We found 14878 price guide item(s) matching your search

Derek Boshier, Output, colour screenprint, published by Prater at Editions Alecto, printed by Kelpra Studio in 1965, signed from an edition of 75 copies, image 81cm x 46cm, inframedImage in very good condition, margin slightly discoloured with light creasing

Stan Rosenthal (1933 - 2012), the red flash Pen Caer, screenprint, signed in pencil, no. 193/250, image 45cm x 66cm, framedVery good condition

Kip Gresham (British 1951-2024): Abstract Blue and Yellow Circles, limited edition screenprint signed dated 1996 and numbered 15/20 in pencil, pub. Kip Gresham Editions 56cm x 41cm (unframed)

David Shrigley (British 1968-) "Untitled (Opening Hours), 2015" Unsigned, titled on label verso, published by Third Drawer Down, Australia, screenprint on 100% linen tea towel.60 x 44.5cm (framed 66 x 50.5cm)The print is in very good, original condition. There are some natural creases across the surface. The print is framed and glazed under perspex. There is a little debris found between the linen and the perspex. The frame has some minor scuffs and knocks commensurate with age.

*STANLEY DONWOOD (b. 1968) 'Operation Phantom Fury' 2005, signed, dated, titled and inscribed "To Simon from Stanley" in pencil to the margin, artist's proof six-colour screenprint on 270gsm acid-free archival stock, aside from the edition of 200, the image 55cm x 40cmNote: Stanley Donwood is an English artist and writer best known for his collaborations with the band Radiohead, for whom he has created all of their album covers since 1995. Donwood, born Dan Rickwood on October 29th 1968 in Essex, studied at the University of Exeter where he met Radiohead frontman Thom Yorke, beginning a creative partnership that has lasted over a quarter of a century. Yorke stated on meeting Donwood “When I met him, first day, he sat there with a book, totally aloof. I thought, I’m either really going to hate this bloke or I’m going to end up working with him forever. One of the two.”Donwood remarked on the work offered here "What we have here is some kind of hateful monster orchestrating a rain of incendiaries upon a burning city. Operation Phantom Fury was the codename given to the US military assault on the Iraqi city of Falluja in November 2004. You can read as much or as little into this picture as you like."

*IVOR ABRAHAMS (1935-2015) 'Sphinx'from the 'Monuments' series, 1978, signed, dated and numbered 75/100 in pencil to the margin, screenprint in colours, the sheet 103cm x 70cm (unframed)

§ Frank Auerbach (1931-2024) Reclining Figure I, 1966signed 'Auerbach' (lower right); numbered 11/70coloured screenprint on cream wove paper67.5 x 90cmProvenance: With John Mathieson & Co., EdinburghNot examined out of the frame, the outermost margins are obscured by the frame and are, therefore, not available for inspection. In nice overall condition, some minor blemishes to the margins (top left and bottom right) but in otherwise nice condition

§ Michael Rothenstein RA (1908-1993) Birds and Branchessigned 'Michael Rothenstein' (lower right); numbered 44/100screenprint31 x 40cm

§ Joe Tilson RA (1928-) Cut Out and Sendsigned and dated 'Joe Tilson. 1968.' (lower right); numbered 59/70screenprint, on J Green wove paper, lacking the collage, printed and published by Kelpra Studios, London101 x 67.5cm

§ Bryan Pearce (1929-2007) St Ives All Aroundsigned and dated 'Bryan Pearce / 97' (lower right); numbered 36/75 screenprint, printed on Velin Arches by Gresham Studio, Cambridge45 x 55.5cmNot examined out of the frame, the outer margins are obscured by the mount and are, therefore, not available for inspection. Image appears in very nice condition throughout, with some very minor undulation along the top edge. Frame has some negligible knocks but is otherwise presentable.

§ Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Elvissigned and dated 'EPaolozzi / 1995' (lower right); inscribed 'B.A.T' [Bon à Tirer]screenprint with hand-colouring in crayon, published by GLS Cambridge, on Lana aquarelle paper40 x 47cm

§ Patrick Procktor RA (1936-2003) Roses, 1973signed 'Procktor' (lower right); numbered 30/75colour screenprint on thick white cartridge paper, printed by Alecto Studios35 x 47cm

§ Sophie Ryder (1963-) Black Goatstamped 'PROOF'screenprint78 x 103cmUnsigned, but acquired directly from Kip Gresham. Frame with some cosmetic knocks but of sturdy construction. The print appears to be adhered to the backboard at the corners and along each length and shows deckled edges to all sides. The paper support with overall toning, though this is even and uniform throughout. The print with some shallow handling creases to the centre and deeper creases to the margins. Some slight undulation to edges.

