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ROLAND PICHE [b.1938]. Holland Park, London, 1972. Screenprint on wove paper. Signed,titled and numbered 19/70 in pencil. Printed at Kelpra Studio, London. 67.9 x 99.1cm [image size], 70.5 x 102.5cm [sheet size]. Unframed. Collection: Tate Gallery [Good condition - as issued]. Buyers premium 20% + vat payable. This lot is stored in London and can be collected or shipped from there.

BRIDGET RILEY [b.1931]. Rose Rose, 2011. Screenprint on Fabriano paper with full margins. Signed, titled, dated and numbered 138/250 in pencil. Published by Counter Editions as part of the 2012 London Olympics portfolio. 70 x 54.5cm [image size], 87 x 69.8cm [sheet size]. Framed to conservation standards. Literature: Bridget Riley Complete Prints BRS 79. Provenance: Counter Editions, 2011; private collection, UK.[Excellent condition]. Buyers premium 20% + VAT payable. This lot is stored in London and can be collected or shipped from there.

MATTHEW HILTON [1948 - ]. Abstract [Jugs] 1, 1994. screenprint, edition of 30, 16/30; signed in pencil with initials. 28 x 27 cm - unframed. Provenance: Private collection, UK. Hilton is a St Ives artist and the son of Roger Hilton - perhaps the only sibling of the famous St Ives artists with an individual style. [very good condition]. Buyers premium of 20% + VAT is payable.

MATTHEW HILTON [1948 - ]. Abstract [Jugs] 11, 1994. screenprint, edition of 30, 16/30; signed in pencil with initials. 28 x 27 cm unframed. Provenance: private collection, UK. See lot 62 for cv. [very good condition]. Buyers premium of 20% + VAT is payable.

MATTHEW HILTON [1948 - ]. Abstract [Jugs] 111, 1994. screenprint, edition of 30, 16/30; signed in pencil with initials. Provenance: private collection, UK. See lot 62 for cv. 28 x 27 cm - unframed. [very good condition]. Buyers premium of 20% + VAT is payable.

MATTHEW HILTON [1948 - ]. Abstract [Jugs] 1V, 1994. screenprint, edition of 30, 16/30; signed in pencil with initials. 28 x 27 cm - unframed. Provenance: private collection, UK. See lot 62 for cv. [very good condition]. Buyers premium of 20% + VAT is payable.

Bambo Sibiya (South African 1986 - ) MEMORIES OF A SWENKA lithograph and screenprint  signed, dated 2014, titled and numbered 9/15 in pencil in the margin, with Atelier Le Grand Village chopmark sheet size: 63 by 84cm excluding frame; 14,5 by 71,5 by 3,5cm including frame PROVENANCE Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Rooskens, Anton, signed, birds, screenprint 51 x 68 cm.ROOSKENS, ANTON (1906-1976), ges. r.o., vogels, zeefdruk (42/125), 51 x 68 cm.

Dali, Salvador, signed, paranoia, screenprint 48 x 44 cm.DALI, SALVADOR, ges. r.o., paranoia, zeefdruk 48 x 44 cm.

Grijn, Erik Adriaan van der, signed, abstract triptych, screenprint 80 x 70 cm.GRIJN, ERIK ADRIAAN VAN DER (1941), ges. en gedat. 1985, abstract drieluik, zeefdruk (43/100) 80 x 70 cm.

Gubbels, Klaas, signed, stil life with coffee pot, screenprint 39 x 42 cm.GUBBELS, KLAAS (1934), ges. en gedat. 1999 r.o., kan en beker, zeefdruk (139/290) 39 x 42 cm.

Veldhoen, Aat, signed, three graces, screenprint 65 x 50 cm.VELDHOEN, AAT (1934-2018), ges. m.o., drie gratieën, zeefdruk (40/100) 65 x 50 cm.

Gubbels, Klaas, signed, stillife with coffee pot, screenprint 38 x 42 cm.GUBBELS, KLAAS (1934), ges. en gedat. 1999 r.o., beker en koffiepot, zeefdruk (193/290) 38 x 42 cm.

