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Lot 193
Banksy (British 1974-), 'Turf War', 2003, screenprint in colours on wove paper, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 48 x 35cmARRsheet: 48 x 35cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Good ConditionNo knocks or tears to the sheet1 crease to the upper left-hand corner, away from the printed image and visible in raking light1 soft handling crease to the upper white background, away from the printed image and visible in raking lightLight rubbings across the printed body of the figureThis work has been stored flat with no sign of previous framing versoIn Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
Lot 28
David Shrigley (British 1968-), 'Extract The Juice From Everything', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 55 x 55cmARRsheet: 55 x 55cmIn excellent conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 194
Banksy (British 1974-), 'Girl With Balloon', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRsheet: 70 x 50cmProvenance: This work is accompanied by a Pest Control Certificate of AuthenticityIn Good ConditionNo knocks, tears, or creases to the sheetPotential minor discolouring to the extreme edges of the sheetMultiple very faint markings to the right, top and lower left sections of the sheet, these are only visible under very close inspectionAreas of edgewear to the extreme right-hand edge of the sheet, away from the printed imageTwo areas of light skimmimg verso, only visible under direct light. This is no visible recto and does not take away from the image.Very minor irragularities to the extreme left-hand edge of the sheet, this is a result of potential trimmingThis work as been stored flat and is sold un-framedIn Good ConditionProvenance: This work is accompanied by a Pest Control Certificate of Authenticity
Lot 128
David Shrigley (British 1968-), 'No One Is Happier Than Me', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARRsheet; 76 x 56cmIn excellent conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.
Lot 105
Ayako Rokkaku (Japanese 1982-), 'Untitled', 2021, screenprint in colours on corrugated cardboard, signed, dated, and numbered from an edition of 200 in pencil, published by Gallery Delaive, Amsterdam; sheet: 65.5 x 89cm (Framed)sheet: 65.5 x 89cm (Framed)In very good condition No knocks, tears or creases to the cardboard This work has been framed in a black frame and float mounted, leaving all edges of the sheet visible This work has not been examined outside of the frame.
Lot 173
Oli Epp (British 1994-), 'Bon Voyage', 2021, screenprint in colours with silver ink and varnish on wove paper, signed and numbered from an edition of 50 in pencil, published by Blouin Division; sheet: 86 x 76cmARRsheet: 86 x 76cmIn very good conditionNo knocks or tears to the sheetMinor curvature to the print in the top left hand cornerOne crease to top left hand edge of sheetStored flat and has not been framed
Lot 141
Glenn Brown (British 1966-), 'There Is No Place For Us', 2017, two colour screenprint on polyester film 89 micron over black card, signed and numbered from an edition of 30 + 10 APs; sheet: 41 x 29.7cmARRsheet: 41 x 29.7cmIn excellent conditionNo knocks, tears or creases to the sheetStored flat, not framed
Lot 208
Kaws (American 1974-), 'Untitled, from Ups And Downs', 2013, screenprint in colours on 410gsm Saunders Waterford High White paper, signed, dated and numbered from an edition of 100 in pencil, published by Kawsone; sheet: 89 x 58.5cmsheet: 89 x 58.5cmIn Very Good ConditionNo knocks, tears or creases to the sheetThis work has been sotred flat and never been framedIn Very Good Condition
Lot 235
Blek Le Rat (French 1951-), 'Shock & Awe', 2007, screenprint in colours on 300gm somerset satin white paper, signed and numbered from an edition of 150 in pencil, published by Black Rat Press; sheet: 71 x 53.5cmARRsheet: 71 x 53.5cmIn very good conditionNo knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been stored flat and has not been framed.
Lot 192
Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRsheet: 70 x 50cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In Very Good ConditionNo knocks or tears to the sheetTwo light handling creases to the upper sheet edge, visible in raking lightMinor edge wear to the extreme edges around the upper and lower right-hand cornersThis work has been stored flat with no sign of framing versoIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Lot 217
Paul Insect (British 1971-), 'The Ultimate Journey (Blue)', 2018, screenprint in colours with glitter and diamond dust on 410gsm Somerset radiant white paper, signed, dated and numbered from an edition of 20 in pencil, published by Avant Arte; sheet: 97 x 71cmARRsheet: 97 x 71cmIn very good conditionNo knocks, tears or creases to the sheetVery minor wear to the lower edge of the sheet, visible upon close inspection Minor markings to the sheet verso, potentially from the time of production This work has been stored flat and has not been framed.
