David Spiller (British, 1942-2018)Such a Perfect Day Screenprint in colours, 2018, on wove, signed with the initials, titled and inscribed 'AP6' in pencil, an artist's proof aside the numbered edition of 95, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 920 x 925mm (36 1/4 x 36 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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The Connor Brothers (British)If You've Got a Skeleton Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on a label affixed verso, an unique impression from the edition of two, housed in the artist's designated frame, 270 x 205 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake (British, born 1932)Visa, from 'Fag Packets' Screenprint in colours, 2004, on Somerset Satin, signed and numbered 34/95 in pencil, published by Eyestorm, London, the full sheet, 1017 x 760mm (39 7/8 x 29 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)Sausages, from 'The Last Supper' Screenprint in colours, 1999, signed in pencil, numbered from the edition of 150, printed by Coriander Press, London, published by Paragon Press, London, the full sheet, 1530 x 1015mm (60 x 40in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Banksy (British, b. 1975)Soup Can Screenprint in colours, 2005, on wove, numbered 28/250, published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in)(SH)(unframed)Footnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Albert Irvin R.A. (British, 1922-2015)Deptford I Screenprint with woodblock printed in colours, 2000, on wove, signed, titled, dated and numbered 24/125 in pencil, published by Advanced Graphics, London, with their blindstamp, the full sheet, 760 x 1015mm (29 7/8 x 40in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Banksy (British, b. 1975)Monkey Queen Screenprint in colours, 2003, on wove, numbered 346/750 in pencil, published by Pictures on Walls, London, the full sheet, 490 x 345mm (19 1/4 x 13 1/2in)(SH)Footnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bridget Riley (British, born 1931)From One to the Other Screenprint in colours, 2005, on wove, signed, titled, dated and numbered 24/75 in pencil, on wove, with full margins, 490 x 912mm (19 1/4 x 35 7/8)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers (British)Maybe It's Not About A Happy Ending Giclée print in colours with screenprint varnish, 2014, on wove, signed, dated and numbered 31/50 in pencil, with full margins, 835 x 562mm (32 7/8 x 22 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Jesús Rafael Soto (Venezuelan, 1923-2005)Presenza Grafica Screenprint in colours, 1973, on wove, signed and numbered 65/80 in pencil, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 950 x 940mm (37 3/8 x 37in)(SH)For further information on this lot please visit Bonhams.com
Barbara Kruger (American, born 1945)Untitled (Kiss) Multiple, 2019, screenprint in black on wood, numbered 160 in black ink on the artist's label affixed verso, from the edition of 300, with the artist's ink-stamp in red on the packing, designed by Alvar Aalto, co-published by the Institute of Contemporary Arts, London and Artek, Helsinki, housed in the original packaging with accompanying booklets, 420 x 480 x 95mm (16 1/2 x 18 7/8 x 3 3/4in)(overall)For further information on this lot please visit Bonhams.com
John Piper (British, 1903-1992)East Barsham Manor (Levinson 320) Screenprint in colours, 1981, on Arches wove, signed and numbered 70/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, with margins, 550 x 763mm (21 5/8 x 30in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
The Connor Brothers (British)All She Wanted Was To Be Someone's Most Precious Person Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on a label affixed verso, an unique impression from the edition of two, housed in the artist's designated frame, 270 x 205 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake (British, born 1932)Belga, from 'Fag Packets' Screenprint in colours, 2005, on Somerset Satin, signed and numbered 63/95 in pencil, published by Eyestorm, London, the full sheet, 1025 x 760mm (39 7/8 x 29 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com
John Piper (British, 1903-1992)Clamecy, Burgundy (Levinson 375) Screenprint in colours, 1985, on Arches, signed and numbered 14/100 in pencil, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, 775 x 590mm (30 1/2 x 23 1/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
* CAMERON SCOTT (SCOTTISH CONTEMPORARY), BARRIO CHINO, BARCELONA colour screenprint, signed, titled, dated '04 and numbered 1/25 40cm x 30cm Mounted, framed and under glass. Note: born in Kintore, a small north east Scottish village, trained at Gray’s School of Art in Aberdeen and won the coveted Cinzano National Scholarship for Great Britain which allowed Cameron to work for some of the leading design and fashion houses in France and Italy. From the world of high fashion, he moved into art schools where he taught at Falmouth School of Art, Shrewsbury School of Art, Salford University and Burnley College, moving from part time lecturer to Head of School of Art. Cameron Scott now lives in Frome, Somerset and his work is exhibited around the UK.