§ John Hoyland RA (1934-2011) Warrior Universe, 2010 signed 'John Hoyalnd' (lower right); numbered 86/100screenprint, published by CCA Galleries London100 x 91.5cm107 x 99cm framed

§ Albert Irvin OBE, RA (1922-2015) Manchesterfacsimile signed and dated 86 (upper left); numbered 73/120screenprint, published by Advanced Graphics, London, bearing their blindstamp71 x 55cm

§ John Hoyland RA (1934-2011) Life & Love, 2010signed 'John Hoyland' (lower right); numbered 14/100screenprint, published by CCA Galleries London100 x 91.5cm107 x 99cm framed

§ Sophie Ryder (1963-) Boxing Haresstamped 'PROOF'screenprint78.5 x 103cmUnsigned, but acquired directly from Kip Gresham. Frame with some cosmetic knocks but of sturdy construction. The print appears to be adhered to the backboard at the corners and along each length and shows deckled edges to all sides. The paper support with overall toning, though this is even and uniform throughout. The print with some shallow handling creases to the centre and deeper creases to the margins. The top corners appear with slightly bleached marks where the adhesive tape is beneath.

§ Jean Gorin (1899-1981) Compositionsigned 'J. Gorin' (lower right); numbered 151/175screenprint, published by Editions Denise René68 x 68cmThe perspex box frame has abrasions throughout casting shadows onto the work. The extreme left hand edge shows two very narrow  and shallow creases extending from the top to the bottom of the sheet, these are very uniform in appearance, almost appearing as shallow score marks, and only visible under close inspection. There is a minor knock to the lower edge of the sheet and perhaps some toning of the surrounding margins, through the print itself appears in good condition. The work appears to have been adhered to the backboard at each corner resulting in some minor undulation along the top edge.

§ Bridget Riley CH, CBE (1931-) From one to the othersigned and dated 'Bridget Riley 05' (lower right); numbered 8/75screenprint48 x 90cmNot examined out of the frame. The outermost margins are obscured by the frame and are therefore not available for inspection. The frame with a crack and some cleaving to the top right hand side. The print with one piece of debris beneath the glazing, but otherwise in very nice condition throughout. From a private individual. Please see our website for a video: https://fineart.cheffins.co.uk/auction/search/?st=riley&sto=0&au=2017&sf=%5B%5D&w=False&pn=1Approximate time of lot selling will be around 3/4pm

Agatha Christie's Evil Under the Sun Mondo Poster - six colour screenprint on heavy paper stock, artwork by 'We Buy Your Kids', rolled, 18 x 24 inches.

Screenprint titled Vista-MAr-Inn Year 1980 Signed lower right numbered 98/250. Sight size 30" x 22"Condition: Age related wear.

