We found 12763 price guide item(s) matching your search

δ Peter Blake (b.1932)Bobbie RainbowScreenprint in colours, 2001, signed and numbered from the edition of 2000 in black ink, on tin, published by Pallant House, Chichester, the full sheet printed to the edges, 660 x 440mm (26 x 17 1/4in) (unframed)The present work illustrates Bobbie Rainbow, the fictitious daughter of Babe Rainbow who was created by the artist for the BIBA store in 1968. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Blake (b.1932)A Big Hunk O' LoveScreenprint in colours with diamond dust, 2004, signed, titled, and numbered from the edition of 75 in gold ink, on bright white Colorplan paper, the full sheet, 750 x 578mm (29 1/2 x 22 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Patrick Caulfield (1936-2005)VaseScreenprint in colours, 2000, signed and numbered from the edition of 100 in pencil, on wove paper, published by The Royal Academy of Arts, London, the full sheet printed to the edges, 638 x 512mm (25 x 20 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Woman taking off man's shirt (Cristea p.244)Screenprint in colours, 2003, from the edition of an unknown size, on wove paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bridget Riley (b.1931)Untitled (Wave) (Schubert 20)Screenprint in colours, 1975, signed, dated and numbered from the edition of 400 in pencil, on wove paper, printed by Graham Henderson, London, published by Galerie Beyeler, Basel, the full sheet, 199 x 480mm (7 7/8 x 18 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Joe Tilson (b.1928)Let a Thousand Parks BloomScreenprint in colours with collage, 1971, signed, dated and numbered from the edition of 550 in pencil, on wove paper, the full sheet, 1025 x 704mm (40 3/8 x 27 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

[§] CRAIGIE AITCHISON C.B.E., R.A., R.S.A. (SCOTTISH 1926–2009) GET WELL SOON Signed and dated 1969, numbered 62/150, screenprint, unframed 80cm x 45.5cm (31.5in x 18in)

§Laurence Stephen Lowry (1887-1976)limited edition colour screenprintMarket scene in a northern townsigned in pencil and blind stampedoverall 23.75 x 29.5in.

§ After Laurence Stephen Lowry (1887-1976)screenprint'The Level Crossing with Train'signed in pencil and blind stampedoverall 24 x 28in., unframed

§ John Piper (1903-1992)silk screenprintCaernarvon Castle II Kelpra Studios 1971, Levinson 201signed in pencil, 28/75overall 23 x 33.5in.

Bryan Pearce (1929-2007)screenprint'All Around Newlyn'signed in pencil and dated '76, 23/7519 x 25.5in.

•KAREL APPEL (DUTCH 1921-2006) FIVE EYES Lithograph in colours, signed and numbered 136/200, 56 x 76cm (22 x 30") (sheet) R B KITAJ (AMERICAN 1932 - 2007) Bacon I Screenprint, signed and numbered 8/70, 47 x 104cm (18 1/2 x 41") (sheet) ROGER BISSIERE (FRENCH 1886 - 1964) Untitled Lithograph, signed and numbered 87/150, 65.5 x 50cm (25 1/2 x 19 3/4") (sheet) POP ART SCHOOL (20TH CENTURY) Abstraction Screenprint, signed indistinctly and dated (19)68, 59.5 x 59.5cm (23 1/2 x 23 1/2") (sheet) (4) Condition Report: KAREL APPEL:. Generally creasing around the peripheries, two small areas staining towards left edge on upper and lower areas - lower one heavier and glue like in appearance. . . R B KITAJ:. General creasing around the peripheries, mostly upper, and score marks upper left corner area. Crease in paper intermittent across middle section due to rolling thick parchment. . ROGER BISSIERE:. General light creasing and slightly soiled around the peripheries. Creasing evident bottom right corner area of image and lower middle near the right edge. . POP ART (SCHOOL 20TH CENTURY):. Generally small areas of creasing throughout, and overall slight staining and soiling and abrasive damage to the paper around the peripheries, in particular the top left hand corner area.

