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A contemporary screenprint of sailing boats in a harbour, 37 x 48 cmGood presentable condition

A contemporary screenprint of a paddle ship in a coastal inlet, 34 x 45 cmGood presentable condition

* IAN MCKENZIE SMITH OBE RSA PRSW (SCOTTISH B.1935) ABSTRACT artist proof screenprint, signed and dated 1988 and inscribed AP in pencil 56cm x 63.5cm Mounted, framed and under glass

* JEAN B MARTIN RSW (SCOTTISH b 1947), CHURCH INTERIOR screenprint, variable editon, signed 29cm x 40cm Mounted, framed and under glass Label verso: Tolquhon Gallery, Tolquhon, Tarves, Ellon. Handwritten artist's label verso

Victoria Crowe RSA, RSW (Scottish b.1945) 'the healing herb, viola' Coloured screenprint, signed No. 30/70 76 x 56cm

AMEDNED DESCRIPTION. Colin Mier (British). 'Two of Spades', limited edition screenprint. Signed and numbered: 7/10. Image size 30 x 23cm"I graduated from the Royal College of Art and worked as a practising illustrator in publishing, advertising, print, packaging, animation and exhibition design.I also continued to develop my personal work which has been exhibited in the UK and internationally.During this period I also worked as a University Lecturer, Senior Lecturer Kingston University, Visiting Lecturer Kent Institute of Art and Design and Course Advisor at de Montfort University.Eight years ago I made the decision to discontinue illustrating and teaching and to focus solely on printmaking. I moved to Cornwall with my family in 2013 where I’ve continued to use screen-printing as a means to produce imagery, reflecting my vision of the environment in which I now live. I have been lucky enough to maintain a London base which enables me to continue working with my London contacts." Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

Warhol Andy Teddy Roosevelt, 1986 Posthume Farbserigraphie Verso Stempel des Verlegers Gaultney, Klineman Art, Inc., New York, Werkverzeichnisnummer SF II.386 91,4 x 91,4 cm gerahmt Aus der Edition Cowboys and Indians 1986. Portfolio von Zehn Serigraphien. Auflage: 15 PP (Printer's Proof). 250 Stück normale Auflage. Werkverzeichnisnummer FS II.386, in: Jörg Feldmann & Frayda Schellmann, Andy Warhol Prints. A Catalogue Raisonné 1962 - 1987, New York 2003, S 154. Andy Warhol’s Teddy Roosevelt 386 is a screenprint depicting a young Lieutenant Colonel Theodore Roosevelt in his Rough Rider uniform from a photograph taken in 1898. This iconic print is a part of Warhol’s Cowboys and Indians series. Theodore Roosevelt was one of the most beloved presidents of the United States as a leader, a member of the military, and the founder of the National Parks Service. The Cowboys and Indians series is exemplary of how Warhol utilized heavily embedded images derived from popular culture. Images like Teddy Roosevelt 386 represents tokens of native culture, whereas figures like Geronimo and Annie Oakley are based on characters in the Hollywood adaptation of American history, which do not truly represent the roles that these individuals historically played. Rather than portraying Native Americans within their historical landscape, or Cowboys in their veritable forms, Warhol chose to portray a popular, romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films and TV series. Warhol’s Cowboys and Indians series is an ahistorical representation that mirrors a popular interpretation of the American West. Warhol Andy Teddy Roosevelt, 1986 Posthumous Screen-print in colorsVerso publisher's stamp Gaultney, Klineman Art, Inc., New York, Catalogue of works number SF II.386 36 x 36 in framedAndy Warhol’s Teddy Roosevelt 386 is a screenprint depicting a young Lieutenant Colonel Theodore Roosevelt in his Rough Rider uniform from a photograph taken in 1898. This iconic print is a part of Warhol’s Cowboys and Indians series. Theodore Roosevelt was one of the most beloved presidents of the United States as a leader, a member of the military, and the founder of the National Parks Service. The Cowboys and Indians series is exemplary of how Warhol utilized heavily embedded images derived from popular culture. Images like Teddy Roosevelt 386 represents tokens of native culture, whereas figures like Geronimo and Annie Oakley are based on characters in the Hollywood adaptation of American history, which do not truly represent the roles that these individuals historically played. Rather than portraying Native Americans within their historical landscape, or Cowboys in their veritable forms, Warhol chose to portray a popular, romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films and TV series. Warhol’s Cowboys and Indians series is an ahistorical representation that mirrors a popular interpretation of the American West.

Hubert Hilscher (Polish, 1924-1999). Circus poster, 'Cyrk', 1979, screenprint, 33" by 26", unframed, rolled. Well-preserved, clean, bright; some very faint knocks and light creases at extreme edges

Warren (British, 20th Century), Power of Nature, signed l.l., No.15/25, screenprint, 143 by 117cm, framedProvenance: Louise Pickering Gallery and a Corporate Art Collection

Pure Evil (British, b.1968). 'Pure Evel Knievel (Diamond Dust)', limited edition screenprint, signed in pencil to lower right margin, numbered 27/100, unframed, sheet size 76 x 56cm A few light creases and a mark to lower left hand edge.

