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A limited edition framed screenprint picture of a mother and child, signed H.Stacey Hamilton, numbered 23/50. Approx 39x37cm

Charles Blackman (1928 - ) "Composer" screenprint, limited edition 3/8, signed lower right, 27cm X 19cm approx

Margaret Woodward (1938 - ) "Party Time" Screenprint 17/50, signed lower right, 59cm X 42cm approx

[§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) SUN CITY (FROM 'THE UNIVERSAL ELECTRONIC VACUUM' PORTFOLIO) Signed and numbered 8/75 in pencil to margin, screenprint, printed by Kelpra Studios, published by Editions Alecto, unframed 102cm x 67.5cm (40in x 26.5in)

[§] CRAIGIE AITCHISON C.B.E., R.A., R.S.A. (SCOTTISH 1926-2009) CANARIES ON A TREE Edition 300, screenprint 28cm x 23.5cm (11in x 9.25in)

[§] PATRICK PROCKTOR R.A. (BRITISH 1936–2003) LADY HILLINGDON Signed and numbered 21/50 in ink, screenprint, published by Curwen Press 50cm x 34.5cm (19.5in x 13.5in)

[§] HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) BAMBOO, 2000 A.P., signed with initials and dated in pencil, numbered 3/18, screenprint on wovepaper 84cm x 91cm (33in x 35.75in) Note: Considered to be one the most important British artists of the twentieth century, Sir Howard Hodgkin was a central figure in the country's modern art movement. Born in 1932 in Hammersmith London, Hodgkin was determined to become a painter from the young age of five. During the Second World War Hodgkin, along with his sister and mother, were evacuated to Long Island, USA. There his ambitions to paint were reinforced after seeing pictures by Matisse, and Picasso at the Museum of Modern Art in Manhattan. After returning to England he attended Eton College where he first began to collect Indian miniatures. After running away from school twice, Hodgkin was transferred to Bryanston School in Dorset however he soon ran away again to pursue his ambition of becoming a painter. Hodgkin first trained at Camberwell School of Art followed by four years studying at Bath Academy of Art. In the mid-1950s a wave of Abstract Expressionism exhibitions in London had an important impact on the development of his style, and to extent liberated him as an artist. Hodgkin has exhibited at numerous notable institutions including the Hayward Gallery and Gagosian. He was also granted numerous major shows including exhibitions at the Metropolitan Museum of Modern Art, Tate Britain as well as representing Britain at the 1984 Venice Biennale. In 1976 Hodgkin's first retrospective was curated by Nicolas Serota at the Museum of Modern Art in Oxford and in 1992 he was knighted for his services to the arts. Hodgkin's work is characterised by his sensitivity to colour and ability to stimulate an emotive response in the viewer. His rich and complex paintings are rooted in an everyday reality and his own private experiences. Despite the sweeping energetic brush strokes conveying a sense of spontaneity, they are a result of an extensive process of careful layering and over painting. In Bamboo Hodgkin infuses his understanding of late nineteenth century French painting, especially work by Edouard Vuillard, with his own personal experiences of travelling to exotic locations. The impact of the vivid colour is intensified by his habit of incorporating the frame as part of the picture. Usually his titles seem opaque to the viewer, but for the artist they are the clue to the image.

[§] HOWARD HODGKIN C.H., C.B.E. (BRITISH 1932-2017) LOTUS Signed and dated '80, numbered 77/100, screenprint, printed by Kelpra Studio, published by Bernard Jacobson Plate size 73cm x 90cm (28.75in x 35.5in) Note: Considered to be one the most important British artists of the twentieth century, Sir Howard Hodgkin was a central figure in the country's modern art movement. Born in 1932 in Hammersmith London, Hodgkin was determined to become a painter from the young age of five. During the Second World War Hodgkin, along with his sister and mother, were evacuated to Long Island, USA. There his ambitions to paint were reinforced after seeing pictures by Matisse, and Picasso at the Museum of Modern Art in Manhattan. After returning to England he attended Eton College where he first began to collect Indian miniatures. After running away from school twice, Hodgkin was transferred to Bryanston School in Dorset however he soon ran away again to pursue his ambition of becoming a painter. Hodgkin first trained at Camberwell School of Art followed by four years studying at Bath Academy of Art. In the mid-1950s a wave of Abstract Expressionism exhibitions in London had an important impact on the development of his style, and to extent liberated him as an artist. Hodgkin has exhibited at numerous notable institutions including the Hayward Gallery and Gagosian. He was also granted numerous major shows including exhibitions at the Metropolitan Museum of Modern Art, Tate Britain as well as representing Britain at the 1984 Venice Biennale. In 1976 Hodgkin's first retrospective was curated by Nicolas Serota at the Museum of Modern Art in Oxford and in 1992 he was knighted for his services to the arts. Hodgkin's affiliation with Indian art blossomed early on in his life. During his time in Eton he was first introduced to Indian art by the drawing master Wilfrid Blunt. Soon after, Hodgkin became an avid collector of Indian prints and paintings, and over the years frequently visited the country. Hodgkin references his travels by painting India's national flower.

