We found 12816 price guide item(s) matching your search

Shepherd Fairey (b. 1970)Station to Station 4 Screenprint in colours, 2012, signed and numbered from the edition of 50 in pencil, on wove paper, printed by Modern Multiples, Los Angeles, the full sheet, 1400 x 1000mm (55 1/8 x 39 3/8in) (unframed)

δ Hush (b.1973)SeductressScreenprint in colours, 2012, signed in black ink and numbered from the edition of 100 in pencil, on wove paper, published by Laminate Most Wanted, the full sheet, 600 x 400mm (23 5/8 x 15 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Invader (b.1969)Space One (Pink)Screenprint in colours, 2013, signed and numbered from the edition of 70 in pencil, on wove paper, with full margins, sheet 380 x 375mm (15 x 14 3/4in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Invader (b.1969)Les toits du palace Screenprint in colours, 2014, signed and numbered from the edition of 75 in pencil, on wove paper, the full sheet, 500 x 500mm (19 5/8 x 19 5/8in) (unframed)The present art work was designed by the artist as a commission for the rock bank La Souris Déglinguées' 2014 album cover.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Harland Miller (b.1964)Heroin, It's What Your Right Arm's ForScreenprint in colours, 2012, signed, dated, inscribed 'A.P.' and numbered from the edition of 10 in pencil, an artist's proof aside from the edition of 50, on wove paper, published by Turps Banana, with their blindstamp, the full sheet, 575 x 420mm (22 5/8 x 16 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Shrigley (b.1968)Fucking AceScreenprint, 2018, signed and numbered from the edition of 125 in pencil verso, on Somerset wove paper, printed and published by Jealous Gallery, London, the full sheet 760 x 560mm (30 x 22in) (unframed)This work is accompanied by a certificate of authenticity issued by the publisher.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Shrigley (b.1968)Be NiceScreenprint in colours, 2017, signed, dated and numbered from the edition of 125 in pencil, on Somerset wove paper, printed by K2 Screen, published by Counter Editions, London, the full sheet printed to the edges, 760 x 560 (29 7/8 x 22in) (unframed)This work is accompanied by a certificate of authenticity issued by the publisher. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Shrigley (b.1968)Pretty Thoughts Inside Your HeadScreenprint in colours, 2018, signed, dated and numbered from the edition of 125 in pencil, on wove paper, published by Counter Editions, London, the full sheet printed to the edges, 760 x 560mm (30 x 22in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Nick Walker (b.1969)Love Vandal Screenprint in colours with spraypaint additions, 2013, signed and numbered from the unique edition of 1, on wove paper, the full sheet, 820 x 720mm (32 1/4 x 28 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Martin Whatson (b. 1984)ToucanScreenprint in colours, 2015, numbered and signed from the edition of 15 in pencil, on 300gsm Somerset wove paper, the full sheet, 600 x600mm (23 5/8 x 23 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)I Fought the LawScreenprint in colours, 2004, numbered from the edition of 500 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp at lower left, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)GranniesScreenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)ApplauseScreenprint in colours, 2006-2007, numbered from the edition of 500 in pencil, on BFK Rives wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 1140 x 760mm (45 x 36in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Welcome to Hell (Pink)Screenprint in colours, 2004, signed, dated and numbered from the edition of 75 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Get out while you CanScreenprint in colours, 2004, numbered from the edition of 175 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Flying CopperScreenprint in colours, 2003, numbered from the edition of 600 in pencil, printed and published by Pictures on Walls, London, with full margins, sheet 997 x 700mm (39 1/4 x 27 1/2) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Jack and Jill (Police Kids)Screenprint in colours, 2005, signed and numbered from the edition of 350 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 500 x 700mm (19 ⅝ x 27in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Soup Can (Original)Screenprint in colours, 2005, numbered from the edition of 250 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 495 x 347mm (23 1/2 x 13 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Nola (White Rain)Screenprint in colours, 2008, signed and numbered from the edition of 289 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 760 x 560mm (29 7/8 x 22in)This work is accompanied by a certificate of authenticity issued by Pest Control office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Tom Phillips (b.1937)Raphael RevisitedScreenprint in colours, 2011, signed and numbered from the edition of 75 in pencil, on wove paper, with margins, sheet 802 x 680mm (31 5/8 x 26 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ John Piper (1903-1992)Eye and Camera: Marble, Red and Black etc. lying figure reversed (Levinson 234)Screenprint in colours, 1973, signed in pencil, a proof aside from the numbered edition, on Arches wove paper, printed by Kelpra, London, published by Marlborough Graphics, London, with full margins, sheet 770 x 578mm (30 1/4 x 22 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Ruskin Spear (1911-1990)At the CircusScreenprint in colours, 1989, signed, titled and numbered from the edition of 140 in pencil, on wove paper, with margins, image 745 x 570mm (29 1/4 x 22 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Sedgley (b.1930)UntitledScreenprint in colours, 1986, signed, dated and numbered from the edition of 150 in pencil, on Tumba Grafik wove paper, sheet 405 x 615mm (16 x 24 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

