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RONALD BROOKS KITAJ "Chris". Screenprint on paper. Signed. 58.5 x 45cm.

Follower of Georges Braque, French 1882-1962- Oiseau; screenprint in grey, blue and black, 51x75cm., (sheet): together with two other similar colour screen prints of birds by the same hand, various sizes, (3) (unframed)

American School, late 20th century- "Set Point" and "Cyclists"; screenprints in colour, both signed, titled and dated 76 in pencil, 45.5x61 and 60x91.5cm: Marjorie Glick, American, late 20th century- "Kimono II"; screenprint in colours, signed, titled dated 82, 94x66.5cm: together with one other late 20th/early 21st screenprint in colours by a different hand, (4) (unframed)

Kenneth Rowntree (1915-1997) Durham Cathedral Screenprint 21/75, signed in pencil, 48 x 48cm

Francis Tinsley Screenprint 3/20 Signed in pencil, 49 x 53cm

Thomas Abstract Screenprint 8/100, signed in pencil `78, 31 x 38cm

20th Century School Abstract Screenprint 5/100, indistinctly signed in pencil `78, 33 x 43cm

Fred Striven Abstract Screenprint 11, signed in pencil, 29 x 44cm

Andy Warhol, American 1928-1987- "Red Lenin", 1987, (Feldman & Schellmann II. 403), printed by Rupert Jasen Smith, New York; screenprint in colours on Arches 88 paper, signed in pencil by the executor of the Estate of Andy Warhol and numbered 61/120 on a stamped certificate of authenticity, 100x74.9cm Provenance: Purchased 2000, Martin Lawrence Limited Editions

DOUGLAS GRAY Glasgow Dawn Screenprint, signed and numbered 8/10,46cm x 62cm

Square One, Publ., British, circa late 1960`s- "Julie Driscoll Kleptomania Anomace from the Unique Boutique on 22 Carnaby St"; screenprint/poster in colours, 75x57cm: British School, late 1960`s- "Feelin` Groovy"; screenprint/poster in colours, 91x58cm: After Maxfield Parrish, American 1870-1966- "Dinkey Bird"; reproduction printed in colours, 65.5x48cm: with a number of other reproduction prints after the same artist: After Louis Icart, French 1888-1950- "Sleeping Beauty", publ. Portal Publications 1975; reproduction printed in colours, 45.5x51cm: with a number of other reproduction prints after the same artist: together with a mixed collection of prints, mixed media works, pencil drawings and other pictures by and after various hands, (a lot) (unframed) (part rolled)

* M Floss, British, mid-late 20th century- St Paul`s Cathedral and the River Thames; pen and ink and watercolour, signed and dated 63, 30x44cm: John Deana Matthews, British, late 20th century- "Hotel-Garder, Oaxaca"; lithograph in colours on paper, signed, titled and dated `75 in pencil, 41x63cm: Michael Seit, 20th century- "On the Beach 4"; litho/screenprint in colours on paper, signed, titled and numbered 32/35 in pencil in a perspex frame, 86.5x79.5cm: Italian School, mid 20th century- Street Scene; watercolour on paper, signed, 55x38cm., (4) (may be subject to Droit de Suite)

* LISA MILROY FLOWERS screenprint, numbered 23/40 48cm x 45cm

* ELSPETH LAMB RSA SPINNER screenprint, titled, signed and numbered 5/20 147cm x 81cm

DICK ELFERS Yellow and black composition. Screenprint. Signed and dated `80. Edition no. 83 of 190. Unframed.

ART ROOS Sphinx. Screenprint. Signed and dated `80 in pencil. Edition no. 83 of 190. 39.5 x 40cm. Unframed.

GUIDO ECKHARDT Composition with circles. Screenprint. Signed and dated 1980. Edition no. 83 of 140. Unframed.

VICTOR VASARELY Geometric screenprint. Signed and numbered 177 from an edition of 250. 95 x 48cm.

VICTOR VASARELY Chess. Screenprint with blue background. Signed and numbered 47 out of an edition of 90. 50 x 40cm.

SIR TERRY FROST R.A. Arbole, Arbole. Screenprint. Signed. 56 x 38cm. Together with the related text from the Lorca portfolio.

Romain de Tirtoff Erté The Slave screenprint, signed in crayon lower right, numbered 346/500 lower left, blindstamp of Chromacomp. Inc, New York, lower left corner, 890 x 665mm. (35 x 26 1/4 in).

DDS. Eine (British, b.1970) Hero, 2009, Spray paint and screenprint on canvas, signed, titled and dated in black ink verso, 600 x 600 mm (23 1/2 x 23 1/2 in) Provenance: Carmichael Gallery, Los Angeles. Accompanied by a certificate of authenticity from Carmichael Gallery, Los Angeles.

