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Click here to subscribe‡Colin Self (b.1941)Power & Beauty No. 2; Prelude to 1000 Objects No. 1Two, the first signed, titled and numbered 19/75, the second signed, titled, numbered 20/60 and dated 25/8/71 versoThe first screenprint and second etching with aquatint EA1052 and 1040, both unframed69 x 105cm and 54 x 68.5cm (sheet sizes) (2)Provenance:Private collection
‡Michael English (1941-2009)Yellow No. 1 end of 45.140 BR type 4 I-C-C-I Diesel Electric LocomotiveSigned, titled, dated May 1979 and numbered 35/85Screenprint, hand spraying, BFK Rives paper, EA374, unframed76.5 x 109cm (sheet size)Provenance:Woolley & Wallis, Salisbury, 26th November 2013, Lot 218Private collectionLiterature:Tessa Sidey Editions Alecto - Original Graphics, Multiple Originals 1960-1981, Lund Humphries, page 108 catalogue number 374
* TIM MARA (IRISH 1948 - 1997), PLASTIC FUNNEL, MORTAR AND PESTLE screenprint, signed, titled, dated 1992 and numbered 46/50 in pencil 76cm x 57cm Framed and under glass. Note: Published as part of Six Artists: The 1992 Royal College of Art (London) Portfolio of (6) Prints as a limited edition of 50. The other artists selected for this portfolio were John Bellany RA, Sir Eduardo Paolozzi RA, Nana Shiomi RE, Dame Paula Rego RA and Sir Terry Frost RA. Tim Mara worked as an artist and as a teacher for 25 years teaching at NCAD Dublin, later becoming Head of Printmaking at the Royal Collage of Art, London. He was particularly noted for his use of screenprinting, etching and lithography and was awarded numerous pretigious awards and prizes. In 1978 he was commissioned to write the Thames and Hudson Manual of Screen Printing . Born in Dublin in 1948, Tim Mara moved with his family to England in 1953 where he continued to live and work. Mara's prints are included in collections at the Tate London, Victoria and Albert Museum, Irish Museum of Modern Art as well as many other galleries and private collections worldwide.
* JAMIE REID (BRITISH b 1947), FUCK FOREVER screenprint, signed and numbered 8/50 in pencil 56cm x 44cm Framed and under glass. Note:Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren (1946-2010), later to become the Manager of the Sex Pistols. This artwork is one of a series of images Reid designed as props for the Sex Pistols mock documentary The Great Rock 'n' Roll Swindle , released in 1980.
δ Banksy (b.1974)Weston Super MareScreenprint in colours, 2003, numbered from the total edition of 750 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 998 x 350mm (39 1/4 x 13 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Golf SaleScreenprint in black, 2004, numbered from the total edition of 750 in pencil, on wove paper, printed and published by Pictures on Walls, London, with margins, sheet 333 x 473mm (13 x 18 1/2in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Jack and Jill (Police Kids)Screenprint in colours, 2005, numbered from the edition of 350 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 500 x 700mm (19 ⅝ x 27in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Bomb Love (Bomb Hugger)Screenprint in colours, 2003, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, the full sheet printed to the edges, 695 x 495mm (27 1/2 x 19 3/4in) (unframed)This lot is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Love RatScreenprint in colours, 2004, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 493 x 345mm (19 3/8 x 13 1/2in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Queen VicScreenprint in colours, 2003, numbered from the edition of 500 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 700 x 500mm (27 1/2 x 19 5/8in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Rude CopperScreenprint in black, 2002, stamped Banksy in red ink as issued, numbered from the edition of 250 in pencil, on wove paper, printed and published by Pictures on Walls, London, image 560 x 410mm (22 x 16 1/8in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)I Fought the LawScreenprint in colours, 2004, numbered from the edition of 500 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 700 x 700mm (27 1/2 x 27 1/2in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Bruce Glasser 'In Strength there is Delicacy', numbered 2/6, screenprint, 74 x 54cm; Olwen Jones (British, b.1945) 'Plant Fantasy', lithograph, 45 x 40cm; Vivien Macandrew 'Lapland Rhododendrons', numbered 8/10; Bill Leeson 'Wolves Howling at the Moon', numbered 9/200 and 'Blue on Orange', numbered 8/70; Frances St Clair Miller (British, b.1947) 'A Field Near Vernon Dean', numbered 29/75, 48 x 46cm (6)
Tim Mara (British, 1948-1997) 'Scoop - Summer 1972', numbered 16/20, silkscreen, 58 x 46cm; Barbara Newcomb (American, b.1936) 'Swimmer', 67 x 85cm; Ronald King 'The Woollen Northern Country', numbered 22/30, silkscreen, 72 x 50cm; Tully Crook (British, b.1938) 'Birds', numbered 21/125, screenprint, 55 x 66cm; Modern British School 'Beach Scene', numbered 26/120, silkscreen, 58 x 46cm (5)
δ Anya Gallaccio (b.1963)DandelionScreenprint in colours, 1997, signed, dated and inscribed 'A.P.' and numbered in roman numerals from the edition of 30, an artist's proof aside from the edition of 95, published by Habitat, London, the full sheet printed to the edges, on mirrored foil paper, the full sheet printed to the edges, 610 x 840mm (24 x 33in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Alex Katz, American (b. 1927) Screenprint in colors on Grammarcy paper "Ada with Flowers". Signed in pencil lower left Alex Katz R.T.P. Printer Simca Print Artists Inc. blind stamp lower right. Measures 48" x 36", frame measures 53" x 40-3/4". The hardcover book: Alex Katz Paints Ada by Robert Storr, accompanies this lot. Condition: Good condition. Estimate: $8000.00 - $12000.00 Domestic Shipping: Third party
** Gainsborough (late 20th century), in the manner of Andy Warhol, Smurf Princess Diana, colour screenprint on canvas, signed and numbered 27/300, 77cm x 108cm. Provenance; property from the late Sir David Tang This lot has been imported from outside the UK for sale under the temporary admission scheme. Additionally Import VAT is payable at 20% on the hammer price. VAT at 20% will be added to the buyer's premium but will not be shown separately on the invoice.
John Piper (1903-1992), Manorbier, Dyfed (Levinson 431), screenprint in colours, 1990-1, with the artist's stamped signature, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics Ltd., London, with the printer's blindstamp, 46cm x 64cm. DDS
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