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Keith Haring (American, 1958-1990) 'Montreux Jazz Festival, 1983' (pink) screenprint in colours on wove paper 100 x 70cm, unframed

Keith Haring (American, 1958-1990) 'Montreux Jazz Festival, 1983' (yellow) screenprint in colours on wove paper 100 x 70cm, unframed

*D Face (b.1978) 'Street Improvements II, III and IV', 2008 screenprint in colours, each signed 'D FACE' in pencil l.r., and numbered A/P 15/20, 19/150 and 20/150 in pencil l.l., with 'The Black Rat Press' blind stamp each sheet 78.5 x 40.5cm, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: II - A/P 15/20: some dirt/mark to the lower left edge of the image causing light lines and also a semi-circular mark on the left of the blindstamp caused by a light scratch from the edge of the paper to approx 3cm up. III - 19/50: very slight crease in top left corner, a minor scratch to top left of the image in the black 'D Face Automatic' - please see illustrations. IV - 20/50: In generally good and original condition.

*Lucas Price aka Cyclops (b.1975) 'Telepathic Heights', 2011 screenprint in colours, signed 'CYCLOPSANE' l.r. and numbered 17/200 l.l. in pencil, with 'The Black Rat Press' blind stamp sheet 97 x 71cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some light pencil marks to the top and bottom margins, some handling creases, two thumb print marks (surface dirt) at the top and right edge, a crease at the top right corner.

*James Cauty (b.1956) 'The Rise and Fall of Portslade Massif', 2007 screenprint in colours, signed 'Cauty' l.l. in pencil and numbered 4/50 l.r. sheet 70 x 49.6cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some small creases along the edges and handling creases at the centre, also some light surface dirt top left. Darker yellow line top-right probably from time of execution.

*Bruce McLean (b.1944) Standing Figures, 1985 screenprint in colours with white painted figure, signed and dated 'Bruce McLean 1985' in pencil l.r., and numbered 89/100 79 x 100cm *Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, some surface dirt to the glass, some minor scratches to the glass. Sheet has been stuck down to the mount but otherwise is in apparently good condition.

*Wilhelmina Barns-Graham (1912-2004) Untitled, 1991 screenprint in colours, archive II, signed 'W Barns-Graham' and dated '91' in pencil l.r. 56.5 x 76cm, unframed Provenance: Acquired by the present owner directly from the Curwen Studio. *Artist's Resale Right may apply to this lot.Condition report: One small crease at the lower-right corner, otherwise in very good condition.

* MATTHEW CAREY SIMOS, SWIMMING HARE limited edition coloured screenprint on paper, signed, titled, dated '99 and numbered 3/50 image size 17cm x 14cm, sheet size 41cm x 29cm, overall size 45cm x 32cm Framed and under glass. Note: Matthew Carey Simos is a multi disciplinary illustrator by day and experienced printmaker by night. He is originally from Greece, but now lives and works in Edinburgh.

* ALASDAIR GRAY (SCOTTISH 1934 - 2019), THE SCOTS HIPPO screenprint on paper, signed, titled, numbered 71/90 and dated 14 March 2007 image size 60cm x 36cm, sheet size 63cm x 39cm, overall size 77cm x 52cm Framed and under glass.

* JOCK MCFADYEN (SCOTTISH b. 1950), UNTITLED screenprint on paper, signed, dated '82, numbered 16/30 image size 76cm x 57cm, overall size 106cm x 75cm Mounted, framed and under glass.

* JOCK MCFADYEN (SCOTTISH b. 1950), SPUD screenprint on paper, signed, titled and numbered 47/50 image size 60cm x 47cm, sheet size 75cm x 57cm, overall size 84cm x 65cm Mounted, framed and under glass.

Brenda Hartin, 'Silver Life Elements VIII', an artist proof screenprint , signed and dated 2002, framed under glass

Brenda Hartill, (born 1943) 'Winter Variation I' coloured screenprint, signed in pencil, entitled and numbered 77/100, dated 1983, framed under glass, 37 x 56cm

Ralph Steadman, 'Lost Chapter', signed in pencil and numbered 24/53, screenprint, 55 x 37cm.