Jim Starr (British, b.1976) and Paul Kelly (British, b.1953) Tesco Warrior, 2011, Acrylic, screenprint and mixed media on wood, signed verso by both artists, Provenance: submitted for sale by the artists. This photograffiti work, image taken by Paul Kelly, screenprint and painted by Jim Starr was produced in Stokes Croft after the infamous Tesco riots. Jim Starr and Paul Kelly describe what happened that night and how it led to the creation of this work; ÒIn April 2011 a full scale riot, triggered after police raided a squat to prevent a possible petrol bomb attack on the Tesco Express store engulfed the Stokes Croft area of Bristol. Stokes Croft is in the heart of Bristol and is now a busy and chaotic mixture of bars, music venues, clubs, cafes and small businesses with many artists, students and young people living in the area. A Tesco Express store arrived at its northern end and despite months of peaceful and well organised local opposition, local frustrations boiled over and what initially was a quiet demonstration turned into something else entirely. Bottles started to rain down on the police and bins were set alight. It was surreal. The crowd was a mix of late night drinkers who had left the bars en masse, local residents, bystanders capturing images and a mix of travellers, protestors and supporters. A 50/50 battle between police and protestors repeatedly swept up and down Cheltenham Road to a soundtrack of Michael Jackson`s `Beat it` and Louis Armstrong`s `It`s a Wonderful World` Ð well into the early hours of Friday morning. Local people and members of the police force were hurt Ð some seriously whilst a saxophonist played a rendition of `Summertime` from the top of a bus shelter. A few days after the riots Paul and myself were looking through some of his photographs taken during and after the events and we pulled up on the image of the riot policeman. We saw this as a strong image and decided to create a collaborative piece that would try and fuse paint and photography to record a snapshot of that crazy moment in timeÉÓ

* Peter Howson OBE, Scottish b.1958- "Bon Bon Alley"; screenprint in colours, signed, titled, dated `94 and numbered 49/100 in pencil, 55.5x116.5cm, (may be subject to Droit de Suite) Provenance: Paintings in Hospitals, London cat no 8706

Richard Baker - `Lydian I`, screenprint in colour, signed, titled and inscribed `A.P.` in pencil, approx 57cm x 19cm, within a gilt frame.

MANNER OF JEAN COCTEAU (1889-1963), `Nymphe et Faune`, screenprint numbered (94/120) and signed indistinctly in pencil, stamped `L`Oeuvre Gravèe`, in distressed painted frame, 55cm x 44cm.

Sir Eduardo Luigi Paolozzi KBE RA, British 1924-2005- "Bash", Pale Blue; screenprint in colours with collage on wove paper, full sheet with margins, signed, dedicated, titled and dated 1971 in pencil, 84.9x59.4cm, (unframed)

Jeffrey Steele, British b.1932- "Hecuba", c.1960`s; screenprint, signed, titled and numbered 15/20 in pencil, 62x45cm (may be subject to Droit de Suite)

John Hoyland, British 1934-2011- "Hating and Dreaming"; screenprint in colours, signed, numbered 34/40 and dated `90, 112.5x105cm, (unframed)

After Andy Warhol 1928-1987- "Marilyn"; c.1980 after the original edition, published by Sunday B Morning circa mid 1980`s, bears `Fill in your own signature` and `Sunday B Morning` each stamped in ink verso, screenprint in colours, full sheet printed to the edges, full suite of ten images depicting Marilyn Monroe in various colour combinations, 91.2x91.2cm., ea., loose and boxed as issued, (10), (unframed).

Paul Insect (1971-), British, "Dunce Boy", screenprint in colours, 2007, on wove, signed, dated and numbered 55/250 in pencil, published by Pictures on Walls, London, with their blindstamp, with full margins, unframed, page size 76.5 x 50.5cm.; 30.25 x 20in.

After Peter Blake RA, British b.1932- "Babe Rainbow", published by Dodo Designs, London, 1968, from the edition of 10,000; screenprint in colours on tin, 66x43.7cm., (unframed)

BRUCE MCLEAN GREEN FISH ON YELLOW screenprint, signed, dated 1984 and numbered 7/10 76cm x 64cm Note: Bruce McLean is one of the major figures of contemporary British Art. Born in 1944, he studied at Glasgow School of Art and at St. Martin`s in London, later teaching at the Slade School of Art. He has obtained international recognition for his paintings and prints,and from his work with film, theatre and books. McLean`s bold and confident approach to printmaking proved influential to his contemporaries. His work s now in private and public collections across the world and he has had numerous exhibtions across Europe and North America.

