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Lot 265

David Spiller (British, 1942-2018)Such a Perfect Day Screenprint in colours, 2018, on wove, signed with the initials, titled and inscribed 'AP6' in pencil, an artist's proof aside the numbered edition of 95, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 920 x 925mm (36 1/4 x 36 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 243

The Connor Brothers (British)If You've Got a Skeleton Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on a label affixed verso, an unique impression from the edition of two, housed in the artist's designated frame, 270 x 205 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 196

Sir Peter Blake (British, born 1932)Visa, from 'Fag Packets' Screenprint in colours, 2004, on Somerset Satin, signed and numbered 34/95 in pencil, published by Eyestorm, London, the full sheet, 1017 x 760mm (39 7/8 x 29 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Lot 218

Damien Hirst (British, born 1965)Sausages, from 'The Last Supper' Screenprint in colours, 1999, signed in pencil, numbered from the edition of 150, printed by Coriander Press, London, published by Paragon Press, London, the full sheet, 1530 x 1015mm (60 x 40in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 253

Banksy (British, b. 1975)Soup Can Screenprint in colours, 2005, on wove, numbered 28/250, published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in)(SH)(unframed)Footnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 102

Albert Irvin R.A. (British, 1922-2015)Deptford I Screenprint with woodblock printed in colours, 2000, on wove, signed, titled, dated and numbered 24/125 in pencil, published by Advanced Graphics, London, with their blindstamp, the full sheet, 760 x 1015mm (29 7/8 x 40in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 252

Banksy (British, b. 1975)Monkey Queen Screenprint in colours, 2003, on wove, numbered 346/750 in pencil, published by Pictures on Walls, London, the full sheet, 490 x 345mm (19 1/4 x 13 1/2in)(SH)Footnotes:This work is accompanied by a certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 200

Bridget Riley (British, born 1931)From One to the Other Screenprint in colours, 2005, on wove, signed, titled, dated and numbered 24/75 in pencil, on wove, with full margins, 490 x 912mm (19 1/4 x 35 7/8)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 248

The Connor Brothers (British)Maybe It's Not About A Happy Ending Giclée print in colours with screenprint varnish, 2014, on wove, signed, dated and numbered 31/50 in pencil, with full margins, 835 x 562mm (32 7/8 x 22 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 178

Robert Indiana (American, 1928-2018)The Santa Fe Opera Screenprint in colours, 1976, on wove, signed, dated and numbered 179/250 in pencil, the full sheet, 785 x 555mm (30 7/8 x 21 7/8in)(I)For further information on this lot please visit Bonhams.com

Lot 149

Jesús Rafael Soto (Venezuelan, 1923-2005)Presenza Grafica Screenprint in colours, 1973, on wove, signed and numbered 65/80 in pencil, published by 2RC Edizioni d'Arte, Rome, with their blindstamp, the full sheet, 950 x 940mm (37 3/8 x 37in)(SH)For further information on this lot please visit Bonhams.com

Lot 230

Barbara Kruger (American, born 1945)Untitled (Kiss) Multiple, 2019, screenprint in black on wood, numbered 160 in black ink on the artist's label affixed verso, from the edition of 300, with the artist's ink-stamp in red on the packing, designed by Alvar Aalto, co-published by the Institute of Contemporary Arts, London and Artek, Helsinki, housed in the original packaging with accompanying booklets, 420 x 480 x 95mm (16 1/2 x 18 7/8 x 3 3/4in)(overall)For further information on this lot please visit Bonhams.com

Lot 90

John Piper (British, 1903-1992)East Barsham Manor (Levinson 320) Screenprint in colours, 1981, on Arches wove, signed and numbered 70/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, with margins, 550 x 763mm (21 5/8 x 30in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 244

The Connor Brothers (British)All She Wanted Was To Be Someone's Most Precious Person Hand-painted vintage paperback with acrylic and screenprint in colours, 2020, signed in black ink on a label affixed verso, an unique impression from the edition of two, housed in the artist's designated frame, 270 x 205 x 30mm (10 5/8 x 8 1/8 x 1 1/4in)(overall)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 197

Sir Peter Blake (British, born 1932)Belga, from 'Fag Packets' Screenprint in colours, 2005, on Somerset Satin, signed and numbered 63/95 in pencil, published by Eyestorm, London, the full sheet, 1025 x 760mm (39 7/8 x 29 7/8in)(SH)(unframed)For further information on this lot please visit Bonhams.com

Lot 88

John Piper (British, 1903-1992)Clamecy, Burgundy (Levinson 375) Screenprint in colours, 1985, on Arches, signed and numbered 14/100 in pencil, printed by Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, 775 x 590mm (30 1/2 x 23 1/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 513

David Leverett (British, b.1948-) 'The Affirmation' signed in pencil and dated '1991' limited edition colour screenprint, artists proof, number 9/10. Gallery label to verso. 63 x 83cm. (Ex IBM corporate artwork)

Lot 149

PURE EVIL 'Natalie Wood - Christopher Walken's Nightmare', colour screenprint, 54/100, signed and numbered in pencil, 85cm x 70cm, framed.