[§] WILLIAM SCOTT C.B.E., R.A. (BRITISH 1913-1989) BLUE AND WHITE (FROM THE PORTFOLIO 'A POEM FOR ALEXANDER') Signed and dated '72 in pencil and numbered 2/72, screenprint, printed by Kelpra Studios, published by Leslie Waddington Prints Ltd, unframed 59cm x 78cm (23.25in x 30.75in) Note: The concept of the 'Poem for Alexander' portfolio dealt with Euclid's ten universal mathematical 'truths'. In these prints, Scott plays with symmetrical arrangements using hand drawn lines to amuse us with geometry.

Eileen Cooper RA (b.1953), nude figure amongst leaves, 'Delirious', screenprint, artist's proof, inscribed, signed and dated 1992 in pencil, 37.5cm by 52cm

JACKY TSAI (CHINESE b 1984), FLORAL SKULL (Probably the rarest of the Floral Skull series) screenprint, signed and numbered 3/5 in pencil 70cm x 70cm Mounted, framed and under glass. Note: Born in China in 1984, Tsai grew up in Shanghai and after completing his BA at the China Academy of Art, moved to London to study MA Illustration at Central St Martin's, graduating in 2008. Tsai's first solo exhibition was held in London in 2010. At the age of 24 Jacky Tsai designed the floral skull for Alexander McQueen which became an icon in the fashion world and brought him fame. Following his collaboration with British designers he worked with the internationally acclaimed Chinese luxury brand Shanghai Tang and European department stores such as Harvey Nichols and Lane Crawford. In 2011 he launched his own brand fusing art and fashion. Tsai has had solo shows in The Moscow Museum of Modern Art (2018), in London with The Fine Art Society, in Hong Kong, Singapore, Los Angeles and New York.

•JOHN PIPER, CH (1903-1992) EYE AND CAMERA: RED, BLUE AND YELLOW (Levinson 317) Screenprint in colours, 1980, signed , from the edition of 150 (there were also 25 proofs), published by Kelpra Editions and the Tate Gallery, the full sheet 40 x 60cm approx. ++ Good condition

MID 20th CENTURY SCHOOL Still life, women with teapot and jug of flowers Screenprint, unsigned, 35cm x 45cm

A Limited Edition colour screenprint depicting a female nude, hand-signed & numbered 67/200, 55 x 40 cm

James Holdsworth (b.1954), 'Che': Che Guevara, oil and screenprint on canvas, 115cm x 116cm. DDS Illustrated

Andy Warhol, American (1928-1987) 1979 Screenprint with Diamond Dust on Black Arches Cover Paper, Georgia O'Keefe. Unsigned. Letter of authentication by the Andy Warhol Art Authentication Board, dated 11/8/2005 accompanies this lot. The Authentication Board seal and identification number A173.062 in pencil to verso. Repaired tear to upper left corner, small tear to center bottom (approx 1-1/4" L), area of slight creasing to verso. Measures 44-1/2" H, 30" W (not framed). Shipping $235.00 (estimate $7000-$9000)

DIRTY WORDS PICTURES POSTER signed lr & l.l screenprint 99 x 68cm A promotional poster for the exhibition of the same name.

Q IS FOR QUARTERS (1991) signed l.l. in pencil screenprint Edition of 9580 x 60cm

PUMPKIN 2000 - RED Signed and titled in pencil l.r., numbered 67/100 screenprint in colours, on Colorplan paper with full margins; no tape or hinges on the reverse framed Edition of 100, published by the Serpentine Gallery

PUMPKIN 2000 - GREEN signed and titled in pencil, numbered 40/100 screenprint in colours, on Colorplan paper, with full margins; no tape or hinges on the reverse framed Edition of 100, published by the Serpentine Gallery

WYMONDHAM ABBEY Signed, A.P. Final Edition of 70 screenprint 55.7 x 76.6cm Provenance: Purchased from Melanie de Blank, 2004 Piper used to stay with the de Blanks when they were running a hotel in Norfolk and he was working in the area. He often paid his bill 'in kind' and gave them a picture, usually an artist's proof.