KUNSTRASEN (GERMAN b 1979), SPOT REMOVER SKY screenprint, signed, bears Graffiti Prints chopmark 56cm x 56cm Unframed Note: Certificate of Authenticity verso. Approximate retail value £300. Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
FANAKPAN (BRITISH CONTEMPORARY), DANCE LIKE SOMEBODY IS WATCHING etching and screenprint, signed 60cm x 43cm Unframed Note: Certificate of authenticity verso. Note: Fanakapan is a prolific London-based street artist known for creating hyper realistic visuals of real life objects. His free hand, spray painting skills and the unmatched combination of shadow and reflective highlights he adds to his absolutely mind-boggling art works have earned him a stellar reputation within the urban contemporary art scene. Approximate retail value £300 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
NUNO VIEGAS, METIS, (PORTUGUESE b 1985), SHIRT MASK VII screenprint, signed and numbered 24/75 70cm x 54cm Unframed Note: Certificate of authenticity verso. Note: Metis, also known as Nuno Viegas, is a Portuguese artist born in Faro (1985) and raised in Quarteira. Founder of the art collective Policromia Crew, he started his artistic journey with graffiti in 1999. After completing his studies in Visual Arts at the University of Algarve he moved to Rotterdam in the Netherlands (2014) where he discovered a new artistic identity and began to develop his painting strongly influenced by graffiti. Approximate retail value £300 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
FAKE (DUTCH b 1980), LOVE HURTS (GOLD METALLIC EDITION) screenprint, signed 70cm x 50cm Unframed Certificate of authenticity verso. Note: FAKE from Amsterdam has been doing graffiti and street art half his life. FAKE felt the urge to bring a smile on other people’s faces through irony and humor. After discovering the power of stencils, he was hooked. FAKE’s work is some of the cleanest stuff around. His clean, crisp work, full of color, has been in shows all over the world; from Holland, Norway, Denmark and the UK until the US and even countries such as Iran. Approximate retail value £200 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
JOACHIM (BELGIAN CONTEMPORARY), BORN TO PAINT. PINK. screenprint, trial proof, signed and numbered 1/1, bears Graffiti Street chopmark 35cm x 35cm Unframed Note: Joachim is a talented, young Belgian street artist who managed to introduce himself into the Belgian street art scene and earn his place in the sun relatively quickly. He is famous for his childlike spontaneity and experimenting with different styles. Approximate retail value £175 Generously donated by Graffiti Street. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
CHARLES UZZELL-EDWARDS (PURE EVIL) (WELSH b 1968), JANE FONDA - SEVEN WAYS TO MAKE YOU JACK screenprint with stencil spray paint, signed and numbered 1/1/ in pencil 80cm x 69cm Unframed Note: Charles Uzzell-Edwards is a graffiti and street artist known better known by the cheeky moniker Pure Evil. His tag of a vampire bunny rabbit was borne from the artist's feeling of remorse after shooting a rabbit in the countryside as a youth. Charley explains, I've always regretted this terrible deed and the idea is that the rabbit is coming back to haunt me. He also explains the economy is such a beautifully symbol, The great thing is, you can do it in about five seconds. If you are running through the streets of Moscow at night you can just do a quick bunny on the side of a hoarding and run away. Approximate retail value £600 Generously donated by Pure Evil. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
TABBY (AUSTRIAN CONTEMPORARY), WONDER YEARS screenprint , signed, dated '19 and numbered 33/50 45cm x 60cm Unframed Note: TABBY is an Austrian street artist who loves to love and hates to hate. Approximate retail value £100. Generously donated by Anonymous. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
SNIK (BRITISH CONTEMPORARY), COLD TENDERNESS screenprint, artists proof, signed and numbered 1/10 60cm x 80cm Unframed Note: SNIK are an art duo based in the United Kingdom and with over a decade’s experience painting walls inside and out. They have successfully established themselves as one of the most interesting and progressive stencil artists of the moment. Their bold aesthetic is characterized by frozen scenes of dynamic action often at impressive scale, however it is the delicate details of the everyday which make their works particularly unusual. Rather than an elaborate narrative, SNIK seek to elevate the subtle and often unremarkable details of a single moment; tangled strands of hair, folds and textures of fabrics. It is this focus which has come to define their unmistakable style. Approximate retail value £300 Generously donated by SNIK. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
GARY HUME (BRITISH b 1962), CURTAINS screenprint, signed and dated 2020 54cm x 81cm Unframed Note: Gary Hume is a contemporary English artist best known for his stylized depictions of everyday objects using high-gloss industrial paint. “The edge is the only thing that matters,” he explained of his paintings. “I used to think of the areas of color as tectonic plates meeting, so in the paintings it’s like there are these molten plates that would hit each other and dry. I wanted one of those plates to be higher than the other, and I wanted the hit to be more abrupt.” Born on May 9, 1962 in Tenterden, United Kingdom, he graduated from Goldsmiths College in 1988. Approximate retail value £150 Generously donated by Jamie Lewis-Hadley. The proceeds of sale from this lot will benefit The Glasgow Childrens Hospital Appeal.