Sidney Jonas Budnick (America, 1921-1994). 'Kitty Cat', limited edition screenprint. Signed, dated 1979, and numbered 41/115 in pencil to margin, with blindstamp. Sheet size: 71 x 101.5cm.

Gilles Gorriti, (French, b.1939), Limited edition screenprint depicting a coastal view, signed, numbered 77/100 in pencil, 48 x 58cm. Framed and glazed.

Erte (Russian / French, 1892-1990) (Romain de Tirtoff). 'Symphony in Black', limited edition screenprint, signed, and numbered 154/300 in pencil to margin. 54.5 x 44cm. Framed and glazed. Sold with copy of original purchase receipt from CCA Galleries dated 1997.

Erte (Russian / French, 1892-1990) (Romain de Tirtoff). 'Ebony and White', limited edition screenprint, signed, and numbered 65/300 in pencil to margin. 56.5 x 42cm. Framed and glazed. Sold with copy of original purchase receipt dated 1984, and certificate from Christie's Contemporary Art.

Erte (Russian / French, 1892-1990) (Romain de Tirtoff). 'Pas de Deux', limited edition screenprint, signed, and numbered 134/300 in pencil to margin. 51.5 x 39.5cm. Framed and glazed. Sold with copy of original purchase receipt from CCA Galleries dated 1989 and certificate.

Erte (Russian / French, 1892-1990) (Romain de Tirtoff). 'L'Orientale', limited edition screenprint, signed, and numbered 40/300 in pencil to margin. 46 x 34cm. Framed and glazed. Sold with copy of original purchase receipt from CCA Galleries dated 1985 and certificate.

§ Patrick Hughes (British, b.1939). 'Wet Paint'. Screenprint in colours. Signed, titled and numbered by the artist in pencil to margin (126/150). Image size 42.5 x 58cm. Sheet size 56 x 76. Unframed.Please note that Artists Resale Right may be additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information).

AMENDED DESCRIPTION. Eddie Lawrence (British contemporary). Repeated portrait of Mick Jagger, in the style of Andy Warhol. Screenprint. Signed and numbered by artist (26/50) . Image size 54 x 64cm. Frame size 74 x 84.5cm.

Stephen Bartlett (British, b.1942). 'Tropical Garden', limited edition screenprint, signed and numbered 132/150 in pencil to margin, framed and glazed, Image size: 54.5 x 64cm. Frame size: 85 x 94cm. With The New Academy Gallery label verso.

Victor Passmore CBE (British, 1908-1998). 'Milky Way', limited edition screenprint, signed, dated '86, and numbered 13/70 in pencil to margin. 59 x 73cm. Framed and glazed. Sold with copies of certificate and original purchase receipt from CCA Galleries dated 1986.Condition Report: Light undulation in the paper.Not seen out of frame.

Peter Blake - Marylin Red and Yellow, signed and editioned, 34/175, screenprint, 66 x 45cms, in black frame.

Giancarlo Impiglia - "An Evening to Remember", signed, inscribed, dated 2001, and editioned 255/300 to margins, screenprint, 82 x 78cms, in silvered frame.

Giancarlo Impiglia - "The Grand Party", signed, inscribed, dated and editioned, 198/225, screenprint, 63 x 85cms, in a silvered frame.

§ John Reay (British 1947-2011)Punch and Judy signed 'John Reay' (lower right) screenprint 81 x 59cm

§ John Reay (British 1947-2011)At the Beach screenprint signed 'John Reay' (lower right) 35 x 46cm

§ Alistair Grant (British 1925-1997)Fête Champêtre signed 'alistair grant' (lower right); numbered 44/100 screenprint, unframed 56 x 77cm

Charles Hinman (American 1932-)Album No. 1 one sheet from the original set of nine signed 'Charles Hinman' (lower right); numbered 132/200 (lower left) screenprint in colours with embossing, unframed 65 x 87cm

The Beggarstaff Brothers (James Pryde and William Nicholson)Lyceum, Don Quixote screenprint 17.5 x 16.5cm

§ Angela Harding (British contemporary)Early Nesters signed 'Angela Harding II' (lower right); numbered 56/75 (lower left) screenprint, unframed 54 x 59cm