Lot 95

John Piper (1903-1992) British, 'Ludlow Castle', screenprint in colours, signed and numbered in pencil 27/100 with gallery blindstamp, 54 cm x 80 cm glazed in a contemporary frame.Footnote: Provenanve: From a private London collectorCondition report: No apparent faults

Lot 97

Sir Sidney Nolan (1917-1992) Australian, 'Ned Kelly' series screenprint in colours, numbered 45/100, signed in pencil to lower right corner, 60.5 cm x 76 cm with margins, glazed in a contemporary frame.

Lot 1180

Michael Chase (1915-2001) - three watercolours – ‘Aegean Dream’, ‘The Blue Mountain’ and 'Sun God & Charioteer' together with a framed poster 'Thera Dream With Flying Fish', and Dale Deveraux Barker (1962) - screenprint - 'In a Teacup', signed, all in glazed frames (5)

Lot 554

* CAMERON SCOTT (SCOTTISH CONTEMPORARY), BARRIO CHINO, BARCELONA colour screenprint, signed, titled, dated '04 and numbered 1/25 40cm x 30cm Mounted, framed and under glass. Note: born in Kintore, a small north east Scottish village, trained at Gray’s School of Art in Aberdeen and won the coveted Cinzano National Scholarship for Great Britain which allowed Cameron to work for some of the leading design and fashion houses in France and Italy. From the world of high fashion, he moved into art schools where he taught at Falmouth School of Art, Shrewsbury School of Art, Salford University and Burnley College, moving from part time lecturer to Head of School of Art. Cameron Scott now lives in Frome, Somerset and his work is exhibited around the UK.

Lot 583

* BANKSY (BRITISH b 1974), RAT RADAR DIRTY FUNKER (BROWN) screenprint on record sleeve, vinyl record housed inside sleeve 30.5cm x 30.5cm Framed and under glass.

Lot 643

KUNSTRASEN (GERMAN b 1979), SPOT REMOVER SKY screenprint, signed, bears Graffiti Prints chopmark 56cm x 56cm Unframed Note: Certificate of Authenticity verso. Approximate retail value £300. Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 644

FANAKPAN (BRITISH CONTEMPORARY), DANCE LIKE SOMEBODY IS WATCHING etching and screenprint, signed 60cm x 43cm Unframed Note: Certificate of authenticity verso. Note: Fanakapan is a prolific London-based street artist known for creating hyper realistic visuals of real life objects. His free hand, spray painting skills and the unmatched combination of shadow and reflective highlights he adds to his absolutely mind-boggling art works have earned him a stellar reputation within the urban contemporary art scene. Approximate retail value £300 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 645

NUNO VIEGAS, METIS, (PORTUGUESE b 1985), SHIRT MASK VII screenprint, signed and numbered 24/75 70cm x 54cm Unframed Note: Certificate of authenticity verso. Note: Metis, also known as Nuno Viegas, is a Portuguese artist born in Faro (1985) and raised in Quarteira. Founder of the art collective Policromia Crew, he started his artistic journey with graffiti in 1999. After completing his studies in Visual Arts at the University of Algarve he moved to Rotterdam in the Netherlands (2014) where he discovered a new artistic identity and began to develop his painting strongly influenced by graffiti. Approximate retail value £300 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 646

FAKE (DUTCH b 1980), LOVE HURTS (GOLD METALLIC EDITION) screenprint, signed 70cm x 50cm Unframed Certificate of authenticity verso. Note: FAKE from Amsterdam has been doing graffiti and street art half his life. FAKE felt the urge to bring a smile on other people’s faces through irony and humor. After discovering the power of stencils, he was hooked. FAKE’s work is some of the cleanest stuff around. His clean, crisp work, full of color, has been in shows all over the world; from Holland, Norway, Denmark and the UK until the US and even countries such as Iran. Approximate retail value £200 Generously donated by Graffiti Prints. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 647