Warhol, Andy, after, Marilyn, screenprint 93 x 90 cm.Warhol Andy, naar. Marilyn, zeefdruk, 93 x 90 cm.

Hoek, Annelies, signed, portrait of Queen Beatrix, screenprint 78 x 60 cm.HOEK, ANNELIES (1943), ges. en gedat. 1995 r.o., portret koningin Beatrix, zeefdruk (41/200) 78 x 60 cm.

Salvador Dali, screenprint, with Figures below Tornado, dated 1966 (37cm x 28cm)

DERRICK GREAVES (b.1927) *ARR Atler Almost There, limited edition 16/75 screenprint, signed and Kelpra Studio stamp verso, 45 x 62cm, A Further Pair of Still Life's of Fruit, signed indistinctly in pencil in the margin and dated 1989 and 1991. (3)

D Nathan - The birds nest, screenprint in colours, signed and dated '79 in pencil lower right, further numbered 15/31, visible sheet dimensions 57 x 47cm

δ Patrick Caulfield (1936-2005)Dressed Lobster (Alan Cristea Gallery 63)Screenprint in colours, 1980, signed and dated in pencil, a proof aside from the edition of 150, printed and published by Kelpra Studio, with their blindstamp, in collaboration with the Tate Gallery and Waddington Graphics, London, on wove paper, the full sheet printed to the edges, sheet 601 x 751mm (23 5/8 x 29 5/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)Aurous IodideScreenprint in colours with glitter and glazes, 2009, signed and dedicated 'for Sam Thank - you - hooooo ♡' in pencil, numbered from the edition of 150, on wove paper, with full margins, 980 x 750mm (36 ½ x 29 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)UntitledScreenprint in colours with glazes, 2007, signed and dedicated 'for Sam ♡' in pencil, numbered from the edition of 500, on wove paper, with full margins, sheet 570 x 510mm (22 1/2 x 20in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)Blue ButterflyScreenprint in colours with glaze, 2006, signed and numbered from the edition of 50 in blue ink, as included in the portfolio In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on sturdy wove paper, the full sheet printed to the edges, sheet 420 x 295mm (16 ½ 11 5/8 in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Gary Hume (b. 1962)The ClericScreenprint in colours, 2000, signed, titled and dated in pencil, numbered from the edition of 300, published by Counter Editions, London, on Somerset wove paper, with full margins, sheet 940 x 690mm (37 x 27in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Jules Olitski (1922-1007)Orange/ochre with pink and green, from the Graphics Suite #2, 1970Screenprint in colours, 1970, signed and dated in pencil, numbered from the edition of 150, published by Waddington Graphics Limited, London, printed by Michael Knigin at the Chiron Press, New York, on J. B. Green wove paper, the full sheet printed to the edges, sheet 660 x 890mm (26 x 35in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Jules Olitski (1922-1007)Pale blue with blue and red, from the Graphics Suite #2, 1970Screenprint in colours, 1970, signed and dated in pencil, numbered from the edition of 150, published by Waddington Graphics Limited, London, printed by Michael Knigin at the Chiron Press, New York, on J. B. Green wove paper, the full sheet printed to the edges, sheet 890 x 660mm (35 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Woman Taking Off Man's Shirt (Cristea p.244)Screenprint in colours, 2003, from the edition of unknown size, printed and published by K21 Kunstammlung Nordhein-Westfalen, Düsseldorf, on smooth wove paper, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Richard Serra (b. 1939)Fuck Helms, from Harvey Gantt Portfolio (Gemini 1454)Screenprint with embossing, 1990, signed, dated, and numbered from the edition of 250 in pencil, published by Gemini, G.E.L., Los Angeles, with their blindstamp recto and ink stamp verso, on Arches Cover buff wove paper, with full margins, sheet 357 x 382mm (14 x 15in)

Andy Warhol (1928-1987)Jacqueline Kennedy III (Jackie III) (Feldman & Schellman II.15)Screenprint in colours, 1966, stamp-signed verso, a proof aside from the edition of 200, printed by KMF, Inc. New York, published by Original Editions, New York, on wove paper, the full sheet, sheet 1016 x 763mm (40 x 30in)

