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δ Patrick Caulfield (1936-2005)I've only the friendship of hotel rooms (from Some Poems of Jules Laforgue) (Cristea 38p)Screenprint in colours, 1973, signed in pencil and numbered from the edition of 200 verso, from Edition B, co-published by Petersburg Press and Waddington Galleries, London, Stuttgurt, on Neobond synthetic paper, the full sheet printed to the edges, sheet 400 x 350mm (15 3/4 x 13 3/4in)Provenance: With Waddington Graphics, Londonδ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

R.B. Kitaj (1932-2007)Ezra Pound II (Ramkalawon 176)Screenprint in colours, 1974, signed in pencil, numbered from the edition of 70, printed by Kelpra Studio, London, the full sheet printed to the edges, sheet 980 x 753mm (38 5/8 x 29 5/8in)

δ Patrick Hughes (b. 1939)House GuestScreenprint in colours, 1982, signed, titled and dated in pencil, numbered from the edition of 150, on Arches 88 wove paper, with full margins, sheet 567 x 764mm (22 1/4 x 30 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Allen Jones (b.1937)Paso Doble (Prestel 91)Screenprint in colours, 1983, signed and dated in pencil, numbered from the edition of 65, printed by Advanced Graphics, London, with their blindstamp, published by the Royal Academy of Arts, London, on Arches wove paper, the full sheet printed to near the edges, sheet 960 x 735mm (37 3/4 x 29in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Blake (b. 1932)Sergeant Pepper's Lonely Hearts Club Band, The Beatles, 1st June 1967Screenprint in colours, 2007, signed in pencil and numbered from the edition of 500, printed by Coriander Studios, London, co-published by the artist and Apple Corps, London, with their blindstamp, with Certificate of Authenticity, on wove paper, with full margins, sheet 675 x 655mm (26 1/2 x 25 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bridget Riley (b. 1931)Untitled (Elongated Triangles 6) (Tommasini & Gubay 15) Screenprint in colours, 1971, signed, dated and numbered from the edition of 75 in pencil, printed Kelpra Studio, London, on wove paper, the full sheet, sheet 1012 x 381mm (37 7/8 x 15in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Bridget Riley (b. 1931)Between the Two (Tommasini & Gubay 62)Screenprint in colours, 2005, signed, dated and titled in pencil, numbered from the edition of 75, printed by Artizan Editions, Hove, on Fabriano paper, with full margins, sheet 492 x 914mm (19 3/8 x 36in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Jeremy Deller (b. 1966)Morrissey: A Life In WordsScreenprint in colours, 1995, from the edition of 3, the full sheet printed to the edges, sheet 610 x 400mm (24 1/4 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Angus Fairhurst (1966-2008)Proposal for a Public SpaceScreenprint in colours, 2006, signed and dated in pencil verso and numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 297 x 420mm (11 3/4 x 16 1/2 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Ruth Smoking. 5 (Cristea 94)Screenprint in colours, 2006, presumably from the edition of 50 (an unsigned unnumbered impression), printed by Advanced Graphics, published by Alan Cristea Gallery, London, on wove paper adhered to dibond, as published, the full sheet printed to the edges, sheet 980 x 682mm (38 5/8 x 26 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Woman taking off man's shirt (Cristea p.244)Screenprint in colours, 2003, from the edition of unknown size, published by K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, on wove paper, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)Road To RioScreenprint in colours, 2016, initialled and dated in pencil, numbered from the edition of 350, printed by King and McGaw, Newhaven, published by Counter Editions, London, on Somerset Satin wove paper, the full sheet printed to the edges, sheet 760 x 560mm., 29 7/8 x 23 ½ in.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Harland Miller (b. 1964)Hate's Outta Date! (Blue)Screenprint in colours, 2022, signed in pencil, numbered from the edition of 125, published by White Cube, London, on wove paper, with full margins, sheet 1000 x 700 mm (39 3/8 x 27 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Andy Warhol (1928-1987)Golden Mushroom, from Campbell's Soup II (Feldman & Schellmann II.62) Screenprint in colours, 1969, on wove paper, signed in black ball-point pen and stamp-numbered 249/250 verso (there were also 26 artist's proofs), printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, the full sheet, framedSheet 889 x 585mm. (35 x 23in.)For further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)$ (1) (see Feldman and Schellmann IIA.277) Unique screenprint in colours, 1982, on Lennox Museum board, signed and numbered 24/60 in pencil (there were also ten artist's proofs), printed by Rupert Jasen Smith, with his blindstamp, published by the artist, New York, the full sheet, framed Sheet 502 x 397mm. (19 3/4 x 15 5/8in.)For further information on this lot please visit Bonhams.com

