We found 12813 price guide item(s) matching your search

Alastair Mack (Scottish, b.1955), Whole, screenprint, 1991, signed and numbered 24/60 below, 50 x 41cm (unframed)

Caroline McNairn (Scottish, b.1955), Waiting for Spring, screenprint 1989, signed and numbered 19/20 in pencil, 57 x 77cm (unframed)

John Piper (1903-1992), Swansea Chapel, Colour screenprint, signed and numbered 47/75, unframed, 81cm x 60cm. Illustrated.

* Denny (Robyn, born 1930). Paramount Blue, colour screenprint, signed in pencil and dedicated `for Kasmin`, numbered II/XV, dated `69, and marked Artist`s Proof, 72.5 x 52cm (28.5 x 20.5ins), framed and glazed, together with Outline 3, 62/67, colour screenprint, signed, titled, inscribed `for Mr & Mrs Wissmann`, and marked Artist`s Proof, sheet size 72.5 x 57cm (28.5 x 22.5ins), unframed (2)

* Farleigh (John, 1900-1965). Brooding Figure, colour screenprint, signed, titled, and numbered 4/6 in pencil to lower margin, image size 56.5 x 34cm (22.25 x 13.25ins), framed and glazed (1)

* Fraser (Donald Hamilton, 1929-). Vase of flowers on a stool, colour screenprint, signed, dated 1981, and numbered 77/200, circular blindstamp of Advanced Graphics, London, to lower right corner, sheet size 70 x 54.5cm (27.5 x 21.5ins), framed and glazed (1)

* Hughes (Patrick, 1939-). Rainbows, 1973, colour screenprint, signed, dated and numbered 54/75, one or two minor stains and sl. paper discolouration, 76 x 101.5cm (30 x 40ins), framed and glazed (1)

* Martin (Kenneth, 1905-1984). Chance and Order, 1976, colour screenprint, printed by Kelpra Studios, for the Design Research Unit, London, 1976, signed and dated in the image to lower right, 30 x 23 cm (1)

*Richard Long (b.1945) Waterlines Screenprint unframed 127 x 92cm; 50 x 36in Tear in top margin to edge of image tear in bottom into image by approx. 8| some feint marks

Zhou Ling, Chinese b.1941- Lady standing full-length with flowers and butterflies; screenprint in colours on tissue thin hand-made black paper, signed and numbered VI/C in white crayon, 103x73cm: together with eight other similar colour screen prints on black hand-made paper by the same hand, each similarly signed and numbered LX/C, AP, III/C, XLII/C, XLI/C, II/C, LXXI/C, LXVIII/C, LI/C and two further screenprints on white paper, signed and numbered 113/300 & 248/300 in pencil, both bear publisher`s blind stamp for Gregory Edition, 102x94.5cm., ea., these two being duplicates of one of the previous prints, (11), (unframed) (may be subject to Droit de Suite)

Michael Kenny RBS RWA 1941-1999- "A Pool of Clear Stone"; screenprint in colours, signed, titled and numbered 15/50 in pencil, 100x131cm: together with one other colour screenprint by the same hand titled "Hills and River Shoes", signed ,, titled and numbered 15/50 in pencil, 100x131cm., (2)

ROLAND PICHE, screenprint, "Holland Park, London" signed in pencil marked A/P for artists proof, 68cm x 100cm, Philip Hicks, "Sunset Glide, Cumbria" - abstract colour lithograph in red, black and white on grey ground, pencil signed and dated for 1988, numbered 29/95, 92cm x 53cm and companion print "Sunset Bird, Cumbria"; Dan Kellogg Cowan, "Terrain V" and "Terrain VI", 60cm x 90cm. All unframed. (5). *

Barbara Hepworth (1903-1975), Winter Solstice, Colour screenprint, Signed in pencil lower right, Numbered 30/60 lower left, 76cm x 57cm. Visit www.dnfa.com for condition reports.

Breon O'Casey (b. 1928), Landscape, Screenprint, Signed and dated '98 lower right, Inscribed with title lower centre, Inscribed 'AP/1' lower left, 47cm x 64cm. Visit www.dnfa.com for condition reports.

Robyn Denny (b. 1930), Colour Box series 1969, Number II, Screenprint on perspex, 60cm x 50cm. Visit www.dnfa.com for condition reports.

Damien Hirst (b.1965), No News Today, Screenprint, Signed lower centre, Signed lower right by Bono, 68cm x 51cm. Visit www.dnfa.com for condition reports.

Sam Chivers - `Blue Electric Monkey`, artist`s proof screenprint, signed, dated `08 and editioned 2/3, approx 50cm x 51cm, within an ebonized frame.

Sam Chivers - `Turin Brakes, Dark on Fire Poster`, artist`s proof screenprint, signed and editioned 2/11, approx 64.5cm x 45.5cm, within an ebonized frame.

Sam Chivers - `Death by Pinball`, screenprint, signed and editioned 16/20, approx 47cm x 58.5cm, within a metal frame.