Phillips (Tom) Dante's Inferno, one of 100 copies signed and numbered by Phillips with a signed limited edition screenprint loosely inserted, plates, original cloth, dust-jacket, housed in a slipcase, corners lightly rubbed, 1985; A Humument, vol. 1, one of 100 copies signed and numbered by Phillips, 11 signed colour plates, original paper wrappers, house in a drop-back box, a little rubbed and faded, Tetrad Press, 1970 Lesbia Waltz, number 16 of 50 signed by Phillips, original paper covers, Tetrad Press, 1971; and 2 others, by the same, v.s. (5)

Craigie Aitchison (British, 1926-2009), 'Cypress Tree Montecastelli', screenprint, signed and dated 2004 in pencil to verso, numbered 35/75, H.15cm W.12cm

Robert Motherwell (American, 1915-1991), 'Africa Suite, No.6', screenprint, signed 'RM' in pencil lower left, numbered 13/150, Lynne Stern Associates label to verso, H.79.5cm W.59cm

John Piper (British, 1903-1992), 'Venice Composition', screenprint in colours, 1973, signed and numbered in white crayon 90/100, Lynne Stern Associates label to verso, H.55cm W.103cm

Beggarstaff Brothers (James Pryde and William Nicholson), screenprint, Lyceum Don Quixote, limited edition 1321/2000, 74 x 49cm

Bo Larsson THE STREAM UTTERSBERG Screenprint, 13 1/2" x 17 3/4", signed 

Albert Irvin LOUISE VII Screenprint, 9" x 12" , ed 6/80 Provenance: Peppercanister Gallery (Label Verso)

Shepard Fairey, dark wave, signed screenprint

MACKENZIE THORPE (British b.1956) 'Life', screenprint, signed, titled and numbered in pencil, 271/295, 70cm x 55cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

MACKENZIE THORPE (British b.1956) 'Walking the Fish', screenprint, signed, titled and numbered in pencil, XCII/C, with C.O.A. verso, 70cm x 60cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

MACKENZIE THORPE (British b.1956) 'Bearer of Love', screenprint, signed, titled and numbered in pencil, 326/395, with C.O.A. verso, 70cm x 85cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Trevor Jones (Contemporary) ''For Iris I-III'', signed, inscribed and numbered, screenprint with woodblock printing (3)

Victor Vasarely 1906-1997), Rosenthal II, screenprint in colours, 1983, on wove, signed and numbered 146/150 in pencil, published by Galerie Börjeson, Malmö, unframed, 80cm x 76cm. DDS

Sonia Delaunay (1885-1979), Abstract, colour screenprint, signed and numbered EA 23/25 in pencil, 65cm x 50cm. DDS Illustrated

Gerald Laing (1936-2011), Swamp Rat IV, from 'Dragsters', screenprint in colours, 1968, signed, titled, dated and numbered 111/150 in pencil, printed and published by the artist, with the artist's blindstamp, unframed, 58.5cm x 89cm. DDS

Takesada Matsutani (b.1937), Drop, colour screenprint, signed., inscribed, dated '70, numbered 50/75, unframed, 55.5cm x 43cm.

CHRISTOPHER WOOL (B.1955) 'MY HOUSE I' signed, dated 2000 and numbered 90/100 in pencil lower right, screenprint in colours, 101.5cm x 75.5cm

GORDON HOUSE 'Abstract:1965', screenprint, handsigned, Edition: 50 printed by Kelpra, 43cm x 43cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

'Link Road, Durham', limited edition colour screenprint No.55/70 signed, titled and dated '72 by Norman Wade (British 20th century) 47cm x 63.5cm Condition Report Click here for further images, condition, auction times & delivery costs

Fred Cuming (born 1930), colour screenprint, winter landscape, printer's proof, signed in pencil, no. 1/3, sheet size 10" x 12.5", unframed

Albert Irvin (1922-2015), colour screenprint, summer, signed in pencil, dated 1997, printer's proof, no 3/5, plate size 13" x 13", unframed

Philip Sutton, R.A. (b. 1928): A colour screenprint on a napkin, floral design, 35 x 35 cm

JULIAN OPIE (British b.1958) 'Woman Taking Off a Man's Shirt', 2003, screenprint in colours, published by Kunstammlung Nordhein- Westfalen, Düsseldorf, with full margins, 100cm x 60cm framed.

CORNEILLE (Guillaume Cornelis van Beverloo) 'Arbres et rochers', screenprint, hand signed, titled and numbered 185/210 in pencil, 70cm x 50cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

ALBERT IRVIN (British b.1922) 'Creekside', screenprint, 125cm x 179cm, signed and framed.(Subject to ARR - please see Buyers Conditions)

[§] IAN MACKENZIE SMITH O.B.E., P.R.S.W., R.S.A. (SCOTTISH B.1935) SATOMI Signed with initials and numbered 60/60 in pencil to margin, screenprint 43cm x 56cm (17in x 22in)

[§] BRUCE MCLEAN (SCOTTISH B.1944) A NEW FRONT DOOR Signed and dated 1980 in pencil to margin, numbered 12/50, screenprint 101cm x 120cm (39.75in x 47.25in) Note: This print was made for the Bruce McLean exhibition at the Third Eye Centre, Glasgow, from 14th May to 4th June 1980