CASPARI, Gertrud(1873 - 1948) 2 gerahmte KinderzimmerbilderSiebdruck. Im Druck monogrammiert. Gerahmt & hinter Glas : Beide je 30 x 72 cm / zusammen 2,6 kg. Aufrufzeit 01. | März 2025 | voraussichtlich 10:39 Uhr (CET) CASPARI, Gertrud(1873 - 1948) 2 framed children's room picturesScreenprint. Monogrammed in the print. Framed & behind glass : Both 30 x 72 cm each / together 2,6 kg. Call time 01 | March 2025 | probably 10:39 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WESSELMANN, Tom (1931 Cincinnati, Ohio - 2004 New York City) Weiblicher Akt mit RosenFarbsiebdruck. (1964).Gerahmt & hinter Glas : 68,5 x 80,5 cm / 3,2 kg. US-amerikanischer Maler, Grafiker und Objektkünstler; gehört zu den wichtigsten Vertretern amerikanischer Pop-Art.Aufrufzeit 01. | März 2025 | voraussichtlich 10:57 Uhr (CET) WESSELMANN, Tom (1931 Cincinnati, Ohio - 2004 New York City) Female nude with rosescolor screenprint. (1964).Framed & behind glass : 68.5 x 80.5 cm / 3.2 kg. US-American painter, graphic artist and object artist; one of the most important representatives of American Pop Art.Call time 01 | March 2025 | probably 10:57 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ALT, Otmar(geboren 1940) KatzenmusikFarblithografie und Siebdruck. Bleistiftsignatur. Gerahmt & hinter Glas : 44 x37 cm / 1,2 kg. Nummeriert 84/100. Aufrufzeit 01. | März 2025 | voraussichtlich 11:10 Uhr (CET) ALT, Otmar(born 1940) Cat MusicColor lithograph and screenprint. Pencil signature. Framed & behind glass : 44 x37 cm / 1,2 kg. Numbered 84/100. Call time 01 | March 2025 | presumably 11:10 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ALT, Otmar(geboren 1940) Moderne FarbkompositionSiebdruck. 1971(?). 13 x10 cm. Gerahmt & hinter Glas : 56x 46 cm / 1,9 kg. Nummeriertes Blatt 7274 / 10000. Aufrufzeit 01. | März 2025 | voraussichtlich 11:12 Uhr (CET) ALT, Otmar(born 1940) Modern color compositionScreenprint. 1971(?). 13 x10 cm. Framed & behind glass : 56x 46 cm / 1,9 kg. Numbered sheet 7274 / 10000. Call time 01 | March 2025 | presumably 11:12 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Mark Wallinger (British b.1959)Ghost signed 'Mark Wallinger' (lower right)edition no. 98/500, screenprintwith Whitechapel stamp verso, published by Whitechapel Art Gallery for the artist's 'No Man's Land' exhibition, 16 Nov 2001-13 Jan 2002, 51 x 44 cm, sheet 55 x 48 cm, framed and glazed 62 x 55 cmIn very good condition.

ANTHONY GREEN: SCREENPRINT RESURRECTION, THE CLOCK, MARIE MADELEINESigned in pencil.88cm x 76cm

Three original Beatles posters to inc: vintage likely c 1970s US screenprint design (23x35"), Ringo Starr Goodnight Vienna US poster (24x32"), original A&M George Harrison Dark Horse promo (22x30").From the Ash Lockhart collection.

After Andy Warhol (1928-1987), colour screenprint, 'Marilyn', copyright 1996, The Andy Warhol Foundation for the Visual Arts, published by T E Neues publishing Co., 90 x 60cm, unframed. Condition - good

Y Sir Howard Hodgkin C.H., C.B.E. (British, 1932-2017), Blue Skies, Nothing But Blue Skies, a Momart Christmas Card 2002, screenprint in colours on crumpled paper, in original cardboard box with Momart letter, box 3.5cm by 16cm by 13cm. Note: this lot may be subject to A.R.R.

VASARELY, VICTOR (1906-1997), "ohne Titel", Op-Art, ca 1974, handsigniert, Aufl. 124/267, Farbsiebdruck, Motiv 63 x 60 cm, mit Passepartout 76 x 72 cm / VASARELY, VICTOR (1906-1997), ‘untitled’, Op-Art, ca 1974, signed by hand, edition 124/267, colour screenprint, motif 63 x 60 cm, with passe-partout 76 x 72 cm

GRAESER, CAMILLE (1892-1980), "ohne Titel", Farbkomposition der Konkreten Kunst, Serigraphie/Papier, u.re. mit Bleistift von Hand signiert und datiert/num. '65/73', HxB: Platte ca. 45x45 cm, Blatt ca. 50x50 cm. Minim. Altersspuren. | GRAESER, CAMILLE (1892-1980), "untitled", colour composition of Concrete Art, screenprint/paper, signed and dated/numbered by hand in pencil lower right. ‘65/73’, HxW: plate approx. 45x45 cm, sheet approx. 50x50 cm. Minimally. Traces of age.

Screenprint titled Yankee Clipper. Signed bottom right Numbered 50/250 Sight size 30" x 22"

Original color screenprint on laid paper entitled Clocks of Time by American Abstract Expressionist Betty Parsons. She paints brightly colored warm and cool organic shapes within vertical and horizontal lines that seemingly divide the passage of time. Signature and date on lower right: Betty B Parsons, 78. Edition number on lower left: A.P. (Artist Proof) 13/20. Artist: Betty Bierne Parsons (American, 1900-1982)Issued: 1978Dimensions: 21.25"L x 29.5"HCountry of Origin: United StatesProvenance: Jock Truman and Eric Green, Aventura, FL; Bass Museum of Art, Miami Beach, FL 2000.