Andy Warhol (1928-1987)From Ladies and Gentlemen (Iris) (Feldman & Schellmann II.135)Screenprint in colours, 1975, signed, dated and numbered from the edition of 125, the total edition was 250, printed by Alexander Heinrici, New York, published by Luciano Anselmino, Milan, on Arches paper, with full margins, sheet 1104 x 724mm (43 ½ x 28 ½in)

δ Paul Insect (b.1971)Dead Cow (Yellow/Pink)Screenprint in colours, 2007, signed and numbered from the edition of 50 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 paper, with full margins, sheet 760 x 560mm (30 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Paul Insect (b.1971)Dead Cow (Grey/Raspberry)Screenprint in colours, 2007, signed and numbered from the edition of 50 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 paper, with full margins, sheet 760 x 560mm (30 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Invader (b.1969)Rubik Kubrick (Alex) (Control P Editions 8)Screenprint in colours, 2006, numbered from the edition of 300 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500 x 700mm (19 5/8 x 27 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Invader (b.1969)Rubik Kubrick II (Jack) (Control P Editions 11)Screenprint in colours, 2007, numbered from the edition of 300 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 700 x 496mm (27 1/2 x 19 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

KAWS (b.1974)URGEScreenprint in colours, 2020, signed and dated in pencil, numbered from the edition of 250, published by the artist, New York, on Saunders Waterford 425gm HP Hi-White wove paper, with full margins, sheet 432 x 325mm (17 x 12 ¾ in)

KAWS (b.1974)URGEScreenprint in colours, 2020, signed and dated in pencil, numbered from the edition of 250, published by the artist, New York, on Saunders Waterford 425gm HP Hi-White wove paper, with full margins, sheet 432 x 325mm (17 x 12 ¾ in)

δ Blek le Rat (b.1952)Shock and Awe Screenprint in colours, 2007, signed in pencil numbered from the edition of 150, printed and published by Black Rat Press, London, on Somerset Satin white wove paper, the full sheet printed to the edges, sheet 710 x 530mm (28 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Shrigley (b.1968)Black CatsScreenprint in colours, 2021, initialled and dated in pencil verso, numbered from the edition of 125, printed and published by Jealous Gallery, London, on Somerset wove paper, the full sheet printed to the edges, sheet 760 x 560mm (30 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Pasmore (1908-1998)Untitled 4 (Lynton G52)Screenprint in colours, 1988, signed, dated, and numbered in pencil, one of twenty proofs numbered XX aside from the edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Arts Ltd., London, on Arches paper, with margins, image 700 x 1000mm (27 1/2 x 39 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dalí (1904-1989)Man and the Sea (M&L 1372a)Screenprint in colours, 1972, signed in pencil, numbered from the edition of 200, published by Edition Olympia, Munich, on wove paper, with full margins, sheet 1185 x 840mm (46 5/8 x 33in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Salvador Dalí (1904-1989)Liquid and Gaseous Television, from Imaginations and Objects of the Future (Field 75-11 C; M&L 824a)Etching with lithograph, screenprint and collage in colours, 1975-76, signed in pencil, numbered from the edition of 250, published by Merrill Chase Publishing Association, on Arches wove paper, with full margins, sheet 773 x 560mm (30 1/2 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

JOHN PIPER (1903-1992) (ARR): A limited edition screenprint "St. Davids", signed in pencil and numbered 39/100. Plate size 56cm x 76.5cm, proof stamped, framed and glazed

λ  John Piper (British 1903-1992)Harlaxton (Blue) (Levinson 270)Screenprint in colours, 1977Signed in pencil and numbered 56/75 Image: 56.5 x 101cm (22 x 39¾ in.)Condition Report: Examined in the frame. The work appears to be in very good condition. The colours in the original are richer and deeper than the catalogue illustration.Condition Report Disclaimer