Lot 42
Mehdi Ghadyanloo (Iranian 1981-), 'Under The Blue Umbrella', 2016, screenprint in colours on wove paper, signed and inscribed AP in pencil, aside from the regular edition of 50; sheet: 76 x 76cmsheet: 76 x 76cmIn very good conditionNo knocks, tears or creases to the sheetOne minor mark to the lower left of the image, visible upon very close inspectionThis work has been stored flat and has not been framed.
Lot 41
Mehdi Ghadyanloo (Iranian 1981-), 'Escape To Destiny', 2016, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencic, aside from the regular edition of 25; sheet: 68 x 68cmsheet: 68 x 68cmIn very good condition No knocks, tears or creases to the sheet One minor scratch to the upper section of the cube and one minor scratch just below the cube, visible upon close inspection Minor skimming to the lower edges of the sheet verso, this is not visible recto This work has been stored flat and has not been framed.
Lot 132
David Shrigley (British 1968-), 'Untitled (The Elephant)', 2023, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Lot 167
Martin Whatson (Norwegian 1984-), 'Passe Grey (Hand-Finished)', 2019, hand-finished screenprint in colours on 300gsm Somerset Paper, signed, dated, and numbered from an edition of 10 unique works in pencil, published by Graffiti Prints; sheet: 80 x 56cm (Framed)ARRsheet: 80 x 56cm (Framed)In Very Good Condition No knocks, tears or creases to the sheet Potential even edgewear across all four extreme edges of the sheet, this is frequently seen with full bleed prints and is believed to be from the time of production and not later damage Framed in a black frame with complimentary black back board using Artglass AR 92 Float mounted leaving all corners and edges of the sheet visible Not examined out of the frame In Very Good Condition
Lot 175
Roby Dwi Antono (Indonesian 1990-), 'BIAS', 2022, heavily hand-finished screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from a varied edition of 30 in pencil, published by Avant Arte and framed to the Artists specifications; 67 x 62.5cm inc frame67 x 62.5cm inc frameIn Very Good ConditionNo knocks, tears or creases to the sheetSome very minor markings to the sheet edges, this has likely occured during the hand-finishing process and is not later damagedFramed by the publisher in the Artists designated pink frameFloat mounted leaving all corners and edges of the sheet visibleNot examined out of the frameIn Very Good Condition
Lot 229
Thierry Noir (French 1958-), 'The Show Must Go On', 2015, screenprint in colours on 410gsm wove paper, signed and inscribed AP aside from the main edition of 50 in pencil, from 'JAZZ' series, published by Howard Griffin Gallery; sheet: 80 x 80cm (framed)ARRsheet: 80 x 80cm (framed)In Good ConditionNo visible knocks or tears to the sheetSome handling creases throughout, these are visible under close inspection. Predominantly to the lower quarter of the sheetFramed in a black frameNot examined out of the frame
Lot 168
Michael Kagan (American 1980-), 'V As In Victor', 2019, screenprint in colours with high gloss texture varnish on 410gsm Somerset paper, signed and numbered from an edition of 120, published by Avant Arte; sheet: 97 x 73.5cmARRsheet: 97 x 73.5cmIn excellent conditionNo creases, tears or knocksStored in its original Avant Arte crateNo apparent issues
Lot 143
Harland Miller (British 1964-), 'Hate's Outta Date (Blue)', 2022, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil, published by White Cube; sheet: 100 x 70cm ARRsheet: 100 x 70cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 133
David Shrigley (British 1968-), 'Untitled (I Try To Be Friendly)', 2022, screenprint in colours on 410gsm Somerset Paper, signed and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 75 x 56cmARRsheet: 75 x 56cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Lot 89
Tracey Emin (British 1963-), 'Everybody Needs A Place To Think', 2002, screenprint on linen handkerchief, signed and dated, from an edition of 1500, commissioned by the BBC; handkerchief: 54 x 54cmARR54 x 54cmIn very good condition No tears or fraying to the materialMinor staining to the lower right hand section of the material, visible upon close inspection One minor mark to the lower edge, visible upon close inspection Fold lines to the material, as originally issuedThis work has been stored folded and has never been framed.