[§] MARTIN BOYCE (SCOTTISH B.1967) NO BRILLIANTLY COLOURED BIRDS Signed and dated '09 in pencil to margin, numbered 22/40, screenprint, unframed 74cm x 102 cm (29in x 40in) Note: Martin Boyce developed this large scale print as part of his No Reflections installation for the Scottish Pavilion of the 2009 Venice Biennale. Continuing Boyce's interest in the ‘collapse of nature and architecture’ and interior and exterior forms, this print references the empty wooden interior of the artist's bird box sculpture in the vacated Italian Palazzo; the holes in which simultaneously suggest the form of a head or mask. During the development of this project Boyce drew from a short text he had written with an abandoned zoo in mind: ‘warm dry stone and palm leaves, no elephants, no giraffes, no penguins, no brilliantly coloured birds…’. This language of an abandoned garden is continued with the text 'No Brilliantly Coloured Birds' that tumbles out across the image. The form of the text stems from a central structural motif that forms a core of much of Boyce’s work. This motif is derived from an early black and white photograph of four geometric concrete trees sculpted by Joel and Jan Martel in 1925. (Text courtesy of Dundee Contemporary Arts)

[§] GORDON HOUSE (WELSH 1932-2004) QUARTER YELLOW Signed, titled, dated 78/79 and numbered 15/80 in pencil to margin, screenprint 105.5cm x 78cm (41.5in x 30.75in)

[§] GERALD LAING (BRITISH 1936-2011) BRIGITTE BARDOT (1968) Signed and inscribed 'B.B. 1968' in pencil and numbered 127/200, screenprint 58cm x 88cm (22.75in x 34.75in)

[§] JOHN PIPER (BRITISH 1903-1992) HARLAXTON MANOR Signed and number 25/100 in pencil to margin, 1977, Levinson 271, screenprint 56.5cm x 76.5cm (22.25in x 30in)

[§] ROBYN DENNY (BRITISH 1930-2014) UNTITLED Inscribed in pencil 'To Chris and Rose, Denny, '68,' screenprint 81cm x 56cm (32in x 22in)

[§] ALBERT IRVIN O.B.E., R.A. (BRITISH 1922-2015) RUTLAND - 1990 Signed, dated '90 and numbered 93/120, screenprint 51.5cm x 73.5cm (20.25in x 29in)

[§] SANDRA BLOW R.A. (BRITISH 1925-2006) CAMBRIDGE - 1990 Signed and numbered 10/100 in pencil, screenprint 55.5cm x 75.5cm (22in x 29.75in)

[§] SIR EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) MAN HOLDS THE KEY From the 'Bunk' portfolio, 1972, screenprint and lithograph 33.5cm x 22cm (13.25in x 8.5in) Exhibited: Open Eye Gallery, Edinburgh

After Andy Warhol (1928-1987)Marilyn MonroeColour screenprint, green and pink90 x 90cm

After Andy Warhol (1928-1987)Marilyn MonroeColour screenprint, orange and pink90 x 90cms

Haralabos Babis Katsatsidil ()'Ranu'Limited edition screenprint, numbered 4/5Inscribed and dated verso, 1987100 x 100cm

The Yellow FieldAbstract coloured screenprint 101.5 x 73cm to include borders

After Francisco Sobrino (Spanish 1932-2014)The Yellow CentreLimited edition screenprint number 134/200Signed and numbered in pencil 80 x 80cm

Derek Boshier (b.1937)'Output' Limited edition screenprint numbered 69/75Signed and dated 1966 in pencil lower right 81 x 46.5cm

Richard Hamilton (British, 1922-2011)Kent State1970Limited edition screenprint in colours, signed in pencil lower right and numbered 328/500087 x 67cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint in green and red 90 x 90cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint in silver 90 x 90cm

After Andy Warhol (1928-1987)Marilyn Monroe Colour screenprint in mint green and baby pink90 x 90cm

* JOHN TAYLOR, GREEN ISLAND screenprint, signed, titled and numbered 6/15 in pencil 54cm x 87cm Framed

R.B. Kitaj (1932-2007)Greetings Pablo Ruiz (Ramkalawon 165b)Screenprint in colours, 1972, signed and numbered from the edition of thirty in roman numerals in pencil, from Hommage a Picasso, on tissue-thin japan paper, printed by Kelpra Studios, London, published by Propylaen Verlag, Berlin, the full sheet printed to the edges, 762 x 533mm (30 x 21in) (unframed)

Glenn Ligon (b.1960)DetailScreenprint, 2014, signed and numbered from the edition of 50 in pencil, on wove paper, published by the Camden Arts Centre, London, with full margins, sheet 230 x 305mm (9 x 12in) (unframed)