[§] BRIDGET RILEY C.H., C.B.E. (BRITISH, B.1931)SERPENTINE PRINT, 1999 (SCHUBERT 39) 179/200, signed, titled, dated and numbered in pencil (in the margin), screenprint on wove paper25.5cm x 25.5cm (10in x 10in)

[§] PATRICK HERON C.B.E. (BRITISH, 1920-1999)TWO GREENS WITH VIOLET AND BLUE: 1967 from 'The Shapes of Colour', 1978, signed in pencil (lower right), screenprint, 17.7cm x 23.5cm (plate size) (7in x 9.25in); with another screenprint 'Mini January VIII: 1974', 1978, to the reverse, signed in pencil.

[§] PATRICK HERON (BRITSH, 1920 -1999)LIMES AND YELLOWS IN ORANGE: JUNE 1976 from 'The Shapes of Colour', 1978, signed in pencil (lower right), screenprint, 17.7cm x 23.5cm (plate size) (7in x 9.25in); with another screenprint 'Blue with Lime, Umber, Dull Red and Orange in Violet; January 1976', 1978, to the reverse, signed in pencil.

[§] PATRICK HERON C.B.E. (BRITISH, 1920-1999)JUNE MINI 5: 1968 from 'The Shapes of Colour', 1978, 28/50, signed and numbered in pencil (in the margin), screenprint17.7cm x 23.5cm (plate size) (7in x 9.25in)

[§] BRIDGET RILEY C.H., C.B.E. (BRITISH, B.1931)SHADE, 1992 (SCHUBERT 37) artist's proof 1/20, signed, titled, numbered and dated in pencil (in the margin), screenprint on wove paper, published by Advanced Graphics, London48.5cm x 34cm (19in x 13.5in)

AFTER ANDY ROBERTSON OCARINA SCREENPRINT 59CM X 98CM FRAMED

JULIAN OPIE 'Woman taking off a man's shirt', 2003, screenprint in colours, published by Kunsthammlung Nordheim - Westfalen Dusseldorf, 100cm x 60cm, framed.

JIM DINE (AMERICAN, BORN 1935), TOOL BOX II, from the 1966 "A Tool Box" portfolio of ten, signed in pencil, screenprint, photoscreenprint and collage, framed. 60.5cm by 47.5cm

§ Peter Sedgley (British, b.1930) Blue Violet Study signed and dated 'Peter Sedgley 1965' in pencil (lower right); numbered 3/30 screenprint 50 x 50cm (20 x 20in) No areas of damage apparent. It is in a think black frame which is coming away at the top - would need to be reframed

§ Tadek Beutlich (Polish/British, 1922-2011) Sunset II signed 'Tadek Beutlich' in pencil (lower right); titled and numbered 36/75 screenprint 66 x 96cm (26 x 37in) Provenance: 'Pictures For Schools', 1966 Printed on handmade paper and, therefore, there is a rough edge commensurate with the production of the paper that remains visible, particularly towards the left side. Slight water damage near the midpoint and left corner of the bottom plate margin. There is additionally a small scratch to the left plate margin. 

§ Patrick Heron, CBE (British, 1920-1999) Blues Dovetailed in Yellow signed and dated 'Patrick Heron 70' in pencil (lower right); numbered 23/100 screenprint 69 x 100cm (27 x 39in) Provenance: The Waddington Gallery, London, 1971 Slight discolouration to the plate margin consistent with age and also small marks to the bottom plate margin and top right corner. Minor creases in the yellow background and near the bottom plate margin consistent with handling.

§ Peter Blake, CBE, RDI, RA (British, b.1932) Costume Life Drawing signed 'Peter Blake' in pencil (lower left); titled in ink and numbered in pencil 73/125 silk screenprint 75 x 55cm (29 x 21in) Provenance: The Waddington Gallery, London, 1970 Overall condition is good. No immediate areas of damage evident. 

•JOHN PIPER (1903-1992) 'Isle Abbots' signed and numbered 1/100 in pencil to the margin, screenprint in colours, the image 68cm x 46cm Provenance: Private collection, Dorset   Condition Report: numerous dead insects visible under the glass but no obvious signs of any other damage or restoration

•JOHN PIPER (1903-1992) 'Ottery St. Mary' stamped signature and numbered 40/70 in pencil to the margin, screenprint in colours, the image 41cm x 54cm Provenance: Acquired from the Bohun Gallery, Henley-on-Thames Private collection, Dorset   Condition Report: framed but not glazed, otherwise appears to be in good order with no obvious signs of damage or restoration

Jonathan Borofsky, American (born 1942) Circa 2006 Color Screenprint on Paper, Human Structure #2. Pencil signed lower right, numbered 17/35. Measures 42-1/2" H, 60" W; frame measures 45-3/4" H, 63-1/4" W. Condition: Very good condition. Estimate: $2500.00 - $3500.00 Domestic Shipping: Third party.