George Rodrigue (American, 1944-2013). Dogs in Space, from his Blue Dogs Series, screenprint in colours, signed in silver ink, numbered 84/90, unframed, rolled, 40.5 x 59cm

Bridget Riley (British 1931-), 'Sylvan', 2000, screenprint in colours on wove paper, signed, titled, dated and numbered from an edition of 75 in pencil; sheet: 88.8 x 61cm (Framed) ARR

Eelus (British 1979-), 'Chewbarber (Mustard)', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in pencil; sheet: 56 x 38cm ARR

Dolk (Norwegian 1979-), 'Girl With Teddybear', 2007, screenprint in colours on 250gsm Somerset Satin paper, signed, dated and numbered from an edition of 200 in pencil, published by Handmadeposters; sheet: 70 x 50cm ARR

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

Banksy (British 1974-), 'Flying Copper', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 100 x 70cm (Framed) ARR

Banksy (British 1974-), 'GDP Flower Thrower', 2019, screenprint on 50gsm paper; sheet: 76.5 x 57.5cm ARR

Shepard Fairey (American 1970-), 'Wage Peace', 2005, screenprint in colours on wove paper, signed and numbered from an edition of 89 in pencil; sheet: 106 x 73cm

Banksy (British 1974-), 'Toxic Mary', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed) ARR

Christopher Wool (American 1955-), 'My House I', 2000, screenprint in colours on Matt Custom Art paper, signed, dated and numbered from an edition of 100 in pencil, published by Counter Editions; sheet: 101.5 x 75.8cm (Framed)

Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Eelus (British 1979-), 'Wotulookin-at (Pink)', 2007, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Mr Doodle (British 1994-), 'Heartland', 2020, screenprint in colours on wove paper, signed and numbered from an edition of 300 in pencil; sheet: 90 x 48cm ARR

Schoony (British 1974-), 'Boy Soldier', 2019, unique hand-finished screenprint on paper, signed and dated front; sheet: 70 x 50cm ARR

Banksy (British 1974-), 'Trolleys', 2007, two colour screenprint on Arches paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm (Framed) ARR

Schoony (British 1974-), 'Bruiser', 2019, unique hand-finished screenprint with applied glitter on paper, signed and dated in pencil; sheet: 56 x 38cm ARR

Banksy (British 1974-), 'I Fought The Law (Colour AP)', 2004, screenprint in colours on wove paper, signed and numbered from an edition of 71 APs, aside from the main edition, published by Pictures On Walls; sheet: 100 x 70cm (Framed) ARR

Andy Warhol (American 1928-1987), 'Elephant, from Endangered Species', 1983, screenprint in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 150, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers Stamp and Artists' Copyright verso; sheet: 96.5 x 96.5cm

Eelus (British 1979-), 'Chewbarber (Salmon)', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Banksy (British 1974-), 'Jack & Jill', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 350, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR

Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 32 x 100 ARR

Andy Warhol (American 1928-1987), 'Apple (Macintosh), from Ads Series', 1985, screenprint in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 190, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers And Artist's Copyright Stamp, and Apple Computer Inc Copyright Stamp verso; sheet: 96.5 x 96.5cm

Eddie Martinez (American 1977-), 'After Bay Area, Early 90s', 2016, screenprint in colours on wove paper, signed, dated and numbered from an edition of 30 in pencil, published by Flying Horse Editions; sheet: 76 97.5cm

Andy Warhol (American 1928-1987) & Keith Haring (American 1958-1990) (Collaboration), 'Montreux Jazz Festival', 1986, screenprint in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm

Banksy (British 1974-), 'Laugh Now', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR

Banksy (British 1974-), 'Grannies', 2006, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm ARR

Andy Warhol (American 1928-1987), 'Moonwalk 404 Yellow', 1987, screenprint in colours on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 160, published by Ronald Feldman Fine Arts, Inc., New York; sheet: 96.5 x 96.5cm

Invader (French 1969-), 'Cote d'Azur', 2007, screenprint in colours on wove paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 25 x 65cm ARR

Banksy (British 1974-), ‘Flag (Silver)’, 2006, screenprint on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls; sheet: 49.5 x 69cm ARR

Michael Kagan (American 1980-), 'In Memory', 2020, screenprint on wove paper, signed and numbered from an edition of 200 in pencil, published by Virginia MOCA; sheet: 35.5 x 35.cm

Banksy (British 1974-), ‘Trolleys (Colour)’, 2007, screenprint in colours on Arches, signed and numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 56 x 76cm ARR

Banksy (British 1974-), 'Stop & Search', 2007, screenprint in colours on Arches 88 Paper, signed in blue crayon and numbered from an edition of 500 in pencil, published by Pictures on Walls; sheet: 76.5cm x 57.5cm ARR

Invader (French 1969-), 'Marlboro', 2014, screenprint in colours on Archival paper, signed and numbered from an of 200, published by Art Alliance; sheet: 86 x 61cm ARR

Eelus (British 1979-), 'Shat-At', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Banksy (British b.1974), 'Love Rat', 2004, screenprint in colours on paper, signed, dated and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 49.5 x 34.5cm ARR

