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Richard Lin, British 1933-2011- Summer, from The Four Seasons Portfolio, 1966; screenprint in colours on T H Saunders wove, signed, dated, titled and numbered 37/70 in pencil, sheet: 68.7 x 91.2 cm, (unframed) (ARR)Note: see Tate Britain, accession no. P04575, for another impression.Provenance: The Thomas Collection.Please refer to department for condition report

Richard Lin, British 1933-2011- Summer, from The Four Seasons Portfolio, 1966; screenprint in colours on T H Saunders wove, signed, dated, titled and numbered 38/70 in pencil, sheet: 68.7 x 91.2 cm, (unframed) (ARR) Provenance: The Thomas Collection. Note: see Tate Britain, accession no. P04575, for another impression. Note: Taiwan-born Richard Lin graduated with a degree in architecture from Regent St Polytechnic in 1958 and subsequently continued to work in the UK under the name Lin Show Yu. Lin’s work presents deceivingly simple and minimalist compositions, which take inspiration from traditional Chinese and Taiwanese paintings, as well as modern abstraction including the work of Ben Nicholson. Please refer to department for condition report

Ole Schwalbe, Danish 1929-1990- Romerske Synonymer, 1967/68; lithograph and screenprint in colours, 12 individual prints framed in pairs in six frames, each signed and numbered 33/100 in red-brown coloured pen, each image: 45.9 x 36.8 cm, (framed) (ARR) (6) Please refer to department for condition report

Richard Hamilton, British 1922-2011, Kent State, 1970; screenprint in colours on wove, signed and numbered 3430/5000 in pencil, with Schoeller Turm blind stamp, printed by Dietz Offizin, Lengmoos, Bavaria, published by Dorothea Leonhart , Munich, image: 73 x 102 cm, (framed) (ARR) Please refer to department for condition report

Victor Vasarely, French/Hungarian 1906–1997, Olympische Spiele München, 1972; screenprint poster on thin wove, signed within the print, printed by Editions Olympia, Munich, sheet 101 x 64 cm, (unframed) (ARR)Please refer to department for condition report

Sandra Blow RA, British 1925–2006, Red melange, 2006; 20 colour screenprint with collage, signed and numbered 90/130 in pencil, image: 71 x 71 cm, (framed) (ARR) Please refer to department for condition report

David Hockney OM CH RA, British b. 1937- Gorge d'Incre (from Some More New Prints), 1993; lithograph and screenprint on Arches 88 wove, signed, dated and numbered 45/68 in pencil, published by Gemini G.E.L., Los Angeles, image: 53 x 64 cm, (framed) (ARR) Please refer to department for condition report

Yoon Hyup, Korean b. 1982- Still in the game, 2022; 17 colour screenprint on Lambeth Drawing Cartridge 370gsm, signed and numbered 50/200 in pencil, 85 x 64.2 cm, (unframed) Please refer to department for condition report

Feng Zhengjie, Chinese b.1968- Chinese Portrait A, 2008; screenprint on wove, signed and numbered 187/200, 81 x 81 cm, (framed) Please refer to department for condition report

Gary Hume RA, British b. 1962- Vicious, 2010; 12 colour screenprint on 410 gsm Somerset Tub Sized wove, signed, titled, dated and numbered 49/250 in pencil, sheet: 88.8 x 75 cm, (unframed) (ARR) Note: Inspired by the Lou Reed song 'Vicious' Hume was especially intrigued by the opening lyric 'you hit me with a flower'. He overlaid a dark silhouette, derived from an athletic statue of Mussolini, on a background of vibrant flowers, creating an attractive and decorative image from the idea of violent beauty.Please refer to department for condition report

Gillian Ayres RA, British 1930–2018, Much is the force of a heaven bred poesy; screenprint and hand applied colour Velin Arches 300 gsm, signed and numbered 34/50 in pencil, published by Chilford Curwen editions, with their blindstamp, 59.5 x 59.7 cm, (framed) (ARR) Provenance: Goldmark Art, Uppingham, Rutland Please refer to department for condition report

Barbara Kruger, American b.1945- Untitled (Too Big To Fail), 2012; Never Enough tote, 2019 ;(i) laminated MDF wall clock, printed title verso, produced by The Art Institute Chicago, in original black card packaging, 25.5 x 25.5, (ii)screenprint in colours on organic cotton bag, from the edition of 200, overall 42 x 38 cm, (2)Please refer to department for condition report

Felix Gonzalez-Torres, Cuban/American 1957–1996, Untitled (Double Portrait), 1991; screenprint in colours on wove, sheet: 70 x 99.5 cm, (unframed) Please refer to department for condition report