STANLEY DONWOOD (BRITISH b 1968), SECRET GREEN HOLLOWAY screenprint, signed, dated '17, numbered 71/169, and bears chopmark 40cm x 40cm Unframed Note: Stanley Donwood is a British artist and writer best known for his work created for the band Radiohead, for whom he has designed all of their album covers and promotional materials. Among his most famous works is the cover art for the album Hail to the Thief (2003). Donwood is the pseudonym of Dan Rickwood, who was born on October 29, 1968 in Essex, England and studied at the University of Exeter where he met Radiohead frontman Thom Yorke. In 2002, he was awarded a Grammy for the packaging of Radiohead’s Amnesia album. In addition to art, Donwood has written several books of short stories, including Humor (2014). He lives in Bath, England. Approximate retail value £200 Generously donated by Stanley Donwood. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
SCHOONY (BRITISH CONTEMPORARY), BRUISER GOLD GLOVES screenprint, signed, numbered 2/4 and dated 2020 in pencil 70cm x 50cm Unframed Note: Schoony's background is rooted in special effects and prosthetics for the film industry. His career spans over 30 years. Since the age of fifteen he has worked on ver 100 films. His work and reputation for high quality and pioneering techniques has reached far corners of the world. Schoony exploded on to the London art scene in 2008 at Mutate Britain's "One Foot in the Grove", one of the most pioneering street art exhibitions to date. Schoony uses new up to date technology alongside the more traditional methods in his art pieces. Approximate retail value £200 Generously donated by Schoony. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.
Laszlo (Carl)La Lune En Rodage, First & Second Series, vol.1 unnumbered from an edition limited to 215 (65 hors commerce), vol. 2 number 67 of 150 copies plus an unspecified number of hors commerce copies, with pieces of original artwork (drawings, gouaches, collages etc.), graphics, photographs, sheets of letterpress text, music etc.tipped to thick card leaves of varying colours, many signed, original hessian-backed printed veneer boards fastened with metal bolts, each with small bas-relief mounted on upper cover (metal on vol.1 by Pomodoro and and marble by Talman on vol.2), oblong 4to, Basle, Editions Panderma, 1960 & 1965. ⁂ Important Survey Of Post-War And Contemporary Art Featuring Many Major Avant-Garde Artists And Including Original Artwork. The present lot contains two of the most ambitious and important contemporary art portfolios of the post-war era. Containing a mixture of original and editioned works La Lune en Rodage brought together many of the most cutting-edge avant-garde artists of the age and gave them the opportunity to work in mediums that in many cases they had not previously. Volume 1 features Piero Manzoni's only editioned multiple, an 'editioned' unique drawing by Lucio Fontana, and Enrico Catellani's first multiple, and across the two volumes artists such as well Arman, Jean Arp, Hundertwasser, Otto Piene, Man Ray, Dieter Roth, Victor Vasarely amongst many others included works. The production of volume 3 was beset with delays and the project was largely abandoned during its early production in 1965, it was finally published in 1977 but by that time many of the works which had been set to be included were absent most notable was a wonderful screenprint by Bridget Riley, which until recently was largely unknown.
Peter Blake / Babe Rainbow, a 1968 colour screenprint on pressed tin, depicting the fictional wrestler from Peter Blake's wrestling series, an edition of 1000, commissioned and distributed by Dodo Designs, London, 36 line notes printed on the reverse - measures 26" by 17 ¼" - punch holes to corners for wire hanging and a few small dents on the edges, otherwise in very good condition with vibrant colours
Andy Warhol (American 1928-1987) VESUVIUS screenprint on Arches; signed and numbered 126/250 in pencil; embossed with the Rupert Jansen Smith, New York, chopmark; published by Fondazione Amelio, Naples with the copyright inkstamp on the reverse Feldman, F. and Schellmann, J., Andy Warhol Prints: A Catalogue Raisonné. 4th ed., 2003, #II.365. PROVENANCENatalie Knight Gallery, Hyde Park, Johannesburg, 1987 sheet size: 79,5 by 99,5cm
Alasdair Gray, writer, painter, muralist and playwright, was a Scottish artist of international standing whose paintings, books and murals form an unparalleled body of work in contemporary culture. Born in 1934 in Glasgow, he graduated from Glasgow School of Art in 1957. Gray was a prolific writer of novels, short stories, plays, poems and literary criticism. His novel Lanark is now regarded as a classic and one of the landmarks of 20th Century fiction. He was an accomplished artist who has painted remarkable murals and is also the designer and illustrator of his own books. As well as recording the life and people of Scotland in his paintings, he produced the ceiling mural, for the auditorium of the Oran Mor in Glasgow, one of the largest works of art in Scotland. Alisdair died in December 2019. Lots 326-410 form the residual contents of his studio, workplace and home in Marchmont Terrace. Included are Artworks, books, furniture and effects. ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK (BOOK COVER) Screenprint, signed and numbered 55/60, 57 x 84.5cm (22 1/2 x 33 1/4") Estate of Alasdair Gray Condition Report: Available upon request
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12813 item(s)/page