δ Enrico Baj (1924-2003)UntitledScreenprint in colours with glitter, 1972, signed and numbered from the edition of 250 in pencil, on wove paper, with full margins, sheet 1000 x 690mm (39 3/8 x 27 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joe Cocker (1944-2014)Yes We Can Save the World, With a Little Help From My FriendsScreenprint in blue and gold foil with a collage of a Compact Disc, 1992, signed and numbered from the edition of 100 in pencil, on wove paper, as included in Columbus: In Search of a New Tomorrow portfolio, published by Edition Domberger, Filderstadt, with their blindstamp, the full sheet, 759 x 580mm (30 x 22 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Arthur Hutchinson (b.1930) The Writers' Forest Screenprint with collage of a photograph and pencils, 1992, signed and numbered from the edition of 100 in pencil, on wove paper, as included in Columbus: In Search of a New Tomorrow portfolio, published by Edition Domberger, Filderstadt, with their blindstamp, the full sheet, 759 x 580mm (30 x 22 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Tomi Ungerer (b.1931)EatScreenprint in colours, 1967, the full sheet printed to the edges, 682 x 530mm (26 7/8 x 20 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Tomi Ungerer (b.1931)GiveScreenprint in colours, 1967, the full sheet printed to the edges, 693 x 532mm (27 1/4 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Nicholas Krushenick (1929-1999)James Bond Meets Pussy Galore (from The New York Ten)Screenprint in colours, 1964, signed, dated and numbered from the edition of 200 in pencil, on wove paper, printed by Chiron Press, published by Tanglewood Press Inc., New York, the full sheet printed to the edges, 558 x 429mm (22 x 17in) (unframed)

NO RESERVE δ Ben Eine (b.1970)Blue TrainScreenprint in colours, 2006, signed and numbered from the edition of 75 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, 570 x 760mm (20 ½ x 28 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Shepard Fairey (b.1970)Bad Brains Punk Showcase (Rock for Light)Screenprint in colours, 2016, signed and numbered from the edition of 350 in pencil, on wove paper, published by Obey Giant, Los Angeles, the full sheet, 610 x 457mm (24 x 18in) (unframed)

Shepard Fairey (b.1970)Fossil FactoryScreenprint in colours, 2017, signed, dated and numbered from the edition of 450 in pencil, on wove paper, published by Obey Giant, Los Angeles, the full sheet, 610 x 457mm (24 x 18in) (unframed)

Patrick Caulfield (1936-2005) -  Bananas, ltd ed screenprint in colours, 33/75, signed lower right, 69 x 85 cm ARR may be applicableGood condition - colours vibrant

John Piper (1903-1992) - 'Isle Abbots', ltd ed coloured screenprint, pencil signed to the lower right margin and numbered 65/100,  73 x 49 cm ARR may be applicablefine original, extremely good colours, mounted and framed under glass

Three modern abstract paintings, each indistinctly signed, a foreign abstract screenprint, signed Aihi, 1/40, dated '69, and an Eastern coloured metal abstract etching, all framed

Bryan Pearce (1929-2007) - colour screenprint, two fishing boats, limited edition, 20/150, signed and dated '83 in pencil on mount, complete with a signed exhibition catalogue and related paperwork SEE ILLUSTRATION

Norman Clive Catherine (South African 1949-) BAAL screenprint, signed, titled, dated 1971 and numbered 12/23 in pencil in the margin; 4 T+S inscribed in pencil in the margin sheet size: 40,5 by 49cm

Eduardo Munoz Bachs (Cuban/Spanish, 1937-2001), screenprint, sight size 70 x 45cm.

An abstract colour screenprint, hand-signed in pencil, 45 x 35 cm

A limited edition framed screenprint picture of a mother and child, signed H.Stacey Hamilton, numbered 23/50.Approx 39x37cm

JAMIE REED 'God save Ronnie Biggs', screenprint, signed titled and numbered in pencil, 76cm x 57cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

JAMIE REED 'God save Captain Swing', screenprint, signed titled and numbered in pencil, 76cm x 57cm, framed and glazed.(Subject to ARR - please see Buyers Conditions)

