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JAMIE REID (BRITISH, B.1947)Fuck Forever, 1997No.168/200, screenprint in silver, with original 'Artificial' blind stamp and official Polygram Sex Pistols license stamp to the verso, signed, numbered and dated in pencil by the artist to the lower edge, 74 x 99cm (29 x 39in)Footnotes:ProvenanceOffered directly by Ragged Kingdom.This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Peter Blake (born 1932)Sources of Pop Art VII, 2009 signed and inscribed 'A/P III/XVIII' in pencil, one of eighteen artist's proofs aside from the numbered edition of 175screenprint in colours with glitter and diamond dust image 81.5 x 81.5cm (32 1/16 x 32 1/16in).published by CCA Galleries, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Christopher Wool (born 1955)My House II, 2000 signed, dated and numbered 34/100 in pencilscreenprint in colours101.5 x 76cm (39 15/16 x 29 15/16in).printed by Brand X Editions, New York, published by Counter Editions, LondonFor further information on this lot please visit Bonhams.com

After Jean-Michel Basquiat (1960-1988)Flexible, 2016 numbered 21/85 in pencil, signed and dated '5/13/16' in pencil on the accompanying certificate of authenticity by Lisane Basquiat and Jeanine Heriveaux, the administrators of the Basquiat Foundation (as issued)screenprint in colours153.2 x 115.8cm (60 5/16 x 45 9/16in).published by Flatiron Editions, New YorkFootnotes:Flexible was one of several Jean-Michel Basquiat paintings released as editioned screenprints in 2016, under the authority of the artist's sisters and administrators of the Basquiat Foundation.As often with the print medium and throughout its history, the edition of a work allows for an image to circulate more widely, reaching many viewers and establishing itself in the visual and cultural landscape over time, thus broadening its impact. This is the case here with the screenprint edition of Flexible, based on the 1984 eponymous painting, one that Basquiat had kept for his own personal collection. Flexible was indeed important in the artist's oeuvre as the figure is presented very differently from others of his paintings: the character here is that of a commanding royal figure, the black male is represented with attributes of royalty, divinity, and power. He is an heroic figure, testament to Basquiat's confident and forthright approach to both his practice and the reception of his work by the audience at the time.Asked once to define his art, Basquiat replied without hesitation: royalty, heroism, and the streets. This work epitomises these attributes in all their strength and stands as one of the most characteristic images in the artist's creative output.For further information on this lot please visit Bonhams.com

BANKSY (BORN 1974)Trolleys, 2007 signed and numbered 516/750 in pencilscreenprint in colours56.4 x 76.2cm (22 3/16 x 30in).published by Pictures on Walls, London, with their blindstampFootnotes:This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity in due course.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Peter Blake (born 1932)The Butterfly Man in Tokyo, from 'Homage to Damien Hirst', 2011 signed and numbered 58/100 in pencilscreenprint in colours75 x 83.3cm (29 1/2 x 32 13/16in).published by CCA Galleries, London, with their blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nick Smith (born 1984)Simpson's Couch, 2020 signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 99Giclée print in colours with screenprint varnish64 x 78cm (25 3/16 x 30 11/16in).published by Rhodes Contemporary Art, London, with their blindstamp and the artist's blindstampThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

BANKSY (BORN 1974)Napalm, 2004 numbered 222/500 in pencilscreenprint in colours50.0 x 70.0cm (19 11/16 x 27 9/16in).published by Pictures on Walls, London, with their blindstampFootnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Brouard - 'Isle of Dogs', screenprint, signed, titled, dated 1987 and editioned 8/50 in pencil, 45cm x 41cm, within a painted and silvered frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Joy Kirton-Smith - 'Two Dancers', screenprint on Arches, signed in ink and editioned 51/295 recto, certificate of authenticity verso, 61cm x 46cm, within a gilt frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

RAY GALE; ADNAMS BREWERY SOUTHWOLD screenprint 1978, artist's proof, signed, 67 x 56 cms