Roy Lichtenstein (1923-1997)Fish and Sky, from Ten from Leo Castelli (Corlett 50) Screenprint on silver gelatin photographic print mounted on three-dimensional lenticular offset lithograph, 1967, on white composition board with window mount (as issued), signed and numbered 49/200 in pencil (there were also 25 lettered proofs A-Y), published by Tanglewood Press, Inc., New York, with their ink stamp on the reverse, the full sheet, framedImage 282 x 357mm. (11 x 14in.); Sheet 604 x 508mm. (23 3/4 x 20in.)For further information on this lot please visit Bonhams.com

Alex Katz (born 1927)Jessica (Schröder 352) Screenprint in colours, 2002, printed on two sides of aluminum cut-out with metal stand, signed and inscribed E.P. 1/3 in black marker verso, one of three publisher's proofs aside from the edition of 35 (there were also seven artist's proofs), published by Arte y Naturaleza, MadridHead 483 x 337mm. (19 x 13 1/4in.); Stand 1321mm. (52in.)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Alex Katz (born 1927)Cow (Small) (Schröder 384) Screenprint in colours, 2004, printed on two sides of aluminum cut-out, signed and inscribed E.P 3/4 in black marker, one of four publisher's proofs aside from the edition of 99 (there were also 15 artist's proofs), published by Arte y Naturaleza, MadridOverall 422 x 1055mm. (16 5/8 x 41 1/2in.)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Christo (1935-2020)Wrapped Statues (Sleeping Faun) (Schellman 183) Offset lithograph, screenprint, polyethylene, twine and crayon, 2000, on chipboard, signed and numbered 2/100 in pencil, published by Edition Schellmann, Munich, the full sheetSheet 813 x 585mm. (32 x 23in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Harland Miller (born 1964)I Am The One I've Been Waiting For (red and yellow) Screenprint in colours, 2012, on wove paper, signed, dated and numbered 21/50 in pencil, published by Other Criteria, London, with their blindstamp, the full sheet, framedSheet 1250 x 1000mm. (49 1/4 x 39 3/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Banksy (born 1974)Napalm Screenprint in colours, 2005, on wove paper, signed, dated and numbered 58/150 in pencil, published by Pictures on Walls, London, with their blindstamp, the full sheet, framedSheet 500 x 700mm. (19 3/4 x 27 1/2in.)Footnotes:This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity in due course.ProvenanceTomTom Gallery, London.Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Damien Hirst (born 1965)Faithless Screenprint in colours, 2006, on wove paper, signed and numbered 26/55 in white crayon, co-published by Paul Stolper and Other Criteria, London, the full sheet, framedSheet 787 x 1500mm. (31 x 59 1/16in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

§ § Sir Terry Frost, R.A. (British, 1915-2003) 'Orange and Blue Space 1998' (Kemp 182)screenprint in colourssigned in pencil. 49/15048 x 48.5cm***CONDITION REPORT***Good clean condition, one or two tiny dirt specks but these appear to be loose insect dirt, no other faults noted, overall size of the visible sheet 55 x 55cm, plain card mount and plain wooden frame, with framers label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Victor Pasmore (1908-1998) Composite Image: Orange and Pink (Lynton G28)screenprint in colours, 1984signed in pencil and dated 84, numbered XIX/XX, from the artist’s proof edition of 20, with a further edition of 70sheet 61 x 74.5cm***CONDITION REPORT***Slipped in frame so needs remounting. Otherwise good condition, colours strong, under glass in a plain white frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

WARHOL, ANDY, after Marilyn Monroe, screenprint 90 x 90 cm.WARHOL, ANDY naar. Portret van Marilyn Monroe, zeefdruk 90 x 90 cm.

