We found 12813 price guide item(s) matching your search

Keith Haring (American 1958-1990), 'Lucky Strike III', 1987, screenprint in colours on wove paper, printed by Albin Uldry Switzerland; sheet: 100 x 70cmsheet: 100 x 70cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.

John Piper (British 1903-1992), 'Stansfield Church', 1986, screenprint in colours on Arches paper, signed in pencil, un-numbered, the main edition was 100, printed by CCA Galleries, London, published by Kelpra Studios, London; 114 x 73cm inc frameARR 114 x 73cm inc frame In very good condition No visible knocks, tears or creases to the sheet Minor markings to the upper right hand edge of the sheets border, visible upon close inspection This work has been framed with a blue frame This work has not been examined outside of the frame.

John Piper (British 1903-1992), 'Exeter College Chapel, Oxford', 1977, screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition was 100, published by Marlborough Fine Art Ltd., London; 102.5 x 80cm inc frameARR 102.5 x 80cm inc frame In very good condition No visible knocks or tears to the sheet Minor crease to the lower right hand edge of the sheet and some minor markings to sheets border, visible upon close inspection This work has been framed with a green frame This work has not been examined outside of the frame.

Mehdi Ghadyanloo (Iranian 1981-), 'Spaces Of Hope', 2016, screenprint in colours on wove paper, signed and numbered from an edition of 50 in pencil, published by Howard Griffin, sheet; 68 x 102 cmsheet; 68 x 102 cmIn very good condition No knocks, tears or creases to the sheet Minor markings to the sheet verso, visible upon close inspection This work has been stored flat and has not been framed.

Thierry Noir (French 1958-), 'Crocodile', 2013, screenprint in colours on 300gsm Somerset Textured paper, signed and numbered from an edition of 50 in pencil, published by Salted Prints; sheet: 60 x 60cm (Framed)ARR sheet: 60 x 60cm (Framed) In very good condition No visible knocks, tears or creases to the sheet One minor mark to the lower right hand side of the sheets white border, visible upon close inspection This work has been framed in a white frame This work has not been examined outside of the frame.

Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cmARR In very good condition No knocks, tears or creases to the sheet Some minor markings to the sheet verso, visible upon close inspection This work has been stored rolled and has not been framed.

Martin Whatson (Norwegian 1984-), 'Son Of Man', 2017, screenprint in colours on wove paper, inscribed AP in pencil, aside from the main edition of 100, bearing Martin Whatson blind stamp; sheet: 30.5 x 30.5cmARR sheet: 30.5 x 30.5cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has never been framed.

Banksy (British 1974-), 'Rude Copper', 2002, screenprint on wove paper, signed and numbered from an edition of 250 in pencil, published by Pictures On Walls; sheet: 57 x 41cmARR sheet: 57 x 41cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In good condition No visible tears to the sheet There are some minor handling creases/light markings to the black sections of the sheet, most prominent to the lower right hand section Minor handling creases to the white background of the sheet, visible recto and verso There is some minor wear shown to the upper and lower sections of the right hand edge of the sheet, visible upon close inspection This work has been attached to a black mount at the upper edge of the sheet verso This work has been examined inside and outside of the mount. Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Mehdi Ghadyanloo (Iranian 1981-), 'New Sky', 2017, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil; sheet: 68.5 x 68.5cm (Framed)sheet: 68.5 x 68.5cm (Framed)In very good conditionNo knocks, tears or creases to the sheetFramed in a black frame, float mounted leaving all edges and corners of the sheet visibleThis work has not been examined out of the frame.

David Shrigley (British 1968-), 'The Dam Will Not Build Itself', 2023, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed and numbered from an edition of 125 in pencil, published by Jealous Gallery; sheet: 75 x 55cmARR sheet: 75 x 55cm In Very Good Condition No knocks, tears, or creases to the sheet This work has been stored flat and never been framed In Very Good Condition

Invader (French 1969-), 'Home Mars (AP)', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 5 APs in pencil, aside from the main edition of 50, published by Pictures On Walls; sheet: 29.5 x 42cm (Framed)ARR sheet: 29.5 x 42cm In very good condition No visible knocks, tears or creases to the sheet Framed in a white Conservation frame, using UV protective glass This work has not been examined outside of the frame.