Stephen Moss Horton - House of Cards, mixed media coloue screenprint, signed, titled, A/P in pencil to the lower margin, visible sheet dimensions 78 x 62.5cm

Contemporary school - Marilyn Monroe, screenprint on wove, indistinctly signed, numbered 47/75, the full sheet 70 x 70cm; together with one other (2)

ERIC MALTHOUSE limited edition (18/20) screenprint - title to margin 'Old Sir Faulk', signed and dated 1970, 47 x 28cms Provenance: private collection Cardiff, Kooywood Gallery labels Comments: later framed and glazed, no problems Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

PAUL PETER PIECH miniature screenprint - motif of rampant dragon holding a banner with 'Cymru', signed, 5 x 5cms Provenance: private collection mid-Wales Comments: framed and glazed, no problems, good image Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

CREATURE FROM THE BLACK LAGOON - 27" x 41" (69 x 104 cm) - Fine Art Limited Edition Artist Proof Giclée Screenprint - Hand Signed and Numbered by Drew Struzan AP #2/20 - Struzan’s Creature From The Black Lagoon was a Privately Commissioned piece back in 2001 by Tony Calvert, owner of Hollywood On Paper - Printed to heavy (330 gsm) PH Neutral, acid free and 100% cotton Somerset stock paper with a hand applied silk screen coating to enhance the look - Rolled (as issued)

Roamcouch (Japanese, b.1976),'London calling',screenprint in colours, 2015, signed and numbered 59/100 in pencil, on wove paper,sheet 90 x 60cm, unframedCondition report: A few very light halfmoon rolling creases, only visible under close scrutiny. A very light smudge of dirt on the blindstamp. Creases to upper left corner. Otherwise in very good condition.

Jim Dine (American, b. 1935). Mixed media print titled the "World for Anne Waldman, 1972. Lithograph in colors, woodcut, screenprint, collage, and pencil on paper. Pencil signed, dated, and numbered 32/100 along the lower right. Published by Petersburg Press, New York & London.Provenance: Collection of Bruce Dayton & Ruth Stricker Dayton, Minnesota.Unframed; Height: 30 in x width: 40 in. Framed; Height: 32 1/4 in x width: 42 in.

Richard Hunt (Native American 1951-): 'Kwa-Gulth Loon', limited edition screenprint signed titled and numbered 386/600/79, 45cm x 57cm

Ruth Ander (Modern) - Limited edition screenprint- 'Durdle Door', signed lower right, 56cm x 55cm, framed and glazed

A limited edition signed colour inkjet screenprint after Peter Blake 'Victorian Postcards Red Lady' FAS 6328/6 edition no 1/95 55 x 37.5cm

Luis Feito Lopez (Spanish 1929-2021). Color screenprint on paper titled "Abstract with Red Sun." Signed along the lower right and numbered 79/99 along the lower left. Provenance: Meridian Gallery (1970s) ñ see receipt; F.D. Hirschbach, Minneapolis." Sight; Height: 21 in x width: 26 3/4 in. Framed; Height: 27 in x width: 33 1/4 in.

Lisa Nankivil (American, b. 1968). Lithograph and screenprint titled "Streaming" in pencil along the lower center edge of the work. Pencil signed and dated '09 along the lower right edge and editioned in pencil 5/25 along the lower left edge. Sold by order of the Trustees of a major Midwest museum Sight; Height: 25 1/2 in x width: 30 in. Framed; Height: 35 1/4 in x width: 39 1/4 in.

