We found 12813 price guide item(s) matching your search

Michael Craig-Martin CBE, RA (Irish, b.1941), Chair, Mirror screenprint in colours signed, dated 1997 and numbered 5 of an edition of 50 in pencil on reverse, 12¼ x 42½in. (31 x 108cm.). * In very good condition.

Bridget Riley C.H. (British, b.1931), Echo screenprint in colours, on wove paper, 1999, signed, titled, dated '98' in pencil and numbered 35/75 (plus 10 artist's proofs), published by Artizan Editions, Coleford, United Kingdom, image size 20¾ x 22¼in. (52.7 x 56.5cm.), sight 22¾ x 23 7/8in. (57.8 x 60.7cm.), framed and glazed.* Condition: A tiny spec of dirt beneath the glass in the lower margin, near the centre. Very slight cockling to sheet. Otherwise very good.   

Eduardo Paolozzi (British, 1924-2005)Torstai Keskivukkosigned and dated ‘Eduardo Paolozzi 1975’ (in margin lower right)screenprint in colours59 x 45cmARRVarious very small brown marks and spots. Some yellow staining to lower left edge of margin.Possibly some light fading.Overall appearance generally good.

Eduardo Paolozzi (British, 1924-2005)Ciao Picassoinscribed signed and dated ‘Hamburg Eduardo Paolozzi 1975’ (in the margin lower right)screenprint in colours74.5 x 52.5cmARRSome very small brown marks and spots in places. Some possible light fading and discolouration.Overall appearance generally good. 

Patrick Hughes (British, b. 1939)Rainbow Through Windowssigned, dated and titled in pencil 'Patrick Hughes 75, 59/75' (in lower margin)screenprint in colours58 x 85cmARRCondition reportA couple of light creases to the lower right border, otherwise the sheet is sound and clean.  Framed and under glass, unexamined out of frame.

Vitali V, Contemporary British/Russian, Pavarotti, screenprint on metal, with perspex frame, H.67cm W.50cm

Norman Cornish (1919-2014) signed artist's proof screenprint - two figures at the bar, 17/50, 49cm x 41cm, in glazed frame

§ John Piper (1903-1992)Street scene in Don Giovanniscreenprintsigned in pencil, numbered 84/90, printed by Keplra Studio, London, published by Glyndebourne Productions Limited, UK, on Velin Arches paper29 x 49cm

§ John Piper (1903-1992)Petit Palais, pink and yellow (Levinson 214)Screenprint1972, Signed, 18/2580 x 58 cm.

§ John PiperThree Somerset Towers, (Levinson 236)Screenprint1973, signed in pencil, 51/70,69 x 94 cm.

§ Patrick Caulfield (1936-2005)'Pink Jug'screenprint in colourssigned in pencil, 77/8076 x 59.5cm

§ Craigie Ronald John Aitchison (1926-2009)Still life with bird vasescreenprint in colours2004, on Saunders Waterford, signed, dated and numbered 16/50, in pencil verso, with the accompanying book 'Craigie Aitchison: Pictures', printed and published by Advanced Graphics, London28 x 21.5 cm..

Junge Wilde - - Rainer Fetting. (1949 Wilhelmshaven - lebt in Berlin u. New York). Selbst. 2001. Farbsiebdruck auf Vélin. 83,5 x 59,5 cm (100 x 69,5 cm). Signiert, datiert, nummeriert und betitelt in Graphit. Blatt in einwandfreiem Zustand und mit satter Farbigkeit. Eins von 100 Exemplaren. Colour screenprint on vélin. Signed, dated, numbered and titled in graphite. Sheet in perfect condition and with rich colours. - One of 100 copies.

Konkrete Kunst - - Josef Albers. (1888 Bottrop - 1976 New Haven). Gray Instrumentation I. 1974. 12,8 x 12,8 cm (20 x 20 cm). Siebdruck auf Arches montiert auf Karton mit typographischer Unterlage. Dort als Handdruck bezeichnet. - Verso minimal fleckig. Hg. von Tyler Graphics, New York.Verkleinerte Ausgabe des großen Siebdrucks. Hard-Edge. - Screenprint mounted on cardboard. Mounted on typographic support sheet. There marked as a hand print. Reduced edition of the large print of the same name by Albers.