Lot 325
David Humphreys, British 1937-2022 - Beach; oil on paper, 17.7 x 17.7 cm: together with a screenprint on paper by the same artist, 'Hop Farm Kent', signed, titled and numbered along bottom edge 'David Humphreys Hope Farm Kent 3/100' and with Retigraphic Society watermark bottom right, image size 47.7 x 73.3 cm (ARR) (2)
Lot 240
Sunday B. Morning after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportCreasing to the corners with a diagonal fold to the lower left corner and some slight knocks to the edges. Light surface scuffs and scratches.
Lot 244
Sunday B. Morning after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome slight creasing to the corners with two half moon folds to the upper left corner. Some light dirty marks. Overall does not detract from image.
Lot 245
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportMinor creasing to the corners with surface scuffs and small dirty marks. Overall does not detract from the image.
Lot 515
Andy Warhol (1928 - 1987) "Cantaloupes I, from Space Fruit: Still Lifes" - 1979 Screenprint. Marker signed and numbered 110/150 lower right. Image Size: 30 x 40 in. Overall Framed Size: in. Framed behind plexiglass. Andy Warhols Space Fruit: Cantaloupes 201 is part of his Space Fruit: Still Lifes series that he created in 1979. During this series, Warhol focuses on his use of colorful shadows, giving the fruit more of a 3D perspective. In Cantaloupes 201, Warhol contrasts a familiar image and color of fruit with an impossible periwinkle-blocked background and turquoise shadows, bringing life and movement to the piece. In 1977, Andy Warhol met printer Rupert Jasen Smith who worked with him to create the series Space Fruit. These prints demonstrate Warhols experimentation with a centuries-old genre in painting the still life.
Lot 616
"Strange Encounters" - 2007 Screenprint in Colour. Pencil signed and numbered lower margin. Sheet Size: 30 x 22.5 in. Unframed. FAILE is the name of a collective of painters, graphic designers and illustrators based in New York. It was founded by Patrick McNeil, an American born in 1975 in California, and Patrick Miller, a Canadian born in 1976 in Minneapolis, Minnesota. The two artists met in high school and together created the FAILE collective in 1999. In 2000, while they were art students in New York, they met Japanese artist Aiko Nakagawa who joined the collective until 2006. They discovered together the underground culture of New York and took a passion for this universe. The collective began its urban art project by photographing street art and graffiti on the streets of New York. Then, little by little, they started using street art techniques: silkscreen printing, stencils, collages, painting, sculpture, fresco mosaic? They exhibit their works on the city walls and come to contemplate the effect of time on their creations: they like the ephemeral side of their works and the sensation of freedom during creation. To publicise their early work, they produced a hundred posters of naked women which they placed all over the streets of Manhattan. The aim is to arouse the curiosity of passers-by and to create mystery. FAILE's street art is more feminist and contrasts with the graffiti culture of the time. They especially like old images, pop culture and comics. They are influenced by artists such as Roy Lichtenstein and Basquiat. The collective travels and exports its street art all over the world such as Tokyo, Paris, London, Barcelona, Madrid, Berlin, Amsterdam and Lisbon where they pose collages, stencils and create giant frescos. For almost 15 years, the FAILE Collective has been spreading its street art, which was consecrated in 2003 with two solo exhibitions, one in London and the other in Tokyo.
Lot 16
John Piper C.H. (British, 1903-1992)Kirkmaiden (Levinson 252) Screenprint in colours, 1975, on Arches wove paper, signed and numbered 2/70 in pencil, printed by Kelpra Studio, London, with their inkstamp verso, published by Marlborough Fine Art Ltd., London, with full margins, framedImage 606 x 910mm (23 7/8 x 35 7/8in)Sheet 674 x 970mm (26 1/2 x 38 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 161
Robert Motherwell (American, 1915-1991)Untitled, from Flight (Engberg-Banach 67; Belknap 38) Screenprint in colours, 1970, on wove paper, signed and numbered 205/250 in pencil, printed by Maurel Studios, New York, published by International Rescue Committee, New York, with full marginsImage 590 x 425mm (23 1/8 x 16 3/4in)Sheet 648 x 500mm (25 1/2 x 19 3/4)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 173
Josef Albers (American, 1888-1976)I-S LXXIIb (Danilowitz 216) Screenprint in colours, 1972, on wove paper, signed with the initial 'A', titled, dated and numbered 54/100 in pencil, printed by Sirocco Screenprints, New Haven, published by Ives-Sillman Inc., New Haven, with their blindstamp, with full margins, framedSheet 711 x 711mm (28 x 28in)For further information on this lot please visit Bonhams.com
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12813 item(s)/page