Screenprint titled Spacescape Year 1978 Signed lower right numbered 36/300 Sight size 26" x 33.5"

John Piper (British 1903-1992) - 'Ruined Church, Bawsey', colour screenprint, signed lower right, numbered 18/100 lower left, 74cm x 60cm, within an aluminium frame, with a Christie’s Contemporary Art Certificate of Authentication.

Ken Reed (British 20th century) - Morgan 70th Anniversary poster, colour screenprint, signed and numbered 10/70 lower right, 65cm x 49cm, within a silvered frame.

Itzchak Tarkay (1935-2012) - Three ladies at tea, colour screenprint, signed lower right, numbered 117/350 lower left, 97cm x 71cm, within a gilt composition frame.

David Hockney OM CH RA, British b.1937-Parade, 1981;screenprint poster in colours on wove, from the unnumbered edition of 1500, signed and dedicated 'to Bob from David', published by the Metropolitan Opera, New York, sheet: 204.5 x 103.5 cm, (framed) (ARR)Provenance: gifted to Jacquie, widow of Bob Payton.

Patrick Caulfield CBE RA, British 1936-2005,Duck, from nine London Birds, 1994;monochrome screenprint on cream wove, signed in pencil and inscribed 'AP', sheet: 40.5 x 30.2 cm, (unframed) (ARR)

Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005,Words from 'Calcium light night', 1977;screenprint on wove, signed and dated in pencil and numbered 187/200, sheet: 99 x 69 cm, (framed) (ARR) 

Robbie Williams, British b.1974-Self Portrait, 2000;screenprint in colours on wove,  inscribed 'Robbie' on the reverse, unsigned, with print of signature to the reverse, from the set of 4,  produced By Robbie and I. Wilkinson, sheet: 71 x 66 cm, (framed) (ARR)Note: Robbie Williams, the famous pop star, experimented with Warhol style screenprints around the year 2000.

Matthew Weir RCA, British b.1977- The Watching Hour, 2020; screenprint in colours with phosphorescent ink on wove, signed with the artist's initialled and numbered 73/125 in pencil, sheet: 47 x 38cm, (unframed) (ARR) 

Claes Oldenburg, Swedish/American 1929-2022, Miniature Soft Drum Set (A and P 61), 1970; three dimensional screenprint on canvas, with wash line, wood, spray enamel, and wood covered in screenprinted paper, initialled in ink on the base drum in felt tip pen and numbered 11/200, published by Multiples Inc, New York,dimensions: 39.7 x 67 x 54 cm,(Perspex case)(ARR) 

Paul Morrison, British b.1966- Night Pond, from the Help Portfolio, 2020; screenprint with embossing on 300gsm Somerset Satin wove, signed, dated, titled and numbered 73/125 in pencil verso, published by Jealous Gallery, London, sheet: 60 x 40cm, (unframed) (ARR) 

Sir Peter Blake CBE RDI RA, British b.1932-Just at this moment somehow or other they began to run, 1970; screenprint in colours on wove, signed in pencil and inscribed 'A/P', printed by Kelpra studios, sheet: 66 x 50.5 cm, (unframed) (ARR)Note: this print by Peter Blake from a suite illustrating 'Through the Looking Glass and What Alice Found There'. 1970. There is a version of this print in the V and A Collection, London.

Robyn Denny, Sir Peter Blake CBE RDI RA & Alexander Hollweg,  British 1930-2014, b.1932- & 1936-2020,  Untitled; Liberty as a 'Suffolk Child by John Constable R.AA'; Country Dance, all from the portfolio 'For John Constable', 1976;  (i)  screenprint in colours with collage on paper,  signed, numbered '52/100' and dated '76 in pencil,  sheet: 63.5 x 102 cm,  (ii)  etching with collage on wove,  signed and numbered 91/100 in pencil,  sheet: 65.5 x 50cm,  (iii)  woodcut printed in colours on wove,  signed, dated, titled and numbered 52/100 in pencil,  sheet: 56 x 76cm, published by Bernard Jacobson Gallery, London,  (all unframed)  (ARR)  (3)  (VAT charged on hammer price) 