Ai Weiwei (Chinese 1957-), 'Middle Finger In Red', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 1285 in pencil, published by Avant Arte; sheet: 60 x 60cmsheet: 60 x 60cmIn very good condition No knocks, tears or creases to the sheet This work has been stored flat inside it original Avant Arte crate, no apparent issues.

Banksy (British 1974-), 'Barcode', 2003, screenprint on wove paper, numbered from an edition of 600 in pencil, rubberstamped 'Banksy' in Red Ink, published by Pictures On Walls; sheet: 50 x 70cm (Framed)ARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity. sheet: 50 x 70cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No visible knocks or tears to the sheet Very minor imperfection to the lower right hand edge and lower left hand corner of the sheet, visible upon very close inspection Potential minor markings to the background sheet recto and verso, likely from the time of production Slight waving to the sheet and very light crease verso, visible in raking light Minor colour change around the border of the sheet due to framing This work has been framed with a mount using two mounting tabs, attached to the upper edge of the sheet This work has been examined inside and outside of the frame.

Rauch, Sandra (1967 Berlin - lebt und arbeitet in Berlin)"BangBerlin". Mischtechnik (Siebdruck über Fotografie oder Offset), 2013. Unsigniert. Hinter Plexiglas auf Alu-Verbundmaterial gerahmt. 100 x 100 cm. Deutliche Ablösung des Plexiglases in der unteren Hälfte; leichte Beschädigung der Oberfläche. BangBerlin. Mixed media (screenprint over photograph), 2013. Unsigned. Framed behind plexiglass on aluminium-dibond. Clearly visible detachment of the plexiglass in lower part; bruises at the surface of the medium.

• HANS GASSEBNER (GERMAN 1902-1966) DALMATIAN WOMENinscribed indistinctly and dated 40 lower rightpencil and watercolour on paper 25.5 x 35.5cm; 10 x 14in (unframed)Offered together with a screenprint of a female figure carrying a basket. (2)

• HANS GASSEBNER (GERMAN 1902-1966) A VIEW OF TOSSA DE MARsigned and indistinctly inscribed and dated Hans Gassebner / 52 lower rightpencil on paper 31 x 45cm; 12 1/4 x 17 3/4in (unframed) Offered together with a screenprint of a cockerel by the same hand(2)The coastal village of Tossa de Mar is east from Barcelona.

Y CRAIGIE AITCHISON (1926-2009) "Lily Of The Valley", 24/75, signed and dated 2002, Ingleby Gallery Edinburgh label to reverse, screenprint, 11 3/4" x 9 3/4", box frame (subject to Artists Resale Right) (Illustrated) (Est. plus 24% premium inc. VAT)

Y HEINZ KAMPMANN-HERVEST (1913-1985) Fremde Signale, signed, dated '71 and '69, numbered 19/150, screenprint, 24 1/2" x 19 1/2", (SH), together with a second screenprint titled "Helmkopf" by the same hand, both framed (2) (subject to Artists Resale Right) (Est. plus 24% premium inc. VAT)Condition Report: No visible damage, tears or losses to prints, some dirt under the glass. Some losses to the edges of the frames

Sallie Taylor  Screenprint  "Last Supper", church interior with figures, on a blue ground, signed in pencil lower right, 20cm x 58cm 

Robyn Denny (British 1930-2014) Screenprint in colours Untitled from the "Light of the World Suite", limited edition, signed, numbered 10/75 and dated '70 in pencil lower right, image size 70.5cm x 77.5cm

John Piper (1903-1992) Screenprint of mixed media picture “Eye and Camera – Red, Blue and Yellow”, 1980, signed lower right in pencil, 44cm x 62cm

Robyn Denny (British 1930-2014) Screenprint in colours Untitled from the "Light of the World Suite", limited edition, signed, numbered 10/75 and dated '70 in pencil lower right, framed and glazed, image size 70.5cm x 77.5cm

Victor Pasmore (1908-1998)  Two images  "Blue" 1984 Signed limited edition screenprint Edition 29/70, framed and glazed, 41cm x 41cm Condition ReportThe picture is in good condition with no apparent damage. There is some wear to the frame.