Warhol, Andy, after, Mao Tse Tung, screenprint 90 x 90 cm.WARHOL, ANDY, naar, Mao Tse Tung, zeefdruk 90 x 90 cm.

Patrick Proctor - 'Marcus', limited edition screenprint (118/500), signed and numbered in pencil below, 35 x 54 cm; framed and glazed

Two 20th Century Screenprints: Michael Rothenstein (1908-1993) - 'Seven: Red' (1974), screenprint on paper, mounted, together with accompanying folder including poem to left side, print signed in pencil lower left, 52 x 25 cm; Haralabos Babis Katsatsidil - 'Ranu' (1987), limited edition screenprint (4/5), signed, titled, numbered and dated in pencil verso, 100 x 100cm (3)

Brie Glanville (British, 21st Century), Bathtime, etching. Artist's proof, signed lower right, with Bath Society of Artist's Exhibition 2017 label, together with Jean Cecil (Biritish, 21st Century), Disolving Blue, Screenprint, labelled verso, the first 36cm x 36cm exc. frame (2)

Gary Sergeant artist's proof screenprint 'fish dock' 1972, 30 x 42cm together with 1946 print of Cottingham by J Barrie Robinson, 21 x 17cm.

John Langton (British 1932-): 'September', screenprint with inscription 'Noli Altum Sapere' (do not be arrogant) signed titled and dated '67 in pencil no. 13/50, 40cm x 60cm

Mona Hatoum. (1952 Beirut/Libanon - lebt in London u. Berlin). The Blues no. 1-12.7.2020/2021. 2021. Serigraphie in Schwarz und Blau auf festem Sommerset 300g Velin. 32,6 x 24,7 cm (44,5 x 36 cm). Signiert und nummeriert. Lose in Original-Editionsumschlag, in Original-Editionskarton.- Rechts oben zwei kaum merkliche Griffspuren, insgesamt sehr gut und tadellos schön. Editionsumschlag und -karton mit vereinzelten oberflächlichen Bereibungsspuren, sonst sehr gut. Brillanter, farbsatter und 5-schichtiger Druck mit Rand, nach verso ein leichtes Relief zeichnend. Eines von 50 Exemplaren.- Herausgegeben von MigrateArt, London. Entstanden als Folgeedition zum Projekt Scorched Earth, in dem 16 zeitgenössische Künstler 2020 beauftragt werden, mit verbrannter Erde aus Kurdistan Kunstwerke zu schaffen. Die Asche aus der irakischen Region entstand durch von IS-Kämpfern ausgelösten Feuern, um die lokalen Gemeinden mit ihrer Präsenz einzuschüchtern. Sämtliche 16 Arbeiten wurden in den Cork Street Galleries London und im Rahmen einer Charityauktion bei Christie's London zugunsten jener Vertriebener versteigert. Auch unsere Graphik besteht aus dieser auf verbrannter Erde basierten Farbe. Der blaue, bedrohlich wirkende Zaundraht ruft indes imaginäre Bilder von Flucht hervor. Mona Hatoum, eine der prominentesten Künstlerinnen unserer Zeit, macht in ihrem Werk die Fragilität menschlicher Existenz erfahrbar. Mit gleich zwei Ausstellungen im Georg Kolbe Museum und dem Kindl Zentrum für zeitgen. Kunst wird ihr Werk derzeit präsentiert. 5 layer screenprint with high build application on Somerset 300gsm paper. Signed and numbered. Loose in original edition envelope, in original edition box.- Two barely noticeable handlign traces on upper right, overall very good and impeccably nice. Brilliant, richly colored and 6-layered print with margins, drawing a slight relief on the verso. - Published by MigrateArt, London. Created as a follow-up edition to the Scorched Earth project, in which 16 contemporary artists are commissioned to create artworks using scorched earth from Kurdistan in 2020. Our graphic is also made from that paint. Mona Hatoum, one of the most prominent artists of our time, makes the fragility of human existence experienceable in her work. She is being currently presented in two exhibitions in Berlin.