Tom Phillips RA, British b.1937- "Virgil in his Study", 1982; screenprint in colours, signed and numbered 25/75 in pencil, 76.2x54cm. Provenance: with Waddington Graphics, London according to label attached to the reverse of the frame (may be subject to Droit de Suite)

M Andrews, late 20th/early 21st century- "Metropolis VIII"; mixed technique screenprint and collage, signed and inscribed, numbered 132/200 in pencil, 72x57.5cm

Thomas Bayrle, German b.1937- "Orson Wells"; screenprint in colours, signed, titled, numbered VIII/X and dated 71 in pencil, 75.5x60.2cm: Masaaki Sato, Japanese/American b.1941- "Landscape No 8"; screenprint in colours, signed, titled, numbered 3/95 and dated 1975 in pencil, 70x52cm., (2) (may be subject to Droit de Suite)

IAN FLEMING, PREENING FANTAILS, SIGNED NUMBERED 3/20 AND INSCRIBED IN PENCIL, SCREENPRINT

"Baillon, the golf match, 100/175, signed in pencil in the margin, colour screenprint, 51x 67cm"

* MICHAEL HALE LYDIOM MODE screenprint, signed in pencil and dated `79, A/P and another signed limited edition screenprint by the same artist (2)

John Piper (British, 1903-1992) Wymondham, Norfolk signed in pencil, colour screenprint, a proof aside from the numbered edition of 75 29.5 x 22in. (75 x 55.5cm.)

Erté (Romain de Tirtoff) (1892-1990), `Madame Butterfly`, Colour screenprint, signed and numbered 31/300 in pencil, 77.5cm x 57cm.

Nick Walker (b.1969), The Morning After - Moscow, colour screenprint, Signed with monogram and numbered 88/150, unframed, 74cm x 92cm.

VICTOR PASMORE R.A. (1908-1998) Points of Contact-Linear Development No 4 limited edition screenprint signed and numbered 16/60, unframed 16 1/2 x 16 1/2in (42 x 42cm)

* After Andy Warhol, American 1928-1987- "Marilyn"; c.1980 after the original edition, published by Sunday B Morning circa mid 1980`s, bears `Fill in your own signature` and `Sunday B Morning` each stamped in ink verso, screenprint in colours, full sheet printed to the edges, full suite of ten images depicting Marilyn Monroe in various colour combinations, 91.2x91.2cm., ea., loose and boxed as issued, (10), (unframed)

* Joe Tilson RA, British b.1928- "Three Wristwatches"; screenprint in colours, signed, titled, numbered 14/70 and dated 1965 in pencil, 68.5x99.5cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "Zigguart 5"; screenprint in colours, signed, titled, numbered `artists proof 5/10` and dated 1966 in pencil, 69x100.5cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "Geometry?"; screenprint in colours, signed, titled, numbered `artists proof 5/10` and dated 1965 in pencil, 68x99cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "10th Sonnet"; screenprint in colours, signed, titled, numbered 20/40 and dated 1964 in pencil, 69.5x104cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "The 1/2 Ziggurat"; screenprint in colours, signed, titled, numbered `artists proof 7/10` and dated 1965 in pencil, 67.8x99.5cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "Ziggurat"; screenprint in colours, signed, titled, inscribed `artists proof` and dated 1964 in pencil, 91.4x68.5cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "Ziggurat 6"; screenprint in colours, signed, titled, numbered `artists proof 5/10` and dated 1966 in pencil, 68.5x99.5cm, (unframed) (may be subject to Droit de Suite)

* Joe Tilson RA, British b.1928- "Let a Thousand Parks Bloom"; collage and screenprint in colours, signed, titled, inscribed `artists proof` and dated 1971 in pencil, 70.3x102.5cm, (unframed) (may be subject to Droit de Suite)

* Ronald Brooks Kitaj RA, American 1932-2007- "Vernissage-Cocktail", 1967; screenprint in colours, signed and inscribed `proof` in pencil, 103x70cm, (unframed)

* Ronald Brooks Kitaj RA, American 1932-2007- "Hellebore: for Georg Trakl" 1965; screenprint in colours, signed and numbered 50/70 in pencil, 76.7x57cm: together by the same artist with, "His Phony Fish"; screenprint in colours, on Mulberry, signed in pencil and signed and inscribed `proof` in red pen, 83.2x56.2cm, (2) (unframed)

Eduardo Paolozzi RA, British 1924-2005- "Conjectures to Identity" 1963-4; screenprint on Esparto Cartridge, initialled and numbered 30/40 in pencil, 74.5x48.5cm (plate) 91.5x58.5cm (sheet)

OSIRIS AGENCY, `Jimi Hendrix experience`, screenprint, 76cm x 49cm, framed.

P MARSH, `John` study of John Lennon, screenprint, signed and numbered in pencil 362/2000 published by Reliance Art, framed.

ANDY WARHOL, `Black bean soup` screenprint, 50cm x 40cm, numbered in pencil 601/3000 signed in plate, published by Levine and Levine New York.

PAUL HUXLEY (b.1938), `Abstract`, screenprint, 60cm x 60cm, signed numbered and titled in pencil, framed.

* Charlotte Cornish (b. 1967) British Ltd. Ed. Screenprint no.69 ` Vernation ` 1992 Signed dated and numbered lower 46 1/2" x 33"