Boo Ritson, British b.1969- Bagel, 2009; screenprint on lasercut white acrylic, signed and numbered 6/28 to label verso, overall: 89.4 x 80.3 cm, (ARR)Please refer to department for condition report

Jonas Wood, American b. 1977- Bananas, 2021; screenprint in colours on rising museum board, signed, dated and numbered 121/200 in pencil, co-published by WKS Editions and Aliso Editions, Los Angeles, with their blindstamp, sheet: 71 x 58.5 cm, (unframed)Please refer to department for condition report

Julian Opie, British b. 1958- Steve Guitar, Montreux Jazz Festival, 2006; screenprint on smooth wove, printed by Albin Uldry, Bern, Switzerland, for the Montreux Jazz Festival, sheet: 100 x 70 cm, (framed) (ARR) Please refer to department for condition report

AMENDMENT- please note this work is an offset lithograph not a screenprint as statedJulian Opie, British b. 1958- Walking in Melbourne, 1, 2018; screenprint in colours on wove, co-published by the artist's studio and the National Gallery of Victoria, Melbourne, 34.9 x 35.1 cm, (unframed) (ARR) Please refer to department for condition report

The Connor Brothers, British b.1968- A Dangerous Idea (Box Set), 2019; (i) unique giclée screenprint, acrylic and oil with hand-applied varnish on wove, signed and dated in silver marker, (ii) the complete portfolio of six pigment prints in colours on archival wove, each signed, dated and numbered from the edition of 50 in pencil, each sheet loose as issued, contained within original clothbound folio case, each sheet 83 x 56.2cm, overall 85 x 58 x 2.5 cm, (folio) (ARR) (7) Please refer to department for condition report

The Connor Brothers, British b. 1968- I Don't Want To Belong To Any Club That Would Have Me As A Member, Blue, 2019; giclee with screenprint in colours on wove, signed, dated, and numbered 46/50 in pencil, sheet: 94 x 68.2 cm, (framed) (ARR) Please refer to department for condition report

David Shrigley, British b. 1968- It's okay, 2016; screenprint in colours on 640gsm Fabriano Artistico Traditional wove, numbered 20/100 in pencil on the reverse, published by Jealous Gallery, 14.8 x 10.3 cm, (unframed) (ARR) Please refer to department for condition report

David Shrigley OBE, British b.1968- Sell Your Soul, 2012; screenprint in colours on Arches Aquarelles wove, signed with initials, dated, and numbered 74/100 in pencil, sheet: 76.5 x 57.4 cm, (unframed) (ARR)Please refer to department for condition report

Shepard Fairey, American b. 1970- Freedom to Lead, 2009; screenprint on cream wove, signed and dated in pencil, 91.5 x 61 cm, (unframed) (ARR) Please refer to department for condition report

Shepard Fairey, American b. 1970- Arts vote, 2020; screenprint on cream wove, signed, dated and numbered 469/500 in pencil, 61 x 45.7 cm, (unframed)Please refer to department for condition report

Shepard Fairey, American b. 1970- Peace dove, 2015; and another similar; screenprint in colours, signed and inscribed 'AP' in pencil, 45.8 x 35.5 cm, (unframed) (2)Please refer to department for condition report

Shepard Fairey, American b. 1970- Post Punk flower; and another similar; screenprint on cream wove, 46 x 30.8 cm, (unframed) (2)Please refer to department for condition report

Blek le Rat, French b. 1951- The man who walks through walls; screenprint in colours, signed and numbered 244/250 in pencil, 73.5 x 53.3 cm, (unframed) (ARR)Please refer to department for condition report

Banksy, British b. 1974- GDP rat, 2019; screenprint on 50 gsm wove, 38.5 x 49.7 cm, (unframed) (ARR) Please refer to department for condition report

Invader, French b. 1969- Rubik Cubism, 2006; screenprint on wove, signed, dated and numbered 21/75 in pencil, 70 x 70 cm, (framed) (ARR)Please refer to department for condition report

T.R. Ericsson, American b. 1972- Father's Ashes (LMR) Carbon Monoxide from 'Crackle & Drag', 2013; screenprint on panel, signed with initials on the reverse and stamped with title and dated, 50.3 x 40.5 cm, (framed)Note: the work is part of an ongoing series the artist created relating to the loss of his mother. Utilising family archive material, the title relates to a line from a Sylvia Plath poem. Works from the series were exhibited at Everson Museum of Art, New York state. Please refer to department for condition report