ZERO - - Günther Uecker. (1930 Wendorf - lebt in Düsseldorf). Zum Schweigen der Schrift oder die Sprachlosigkeit. Mappenwerk mit 18 Offsetlithographien nach Photographien von Wolleh, davon 15 mit Siebdruck überarbeitet. Text von Eugen Gomringer. Erker-Verlag, St. Gallen u. Edition Haberbeck, Lage/Lippe 1979. Im Impressum von Uecker handsigniert. Lose Lagen in Original-Holz-Kasette. - Nur die Kasette mit Wasserflecken. Das Portfolio tadellos. With 18 offset lithographs after photographs by L. Wolleh of which 15 have been hand-embellished with white paint by screenprint. Folio. Original plywood slip-case with a wooden drawer. (Slightly stained). The portfolio impeccable. In the imprint handsigned by Uecker.

Limited Edition coloured screenprint, No 206/205, signed indistinctly, framed, 76 x 90cm

Baldur Helgason (Icelandic 1984-), 'Love Me', 2020, screenprint in colours on Mohawk Supreme 130lb UltraWhite paper, signed and numbered from an edition of 100 in pencil; sheet: 70.5 x 51cm ARR

Tracey Emin (British 1963-), 'Deck Chair', 2007, screenprint in colours on fabric with wooden support, from an edition of 250, printed by Eyes Wide Digital for The Royal Parks Foundation; 130 x 53 x 4.5cm ARR

Banksy (British 1974-), 'Radar Rat - Dirty Funker Vinyl (White)', 2008, screenprint in colours on record sleeve, with vinyl record; sleeve: 30.5 x 30.5cm ARR

Blek Le Rat (French 1951-), 'Beggar', 2006, screenprint on wove paper, signed and inscribed AP in pencil, aside from the main edition of 150, published by Black Rat Press; 80 x 62.5cm inc frame ARR

Blek Le Rat (French 1951-), 'His Master's Voiceless', 2008, unique hand-finished screenprint in colours on wove paper with spraypainted rats, signed and numbered 1/1 in pencil; sheet: 74 x 72.5cm; frame: 84 x 82 x 4.5cm ARR

Faile (Collaboration), 'Forbidden Love', 2008, screenprint in colours on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 62.5 x 47cm inc frame

Fake (Dutch 1980-), 'Fake Love (Gold)', 2016, screenprint in colours on 300gsm Fabriano paper, signed, dated and numbered from an edition of 50 in gold ink, published by Graffiti Prints; 73 x 53cm inc frame ARR

Keith Haring (American 1958-1990) & Andy Warhol (American 1928-1987) (Collaboration), 'Montreux Jazz Festival', 1986, screenprint in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm

Martin Whatson (Norwegian 1984-), 'Eternal Reflection (Purple)', 2020, screenprint in colours with gloss varnish on wove paper, numbered from an edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cm ARR

Martin Whatson (Norwegian 1984-), 'Son Of Man (Lilac)', 2017, screenprint in colours on wove paper, numbered from an edition of 100 in pencil, bearing Martin Whatson blind stamp; sheet: 30.5 x 30.5cm ARR

Martin Whatson (Norwegian 1984-), 'Butterfly (White Pink)', 2017, embossed screenprint in colours on 300gsm Somerset paper, signed, dated and numbered from an edition of 15 in pencil, published by Graffiti Prints; sheet: 55 x 55cm ARR

Martin Whatson (Norwegian 1984-), 'Kingdom For A Crown', 2015, hand embellish screenprint on 180gsm Conqueror Connoisseur paper, signed, dated, and numbered from an edition of 150 in pencil; sheet: 30 x 30cm ARR

Martin Whatson (Norwegian 1984-), 'Love Cops', 2011, screenprint in colours on wove paper, signed and numbered from an edition of 20, published by Graffiti Art Japan; sheet: 60 x 60cm ARR

Mr Brainwash (French 1966-), 'Jimi (White)', 2015, screenprint in colours on Archival Art paper, signed and numbered from an edition of 70 in pencil, bearing the Artists Thumb Print ID, Hendrix Authentication Label and dated verso; sheet: 76 x 56.5cm ARR

Paul Insect (British 1970-), 'Poppy Love', 2017, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 60 in pencil, published by Allouche Gallery; sheet: 70 x 50cm ARR

Pure Evil (British 1968-), 'Eddie Fishers Nightmare', 2014, unique hand-embellished screenprint in colors on 330gsm Fedrigoni Paper, signed and numbered 1/1 in pencil; sheet: 85 x 70cm (Framed) ARR

Sage Vaughn & Michael Muller (Collaboration), 'Love Bites', 2011, hand-embellished two-colour screenprint on 350gsm Magnani Litho paper, signed and numbered from a varied edition of 20 by Sage Vaughn, published by Lazarides; 83 x 63cm inc frame

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in black ink; sheet: 56 x 38cm ARR

Schoony (British 1974-), 'Bruiser', 2019, unique hand-finished screenprint with applied glitter on paper, signed and dated in pencil; sheet: 56 x 38cm ARR