Patrick Caulfield CBE RA, British 1936-2005, Pipe in a Bowl, (Cristea 50), 1976;screenprint on wove, signed in pencil and numbered 34/76, printed by Kelpra Studio, published by Leslie Waddington prints, sheet: 58 x 58 cm, (framed) (ARR)Note: There is an example of this print in the Tate CollectionProvenance: Mark Wilson Fine Art, London N1  

Claes Oldenburg, Swedish/American 1929-2022, Soft Drum Set On Chalk Board, 1972; screenprint in colours on Arjomari paper, signed in pencil, numbered16/34, published by Gemini G.E.L., Los Angeles, with their blind stamps and ink stamp on the reverse, sheet: 87.6 x 111.8 cm, (unframed) (ARR) 

Patrick Caulfield CBE RA, British 1936-2005, Vessel, 1987;screenprint in colours on wove, signed in pencil and inscribed 'AP', sheet: 116 x 87 cm, (unframed) (ARR) 

Andy Warhol, American 1928-1987,Cheddar Cheese from Campbell's Soup II, 1969;screenprint in colours on paper, signed in ball pen and stamp numbered 95/250 (on the reverse),printed by Salvatore Silkscreen Co. Inc, New York,published by Factory Editions, New York, sheet: 89 x 58.3 cm,(framed)Note: for more than 20 years, Warhol claimed he ate nothing but Kellogg's Corn­flakes for break­fast and Camp­bell’s soup and a sand­wich for lunch. His allegiance to the Campbell's soup brand was well known and by consuming it he was truly endorsing the products he was printing images of.Literature: F. Feldman, J. Schellmann, C. Defendi, Andy Warhol Prints | A catalogue raisonné 1962-1987, New York 2003, II.63 

John Hoyland RA,  British 1934-2011, Tree of Life, 1996; screenprint in colours on wove, from the Jesus College, Quincentennial folio, signed in pencil and numbered 99/100, printed by Gresham Studio, Cambridge, with their blind stamp, sheet: 76 x 56 cm, (unframed) (ARR)

Banksy, British b. 1974- Golf Sale, 2003; screenprint on wove, numbered from the edition of 750 in pencil, published by Pictures on walls, 34 x 50 cm, (framed) (ARR)Note: together with COA issued by Pest Control, dated 13th September 2017

Robyn Denny, British 1930-2014, Mirrors (the complete set of 6), 1974; each screenprint in colours with collage on coloured wove, unnumbered, unsigned proofs aside from the edition of 40, each sheet: 63 x 46cm, (all unframed) (ARR) (6) (VAT charged on hammer price) 

Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005,A logical picture of facts, nine headshots, 1995;screenprint in colours on Velin Arches, from the Jesus College folio, signed in pencil and numbered 99/100, printed by Gresham Studios, Cambridge, sheet: 76 x 56 cm, (unframed) (ARR)

Jamie Reid, British 1947-2023,Demand the Impossible;screenprint in two colours on light brown wove, signed in pencil and numbered,147/500 sheet: 45 x 64 cm, (unframed) (ARR)Jamie Reid was best known for his designs for the album covers of two Sex Pistols records. This print captures a playful anarchic vision with its contrasting colours.

Mike Edwards, British 21st Century,Syd Barrett;a unique screenprint composed of lyrics from Barrett's songs, signed in pencil and inscribed 'P/P', sheet: 92 x 72 cm, (unframed) (ARR)Note: Syd Barrett was a founding member of the rock band Pink Floyd.

William Turnbull, Scottish 1922-2012,Untitled, 1995;screenprint in colours on wove, signed in pencil and numbered, from the Jesus College folio, printed by Gresham Studio, Cambridge with their blind stamp, sheet: 71.5 x 52.5 cm, (unframed) (ARR) 

James Rosenquist, American 1933-2017,Silk Screams, 1974;screenprint in colours on Japan nacre wove, titled and signed in pencil, printed by Styria Studios with their blind stamp, sheet: 57 x 77 cm, (framed)

Sir Michael Craig-Martin CBE RA, British b.1941-Bulb, 2014;screenprint in colours, signed in pencil and dated, printed by Alan Cristea Gallery, sheet: 59 x 59 cm, (framed)Note: this work was produced to be sold by the Terence Higgins Trust.