Anthony Frost (British 1951-): 'Totally Blue Beat', screenprint signed dated '97 and numbered 7/55 in pencil, with publisher's Gamma blindstamp 30cm x 30cm full sheetCondition Report:Good condition - ready to hang. Slight cockle to the paper.

Sir Terry Frost RA (British 1915-2003): 'Newlyn Blue Q' (Kemp 142), screenprint signed titled and numbered 39/125 in pencil pub. 1995, 80cm x 73cm (irregular) with full margins 93cm x 91cmCondition Report:Good condition, well presented - ready to hang. Some light discolouration and browning to areas of the margin but image itself very good.

Joe Tilson (British 1928-2023): 'Jan Palach: Suicide by Fire', screenprint and collage 66cm x 53cmCondition Report:Overall good condition. Originally supplied with two metal paperclips, one is missing and the other is rusty/ Some cockling to the paper, discolouration to the bottom-right corner, has slipped in its frame.

Anthony Frost (British 1951-): 'And the Beat Goes On', screenprint signed dated '95 and numbered 22/47 in pencil 53cm x 63cmCondition Report:Very good condition - ready to hang. Some discolouration to the frame.

Olivia de Berardinis (b.1948) - Pamela Anderson, screenprint in colours, Robert Bane Editions, signed and numbered 182/500 in pencil lower centre right, visible sheet dimensions, 95.5 x 60cm

Bruce McLean (Born 1944) - 'Green Smoke, Pipe of Peace', screenprint, signed in pencil and dated 1984, numbered, 10/25, framed, 79cm x 65cm, frame size 105cm x 83cm. NB - This lot may be subject to Artist's Resale Right levy.

Basil Beattie, RA (Born 1935) - 'At the Hour of Midnight', screenprint, signed in pencil and dated '99, numbered 32/75 and dated 99 in pencil, with blindstamp, 42 x 55cm. NB - This lot may be subject to Artist's Resale Right levy.

Tess Jaray, RA (Born 1937) - Untitled, screenprint, signed in pencil and dated '70, framed, 55cm x 64cm, frame size 63cm x 72cm. NB - This lot may be subject to Artist's Resale Right levy.

AR * Rothenstein (Michael, 1908-1993). The Garden, colour screenprint, signed and numbered '21/75' to lower left, print size 63 x 54 cm (24 3/4 x 21 1/4 ins), framed and glazed (77 x 68 cm) QTY: (1)

Tony O'Malley, Abstract, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 40cms by 52cms

Roy Conn, Abstract, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 30cms by 44cm

Jane O'Malley, Abstract, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 40cms by 55cm

Julio Le Parc,  Argentinian b.1928 - 'Relief 5', 1970;  aluminium relief on screenprint, contained in a Plexi glass box, signed, numbered and titled on a label attached to the reverse '33/200', H41 x W41 x D5 cm (ARR)  Provenance:  with Editions Denise Rene, Paris (according to the label attached to the reverse of the frame);  private collection    

Andy Warhol (1928-1987) Brillo Soap Pads Screenprint in colours, 1970, signed in pencil, from the edition of unknown size, published by the Pasadena Museum of Art, Pasadena, with their copyright 1970 stamp, on wove paper, the full sheet printed to the edges, sheet 760 x 660mm (29 7/8 x 26in)  

Peter Lanyon (1918-1964) A Landscape of Stone Leaves Screenprint and linocut in colours,1952, scratch signed, dated and numbered from the edition of 20, titled in pencil verso, on wove paper, with full margins, sheet 370 x 560mm (14 1/2 x 22in) 

Andy Warhol (1928-1987)Kiku (Feldman & Schellman II.308)Screenprint in colours, 1983, signed in pencil, numbered from the edition of 300, printed by Rupert Jasen Smith, New York, and Ryoichi Ishida, Tokyo, published by Gendai Hanga Center, Tokyo, with the printer and the publisher's blindstamps, with the Andy Warhol rubber stamp verso, on BFK Rives paper, the full sheet printed to the edges, sheet 498 x 660mm (19 5/8 x 26in)

Bridget Riley (b.1931)Untitled (Bronze) (Tommasini 27)Screenprint in colours, 1978, signed and dated in pencil, numbered from the edition of 75, printed by Graham Henderson, London, on wove paper, with full margins, sheet 679 x 946mm (26 3/4 x 37 1/4in)