Javier Calleja (Spanish 1971-), 'Redhead', 2014, hand-embellished screenprint in colours on 300gsm Arches 88, signed and numbered from an edition of 60 in pencil; sheet: 76 x 56cm (Framed) ARR

Banksy (British 1974-), 'Soup Can', 2005, screenprint in colours on wove paper, numbered from an edition of 250 in pencil, published by Pictures On Walls, bearing the publishers blind stamp; sheet: 50 x 35cm (Framed) ARR

Banksy (British 1974-), 'Napalm', 2004, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Eelus (British 1979-), 'Chewbarber (Blue)', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR

Brian Clarke (British, born 1953)Blue Computergram, 1981 each numbered (on the overlap)oil and screenprint on canvas, in eight partsEach: 76 x 76 cm.29 15/16 in.Overall: 152 x 304 cm.59 13/16 x 119 11/16 in.Footnotes:Provenance Private Collection, UK (a gift from the artist)ExhibitedLondon, The Royal Institute of British Architects, Brian Clarke: New Paintings, Constructions and Prints, 1981London, Robert Fraser Gallery, Brian Clarke, circa 1985Karuizawa, Sezon Museum of Modern Art, Brian Clarke: Paintings, 1976 - 1986, 1987Osaka, Yao Seibu Exhibition Hall, Brian Clarke: Paintings, 1976 - 1986, 1987LiteratureMartin Harrison, Brian Clarke, London 1981, pp. 73–76 and illustrated pp. 154, 155–156, 159 & 205Deanna Petherbridge, 'Art on architecture' in The Architects' Journal, London 1981Robert Hewison, 'From centre to punk' in The Times Literary Supplement , London 1981.Brian Clarke: Stained Glass (Microcosm), Tokyo 1987; pp. 26 & 41, illustratedSainsbury Centre for Visual Arts, The Art of Light, Norwich 2018; p. 23 and illustrated pp. 265–266This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Anni Albers (German, 1899-1994)Study for Nylon Rug, from 'Connections' Screenprint in colours, 1959-83, on wove, signed, dated and numbered 26/125 in pencil, printed by Muggiò, Milan, published by Fausta Squatriti, Milan, with full margins, 520 × 380mm (20 1/2 × 15in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

R. B. Kitaj (American, 1932-2007)China of To-day, from 'In Our Time: Covers for a Small Library After the Life for the Most Part' (Kinsman 37) Screenprint and photoscreenprint in colours, 1969, on primed canvas as issued, signed in pencil, one of three proofs aside from the numbered edition of 150, printed by Kelpra Studio, London, published by Marlborough Graphics AG Schellenberg, Florida, with margins, 530 x 765mm (20 7/8 x 30 1/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

R. B. Kitaj (American, 1932-2007)The Plague, from 'In Our Time: Covers for a Small Library After the Life for the Most Part' (Kinsman 37) Screenprint and photoscreenprint in colours, 1969, on primed canvas as issued, signed in pencil, one of three proofs aside from the numbered edition of 150, printed by Kelpra Studio, London, published by Marlborough Graphics AG Schellenberg, Florida, with margins, 550 x 762mm (21 5/8 x 30in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Andy Warhol (American, 1928-1987)Campbell's Soup Can on a Shopping Bag Screenprint in colours, 1966, on a paper bag, from an edition of an unknown size, published for the exhibition at the Institute of Contemporary Art, Boston, 600 x 440mm (23 5/8x 17 3/8in)(overall)For further information on this lot please visit Bonhams.com

Roy Lichtenstein (American, 1923-1997)Merton of the Movies (Corlett 61) Screenprint in colours, 1968, on silver foil, signed, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 450, printed by Fine Creations, Inc., New York, published by H.K.L. Ltd., New York and Boston, the full sheet printed to the edges, 760 x 509mm (29 7/8 x 20in)(SH)For further information on this lot please visit Bonhams.com

Tom Wesselmann (American, 1931-2004)Great American Foot (Olympische Spiele München 1972) Screenprint in colours, 1970, on wove, signed, dated and numbered 66/200 in pencil, published by Edition Olympia 1972 GmbH, Munich, the full sheet, 927 x 680mm (36 1/2 x 26 3/4in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Craigie Aitchison (British, 1926-2009)Sheep in Moonlight Screenprint in colours, 1999, on black wove, signed, dated and numbered 44/75 in white ink, printed and published by Advanced Graphics, London, with their blindstamp, the full sheet, 690 x 590mm (27 1/8 x 23 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Damien Hirst (British, born 1965)Untitled (Gold Gift Spot) Screenprint in colours with gold glitter, 2008, on wove, signed, numbered 36/100 and dedicated 'for Sadie thanks love Damien xxx' in pencil, published by Other Criteria, London, with full margins, 750 x 950mm (29 1/2 x 37 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990)20th Montreux Jazz Festival Screenprint in colours, 1986, on heavy wove, printed by Albin Uldry, Bern, the full sheet printed to the edges, 1000 x 700mm (39 3/8 x 27 1/2in)(SH)(unframed)For further information on this lot please visit Bonhams.com