporary master in his own right. He brings new meaning to “stencilism," and produces meticulously detailed and rich stencil paintings on canvas, and clean-cut screen prints on paper. Some describe his work ethic as that of a modern master, because he can take up to a year to create one piece of his work. His stencils involve an unfathomable and highly professional level of intricacy, with certain images requiring fifty different layers of stencil, which are all hand-drawn and hand-cut. His works involve such detail yet manage to portray a feeling of romanticism and fluidity, through the use of his selected subject matter. Roamcouch was a former designer and resided in a more corporate setting. Several years ago he was diagnosed with a serious illness, which made him rethink his life and career. It stimulated Roamcouch to drastically change his life by pursuing his dream – becoming an artist. Instagram: roamcouch
Lot 285
RAVI ZUPA, TOGETHER AGAIN 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 291
CLET ABRAHAM, PONTE screenprint on paper, signed and numbered from an edition of 10235cm x 35cmClet Abraham is an Italian artist born in 1966. He studied at Ecole des Beaux-Arts in Rennes and lives and works in Florence where he has his own studio. He redirects traffic signs in order to create unique work with bright colors, marked with a hint of humor. His work is based on criticizing the strictness of signage, therefore he gives these signs a more humanistic dimension which symbolize rules and regulations. It is in Florence that he began this redirection, he cuts stickers in advance and sticks them on panels in Italian streets and cities. His work can now be seen on the streets of European capitals such as Paris, Rome, London, Turin, Milan or Barcelona. Instagram: cletabraham
Lot 276
RAVI ZUPA, THRILLING 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 253
SHEPARD FAIREY, IAN CURTIS HEART AND SOUL artist's proof screenprint on thick cream Speckletone paper, signed by Shepard Fairey and Kevin Cummins, numbered A/P from an edition of 50046cm x 61cmShepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London. Instagram: obeygiant
Lot 286
RAVI ZUPA, KEEP MOVING 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 262
RAVI ZUPA, A FRIEND 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 82
EIKE KÖNIG, VATER VS FATHER screenprint on card album cover, signed31cm x 31cm An internationally recognised German design artist and founder of Berlin creative collective HORT, Eike König makes use of typographical, pop art and contemporary techniques to provoke. Celebrated for its conceptual, political, emotional and visual approach, König believes that “something can be incredibly poetic but also aggressive at the same time”, and he is “always looking for a moment that allows for contradictions to be read in the broadest possible way.” Rather than producing answers, König’s work triggers discourse. Instagram: eikekoenig
Lot 246
RAVI ZUPA, BY MY WITS 3 colour screenprint, created in 2021, signed, from an open edition28cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand.
Lot 265
RAVI ZUPA, THRILLING 3 colour screenprint on paper, signed, created in 202028cm x 43cmRavi Zupa considers books the best way to experience art. He has spent decades studying books about the art, mythology, religion, and history of cultures from across geography and time. Entirely self-taught, Zupa looks to works by German Renaissance printmakers, Flemish primitives, abstract expressionists, Japanese woodblock artists, and Mughal painters for inspiration. He also frequently incorporates religious iconography from Europe, Asia, and Pre-Columbian Latin America with revolutionary propaganda from around the world. With a distaste for ironic art or the thoughtless appropriation of culture, he integrates seemingly unrelated images in search of something universal. Zupa does not create any of his art digitally; everything comes from his own hand. Instagram: raviamarzupa
Lot 254
SHEPARD FAIREY, CULTIVATE HARMONY artist's proof screenprint on thick cream Speckletone paper, signed, from an edition of 50030.5cm x 61cmShepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London. Instagram: obeygiant
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12816 item(s)/page