David Shrigley (b.1968) The Plant Loves Me Screenprint in colours with varnish overlay, 2023, initialled and dated in pencil verso, numbered from the edition of 125, published by Jealous Gallery, London, with the accompanying certificate of authenticity, on wove paper, the full sheet printed to near the edges, sheet 760 x 558mm (29 7/8 x 22in)

Victor Vasarely (1906-1997)CompositionScreenprint in colours, 1967, signed in pencil, numbered from the edition of 10, on wove paper, with full margins, sheet 965 x 600mm (38 x 23 1/2in)

Bridget Riley (b.1931)And About (Tommasini 77)Screenprint in colours, 2011, signed, titled and dated in pencil, numbered from the edition of 120, printed by Artizan Editions, Hove, on Fabriano 5 wove paper, with full margins, sheet 711 x 553mm (28 x 21 3/4in)

Andy Warhol (1928-1987)New York Heart Association Phonebook Ad (Feldman & Schellman IIIA.57[a])The unique screenprint in red, circa 1984, with the ''Estate of Andy Warhol'' and "Andy Warhol Foundation for the Visual Arts" ink stamps verso, initialled 'VF' in pencil verso, inscribed 'UP30.31', printed by Rupert Jasen Smith, New York, on Stonehenge White paper, produced by the artist as a gift, the full sheet, sheet 564 x 386mm (22 1/8 x 15 1/8in)

Sol Lewitt (1928-2007)Colors with Lines in Four Directions, Within a Black Border (Red), from Four x Four x Four (Krakow 1990.10)Screenprint in colours, 1990, signed in pencil, inscribed 'HC', one of five hors commerce impressions aside from the edition of 100, printed by Watanabe Studio Ltd., published by Parasol Press, Ltd., New York, on Somerset wove paper, with full margins, sheet 1210 x 1210mm (47 5/8 x 47 5/8in)

Patrick Heron (1920-1999)Untitled, from the Rothko PortfolioScreenprint in colours, 1972, signed, dated and inscribed 'A/P' in pencil, aside from the edition of 75, published by the Mark Rothko Memorial Trust, London, on wove paper, with full margins, sheet 685 x 912mm (27 x 36in)

Andy Warhol (1928-1987)Paloma Picasso (Feldman and Shellmann II.121)Screenprint in colours, 1975, signed and numbered from the edition of 90 in pencil verso, as included in the portfolio America’s Hommage à Picasso, published by Propyläen-Verlag, Berlin and Panthéon Press, Rome, on Arches paper, the full sheet printed to the edges, sheet 1041 x 749mm (41 x 29 1/2in)

Terry Frost (1915-2003)Black Sun Dipper (Kemp 153) Screenprint in colours, 1997, signed in pencil, numbered from the edition of 125, printed by Coriander Studio, London, co-published by Innocent Fine Art, Bristol, Anderson O'Day and Coriander Studio, London, on Arches paper, with full margins, sheet 1055 x 645mm (41 1/2 x 25 3/8in)

Julian Opie (b.1958)Woman Taking Off Man's Shirt (Cristea 244)Screenprint in colours, 2003, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in)

Martha JungwirthUntitled1969colour screenprint on parchment paper; unframed42.2 x 42.8 cm (depiction)64.5 x 49 cm (sheet size)handwritten numbered, signed and dated: 23/50 Martha Jungwirth 69From the portfolio "Denkblasen" (edited with Drago J. Prelog and Franz Ringel) published on the occasion of the exhibition of the same name at the Galerie auf der Stubenbastei, Vienna 1970.