Joe Webb, British b. 1976- DJ; 6 colour screenprint on Somerset Enhanced Velvet 410gsm Paper, signed and inscribed AP in pencil, 50 x 70.2 cm, (unframed) (ARR) Please refer to department for condition report

Mr Brainwash, French b. 1966- Obama; screenprint in colours on wove, signed in black crayon and numbered 440/500 in pencil, sheet: 105 x 74 cm, (unframed) (ARR) Please refer to department for condition report

Dave Kinsey, American b. 1971- Unlearn, destroy, forgive; Target Girl, 2005; each screenprint in colours on wove, (i) signed and numbered 52/100 in pencil, 71.5 x 48 cm, (ii) signed, dated and indistinctly numbered out of an edition of 250 in pencil, 61 x 46 cm, (framed) (2)Please refer to department for condition report

William Nelson Copley, American 1919-1996, Untitled (from the Bonjour Max Ernst portfolio), 1974; screenprint in colours on wove, signed lower right 'Cply' and inscribed with edition lower centre 'Artist's proof', artist's proof from an edition of 100, Published by Editions Georges Visat, Paris, 53.5 x 46.5 cm, (framed) Please refer to department for condition report

Vhils, Portuguese b. 1987- Debris, 2017; screenprint with ink, bleach and acid in colours on 300gsm Keaykolour Original China wove, signed and numbered 266/300 in pencil, published by Underdogs Editions, Lisbon, sheet: 70 x 50 cm, (framed) (ARR)Please refer to department for condition report

Sir Terry Frost RA, British 1915-2003, Abstract composition; screenprint in colours on wove, signed and numbered 45/85 in pencil, image: 71 x 70 cm, (framed) (ARR) Please refer to department for condition report

Tom Phillips CBE RA, British b.1937- Curriculum Vitae I,1990, and Brünnhilde 1991; screenprint in colours on wove, signed and numbered XV/XV in pencil, sheet: 110 x 81 cm, (unframed) together with Brünnhilde screenprint in colours on wove, signed, dated and numbered 64/275 in pencil, image 51.5 x 32 cm, (framed) (ARR) (2)Please refer to department for condition report

Robyn Denny, British 1930–2014, The Heavenly Suite (green, red, pink), 1971; each screenprint in colours on wove, each signed, dated and numbered 62/65 in pencil, each 81.7 × 74.5 cm, (unframed) (ARR)(VAT charged on hammer price)Please refer to department for condition report

John Piper CH, British 1903-1992, Dinton Folly (Levinson 367), 1983; screenprint in colours on wove, signed and numbered 88/100 in pencil, printed at Kelpra Studio, published by Christie’s Contemporary Art, image: 49 x 69.7 cm, (unframed) (ARR) Please refer to department for condition report

After Roy Lichtenstein'Hopeless'screenprint in colourssheet 92 x 92cm, unframedCondition ReportCorners are slightly creased, small losses to black area. Overall does not detract from the picture.

Barbara Kruger (American, b.1945)Untitled (flag) bandanascreenprint in colours on cotton55.9 x 55.9cm Condition ReportIn as-new condition. Creases to fabric from being folded. Packaging torn to open.

▴ John Piper CH (1903-1992)'Wymondham, Norfolk' (Levinson 324)screenprint in colours, 1981, signed 'John Piper' in pencil l.r. and inscribed 'A/P' l.l.55.5 x 76.5cmProvenance: Ellingham Mill Art Society, 1982;the Collection of Anthony Thwaite.Condition ReportFramed size: 80 x 100cm.Unexamined out of glazed frame, housed in an acidic mount, appears to be in good condition.

† Enrico Castellani (1930-2017), Superficie Argento, signed and dated in pencil ’74, AP 2/7, silver screenprint in relief on paper, image size 36 x 54cm, overall size 56 cm x 77 cm, framed and glazed.

•Roy Lichtenstein (1923-1997). Alka Seltzer, screenprint, stamped and named verso, 51cm x 40cm.

Four posters: Monterey Pop quad (30 x 40", 1970), Neil Young Rust Never Sleeps quad (30 x 40"), a 1995 Grateful Dead / Dave Matthews Band card poster (19 x 13"), a limited edition Neil Young screenprint (48 /100, approx 20 x 13").