JOACHIM (BELGIAN CONTEMPORARY), BORN TO PAINT. PINK. screenprint, trial proof, signed and numbered 1/1, bears Graffiti Street chopmark 35cm x 35cm Unframed Note: Joachim is a talented, young Belgian street artist who managed to introduce himself into the Belgian street art scene and earn his place in the sun relatively quickly. He is famous for his childlike spontaneity and experimenting with different styles. Approximate retail value £175 Generously donated by Graffiti Street. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 657

CHARLES UZZELL-EDWARDS (PURE EVIL) (WELSH b 1968), JANE FONDA - SEVEN WAYS TO MAKE YOU JACK screenprint with stencil spray paint, signed and numbered 1/1/ in pencil 80cm x 69cm Unframed Note: Charles Uzzell-Edwards is a graffiti and street artist known better known by the cheeky moniker Pure Evil. His tag of a vampire bunny rabbit was borne from the artist's feeling of remorse after shooting a rabbit in the countryside as a youth. Charley explains, I've always regretted this terrible deed and the idea is that the rabbit is coming back to haunt me. He also explains the economy is such a beautifully symbol, The great thing is, you can do it in about five seconds. If you are running through the streets of Moscow at night you can just do a quick bunny on the side of a hoarding and run away. Approximate retail value £600 Generously donated by Pure Evil. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 661

GONEFELLOW (BRITISH b 1974), BOXHEAD screenprint, signed and numbered 97/100 77cm x 58cm Unframed Approximate retail value £800 Generously donated by Castle Gallery. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 667

TABBY (AUSTRIAN CONTEMPORARY), WONDER YEARS screenprint , signed, dated '19 and numbered 33/50 45cm x 60cm Unframed Note: TABBY is an Austrian street artist who loves to love and hates to hate. Approximate retail value £100. Generously donated by Anonymous. The Proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 673

SNIK (BRITISH CONTEMPORARY), COLD TENDERNESS screenprint, artists proof, signed and numbered 1/10 60cm x 80cm Unframed Note: SNIK are an art duo based in the United Kingdom and with over a decade’s experience painting walls inside and out. They have successfully established themselves as one of the most interesting and progressive stencil artists of the moment. Their bold aesthetic is characterized by frozen scenes of dynamic action often at impressive scale, however it is the delicate details of the everyday which make their works particularly unusual. Rather than an elaborate narrative, SNIK seek to elevate the subtle and often unremarkable details of a single moment; tangled strands of hair, folds and textures of fabrics. It is this focus which has come to define their unmistakable style. Approximate retail value £300 Generously donated by SNIK. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 674

GARY HUME (BRITISH b 1962), CURTAINS screenprint, signed and dated 2020 54cm x 81cm Unframed Note: Gary Hume is a contemporary English artist best known for his stylized depictions of everyday objects using high-gloss industrial paint. “The edge is the only thing that matters,” he explained of his paintings. “I used to think of the areas of color as tectonic plates meeting, so in the paintings it’s like there are these molten plates that would hit each other and dry. I wanted one of those plates to be higher than the other, and I wanted the hit to be more abrupt.” Born on May 9, 1962 in Tenterden, United Kingdom, he graduated from Goldsmiths College in 1988. Approximate retail value £150 Generously donated by Jamie Lewis-Hadley. The proceeds of sale from this lot will benefit The Glasgow Childrens Hospital Appeal.

Lot 679

STANLEY DONWOOD (BRITISH b 1968), SECRET GREEN HOLLOWAY screenprint, signed, dated '17, numbered 71/169, and bears chopmark 40cm x 40cm Unframed Note: Stanley Donwood is a British artist and writer best known for his work created for the band Radiohead, for whom he has designed all of their album covers and promotional materials. Among his most famous works is the cover art for the album Hail to the Thief (2003). Donwood is the pseudonym of Dan Rickwood, who was born on October 29, 1968 in Essex, England and studied at the University of Exeter where he met Radiohead frontman Thom Yorke. In 2002, he was awarded a Grammy for the packaging of Radiohead’s Amnesia album. In addition to art, Donwood has written several books of short stories, including Humor (2014). He lives in Bath, England. Approximate retail value £200 Generously donated by Stanley Donwood. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 680

STANLEY DONWOOD (BRITISH b 1968), CAPITOL METEORITE screenprint, signed, numbered 29/199 and dated '12 41cm x 74cm Unframed Approximate retail value £300 Generously donated by Stanley Donwood. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 684