§ § Victor Pasmore CH CBE, (British, 1908-1998) 'Points of Contact No.19 - 1973'screenprint in coloursmonogrammed and dated '73, 14/70, printed by Kelpra Studio56 x 39.5cm***CONDITION REPORT***Some slight undulation of the paper, visible to the left and right sides, otherwise very good clean condition with no other faults noted, overall sheet size 85 x 59cm, under glass in an ebonised frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

§ § Sir Terry Frost RA (British, 1915-2003) 'Black Sun Dipper, 1997' (Kemp 153)screenprint in colours, 1997, on wovesigned in pencil, 98/125, printed by Coriander Studio, London, co-published by Innocent Fine Art, Bristol, Anderson O'Day, London and Coriander Studio, London, with full margins86.5 x 46cm***CONDITION REPORT***Some undulation of the paper showing down the left and right sides, otherwise very good clean condition, signs of dirt specking are on the inside of the glass not on the work itself, overall sheet size 104 x 63cm, under glass in a plain beech frame, The Railings Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

▲ Pure Evil (b.1968) 'Car Boot Sharon Tate (blue)'screenprint in colours, signed 'Pure Evil' in pencil l.r., numbered '63/100'image 47.5 x 31.5cm;'Car Boot Marilyn'screenprint, signed 'Pure Evil' l.r., numbered '87/100'image 46.5 x 33.5cm (2)Condition ReportFramed: 72.5 x 53.5cmThe prints have not been viewed out of the frames but appear to be in good condition.

Manuel Mendive (Cuban, b.1944) Roosterscreenprint in colours, signed and dated 'Mendive 2002' in pencil l.r., numbered '22/100' with Taller de Serigrafia Rene Portocarrero blind stamp l.l.sheet 29.5 x 24.5cm (visible)Condition ReportFramed: 31 x 26cmA small dirty mark to the right edge, upper centre, but overall the work presents well. Not examined out of glazed frame.

▲ Annora Spence (b.1963) 'Ladies at the Piano'screenprint in colours, 1997, signed 'Annora Spence' in pencil l.l., inscribed with title and numbered 12/225image 57 x 39cmCondition ReportFramed: 83 x 64cmIn good condition. There are a couple of tiny specks of dirt trapped behind the glazing in the upper right margin but this does not detract from overall enjoyment of the work. Not viewed out of glazed frame.

Tacita Dean (Canterbury 1965 – lebt in Berlin und Los Angeles). „Foreign Policy (screenprint edition)“. 2019Serigrafie auf Papier. 79,7 × 79,7 cm (31 ⅜ × 31 ⅜ in.). Rückseitig signiert und datiert. Auf der Rückpappe mit einem Etikett der Marian Goodman Gallery, New York.Eines von 32 nummerierten Exemplaren aus einer Gesamtauflage von 38. [3434] Gerahmt.Provenienz: Privatsammlung, NiedersachsenZustandsbericht: Ex. 31/32. In gutem Zustand. Die Kanten minimal berieben (überwiegend aufgrund des Zuschnitts). Das Papier montierungsbedingt minimal gewellt. Auf der Oberfläche an wenigen Stellen mit hauchfeinen Bereibungsspuren (mit bloßen Auge kaum erkennbar). Rückseitig in den Ecken mit Papierklebeband auf den Unterkarton montiert. Sehr schöner harmonischer Gesamteindruck.Wir berechnen auf den Hammerpreis 32% Aufgeld.

Claude Fauchere (French, b.1936), market scenes, a pair, signed and numbered 307/350 & 332/350 respectively, screenprint, 36.5 x 44.5cm. (2)

‡ SARAH HOPKINS limited edition (5/6) screenprint - 'Bayview', 1998, signed, titled and dated in pencil, 92 x 50cms, excellent condition, mounted, unframed, together with EMRYS WILLIAMS watercolour - Port, fishing boat at anchor in a harbour, signed with initials and dated 2009, inscribed verso, 25 x 24.5cms, box framed (2)Provenance: private collection Vale of Glamorgan

‡ SARAH HOPKINS limited edition (4/50) screenprint in collaboration with Tracey Moberly - entitled 'Port Talbot I' on Attic Gallery label, signed and dated 2013, 28 x 28cmsProvenance: private collection CardiffAuctioneer's Note: Tracey Moberly (b.1964), fellow Welsh artist and activist from Tredegar, founder member of The FoundryComments: framed and glazed, ready to hang

Kenneth Rowntree (British, 1915-1997), Chanson D'Automne, signed l.l., screenprint in colours No.25/100, Mid Northumberland Arts Group, Ashington, 1984, printed at Sunderland Arts Centre, 54 by 40cm, framed. Provenance: gifted by the artist to the current vendor's mother. Note: Artist Resale Rights apply