λ  John Piper (British 1903-1992)Wymondham Abbey, Norfolk (Levinson 324)Screenprint in colours, 1981 Signed in pencil and numbered 58/70Image: 55 x 76cm (21½ x 29¾ in.)Condition Report: Examined in the frame. There is a very small raised push in the top edge of the margin, otherwise the work appears to be in good condition. The colours are richer and deeper in the original than in the catalogue illustration.Condition Report Disclaimer

λ  John Piper (British 1903-1992)Canons Ashby, Northamptonshire (Levinson 350)Screenprint in colours, 1983Signed in pencil and numbered 7/150 Image: 45.5 x 68cm (17¾ x 26¾ in.)Condition Report: Examined in the frame. There is water staining to the sheet in the bottom left and right corners of the margin, otherwise the work appears to be in generally good condition. The colours are deeper and richer in the original than in the catalogue illustration. Condition Report Disclaimer

λ  John Piper (British 1903-1992)Fountains Abbey, Yorkshire (Levinson 351)Screenprint in colours, 1983Signed in pencil and numbered 7/150 Image: 45 x 62cm (17½ x 24¼ in.)Condition Report: Examined in the frame. The work appears to be in very good condition. The colours in the original are richer and deeper than in the catalogue illustration.Condition Report Disclaimer

λ Alistair Grant (British 1925-1997)Sugar Yellow Blue Screenprint in coloursTitled in pencil and numbered 5/20 (verso)58 x 78cm (22¾ x 30½ in.)UnframedBorn to an English father and French mother, Grant spent much of his childhood in Étaples along the northern French coast. It was a spot that he would return to time and again and a constant source of artistic inspiration. Grant trained at Birmingham School of Art in the early 1940s, followed by the Royal College of Art in London. In 1955, he took a position teaching printmaking at the Royal College where is became a pioneer in mixed media techniques. Although he was predominately known as a printmaker, he also produced a large body of painted work.Although initially producing representational works, from the mid 1960s, Grant moved firmly towards abstraction. His works are synonymous with bold colour and strong design with expressive painterly brushwork. The Normandy landscape of the north French coast at Le Touquet, Étaples and Boulogne in particular, remained his primary source of inspiration. Bridges, harbours and coastlines jostling and juxtaposing each other in their contrasting shapes.

λ Alistair Grant (British 1925-1997)Untitled (Orange)Screenprint and lithograph printed in coloursSigned in pencil and numbered 8/20Sheet 57 x 77.5cm (22¼ x 30½ in.)UnframedBorn to an English father and French mother, Grant spent much of his childhood in Étaples along the northern French coast. It was a spot that he would return to time and again and a constant source of artistic inspiration. Grant trained at Birmingham School of Art in the early 1940s, followed by the Royal College of Art in London. In 1955, he took a position teaching printmaking at the Royal College where is became a pioneer in mixed media techniques. Although he was predominately known as a printmaker, he also produced a large body of painted work.Although initially producing representational works, from the mid 1960s, Grant moved firmly towards abstraction. His works are synonymous with bold colour and strong design with expressive painterly brushwork. The Normandy landscape of the north French coast at Le Touquet, Étaples and Boulogne in particular, remained his primary source of inspiration. Bridges, harbours and coastlines jostling and juxtaposing each other in their contrasting shapes.

λ Alistair Grant (British 1925-1997)Untitled (Pink)Screenprint and lithograph printed in coloursSigned in pencil and numbered 9/20 57 x 77cm (22¼ x 30¼ in.)UnframedBorn to an English father and French mother, Grant spent much of his childhood in Étaples along the northern French coast. It was a spot that he would return to time and again and a constant source of artistic inspiration. Grant trained at Birmingham School of Art in the early 1940s, followed by the Royal College of Art in London. In 1955, he took a position teaching printmaking at the Royal College where is became a pioneer in mixed media techniques. Although he was predominately known as a printmaker, he also produced a large body of painted work.Although initially producing representational works, from the mid 1960s, Grant moved firmly towards abstraction. His works are synonymous with bold colour and strong design with expressive painterly brushwork. The Normandy landscape of the north French coast at Le Touquet, Étaples and Boulogne in particular, remained his primary source of inspiration. Bridges, harbours and coastlines jostling and juxtaposing each other in their contrasting shapes.