David Hockney OM CH RA, British b.1937- Remember You Cannot Look at The Sun or Death For Very Long, 2021; lithographic poster with screenprint overlay in colours on 170gsm wove, numbered 2711/3000 in black marker to Circa sticker verso, published by Circa Art, sheet 89 x 25cm (unframed) (ARR) Note: this lot comes with a Certificate of Authenticity published by Circa Art.

Jeremy Deller, British b.1966 - I love Patrick Caulfield, 2010, screenprint in colours on perspex, signed and numbered on the reverse '78/100, 30 x 30cm (unframed) (ARR) Provenance; Alan Cristea Gallery, London

Francis Carr, Hungarian/British 1919-2013 - Fulham V Sheffield United, 1953; screenprint, signed, titled, dated and numbered lower edge in pencil 'Fulham V Sheffield United, 28/40, F Carr 53', sheet: 46.5 x 61.5 cm (unframed)

Abidin Dino (Turkish 1913-93) - Limited edition screenprint - The Last Traces, 2012 - 91/100 numbered and stamped, 82cm x 55cm (with Galeri Nev certificate)

Carl Smith (American, 21st Century) - Limited edition screenprint - 'Stereo Way to Heaven', signed and dated 2022 9/10, 51cm x 57cm

KAWS (AMERICAN b. 1974),WHAT PARTY BROOKLYN MUSEUM POSTER screenprint on paperoverall size 114cm x 121cmUnframed.

Yoon Hyup (Korean 1982-), 'Still In The Game', 2022, screenprint in colours on wove paper, signed and numbered from an edition of 200, published by Stolen Space; sheet: 80 x 59.5cmsheet: 80 x 59.5cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition

Andre Saraiva (Swedish-French 1971-), 'Mr A Red', 2022, screenprint in colours with satin glaze on Somerset Tub Sized 310gsm paper, signed and numbered from an edition of 150 in pencil, published by Stowe Gallery; sheet: 70 x 70cmARRsheet: 70 x 70cmIn very good conditionNo knocks, tears or creases to the sheetMinor wear to to upper left hand corner, visible upon close inspectionMinor marking to the lower left hand section of the sheet, visible upon very close inspectionDeckled edges in good conditionThis work has been stored flat and has never been framed.

Clown, 2022, One layered hand-pulled gloss acrylic screenprint on 300gsm JPP textured Somerset paper, numbered from an edition of 750 in pencil, published by Stowe Gallery; sheet: 40 x 60cmsheet: 40 x 60cm

D*Face (British 1978-), 'Riot (Hand Aged)', 2009, hand-embellished and hand-aged screenprint on 320gsm Coventry archival rag paper, signed and numbered from an edition of 10, published by Jet Set Graffiti; sheet: 81 x 61cm (Framed)ARRsheet: 81 x 61cm (Framed)In very good conditionNo visible knocks, tears or creases to the sheetDeckled edges in good conditionFramed in a plain black frame, float mounted leaving all edges and corners of the sheet visibleThis work has not been examined out of the frame.