BRIDGET RILEY (b.1931)Untitled (Fragment 7)Screenprint in black and white on plexiglass, 48.3 x 96.5cmSigned and dated (19)'65; edition 59/75Provenance: From the collection of Michael ScottMichael Scott (1905 – 1989), described  as ‘just one of a small band of young Irish architects who adopted the International Style during the 1930s’, he came to be perceived as the leading pioneer and exponent of modern architecture in Ireland. Internationally he was by far the best-known Irish architect of the post-Second World War era.  As a fixture of the artistic establishment in Ireland he founded ROSC, whose first exhibition of international modern art took place at the RDS in Dublin in 1967. As Chairman of the Board he called upon the curatorial expertise and connoisseurship of Irish-American James Johnson Sweeney, who became a life-long friend, to assist with the selection of the exhibits. Sweeney’s and other jurors’ input and international reputations insured that the exhibitions, which continued every four years until 1988, contained work by many of the leading artists of the day including Mark Rothko, Cy Twombly, Jim Dine, Brigid Riley,  Pablo Picasso and Roy Lichtenstein.We are delighted to have works included in this sale by Bridget Riley (lot 28), Patrick Scott (lot 38), Mary Fitzgerald (lot 64), Jim Dine (lot 93) and Terry Frost (lot 110) from Michael Scott’s collection.

artist's proof, signed, dated and inscribed in pencil (in the margin), screenprint on paper59cm x 77.5cm (23.25in x 30.5in)

93/120, signed and dated (upper left) and numbered in pencil (lower right), screenprint on paper51cm x 73cm (20in x 28.75in)

20/70, signed, dated and numbered in pencil, screenprint29cm x 40cm (11.3in x 15.75in)

artist's proof, signed, dated and inscribed in pencil (in the margin), screenprint on paper42.5cm x 51.5cm (16.75in x 20.25in)

32/150, signed and numbered in pencil (in the margin), screenprint46cm x 31.5cm (18in x 12.5in)

MATHIAS KAUAGE, O.B.E. (Papua New Guinea, 1944-2003) screenprint (a/p) - Untitled, a pregnant maiden and sun, signed and dated 'Sep '74' in pencil, later an edition of 50, 70 x 49cms Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (Please see terms / enquire)

93/250, embossed 'K.G.' (lower right), screenprint 25.5cm x 13.25cm (10in x 5.25in), unframedProvenance: Printed to commemorate opening of new Curwen Chilford Studio at Cambridge on 14th December 1989.According to Kemp (2010), there was an unsigned edition printed as 'giveaways' to celebrate Curwen's [Studio] move to Chilford Hall.Footnote: Literature:Kemp, Dominic, Terry Frost Prints: A catalogue raisonné, Lund Humphries, Farnham, 2010, cat. no. 118.

artist's proof, signed, inscribed and dated in pencil in the margin, screenprint26cm x 40cm (10.25in x 15.75in)

Christian Todie (born 1954)Sans titre signé sérigraphie sur toile signed screenprint on canvas 61 X 46.5 cm.24 x 18 5/16 in.Footnotes:ProvenanceCollection particulière, France (acquis auprès de l'artiste)Puis par descendance au propriétaire actuelFor further information on this lot please visit Bonhams.com

Christian Todie (born 1954)Sans titre signé sérigraphie sur toile signed screenprint on canvas 61 X 46.5 cm.24 x 18 5/16 in.Footnotes:ProvenanceCollection particulière, France (acquis auprès de l'artiste)Puis par descendance au propriétaire actuel.For further information on this lot please visit Bonhams.com

Bernard Rancillac (born 1931)Quatre oeuvres (I): Le mafioso, 1971signé et inscrit HC sérigraphie sur papier aluminiumsigned and inscribed HC screenprint on aluminium paper65 X 48 cm.25 9/16 x 18 7/8 in.(II):Marilyn Monroe, 1997signé, numérotée EA 2/12 et dédicacé A l'amoureux des stars serigraphie sur papier signed, numbered EA 2/12 and dedicated A l'amoureux des stars screenprint on paper62.7 x 62.7 cm.24 11/16 x 24 11/16 in. (III):Suite américaine, 1970 signé et numéroté EA serigraphie sur papier signed and numbered EA screenprint 18 X 33 cm. 7 1/16 x 13 in.(IV):Suite américaine II, 1970 signé et numéroté HC sérigraphie sur papier aluminiumsigned and numbered HC screenprint on aluminium paper64 x 44 cm.25 3/16 x 17 5/16 in.Footnotes:ProvenanceCollection particulière, France (don de l'artiste)Puis par descendance au propriétaire actuelFor further information on this lot please visit Bonhams.com

Richard Hamilton CH (British, 1922-2011), 'Kent State'. Screenprint. Signed and numbered in pencil (328/5000). Printed by Dietz Offizin. Image size 66 x 87cm. Sheet size 73 x 102cm. Unframed.Condition Report: 9 tears repaired around the edges with paper backing.Loss to lower right hand corner.12 repairs to the main field of the print.Creases and cracking to print surface throughout.