SCHOONY (BRITISH CONTEMPORARY), BRUISER GOLD GLOVES screenprint, signed, numbered 2/4 and dated 2020 in pencil 70cm x 50cm Unframed Note: Schoony's background is rooted in special effects and prosthetics for the film industry. His career spans over 30 years. Since the age of fifteen he has worked on ver 100 films. His work and reputation for high quality and pioneering techniques has reached far corners of the world. Schoony exploded on to the London art scene in 2008 at Mutate Britain's "One Foot in the Grove", one of the most pioneering street art exhibitions to date. Schoony uses new up to date technology alongside the more traditional methods in his art pieces. Approximate retail value £200 Generously donated by Schoony. The proceeds of sale from this lot will benefit The Glasgow Children's Hospital Appeal.

Lot 144

EDUARDO CHILLIDA, 1979, screenprint, Museum of Art Carnegie Institute Pittsburg, 35cm x 45cm, framed.

Lot 208

Sir EDUARDO PAOLOZZI 'High Life', 1965, screenprint, artist's proof, hand signed, suite: Moonstrips Empire News, 38cm x 25cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Lot 153

Laszlo (Carl)La Lune En Rodage, First & Second Series, vol.1 unnumbered from an edition limited to 215 (65 hors commerce), vol. 2 number 67 of 150 copies plus an unspecified number of hors commerce copies, with pieces of original artwork (drawings, gouaches, collages etc.), graphics, photographs, sheets of letterpress text, music etc.tipped to thick card leaves of varying colours, many signed, original hessian-backed printed veneer boards fastened with metal bolts, each with small bas-relief mounted on upper cover (metal on vol.1 by Pomodoro and and marble by Talman on vol.2), oblong 4to, Basle, Editions Panderma, 1960 & 1965. ⁂ Important Survey Of Post-War And Contemporary Art Featuring Many Major Avant-Garde Artists And Including Original Artwork. The present lot contains two of the most ambitious and important contemporary art portfolios of the post-war era. Containing a mixture of original and editioned works La Lune en Rodage brought together many of the most cutting-edge avant-garde artists of the age and gave them the opportunity to work in mediums that in many cases they had not previously. Volume 1 features Piero Manzoni's only editioned multiple, an 'editioned' unique drawing by Lucio Fontana, and Enrico Catellani's first multiple, and across the two volumes artists such as well Arman, Jean Arp, Hundertwasser, Otto Piene, Man Ray, Dieter Roth, Victor Vasarely amongst many others included works. The production of volume 3 was beset with delays and the project was largely abandoned during its early production in 1965, it was finally published in 1977 but by that time many of the works which had been set to be included were absent most notable was a wonderful screenprint by Bridget Riley, which until recently was largely unknown.

Lot 315

Peter Blake / Babe Rainbow, a 1968 colour screenprint on pressed tin, depicting the fictional wrestler from Peter Blake's wrestling series, an edition of 1000, commissioned and distributed by Dodo Designs, London, 36 line notes printed on the reverse - measures 26" by 17 ¼" - punch holes to corners for wire hanging and a few small dents on the edges, otherwise in very good condition with vibrant colours

Lot 645

Andy Warhol (American 1928-1987) VESUVIUS screenprint on Arches; signed and numbered 126/250 in pencil; embossed with the Rupert Jansen Smith, New York, chopmark; published by Fondazione Amelio, Naples with the copyright inkstamp on the reverse Feldman, F. and Schellmann, J., Andy Warhol Prints: A Catalogue Raisonné. 4th ed., 2003, #II.365. PROVENANCENatalie Knight Gallery, Hyde Park, Johannesburg, 1987 sheet size: 79,5 by 99,5cm

Lot 154

JULIAN OPIE (British B.1958) 'Woman taking off a man's shirt', 2003, screenprint in colours, published by Kunstammlung Nordhein-Westfalen, Dusseldorf, with full margins, 100cm x 60cm, framed and glazed.