Caroline McNairn (Scottish): 'Behind the Bush', coloured screenprint, signed and numbered in pencil 18/60, with stamp

A Poole Pottery Plane Ware vase, shape no.170, flaring cylindrical form applied with twin flange handles, covered in a matt sky blue glaze, the handles and foot glazed darker Hyacinth blue, and 'Poole Pottery' a silk screenprint by Val Meyer Hall semi-abstract depicting the outside of the factory, dated 1994, impressed and incised marks, printed Plane Ware mark, 14cm. high (vase), 48 x 39cm. (print), (2) Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 71 for examples of Plane Ware illustrated.

Leon Piesowocki (Born 1925), Girl reflected in a mirror, signed, inscribed with title and numbered 53/70, screenprint, 95 x 64cm (SH)

Alfred Dunn (1937) screenprint 'From the Series A Line' 56 X 77 cm & 6 others similar

Alfred Dunn (1937) screenprint ' From the Series A Line' & 5 others

[§] PHILIP REEVES R.S.A., R.S.W., R.G.I. (SCOTTISH 1931-2017)CLIFF STRUCTURE, CAITHNESS Artist's proof, signed and inscribed in pencil to margin, screenprint33.5cm x 42cm (13.25in x 16.5in)

§ John Piper (1903-1992)printer's proof screenprint'The Pebble Alcove, Stowe', Kelpra Studio 1986 (Levinson 386)signed in pencil31.5 x 22.5in.

§ John Piper (1903-1992)screenprint'Eye and camera: Blue to Ochre', Kelpra Studio 1976 (Levinson 260)signed in pencil, and numbered 7/5030 x 43.5in.

Duggie Fields - Dynamic Pervesity - Large signed limited edition screenprint, 6 / 120, dated 1980. 56cm x 43cm excl frame. Signed in pencil.

*@Aitchison (Craigie, 1926-2009). Daffodils and Candlestick, 1998, colour screenprint on wove paper, from the edition of 75, signed in white ink and numbered 47.75, the full sheet printed to the edges, image size 50 x 38 cm ( 19.7 x 15 ins), sheet size 69.5 x 56 cm (27.25 x 22.1 ins), framed and glazed (1)

*@Frost (Terry, 1915-2003). Untitled (Laced III), 1994, colour screenprint on two sheets of Arches, joined with leather lace, printed at Coriander Studio, London, the full sheets printed to the edges, signed, dated and numbered 10/100 in pencil, overall sheet size 260 x 540mm (10.25 x 21.25 ins), as issued in the limited edition of the book Terry Frost, by David Lewis, published by Scolar Press in 1994 (book included) Kemp 138. (1)

*Lloyd (Reginald J., 1926- ). The Old Blowing House, Dartmoor, 1982, colour screenprint, signed and dated 'A/P 1982' at foot, sheet size 52 x 63.5 cm (20.5 x 25) (1)

*@Piper (John, 1903-1992). Welsh Landscape, Tretio, 1969, colour screenprint on J Green wove paper, printed by Kelpra Studio, London, and published by Marlborough Fine Art, London, with full margins, image size 479 x 705 mm (18.8 x 27.75 ins), framed and glazed Levinson 198. (1)

Romero Britto, Brazilian (b. 1963) Screenprint in color with giltter "Mickey Mouse". Signed and numbered 485/500. Britto and Disney blindstamps. Measures 22-1/2" x 18", frame measures 34-1/4" x 29". Condition: Good condition. Estimate: $400.00 - $600.00 Domestic Shipping: Third party

After Andy Warhol; a limited edition screenprint numbered 13/100 of Chanel No 5 bottle in orange and blue, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

After Andy Warhol; a limited edition screenprint numbered 61/100 of young Queen Elizabeth II in blues, pink and brown, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

After Andy Warhol; a limited edition screenprint numbered 39/100 of Marilyn Monroe in dusky pink and gold, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

After Andy Warhol; a limited edition screenprint numbered 18/100 of Mickey Mouse to a red ground, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

After Andy Warhol; a limited edition screenprint numbered 23/100 of Mickey Mouse edged in pink to a yellow ground, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

After Andy Warhol; a limited edition screenprint numbered 53/100 of Campbells Condensed Old Fashioned Vegetable Made with Beef Stock Soup, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

Shepard Fairy (b.1970)Fact 04Screenprint in colours, 2004, signed, dated and numbered from the edition of 300 in pencil, on cream wove paper, published by Obey Giant, New York, with full margins, sheet, 610 x 458mm (24 x 18in) (unframed)

Emory Douglas (b. 1943)Endangered SpeciesScreenprint in colours, 2011, signed and numbered from the edition of 50 in pencil, on wove paper, the full sheet, 500 x 700mm (19 3/4 x 27 1/2in) (unframed)