§ Patrick Hughes (British, b. 1939), 'Rubbish Rainbows' (1978). Limited-edition screenprint. Signed, titled and numbered 25/100 in pencil to margin. Image size 70 x 48cm.Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information

AMENDED DESCRIPTION Hugo de Soto (Cuban, b. 1928). Untitled Geometric. Screenprint 1964. Signed and dated lower right margin, numbered 9 of 100. 67 x 59cm.

R B Kitaj RA (1932-2007), A Day Book by Robert Creeley, Graphis Berlin, comprising pages of text and wraparound screenprint cover by Kitaj, in folio, sheet sizes 61 x 42cm Condition Report: Very good condition overall. No indication of the item's number within a larger series. No signature.

§ Joe Tilson RA (British 1928-) James Joyce, Che Guevara and Franz Kafka, from the A-Z Box... fragments of an oneiric alphabetsigned and dated 'Joe Tilson / 1970' (lower right)screenprint149 x 74.5cm

kinetic relief sculpture, with screenprint in white on a black metal panel, with elasticated string and metal support, an unsigned proof aside from the edition of 100, published by Éditions Denise René, Paris 62 x 62 x 28cm

§ Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Who's Afraid of Sugar Pink and Lime Greensigned, dated and numbered 'Eduardo Paolozzi 1971 54/100' (lower right)screenprint155 x 113cm

BÄST (American -2021) Sizzling Affairssigned and dated 'Bast 08' (lower right); numbered 8/50 (lower left)hand embellished screenprint with spraypaint63 x 50.5cm;After Jef Aérosol (French 1957-)Liberty hope printed canvas, unframed 60.5 x 35.5cm (2)Condition report: BAST - not examined out of the frame, appears to be bonded to the backboard at each corner, the surface with slight undulation. The lower right corner with a brown (probably liquid) stain and the lower left hand edge with a small smudge. The lower edge with a few very minor knocks, otherwise in good condition. Jeff Aerosol - Some brown staining to running vertically parallel to Liberty's Arm and diagonally from the lower right hand side through the letter 'O', some other minor knocks and staining to the upper and lower edges.

§ Robyn Denny (British 1930-2014) IX; from Suite 66signed, dated and inscribed 'Denny '66 / J1/75' (lower right)screenprint, unframed76 x 50cm

§ Bryan Pearce (British 1929-2007) Bethesdasigned and dated 'Bryan Pearce / 82' (lower right); numbered 55/90 (lower left)screenprint 61 x 44cm Provenance: With Montpelier Studio, LondonCondition report: Not examined out of the frame. The surface with some minor undulation and the margins toned and discoloured, and with some light foxing throughout. Other accretions in the margins appear to have been caused by flies beneath the glass, evidence of insect activity is largely confined to the margins, though there are some accretions evident in the lower left hand corner of the image and around the door in the centre of the image; a small number of flies can be seen beneath the glass on the right hand side of the image. The colours in the image appear good. See additional images.

§ John Piper OM, CH (British 1903-1992) Two Suffolk Towers signed 'John Piper' (lower right) screenprint71 x 77cm

§ § Wilhelmina Barns-Graham CBE (British 1912-2004) Quiet Timesigned and dated 'WBarnsGraham 1999' (lower right); numbered 2/50 (lower left)screenprint, published by Graal Press, Edinburgh, and bearing their blindstamp58 x 76cm Provenance: With Art First Contemporary Art, LondonCondition report: Not examined out of the frame, appears to be bonded to the backboard at four corners. All sides of paper with deckle edges. The surface with some slight undulation but easily remedied by refixing to the support. Some very small white specks visible in the image, though they appear to be integral to the work, rather than the result of any damage. Overall in good condition. Framed dimensions: 78 x 94cm.