‡ JOHN PIPER screenprint on Sanderlin cotton, Sandersons 1959 - entitled 'Arundel'Dimensions: 38 x 40cmsProvenance:private collection Cheshire, consigned via our Colwyn Bay officeCondition Report:framed and glazed, no problems

‡ JOHN PIPER screenprint on Sanderlin cotton, Sandersons 1962 - entitled 'Northern Cathedral Motif'Dimensions: 32 x 32cmsProvenance:private collection Cheshire, consigned via our Colwyn Bay officeCondition Report:framed and glazed, no problems

‡ JOHN PIPER screenprint on Sanderlin cotton, Sandersons 1962 - entitled verso 'Stones of Bath'Dimensions: 35 x 35cmsProvenance:private collection Cheshire, consigned via our Colwyn Bay officeCondition Report:framed and glazed

‡ FRANK LLOYD WRIGHT screenprint on cotton - for F. Schumacher & Co, entitled 'Taliesin 102, 1955'Dimensions: 56 x 76cmsProvenance:private collection Cheshire, consigned via our Colwyn Bay officeCondition Report:framed and glazed, no problems

‡ JOHN PIPER screenprint on cotton, Sanderson 1960 - entitled verso 'The Glyders'Dimensions: 70 x 50cmsProvenance:private collection Cheshire, consigned via our Colwyn Bay officeCondition Report:framed and glazed, no problems

Enzo Cucchi (Italian, b. 1949). Aquatint and screenprint on paper titled "Un'immagine oscura," depicting a surreal landscape, 1982. Pencil signed along the lower right, numbered 21/30 along the lower left. Published by Peter Blum Editions, New York.Provenance: Rudolf Zwirner, Germany; Distinguished Corporate Collection, Minnesota.Sight; height: 47 in x width: 69 in. Framed; height: 52 1/2 in x width: 74 1/4 in.

Yaacov Agam (Israeli, b. 1928). Op-art Screenprint in colors on wove paper from the "Tapestry Suite." Pencil signed along the lower right; numbered 70/180 along the lower right. With a certificate of authenticity from Patrician Galleries affixed along the verso.Provenance: Patrician Galleries, California; Private Minnesota Collection.Sight; height: 22 in x width: 9 in. Framed; height: 31 in x width: 17 7/8 in.

Yaacov Agam, (Israeli, b. 1928). Brightly colored op-art screenprint on paper titled "Beyond," 1971. Hand signed along the lower right and numbered 10/99 along the lower left. With a certificate of authenticity from the Patrician Galleries affixed along the verso.Provenance: Patrician Galleries Inc., California; Private Minnesota Collection.Sight; height: 18 1/2 in x width: 24 in. Framed; 27 1/2 in x width: 33 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors on paper from Warhol's "Marilyn" series depicting Warhol's signature portrait of Marilyn Monroe. With a stamp from The Andy Warhol Foundation for the Visual Arts, Inc. along the verso.Height: 36 in x width: 36 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors on paper from Warhol's "Marilyn" series depicting Warhol's signature portrait of Marilyn Monroe. With two stamps from The Andy Warhol Foundation for the Visual Arts, Inc. along the verso.Height: 36 in x width: 36 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors on paper titled "Ingrid Bergman" depicting a profile portrait of the actress. With a stamp along the verso reading "Copyright Andy Warhol, 1983 Galerie Borjeson Malmo, Sweden.Height: 38 in x width: 38 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors on paper depicting a zebra from Warhol's "Endangered Species" portfolio. With a stamp reading "Copyright Andy Warhol 1983 Publisher: Ronald Feldman" along the verso.Height: 38 in x width: 38 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors on paper titled "Moonwalk," depicting Neil Armstrong on the moon. With an unsigned certificate of authenticity stamp along the verso with spaces for signatures from Frederick Hughes, executor of the artist's estate, Rupert Jasen Smith, printer for the artist, and Ronald Feldman, the artist's publisher.Height: 38 in x width: 38 in.

After Andy Warhol (American, 1928-1987). Screenprint in colors with "diamond dust" on paper depicting Superman from Warhol's "Myths" series. With a stamp reading "Copyright Andy Warhol 1981 Publisher: Ronald Feldman Fine Arts Inc. New York" along the verso. With a stamp reading "Copyright D.C. Comics, Inc. 1981. This interpretation created by Andy Warhol is derived from an original version of Superman copyright by D.C. Comics."Height: 38 in x width: 38 in.

Ralph Fasonella (American, 1914-1997). Screenprint on paper titled "Empire State Building," depicting New York City, 1976. Pencil signed and dated along the lower right; numbered 121/300 along the lower left.Sight; height: 41 in x width: 24 1/4 in. Framed; height: 46 3/4 in x width: 29 3/4 in.

Elizabeth Blackadder (1931 - 2021), screenprint, abstract still life, signed in pencil, no. 39/75, sheet 35cm x 50cm, framedGood condition