§ A group of three unframed works, to include:Romain de Tirtoff Erté (French-Russian 1892-1990), Conte Hindou, inscribed 'AP2/' (lower right), pochoir and gouache, 60 x 75cm; Roy Turlington (British 1942-), Darling Don't Leave Me, signed 'Roy Turlington' (lower right), gouache and etching, 76 x 112; and Bob Sanders (British b.1945), Fruit Fantasy, signed 'Bob Sanders' (lower right); titled and inscribed 'P/P' (lower left), screenprint, 70 x 79cm

§ Richard Demarco CBE (British 1930)Canning Place, Kensington signed and dated 'Richard Demarco 1974' (lower right); numbered 9/250 (lower left) screenprint 45 x 65cm

§ Neil Canning (British contemporary)Evolution XIII signed and dated 'Neil Canning '00' (lower right); numbered 1/1 (lower left) screenprint with woodblock 77 x 76cm

§ Patrick Caulfield CBE, RA (British 1936-2005)Oh! If one of Them, some fine evening, would try from his series Some Poems of Jules Laforgue, edition of 200, 1973 screenprint on Neobond synthetic paper, published by Petersburg Press, unframed 40.5 x 35.5cm

§ Brendan Neiland (British 1941-)Glencoe signed 'Brendan Neiland' (lower right); numbered 35/100 (lower left) screenprint, unframed 80 x 60cm

After Andy Warhol (American 1928-1987)Portrait of Mao screenprint on museum board, published by Sunday B. Morning and stamped to the reverse, unframed 31 x 25cm

Victor Pasmore RA (1908-1998), 'Linear Development II', from 'Points of Contact', 1970', artist proof screenprint, monogram signed, 48 cm x 47 cm, framed and glazed.Condition report: The print is clean and ripple-free but the cut edges of the paper have become very slightly discoloured.

Shoe, J (?), screenprint, 110cm by 75cm

TAKASHI MURAKAMI (1962-) HEISEI OR REIWA ERA, 20TH OR 21ST CENTURY A limited edition colour screenprint on wove paper entitled 'Doraemon: Here We Go!', numbered 262/1000, signed Murakami and also signed 'Fujiko F Fujio' (the inventor of Doraemon) in Japanese, published by Kaikai Kiki Co., Ltd., Tokyo, 65cm x 58cm.

TAKASHI MURAKAMI (1962-) HEISEI OR REIWA ERA, 20TH OR 21ST CENTURY A limited edition colour screenprint on wove paper entitled 'Doraemon's Daily Life', numbered 571/1000, signed Murakami and also signed 'Fujiko F Fujio' (the inventor of Doraemon) in Japanese, published by Kaikai Kiki Co., Ltd., Tokyo, 65cm x 58cm.

A group of pictures and prints, including a screenprint of the Cote D'Azur and horse racing subjects

WILF ROBERTS artist's proof screenprint - Ynys Mon landscape, title to margin 'Glan-y-Gors', signed, 55 x 72cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

CERI RICHARDS limited edition (2/60) screenprint - entitled 'Promotheus II - from Beethoven Suite with Variations', signed and dated 1970, 75 x 54cms Provenance: private collection consigned via our Cardiff office Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)

* Nolan (Sidney, 1917-1992). Floral Images (Plate 8), 1972, colour screenprint on wove, from the edition of 70 impressions, signed in pencil, and numbered 40/70, verso captioned in pencil to verso upper left and small ink stamp 'K 8111' lower right, verso of sheet slightly spotted, sheet size 658 x 507 mm, framed and glazed, 680 x 530 mmQty: (1)

ARR * Pasmore (Victor, 1908-1998). Abstract 1971, colour screenprint on heavy off-white wove paper, printed by Kelpra Studio, London, and published by Marlborough Graphics in an edition of 75 impressions, signed with monogram, dated '71, and numbered 75/75 in pencil, sheet size 71 x 69 cm (28 x 27.2 ins), period perspex frameQty: (1)

ARR * Pasmore (Victor, 1908-1998). Points of Contact No. 37, 1982, colour screenprint, printed by Kelpra Studio, London, in an edition of 70 impressions, signed with initials, dated '82, and numbered 1/70, image size 669 x 330 mm, sheet size 876 x 487 mm, framed and glazed, with printed label of Michael Grimes, Fine Art Consultant, Formby, Liverpool, to versoQty: (1)