Dalek (American 1968-), 'Pink Head (Hand Finished)', 2004, over-painted screenprint in colours on wove paper

Dran (French 1979-), 'Musical Monkeys', 2018, heavily hand-embellished screenprint on wove paper, signed and numbered from an edition of 25 unique works; sheet: 23 x 45cmARRsheet: 23 x 45cmIn good condition/artist's conditionNo knocks, tears or creases to the sheetExtremely minor edgewear to the top right hand corner of the sheet, visible upon very close inspectionStored flat and not framed

Judith Supine (American 1978-), 'Night Nurse', 2012, screenprint, acrylic Interference paint and Black UV ink on Archival Paper, signed, titled, and numbered from an edition of 30 in pencil, published by Paper Monster; 119 x 91cm inc frame119 x 91cm inc frame

Keith Haring (American 1958-1990), 'Lucky Strike III' 1987, screenprint in colours on wove paper, printed by Albin Uldry Switzerland; sheet: 100 x 70cmsheet: 100 x 70cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.

Mr Doodle (British 1994-), 'Pop Heart - Robot Kiss', 2021, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 300 in pencil, published by Pearl Lam Galleries Limited; sheet: 60 x 60cmARRsheet: 60 x 60cmIn excellent conditionNo knocks, tears or creases to the sheetStored inside original packagingNo apparent issues.

Shepard Fairey (American 1970-), 'Dark Wave (White)', 2010, screenprint on wove paper, signed, dated, and inscribed AP in pencil, aside from the main edition of 200; sheet: 45.5 x 61cmsheet: 45.5 x 61cm

Shepard Fairey (American 1970-), 'Panther Power', 2007, screenprint in colours on paper, signed, dated, and numbered from an edition of 350 in pencil, published by Obey Giant; 88 x 72.5cm inc frame88 x 72.5cm inc frame

Bridget Riley (British 1931-), 'Bagatelle 1', 2015, screenprint in colours on wove paper, signed, dated, titled, and numbered from an edition of 75 in pencil, published by Katsten Schubert Gallery; sheet: 52.8 x 82cmARRsheet: 52.8 x 82cmIn Very Good ConditionNo visible knocks, tears, or creases to the sheetThis work has been float-mounted leaving all corners and edges of the sheet visibleFramed to a high standard in a white frame using Artglass AR 90Not examined out of the frameIn Very Good Condition

Connor Brothers (British Duo), Sane Men', 2016, acrylic, oil, screenprint, and giclee print with hand-finished varnish on Somerset Satin Enhanced paper, signed, dated, and inscribed AP; sheet: 112 x 68cm (Framed)ARRsheet: 112 x 68cm (Framed)

Connor Brothers (British Duo), 'Saints & Sinners', 2016, acrylic, oil, screenprint, and giclee print with hand-finished varnish on Somerset Satin Enhanced paper, signed and inscribed AP; sheet: 140 x 85cm (Framed)ARRsheet: 140 x 85cm (Framed)

David Shrigley (British 1968-), 'The World', 2020, screenprint in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 125 in pencil, published by Nicolai Wallner; sheet: 75 x 56cmARRsheet: 75 x 56cm

David Shrigley (British 1968-), 'Before You Can Entertain', 2021, screenprint in colours on 410gsm Somerset Satin Tub sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 75 x 56cmARRsheet: 75 x 56cm

David Shrigley (British 1968-), 'Untitled (The World)', 2019, screenprint in colours on 300gsm Rives paper, signed, dated, and numbered from an edition of 125 in pencil verso; sheet: 76 x 56cmARRsheet: 76 x 56cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.

David Shrigley (British 1968-), 'Fuck', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cmARRsheet: 76 x 56cm

David Shrigley (British 1968-), 'I've Got Your Lipstick', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition

David Shrigley (British 1968-), 'No One Is Happier Than Me', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARRsheet; 76 x 56cm

David Shrigley (British 1968-), 'Be Kind To Everyone', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed, dated, and numbered from an edition of 125 verso, published by Nicolai Wallner; sheet: 76 x 56cmARRsheet: 76 x 56cmIn very good conditionNo knocks, tears or creases to the sheet This work has been stored flat and has never been framed.

David Shrigley (British 1968-), 'Live Each Day As If It Were Your First', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARRsheet; 76 x 56cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.