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Click here to subscribeδ Banksy (b.1974)GranniesScreenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Alan Davie (British, 1920-2014), Alan Davie Drawings - Wolf at the Door, Penzance, 18th June - 2nd August '94 exhibition poster, signed and dated '94, numbered 4/75 in pencil, screenprint, unframed, 65.5 x 50.5cm, 25.75 x 20in. Artists’ Resale Right (“droit de suite”) may apply to this lot. For a condition report please visit our website www. peterwilson.co.uk
Ryan Callanan, (British, b. 1981), Marty McDouble, signed lower right in pencil and numbered 75/100, silkscreen print on Somerset paper 77 x 56cm, Shepard Fairey (American, b. 1970), The Writing on the Wall, signed lower right in pencil and numbered 166/300, screenprint, 60 x 44cm (23.5 x 17in), Jef Aerosol (French, b. 1957), Sitting kid, signed lower left and numbered 61/100, pochoir with Blind Angle blind stamp, 58 x 76 cm (3)
Banksy (1975) Laugh Now 2003screenprint in colours on wove paper - number 50 from an edition of 150 (there was also an unsigned edition of 450), published by Pictures on Walls, Londonsigned and dated in black ink, numbered 50/150 69.20 x 49.40cm (27.2 x 19.4in)Private Collection This work is accompanied by a Certificate of Authenticity issued by Pest Control Office.
Andy Warhol (1928-1987) Golden Mushroom, from Campbell's Soup II, 1969 (F. & S. II.62)screenprint in colours on smooth wove paper, framed - number 94 from an edition of 250 (total edition includes 26 artist's proofs). Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen verso, stamp-numbered 94/250 verso 89 x 58½cm (35 x 23in)Taylor Gallery, Belfast; Private Collection Feldman-Schellmann II.62 One evening in 1962, the philosopher and art critic Arthur Danto happened to see a work by Andy Warhol in the window of the Leo Castelli Gallery in New York. The work was a stack of screen-printed Brillo Boxes, just like the boxes you could find in the supermarket, but these were recreated by Warhol and they were empty. Danto realised in that moment that Warhol had transformed the whole notion of fine art. As far as he was concerned, things would never be the same again. Born in Philadelphia in 1930, Warhol had worked as a very successful commercial artist and illustrator in New York since the early 1950s. But now he was transforming the subjects and methods of popular and commercial culture into the currency of fine art. Pretty much every American, Danto realised, could understand a Warhol. You didn't need knowledge of art history or any kind of insider information. At a stroke he had bypassed the pretensions of an art world elite - an elite that included Danto himself. Warhol went on to draw on any number of everyday subjects including, famously, Campbell's Soup cans - of which there are three pristine examples here - dollar bills, advertising imagery and film stars. When Warhol used images of film stars, he didn't aim for a classical studio portrait, he took ordinary publicity shots, as reproduced in newspapers and magazines, familiar to millions of people, made silkscreen versions of them, mechanically, but with some interventions, and produced them in multiples. His studio was called, appropriately, the Factory. His Ingrid Bergman has her in character as Sister Superior Mary Benedict in The Bells of St Mary's. Aidan Dunne, October 2018
Andy Warhol (1928-1987) Tomato-Beef Noodle O´s, from Campbell's Soup II, 1969 (F. & S. II.61)screenprint in colours on smooth wove paper - one of 26 artist's proofs numbered A-Z aside from the edition of 250. Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen verso, lettered L verso 88.90 x 58.40cm (35 x 23in)Private Collection Feldman-Schellmann II.61
Andy Warhol (1928-1987) Scotch Broth, from Campbell's Soup II, 1969 (F. & S. II.55)screenprint in colours on smooth wove paper - number 38 from an edition of 250 (total edition includes 26 artist's proofs). Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen verso, stamp-numbered 38/250 verso 88.90 x 58.40cm (35 x 23in)Martin Lawrence Gallery, New York (label verso); Private Collection Feldman-Schellmann II.55
Andy Warhol (1928-1987) The Nun, from Ingrid Bergman, 1983 (F. & S. II.314)screenprint in colours on Lenox Museum Board - numbered 215 from an edition of 250 (total edition includes 20 artist's proofs) with the printer's blind stamp Rupert Jasen Smith, New York. Published by Galerie Borjeson, Malmo, Sweden.hand signed in pencil and numbered 215/250 lower right 96½ x 96½cm (38 x 38in)Taylor Gallery, Belfast; Private Collection Feldman-Schellmann II.314
John Piper limited edition colour screenprint, 'Highclere Castle', signed in pencil 'John Piper' to margin, no. 47/75, blindstamped, 40.5 cm x 54 cm, framed and glazed, ARR MAY APPLY TO THIS LOTOverall in good condition. The colours are strong, no apparent water damage or tears. Edges are worn and unconcealed by the frame. Glass of frame would benefit from a clean and has scratches and spots of tarnishing to the metal.
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