Neill Othen - `Butterfly Box`, screenprint on Somerset velvet paper, signed, titled and editioned 7/10, approx 47.5cm x 36cm, within an ebonized frame.

Simon Tozer - `The Calling of the Wild`, screenprint, signed, titled and editioned 17/40 II, approx 12cm x 12cm, within a limed oak frame.

Simon Tozer - `The Last Cod`, screenprint, signed, titled and editioned 29/40, approx 12cm x 12cm, within a limed oak frame.

Simon Tozer - `Approaching Ship`, screenprint, signed, titled and editioned 16/20, approx 21.5cm x 21.5cm, within a limed oak frame.

A PATRICK CAULFIELD (1936-2005) "Occasion table" screenprint 1972 signed to margin

Mimmo Paladino (b.1948), Olympia, colour screenprint, signed and numbered 24/30, unframed, 69cm x 89cm.

Mimmo Paladino (b.1948), Olympia, colour screenprint, signed and numbered 25/30, unframed, 69cm x 89cm.

After Ulf Greder - 'Nice' (French Architectural Exterior), 20th Century coloured screenprint, signed and editioned 96/100 recto, titled Francis Kyle Gallery label verso, approx 76cm x 56cm, together with a hotel receipt illustrated in watercolour by the same hand.

After Paul Hogarth - 'Louisburg Square, Boston', 20th Century screenprint in colours, signed, titled and editioned 53/150 and with publishers blindstamp, together with a watercolour, Italian Villa, signed with initials A.B.

After Björn Wiinblad, Danish 1918-2006- "Queen's", publ by TT seregrafi a.s.; screenprint/gravurescreen printed in colours and in metalic colours, signed within the plate, 84x60cm

Myrtle Farquharson, late 20th century- "The Forbidden City- Beijing"; screenprint, A/P, titled and signed, 42x66cm: together with four other similar screenprints by the same hand: Alison Neville, Late 20th century- "Janpur Courtyard"; etching with aquatint, A/P, signed and tiled in pencil, 41x65cm, together with four other studies by the same hand, (10) (unframed) (may be subject to Droit de Suite)

Mary Frazer, mid-late 20th century- Untitled; screenprint, signed, 42x67cm: together with other screenprints, etchings and lithographs by differebt hands to include Audrey Scovell, Janet Tod, Mary Frazer, Peter Wareham, Valerie Daniel, Christine Allen, Hilary Adair, Pamela Leonard and Rosalind Forster, ( a lot) (unframed) (may be subject to Droit de Suite)

Brian MacBeth, b.1956- Coastal view; screenprint, signed, 60x78cm: together with other screenprints and etchings by different hands to include Johnny Bull, Sally McLaren and Sue Mackennie, ( alot) (unframed) (may be subject to Droit de Suite)

Marjorie Sigley, late 20th/early 21st century- "Odalisque with Happy Cat"; woodcut printed in colours, signed, titled and dated 88 within the plate, 51x55cm: F Donald Blake- "Landing Stage"; watercolour. Provenance: with The Thackeray Gallery, London according to label attached to the reverse: Gilbert Browne- "River Mackie"; aquatint in colours, signed, titled, numbered 81/250 and dated 88 in pencil: Gilbert Gilard- "Villeneuve les Avignon"; aquatint in colours, signed , titled and inscribed 'A/P' in pencil: Emma Davies- "Splash"; screenprint in colours: Valerie Daniel- "Peppers and Leeks"; aquatint in colours, signed, titled and numbered 1/50 in pencil: Robert Greenhalf- "The Old Moat"; aquatint in colours, signed, titled and numbered 5/150 in pencil: Miles Cole- "Boplicity"; screenprint in colours, signed, titled and numbered 3/7 in pencil: Hilary Adair- "Pergola Winter Sun"; aquatint in colours, signed, titled, numbered 44/75 and dated 87 in pencil, all the above artists late 20th/early 21st century, (9). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)

Alisa Findlay, late 20th century- "Place Henna, Marrakesh"; giclee print in colours on canvas, signed and inscribed 'A/P' within the plate, signed with initials within the plate, 93x68.5cm: together with eight other 20th century artist's prints including: Patrick Hughes b.1939- "Colour Process"; screenprint in colours, signed, titled and numbered 178/250 in pencil: Michael John March- "Azure Trio"; lithograph in colours, signed, titled and numbered 74/75 in pencil: Mario Minichiello, Italian b.1961- "Nesting"; woodcut, signed in pencil: David Koster b.1939- "Lynxes"; lithograph in colours, signed, dated '65 and numbered 2/16 in pencil: Denise Wylie- "Friston-Morning"; screenprint i colours, signed, titled and numbered 20/20 in pencil: Mark Unsworth- "Mediterranean Breeze"; lithograph printed in colours, signed, titled and numbered 4/10 in pencil: Colin Rufffell b.1939- "Blackfriars Bridge"; lithograph printed in colours, signed, titled and numbered 18/250 in pencil: Maggie Milner- "Leopard Skin"; c-print in colours, signed and dated '96 within the plate, all the above artists late 20th/early 21st century, (9) Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)