Lot 326

Alasdair Gray, writer, painter, muralist and playwright, was a Scottish artist of international standing whose paintings, books and murals form an unparalleled body of work in contemporary culture. Born in 1934 in Glasgow, he graduated from Glasgow School of Art in 1957. Gray was a prolific writer of novels, short stories, plays, poems and literary criticism. His novel Lanark is now regarded as a classic and one of the landmarks of 20th Century fiction. He was an accomplished artist who has painted remarkable murals and is also the designer and illustrator of his own books. As well as recording the life and people of Scotland in his paintings, he produced the ceiling mural, for the auditorium of the Oran Mor in Glasgow, one of the largest works of art in Scotland. Alisdair died in December 2019. Lots 326-410 form the residual contents of his studio, workplace and home in Marchmont Terrace. Included are Artworks, books, furniture and effects. ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK (BOOK COVER) Screenprint, signed and numbered 55/60, 57 x 84.5cm (22 1/2 x 33 1/4") Estate of Alasdair Gray Condition Report: Available upon request

Lot 327

ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK - BOOK ONE Screenprint, signed and numbered 9/60, 58 x 34.5cm (22 3/4 x 13 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 328

ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK - BOOK THREE Screenprint, signed and numbered 5/60, 58 x 34.5cm (22 3/4 x 13 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 329

ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK - BOOK FOUR Screenprint, signed and numbered 5/60, 58 x 34.5cm (22 3/4 x 13 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 330

ALASDAIR GRAY (SCOTTISH 1934-2019) LANARK - A LIFE IN FOUR BOOKS Screenprint, signed and numbered 13/60, 58 x 38cm (22 3/4 x 15") Estate of Alasdair Gray Condition Report: Available upon request

Lot 331

ALASDAIR GRAY (SCOTTISH 1934-2019) WE WILL GO DOWN INTO THE STREETS OF WATER Screenprint, signed, dated 1.10.2008 and numbered 34/60, 58 x 29cm (22 3/4 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 332

ALASDAIR GRAY (SCOTTISH 1934-2019) THE SCOTS HIPPO NO. 7 Screenprint, signed, dated 16.5.2007 and numbered 57/90, 60 x 36.5cm (23 1/2 x 14 1/4") Estate of Alasdair Gray Condition Report: Available upon request

Lot 333

ALASDAIR GRAY (SCOTTISH 1934-2019) THAT DEATH WILL BREAK Screenprint, signed, dated 14.12.2007 and numbered 34/60, 58.5 x 29.5cm (23 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 334

ALASDAIR GRAY (SCOTTISH 1934- 2019) IS SCOTLAND A POSSIBLE NATION? Screenprint, signed and numbered 41/60, 64.5 x 48.5cm (25 1/2 x 19") Estate of Alasdair Gray Condition Report: Available upon request

Lot 335

ALASDAIR GRAY (SCOTTISH 1934-2019) OMNIUM GATHERUM Screenprint, signed and numbered 1/60, 42 x 58cm (16 1/2 x 22 3/4") Estate of Alasdair Gray Condition Report: Available upon request

Lot 338

ALASDAIR GRAY (SCOTTISH 1934-2019) ILLUSTRATION TO A STORY Screenprint, signed and numbered 29/40, 37.5 x 20.5cm (14 3/4 x 8") Estate of Alasdair Gray Condition Report: Available upon request

Lot 341

ALASDAIR GRAY (SCOTTISH 1934-2019) OZYMANIACS Screenprint, signed and numbered 33/40, 37 x 32cm (14 1/2 x 12 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 342

ALASDAIR GRAY (SCOTTISH 1934-2019) TOWER OF BABEL Screenprint, signed and numbered 3/40, 38 x 29cm (15 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 343

ALASDAIR GRAY (SCOTTISH 1934-2019) WOUNDSCAPE Screenprint, signed and numbered 24/40, 59 x 29cm (23 1/4 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 344

ALASDAIR GRAY (SCOTTISH 1934-2019) THAT DEATH WILL BREAK Screenprint, signed, dated 14.12.2007 and numbered 32/60, 58.5 x 30cm (23 x 11 3/4") Estate of Alasdair Gray Condition Report: Available upon request

Lot 345

ALASDAIR GRAY (SCOTTISH 1934-2019) WE WILL GO DOWN INTO THE STREETS OF WATER Screenprint, signed, dated 1.10.2008 and numbered 28/60, 58 x 29cm (22 3/4 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 346

ALASDAIR GRAY (SCOTTISH 1934-2019) SMUG INCOGNITO Screenprint, signed and numbered 5/60, 29 x 55cm (11 1/2 x 21 1/2") Estate of Alasdair Gray Condition Report: Available upon request

Lot 347

ALASDAIR GRAY (SCOTTISH 1934-2019) INSIDE Screenprint, signed, dated 9.9.2008, and numbered 26/60, 58.5 x 29.5cm (23 x 11 1/2") Estate of Alasdair Gray Condition Report: Available upon request

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