λ Terry Frost (British 1915-2003)Orange, Green and Blue Rhythm (Kemp 234)Screenprint in colours, 2002Signed in pencil and numbered 31/150 Visible sheet: 67 x 48cm (26¼ x 18¾ in.)Condition Report: Unexamined out of glazed frame. Slight undulation to the upper edge, visible at the centre of the mount. It may benefit from remounting. Otherwise in good original condition. Condition Report Disclaimer

Colin Self (b.1941)'Changing Hands' screenprint, numbered 40/54, signed and dated 1995 in pencil lower left, with additional details of artists and individuals featured to the reverse of the frame, 50.5cm x 40cmCondition report: Overall ok with minimal display wear to the frame. No major damages to note.

Angela Newberry (b.1934) 'Homestead', screenprint, numbered 2/30, signed in pencil lower right, 35cm x 27cmCondition report: There is no glass in the frame. Some small creases and indentations to the paper. Frame joints slightly loose/apart in places. No hanger to the reverse.

John Loker (b.1938) 'Two horizons' screenprint, numbered 35/50, signed and dated 1972 in pencil lower right, unframed, 46.5cm x 76cmCondition report: Minimal foxing and marks to the corners/border only. All of which could easily be concealed when framed, otherwise ok.

Anthony Benjamin (1931-2002) 'Xaxis', screenprint, artists proof, signed and dated 1978 in pencil lower right, unframed, 63cm x 89cm, another by the same artist 'Tyne Cott', screenprint, numbered 2/75, signed and dated 1977 in pencil lower right, 52.5cm x 76cm, and one other by the same artist, 'After the rain' screenprint, artists proof, signed and dated 1977 in pencil lower right, unframed, 56cm x 76cm (3) Condition report: Overall with some small marks to edges and corners as expected. All could easily be concealed when framed.

Richard Allen (1933-1999)'Iconocross I, II & III', screenprint, each numbered 18/100, signed and dated 1979 in pencil lower left, all unframed, 76cm x 64cm (3)Condition report: Overall with some small marks to edges and corners as expected. All could easily be concealed when framed.

Richard Allen (1933-1999) 'Diacross', screenprint, numbered 3/35, signed and dated 1971 in pencil lower left, unframed, 58cm x 56cmCondition report: Overall with some small marks to edges and corners as expected. All could easily be concealed when framed.

Chris Plowman (1952-2009) 'AC-DC The Electricity diptych', screenprint, artists proof, signed and dated 1976 in pencil lower right, unframed, 54cm x 73cmCondition report: Overall with some small marks to edges and corners as expected. All could easily be concealed when framed.

Roy Speltz (b.1948)'Composition', screenprint, signed and titled in pencil lower right, 30cm x 30cmCondition report: Overall display wear and tiny scuffs to the frame as expected, otherwise generally ok.

Donald Hamilton Fraser (1929-2009) 'Shoreline-Skerray', screenprint, numbered 109/175, signed in pencil lower right, 44cm x 57cmCondition report: Overall ok with minimal display wear and scuffs to the frame as expected.

Donald Hamilton Fraser (1929-2009) 'Beach at Gruinard', screenprint, numbered 12/195, signed in pencil lower right, 64cm x 61cmCondition report: The glass is missing from the frame. The frame itself has overall display wear, marks and scuffs. As a result of the glass not being present there are some marks and small dents to the picture, however these are minor and do not affect the overall piece.

Deborah Druick Mountain Walk Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I'm a Canadian painter now living and working in New York.   Education BFA Montreal Museum School of Art and Design, MFA equivalent, Concordia University   Select Exhibitions/Awards New American Paintings, editions # 158, #146 Forthcoming 2022, Moosey Editions Screenprint, London, Group Show, Daniel Raphael Gallery, London   Statement about AOAP Submitted Artwork The artwork submitted extends my work examining women and femininity. My paintings explore issues of gender and female objectification. I present my females as highly exaggerated, stylized figures leaning on the stereotypical notion that beauty in femininity is about perfection and precision.