* Eugenio Carmi, Italian b.1920- "Crunch"; screenprint in colours, signed, numbered 37/50 and dated '67 in pencil, 66x48cm: together with five other similar and related colour screen prints by the same hand, all signed, numbered and dated 67, 66x48cm., ea: Dolf Rieser, South African 1898-1983- "Flight Picture"; etching printed in colours, signed, titled, numbered 7=45 in pencil, 40x60: together with three other colour etching by the same hand, one depicting a bird and a flower, signed and numbered 10=50 in pencil; "Men/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil; "Plants/ (From Evolution)", signed, titled and inscribed 'Artist's Proof' in pencil: Pauline Knight, mid-late 20th century- "Square Three Series Four"; aquatint printed in colours, signed, titled, numbered 2/3 and dated 1967, 53x38.5cm: Shirley Robinson 1925-1988- Town's Arms; linocut printed in colours, signed and dated 58 in pencil, 49x65cm: Ernest G Dunn, mid-late 20th century- "MacBeth"; lithograph in colours, signed, titled and numbered 43/50 in pencil, 36x48cm., (a lot, (unframed) (may be subject to Droit de Suite)

Michael Holt, late 20th century- "Hayfield"; woodcut in colours, signed, titled, inscribed 'Woodcut' and dated indistinctly in pencil, 33x43cm: Trevor Price b.1966- "Morocco"; aquatint in colours, signed, titled and numbered 45/50 in pencil: Frans Wessleman- "Mermaid II"; lithograph in colours, signed, titled and numbered 9/75 in pencil: Joan Lock- "The Blue Bowl"; woodcut in colours, signed, titled and numbered 10/29 in pencil: David Koster b.1929- "Indian Balsam"; aquatint in colours, signed, titled and numbered 3/50 in pencil: Felicity Weaver b.1930- "Shrines"; aquatint in colours, signed in pencil within the plate: Elaine Marshall fl.1950's- "Flying Trapeze"; screenprint in colours, signed, titled and numbered 4/19 in pencil: Tomoe Yokoi, Japanese b.1943- "Strawberries"; aquatint in colours, signed and numbered 47/100 in pencil: David Sinclair b.1937- "Standard Rose"; aquatint in colours, signed, titled and numbered 8/20 in pencil: together with one reproduction print titled Eating Stag' and two colour photographs titled "Dupont Gardens" and "On Golden Pond", all the above artists late 20th/early 21st century, (12). Provenance: Paintings in Hospitals, London (may be subject to Droit de Suite)

Joe Tilson - Le Senesi, Murlo, circa 1995, a screenprint with woodcut print on paper, signed 45/45 35" x 24 1/4"

Victor Pasmore 1990, Untitled 7, a screenprint on paper, signed 19/70, 28 3/4" x 40 1/4"

Joe Tilson - Le Crete Senesi, Sasso 1995, a limited edition screenprint with woodcut on paper, signed 42/45, 35" x 24 1/4"

Patrick Caulfield - Lung Ch'un Ware and windows from the White Ware Prints series, circa 1990, a signed screenprint on paper, 8/45, 43" x 32 1/2"

Joe Tilson - Conjunction, Swallowtail, Sesso, from the Conjunction series, 1996, signed, screenprint with woodblock paper, 21 3/4" x 29" 7/45

W. Giles - Study of a Blossoming Tree, screenprint, signed in pencil, together with a watercolour and an oil on board.

Edward Bawden: a signed limited edition coloured screenprint, "Stock Exchange", 37/100, in strip frame

The Earl Haig OBE RSA (b1918) ARR, Landscape, Screenprint, 27x36cm

After Andy Warhol (1928-1987)Marilyn - pink and pale greenScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - orange and pinkScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - grey and blueScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - ochre and raspberryScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - green and yellowScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - pink and turquoiseScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - pink and yellowScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - greyScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - pale blue and pinkScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

After Andy Warhol (1928-1987)Marilyn - pink and deep blueScreenprint published by Sunday B. Morning91.5 x 91.5cm; 36 x 36in

Karel Appel (1921-), screenprint, Head study, monogrammed, 115/300, blindstamped, 14.5 x 10.5in.

John Piper (1903-1992), screenprint, Easton Church, signed in pencil, 37/70. 20.5 x 25.5in.

John Piper (1903-1992), screenprint, Gaddesby, Leicestershire, Medieval Stonework, signed in pencil, 50/70. 27 x 19in.

Henry Cliffe (1919-1983), screenprint, Abstract, signed and dated '62, 13/50. 22.5 x 32in.

John Piper (1903-1992) - 'Brittany', screenprint on fabric, produced by David Whitehead in 1968, Goldmark Gallery label verso,17.25" x 22"

Jim Dine (b.1935), Rainbow, colour screenprint, signed, dated 1972 and numbered 57/150, 38cm x 44cm.