Shepard Fairey (American 1970-), 'Muhammad Ali', 2006, screenprint in colours on speckle tone paper, signed, dated and inscribed AP in pencil, aside from the main edition of 300; sheet: 47.5 x 61cm

Trastor Art (Spanish), 'Bad Day For Ducks', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 40; sheet: 65 x 47cm ARR

Adriana Oliver (Spanish 1990-), 'Someone To Love', 2021, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75, published by Moosey Art; sheet: 86 x 72cm ARR

Jonas Wood (American 1977-), 'Untitled', 2015, screenprint in colours on Arches 88 paper, signed, dated and numbered from an edition of 50 in pencil, published by Cirrus Editions; sheet: 37.5 x 30.2cm

Oli Epp (British 1994-), 'Quarantine', 2020, screenprint in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 50 in pencil, published by Carl Kostyal; sheet: 120 x 130cm ARR

Banksy (British 1974-), 'GDP Flower Thrower', 2019, screenprint on 50gsm paper; sheet: 76.5 x 57.5cm ARR

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

Banksy (British 1974-), 'Applause’, 2006, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 76 x 114cm ARR

Banksy (British 1974-), 'Soup Can', 2005, screenprint in colours on wove paper, numbered from an edition of 250 in pencil, published by Pictures On Walls, bearing the publishers blind stamp; sheet: 50 x 35cm (Framed) ARR

D*Face (British 1978-), 'World Peace', 2009, HPM, spraypaint and screenprint on panel, signed in black to the panel veros, from an edition of 3, titled and numbered to the Jonathan Levine Gallery Label affixed verso; 47.9 x 32cm (Framed) ARR

D*Face (British 1978-), 'Death From Above (Dr. Visio Nex Superne)', 2007, unique screenprint and ink on canvas with burnt edges mounted to board; 116 x 82cm (Framed) ARR

Eddie Martinez (American 1977-), 'After Bay Area, Early 90s', 2016, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 30 in pencil, published by Flying Horse Editions; sheet: 76 x 97.5cm

Invader (French 1969-), 'La Souris Deglinguee', 2014, screenprint in colours on 260g off white art paper, signed, dated and numbered from an edition of 75 in pencil, published by La Souris Deglinguee; sheet: 50 x 50cm ARR

Invader (French 1969-), 'Albino Invader', 2006, screenprint in colours on paper, numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 50 x 50cm ARR

Invader, (French 1969-), 'L.E.D.', 2017, screenprint in colours on 300gsm Somerset Satin paper, signed dated and numbered from an edition of 100 in pencil, published by Lazarides; sheet: 50 x 70cm

Jean-Michel Basquiat (American 1960-1988), 'Ascent (1983/2017)', 2017, screenprint in colours on 300gm Somerset Satin paper, numbered from an edition 50 in pencil, stamped and signed verso by the administrators of the Jean Michel Basquiat Estate, published by Flatiron Editions; sheet: 56 x 76cm

Jean-Michel Basquiat (American 1960-1988), 'Leeches (1983/2017)', 2017, screenprint in colours on 300gm Somerset Satin paper, numbered from an edition 50 in pencil, stamped and signed verso by the administrators of the Jean Michel Basquiat Estate, published by Flatiron Editions; sheet: 56 x 76cm

Jean-Michel Basquiat (American 1960-1988), 'Liberty (1983/2017)', 2017, screenprint in colours on 300gm Somerset Satin paper, numbered from an edition 50 in pencil, stamped and signed verso by the administrators of the Jean Michel Basquiat Estate, published by Flatiron Editions; sheet: 56 x 76cm

Jean-Michel Basquiat (American 1960-1988), 'Olympic (1983/2017)', 2017, screenprint in colours on 300gm Somerset Satin paper, numbered from an edition 50 in pencil, stamped and signed verso by the administrators of the Jean Michel Basquiat Estate, published by Flatiron Editions; sheet: 56 x 76cm

Kaws (American 1974-), 'Gone', 2019, screenprint on Arches Aquarelle 300gsm paper, signed, dated and numbered from an edition of 750 in pencil, published by NGV Melbourne, accompanied by a signed and numbered book, which the print was originally sold with; sheet: 38 x 30.5cm

Mr Brainwash (French 1966-), 'Marilyn Monroe', 2016, unique mixed media screenprint on wove paper, signed in pencil front, signed, dated and numbered 1/1 in pencil verso, bearing the Artists Yhumb Print and unique reference number verso; sheet: 56 x 56cm ARR

Stik (British 1979-), 'Liberty (Green)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British 1979-), 'Liberty (Blue)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British 1979-), 'Liberty (Orange)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British 1979-), 'Liberty (Red)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR