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Lot 1
Tom Cross b.1931- 'In a Window'; screenprint in colours, signed, titled, numbered 63/100 and dated 1980 in pencil, 51x39cm: Margo Maeckelberghe b.1932- 'High Sky'; screenprint in colours, signed, titled, numbered 63/100 and dated 80 in pencil, 40.5x54.5cm: Jane O'Malley b.1944- Still life; screenprint in colours, signed and numbered 63/100 in pencil, 40.5x54.5cm: Lieke Ritman late 20th century- 'Lavatory Window'; screenprint in colours, signed, titled, numbered 63/100 and dated 80 in pencil, 54.5x40.5cm., (4) (may be subject to Droit de Suite)
Lot 1
After Andy Warhol 1928-1987- "Marilyn Monroe"; after the original edition published by Sunday B Morning circa mid 1980's and bears 'Fill in your own signature' and 'Sunday B Morning' stamped in black ink, verso, on each, screenprint in colours, full sheet printed to the edges, full suite of ten images depicting Marilyn Monroe in various colour combinations, 91.2x91.2cm each, loose and boxed as issued,(10), (unframed). Note: "In August 62 I started doing silkscreens. I wanted something stronger that gave more of an assembly line effect. With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy. I was thrilled with it. When Marilyn Monroe happened to die that month, I got the idea to make screens of her beautiful face the first Marilyns". (Andy Warhol)
Lot 1
After Gunter Huniat b.1939- 'Blick uach Juney'; screenprint in colours, signed, titled and numbered 103/200 in pencil, bears blind stamp, 35.5x35cm: Lesbia Thorpe b.1919- 'The Sea Bed'; linocut printed in colours, signed, titled and numbered 3/9 in pencil and with stamped initials: L Binder late 20th Century- Abstract form; etching, signed, dated 89 and titled, numbered 103/200: together with six other late 20th Century screen prints, etchings and lithographs by various hands, (9) (unframed)
Lot 1
After Ian Hamilton Finlay, Scottish 1925-2006 and Richard Demarco 1930- 'The Little Seamstress'; screenprint printed in colours, signed by both artists within the plate and titled within the plate, 45x59cm: After Raymond T Cowern RA 1913-1986- Children by rabbit hutches; lithograph, signed and numbered 80/125 in pencil, (2)
Lot 1
Issam El Said (Contemporary). Figure Seated. Limited edition screenprint. Rigned and dated 79 in pencil within the margin lower left. Inscribed 25/70 lower right. P. 54.5cm x 34.5cm. And. Pierre Doutrelehl (Contemporary). Dasies in a blue vase. Limited edition photolithograph. Rigned in pencil within the margin lower right. Inscribed 102/350 lower left. R. 64cm x 50cm (2). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid
Lot 1
David Humphries (Contemporary) ‘Hop Farm Kent'. Limited edition screenprint. Rigned in pencil within the margin lower right. Inscribed with title lower centre and 77/100 lower left. R. 52cm x 76.5cm. N. Peperell (Contemporary). Henley Regatta. Acrylic 30.5cm x 45.5cm. Don Kinrade (Contemporary) ‘Shadows in the Lane' ‘Riverside Footpath. The first pastel. The second watercolour. Each signed. Each 31.5cm x 41.5cm. And two photographic prints, the first after A. Kaldor, the second after B. J. Zhang (6). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid
Lot 1
V. Charlesworth (20th century) ‘Clover';. Wildflower. Each limited edition screenprint. Each signed lower right. Each numbered 214/300 or 17/300. Each s. 24cm x 20.5cm. And eight other prints and pictures (10). (see illustration on our website). Please note - this lot may be subject to Droit de Suite
Lot 1
Rupert Shephard (1909-1992). Birds in trees. Limited edition linocut. Rigned in pencil within the margin lower right. Inscribed 'To Ginelle' and II 6/50 lower left. P. 48cm x 38cm. Reven botanical aquatints, each p. 45.5cm x 29.5cm, D. Docherty, 'Untitled after Grunerwald', etching and screenprint, p. 25.5cm x 28cm, unframed (9). (see illustration on our website)
Lot 1
Bruce McLean (b. 1944), 'Burnt', Limited edition screenprint 13/75, Signed in pencil lower right, Inscribed with title and numbered, S. 119cm x 92cm, Unframed, Bruce McLean was born in Glasgow and studied at the Glasgow School of Art. He reacted against the 'pomposity' of modern sculpture by his humorous performance art and sculptures made from rubbish. He taught at Croydon School of Art, Maidstone College, and Epsom School of Art. In the late 70s he turned back to more traditional forms of art, prints and paintings, however, despite his growing international reputation, he continued to mock the art world, and even himself. His work is held by the Arts Council and the Scottish National Gallery of Modern Art.
Lot 1
Tully Crook (Contemporary), 'The Floating Land', Limited edition screenprint, Signed and inscribed with title lower right, Inscribed 193/200 lower left, S. 53.5cm x 72.5cm, Unframed, J. T. English (mid 20th century), 'Lupins', Linocut, Signed and dated 1957 lower right, Inscribed with title lower left, S. 50cm x 42.5cm, Unframed, Francis Kelly (Contemporary), 'The Hoop', Limited edition aquatint, Signed lower right, Inscribed with title and 45/50 lower left, P. 40cm x 49.5cm, Unframed, and a quantity of other unframed prints (qty), (see illustration on our website),
Lot 1
Bernard Cheese (b. 1925), Shakespeare's Kings, Colour screenprint, Signed, inscribed, dated 1964 and numbered 32/50 in pencil, 50cm x 38cm, Together with; Edwin Cadell (Contemporary), Shakespeare's Birthplace, Colour screenprint, Signed, inscribed and numbered 28/50, 50cm x 38cm; Alistair Grant (1925-1997), Ophelia, Colour screenprint, Signed, inscribed and numbered 21/50, 50cm x 37cm; Norman Ackroyd (b. 1938), Richard III, Colour print, Signed and numbered 17/50, 50cm x 38cm; Colin Hayes (1919-2003), The Taming of the Shrew, Colour print, Signed and numbered 45/50 in pencil, 37cm x 50cm (5)
Lot 1
Philip Sutton (b. 1928), Abstract bird, Limited edition screenprint, Signed and inscribed 243/250 lower right, S. 58cm x 78.5cm, David Humphries (Contemporary), 'NN74', Limited edition screenprint, Signed in pencil within the margin lower right, Inscribed with title lower centre and 77/100 lower left, S. 62.5cm x 89cm, and twenty-four other limited edition prints by various artists, all unframed (26), Philip Sutton's work is diverse, ranging from tapestry designs, paintings, tiles, Post Office greetings stamps, posters and prints.
Lot 1
Richard Deacon RA b.1949- Untitled abstract composition; photo screenprint, 50.8x63.5cm: Glynn Boyde Harte b.1948- 'Asparagus & Champagne'; lithograph in colours, signed and numbered 130/195 in pencil: together with two other colour lithographs by the same hand, both signed and numbered in pencil, (4) (may be subject to Droit de Suite)
Lot 1
dAVID HOCKNEY (B. 1937) sNOW, 1973 signed and numbered in green crayon, lithograph and screenprint printed on on Arjomari mould-made paper, edition of 98, number 19/98. From The Weather Series, published by Gemini G.E.L., Los Angeles. 85cm x 72 cm (plate size) 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4 x 71.9 cm 88.4cm x 71.9cm
Lot 1
pATRICK HERON (1920-1999) sECOND VERTICAL SCREENPRINT,1976 signed in pencil, screenprint, edition of 50, not numbered. From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm 43cm x 30cm (plate size) From The Shapes of Colour Portfolio of 20 screenprints, all signed From The Shapes of Colour Portfolio of 20 screenprints. Published by Kelpra Editions, Waddington and Tooths Graphics. Printed on Velim Arches 250gsm
Lot 1
Sir Eduardo Paolozzi RA (1924-2005) War Games Revised (from Universal Electronic Vacuum) 1967 Computer Epoch Each screenprint in colors The first pencil titled and inscribed 6890 and Specimen Set to lower margin The first pencil titled and inscribed No 6862 and Specimen Set to lower margin Each p. 101cm x 67.5cm (2)
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12763 item(s)/page