Artist: Wolf Kahn (American, b. 1927)Title: "Barn and Forsythia III"Dimensions: Image 27 1/2 x 38 in; 34 1/2 x 44 1/4 in; Frame 39 x 49 in.Date: 2003Medium: Screenprint on PaperEdition: 89/108Notes: Printed by Brand X EditionsSignature: Signed and dated in pencil along lower right, editioned lower left.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Artist: Wolf Kahn (American, b. 1927)Title: "Dark Pines"Dimensions: 28 x 39 1/2 in.Date: 2001Medium: Screenprint on PaperEdition: 23/108Signature: Signed in pencial along lower right.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Artist: Mark Di Suvero (Chinese, b. 1933)Title: "Untitled"Dimensions: 44 x 28 in; Frame 49 x 33 in.Date: 2000Medium: Screenprint on PaperEdition: 40/108Signature: Signed in pencil along lower quadrant.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Artist: Terry Winters (American, b. 1949)Title: "Untitled"Dimensions: 38 x 49 in; Frame 47 x 58 in.Date: 1999Medium: Screenprint on PaperEdition: 22/108Signature: Signed, numbered, and dated in pencil along lower left quadrant.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Artist: Joseph Raffael (American, b. 1933)Title: "Pond"Dimensions: 35 1/2 x 48 1/2 in; Frame 42 1/2 x 54 1/2 in.Date: 2004Medium: Screenprint on PaperEdition: 31/108Signature: Signed in pencil along lower right.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Artist: Yvonne Jacquette (American, b. 1934)Title: "Mississippi Night Lights (Minneapolis)"Dimensions: 58 x 36 in; Frame 64 x 42 in.Date: 1986Medium: Linocut and Screenprint in Colors on ArchesEdition: 18/60Notes: Brooke Alexander Editions, New YorkSignature: Signed and dated in pencil along lower right.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

1966 Hupmobile-8 Avalon Ballroom screenprint poster, together with one other Avalon Ballroom screenprint poster, each 32 x 46cm, framed (2)

Michael Rothenstein (1908-1993) - To Daphne & Graham Reynolds, screenprint, inscribed 'Daphne & Graham Reynolds from Michael Rothenstein, June '92' in pen verso, 49.5 x 69cm; together with one other by the artist, untitled, 49.5 x 69cm (2) Condition Report / Extra Information Both examples have a single central fold mark.Reynolds example with small area of spotting to blue half lower corner, some tears to top and bottom edges.The other work in slightly better condition overall, edges good.

Peter Blake (b.1932) - Babe Rainbow, screenprint in colours on tin, 1967, 68 x 45.5cm Condition Report / Extra Information Corner holes with small scuffs and losses to edges.Tin is rippled throughout and with some dents, the largest from left shoulder to left hand side of head.Two long horizontal surface scratches to lower third.Some repainted areas to lower edge.Overall in worn condition.

Sylvia Edwards American (b.1937) Samovar 63/225 Signed Limited Edition Screenprint Framed and mounted under glass, a bright still life in homage to Matisse, pencil signed by the artist to bottom left, numbered 63/225 to bottom right. Good condition, 36.5 x 25 inches.

δ Terry Frost (1915-2003)Autumn Delight (Kemp 188)Screenprint in colours, 1999, signed, dated and numbered from the edition of 25 in pencil, on wove paper, printed and published by the Royal College of Art, London, the full sheet printed to the edges, 1010 x 1520mm (39 ¾ x 60in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Cecil King (1921-1986)Blue (from The Dubai Series)Screenprint in colours, 1975, signed and numbered from the edition of 5 in pencil, an artists proof aside from the edition of 30, on wove paper, printed and published Editions Alecto, London, with margins, sheet 600 x 890mm (23 5/8 x 35in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Cecil King (1921-1986)Red (from The Dubai Series)Screenprint in colours, 1975, signed and numbered from the edition of 5 in pencil, an artist's proof aside from the edition of 30, on wove paper, printed and published Editions Alecto, London, with margins, sheet 600 x 890mm (23 5/8 x 35in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Julio Le Parc (b.1928)EspacioScreenprint in colours, signed and numbered from the edition of 100 in white ink, on wove paper, the full sheet printed to the edges, 558 x 378mm (22 x 14 7/8in) (unframed)

δ Peter Sedgley (b.1930)Blue Green ModulationScreenprint in colours, 1965, signed, dated and numbered from the edition of 30 in pencil, on wove paper, printed by Kelpra Editions, London, with margins, sheet 180 x 370mm (7 x 14 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Sedgley (b.1930)UntitledScreenprint in colours, 1986, signed and numbered from the edition of 150 in pencil, on wove paper, with margins, each 405 x 615mm (16 x 24 1/8in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Vasarely (1906-1997)IveScreenprint in colours, c.1970, signed and numbered from the edition of 350 in pencil, on wove paper, with full margins, sheet 298 x 260mm (11 3/4 x 10 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Vasarely (1906-1997)UntitledScreenprint in colours, signed and numbered from the edition of 60 in pencil, on wove paper, with full margins, sheet 520 x 520mm (20 1/2 x 20 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Vasarely (1906-1997)UntitledScreenprint in colours, signed and numbered from the edition of 300 in pencil, on wove paper, with margins, sheet 355 x 290mm (14 x 11 1/2in) (I) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Richard Hamilton (1922-2011)Kent State (Lullin 77)Screenprint in colours, 1970, signed and numbered from the edition of 5000 in pencil, on wove paper, printed by Dietz Offizin, published by Dorothea Leonhart, Munich, with full margins, sheet 727 x 1022mm (67 x 87in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.