Terry FROST (1915-2003)Blue Love Tree (Kemp 245)Screenprint with collageSigned, P/P100.5 x 61 cmCondition report: This is in excellent condition, there is a patch of white pigment bottom right. We believe this was acquired during the creation of the work. The signature is clear but discreet

Mark Wilson (Contemporary) - "1st Sister, Katoomba N.S.W", signed, inscribed, and dated '95, screenprint, 30 x 43cms, in a limed frame.Mark Wilson is a professor and researcher in Fine Art at Cumbria University.

Mark Wilson (Contemporary) - "Wentworth Falls, N.S.W", signed, inscribed, and dated '95, screenprint, 29.5 x 43cms, in limed frame.Mark Wilson is a professor and researcher in Fine Art at Cumbria University.

Ian Hamilton Finlay (1925-2006) - "Scottish Zulu", a collaboration with David Button, silkscreen print, published by Wild Hawthorne press, 35.5 x 44cms; together with "Catameringue", a collaboration with Peter Grant, screenprint, published by Wild Hawthrone Press, 35.5 x 44cms, unframed. (2)

Ian Hamilton Finlay (1925 - 2006) - "The Little Seamstress", a collaboration with Richard Demarco, screenprint, 51 x 64cms, unframed.

* JOCK MCFADYEN (SCOTTISH b. 1950),UNTITLED screenprint on paper, signed, dated '82, numbered 16/30 image size 76cm x 57cm, overall size 106cm x 75cm Mounted, framed and under glass.

Lee Crew (British 1970-): 'Stardust', screenprint signed titled and numbered 15/100 in pencil 77cm x 31cm (unframed)

Lee Crew (British 1970-): 'Light Speed', screenprint signed titled and numbered 15/100 in pencil 77cm x 31cm (unframed)

Charlotte Cornish (British 1967-): 'Equating II', screenprint signed titled and numbered 4/150 in pencil 76cm x 47cm (unframed)

Charlotte Cornish (British 1967-): 'Equating I', screenprint signed titled and numbered 4/150 in pencil 76cm x 47cm (unframed)

ANDY WARHOL (1928-1987)Jean Cocteau portent les tampons de l'Estate Andy Warhol et de Andy Warhol Foundation for the Visual Arts, avec les initiales de Vincent Fremont et numéro d'archive 115.089 au dosunique sérigraphie sur collage de papiers colorés98 x 85cm (38 9/16 x 33 7/16in).Conçu en 1963with the stamps of the Estate Andy Warhol and the Andy Warhol Foundation for the Visual Arts, initalled VF and numbered 115.089 in pencil on the reverse unique screenprint collage on coloured papersFootnotes:ProvenanceEstate Andy Warhol, États-Unis.The Andy Warhol Foundation for the Visual Arts, Inc., New York. Vente Kornfeld, Moderne Kunst Teil 1, 18 septembre 2020, lot 174.Acquis auprès de celle-ci par le propriétaire actuel.LittératureF. Feldman, J. Schellmann, Andy Warhol Prints A Catalogue Raisonné: 1962-1987, Fourth Edition, New York, 2003, IIIB.15 (une image similaire illustrée p. 242).L'art est une sorte de scandale, un exhibitionnisme dont la seule excuse est qu'il exerce chez les aveugle - JEAN COCTEAU (Discours d'Oxford, 1956)For further information on this lot please visit Bonhams.com

λ Tim Mara (Irish 1948-1997) Wire Glass and Carrier Bag, 1996 Screenprint & lithograph Signed, numbered 23/100 56 x 76.5cm (22 x 30 in.) Frame 65 by 85cm Condition Report: Good- slight paper cockling Condition Report Disclaimer

Ivor Abrahams (1935-) Open Gate, Screenprint and flocking collage Signed, dated 72, numbered 75/100 81 x 147cm (31¾ x 57¾ in.) Condition Report: Slightly muted colours- internal frame section has slipped to the top Condition Report Disclaimer