*DAME ELISABETH FRINK (1930-1993) 'Green Man (Blue), 1992' (Wiseman 162), signed in white chalk and numbered 6/70 in pencil, screenprint, printed in colours to the sheet edges, on Somerset textured paper, published by Curwen Chilford Prints, with their blindstamp and that of the printer Kip Gresham, 57cm x 53cmProvenance: Acquired from Lumley Cazalet Gallery, London, in 1992Born in 1930, Frink is amongst the most notable artists of the last century whose works continue to be widely exhibited in public and private collections throughout the world. In 1969 Frink was awarded a CBE and in 1971 she was elected an Associate of the Royal Academy. During the decade of 1982-1992 she was awarded a DBE, had a solo exhibition at the Royal Academy and was awarded a Companion of Honour. Elisabeth Frink lived and worked at Woolland, Dorset from 1977 up until her death aged 63 in 1993, and her studio there bore witness to over a decade of prolific drawing and sculpting.

*DAME ELISABETH FRINK (1930-1993) 'Green Man (Red), 1992' (Wiseman 161), signed in white chalk and numbered 2/5 and initialled H.C. in pencil, Hors d Commerce proof screenprint, printed in colours to the sheet edges, on Somerset textured paper, published by Curwen Chilford Prints, with their blindstamp and that of the printer Kip Gresham, 57cm x 53cmProvenance: Acquired from Lumley Cazalet Gallery, London, in 1992Born in 1930, Frink is amongst the most notable artists of the last century whose works continue to be widely exhibited in public and private collections throughout the world. In 1969 Frink was awarded a CBE and in 1971 she was elected an Associate of the Royal Academy. During the decade of 1982-1992 she was awarded a DBE, had a solo exhibition at the Royal Academy and was awarded a Companion of Honour. Elisabeth Frink lived and worked at Woolland, Dorset from 1977 up until her death aged 63 in 1993, and her studio there bore witness to over a decade of prolific drawing and sculpting.

Stuart BRISLEY (1933)'Working men of all countries, unite!'Screenprint and letterpressSigned and numbered 18/20 to verso 53.5 x 42cmPart of 'Other Men's Flowers' - a collection of text-based prints by 15 London artists including Tracey Emin and Liam Gillick

Bob CROSSLEY (1912-2010)Two Browns ScreenprintSigned, inscribed and dated '71#24/6844 x 31cm

Caroline ALDOUSHarbour Oil on board Signed and dated 2001 to verso 28 x 25cm Together with John Treave NUMEHead study 'Merman I'Mixed media Signed, inscribed and dated 2001 to verso 24 x 22cmAnd a seascape screenprint by Robert Bell, intialled

Patrick HUGHES (1939)Untitled Screenprint Signed and dated '83A/P 6/5025 x 25cm

Julian DYSON (1936-2003)Out for a Walk ScreenprintSigned, inscribed and dated '00A/P41 x 52cm

** δ Patrick Heron (1920-1999)Small Red, January 1973 1Screenprint in colours, 1973, signed and dated in pencil, numbered from the edition of 72, printed at Kelpra Studios, published by Waddington Graphics, London, on wove paper with full margins, sheet 500 x 582mm,(19 ¾ x 22 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

R.B. Kitaj (1932-2007)Let Us Call it Arden/& Live in It! Duncan (Ramkalawon 39)Screenprint in colours, 1966, signed and numbered from the edition of 70, as included in the portfolio Mahler Becomes Politics, Beisbol, printed at Kelpra Studio, published by Marlborough Fine Art Ltd., London, on light brown St George's cover paper, with full margins, sheet 845 x 585mm, (30 ¼ x 23 in) (unframed)

** δ Gerald Laing (1936-2011)Triple (Ingram/Halliwell 4)Screenprint in colours, 1966, signed in pencil, numbered from the edition of 200, printed by Knickerbocker Machine & Foundry Inc., published by Original Editions, New York, on wove paper with full margins, sheet 760 x 1015mm, (29 7/8 x 40 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Eduardo Paolozzi (1921-2005)Who's Afraid of Sugar Pink and Lime Green?Screenprint in colours, 1971, signed and dated in pencil, numbered from the edition of 100, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 1440 x 1040mm, (56 ¾ x 41in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.