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Military commisions of Donald McDonald, John McDonald and others, 27 commissions, on vellum or paper, signed at head by George II, George III, and Queen Victoria, some soiling and staining, a few tears; Scott, Peter. Fifteen screenprint Christmas cards, limited to 50 copies, signed and dated in pencil, Christmas greeting in pencil from "Pat" or "Pat & Pat" on rear, two waterstained, one discoloured with short tear, some with light surface scratches or marks; and 8 others, not limited or signed, from Scott Tallon Walker architects, 4 inscribed by Monica, four creased .
Lawrence Mynott (Brit. b.1954)-Venetian vase, screenprint, signed in pencil to the margin and dated 1977, 44 x 28.5cm, three other prints by the artist including an artists' proof print; Flowers in a vase, Venetian scene No.140/150, and a sketch for an album cover for All Electric Ragtime (Part Illus.) (4)
Andy Warhol (American, 1928-1987) Cow (Wallpaper), 1966; Screenprint in colors (framed); From the edition of unknown size; Rubber stamp signature in left margin; 41 3/4'' x 27 3/4'' (sight); Printer: Bill Miller's Wallpaper Studio, Inc., New York; Publisher: Factory Editions, New York for an exhibition at Leo Castelli Gallery; Literature: F. & S. ll.11; Provenance: Leo Castelli Gallery, New York; Private Collection, New York
Robert Indiana (American, b. 1928) Two works of art: Love from The Book of Love, 1996; Screenprint in colors (framed); Signed, dated and numbered 109/200; 18 1/4'' x 18'' (image), 21 1/6'' x 19 1/2'' (sight); Publisher: American Images Editions, New York; The American Four, 1970; Screenprint in colors (framed); Signed, dated, titled and numbered 57/200; 24'' x 24'' (image), 25 3/4'' x 25 3/4'' (sight); Publisher: Museum of Modern Art, New York; Provenance: Private Collection, Texas
The Atelier Project 1983-1986; Portfolio of 14 prints: Philip Pearlstein (American, b. 1924) Untitled, 1985; Etching; Signed, dated and numbered 66/85; 30 1/4'' x 22 1/2'' (sheet); Lee Bontecou (American, b. 1931) Untitled, 1986; Offset lithograph; Signed, dated and numbered 66/84; 30'' x 22 1/8'' (sheet); Leon Golub (American, 1922-2004) The Brank, 1984; Offset lithograph; Signed, titled and numbered 66/85; 30'' x 22'' (sheet); Richard Bosman (American, b. 1944) Untitled, 1983; Collagraph; Signed and numbered 66/85; 30'' x 22 1/4'' (sheet); Jackie Ferrara (American, 1929) Untitled, 1986; Hand colored etching; signed, dated and numbered 66/85; 22'' x 30'' (sheet); Rafael Ferrer (Puerto Rican, b. 1933) Untitled, 1984; Collograph; Signed and numbered 20/42; 30'' x 22'' (sheet); Greg Gillespie (American, 1936-2000) Self portrait, 1984; Offset lithograph; Signed, dated and numbered 66/85; 30'' x 22'' (sheet); Lester Johnson (American, b. 1919) Gold Series 3, 1984; Screenprint; Signed, titled and numbered 66/85; 22 1/2'' x 30 1/4'' (sheet); George McNeil (1908-1995) Untitled, 1986; Offset lithograph; Signed, dated and numbered 66/84; 21 3/4'' x 28'' (sheet); Reuben Nakian (American, 1897-1986) Leda and the Swan, 1983; Lithograph; Signed and numbered 66/86; 22'' x 30'' (sheet); Judy Pfaff (American, b. 1946) Squash, 1986; Woodcut; Signed, titled and numbered 66/85; Steve Poleskie (American, b. 1938) Aerobatic Sky Art Project for SUNY Purchase, 1979; Screenprint; Signed, titled and numbered 66/100; 22 1/2'' x 30 1/4'' (sheet); Katherine Porter (American, b. 1941) Untitled, 1986; Woodcut; Signed and numbered 66/85; 30'' x 22'' (sheet); George Sugarman (American, 1912-1999) Untitled, 1984; Offset lithograph; Signed, dated and numbered 66/85; 14'' x 22 1/2'' (irregular) four sheets attached together; (missing William Tucker and Mary Frank); Provenance: Private Collection, New York
Nicholas Africano (American, b. 1948) Three works of art: Untitled, 1986; Mixed media print; Signed, dated and numbered A.C. 3/46; 40 1/4'' x 29 1/2''; Untitled (Opera Ballet); Screenprint in colors; Signed and numbered A.P., (blind stamped ''Commissioned by Merrill Lynch''); 28'' x 36 1/4'' (sheet); Untitled, 1986 ; Screenprint in colors; Signed, dated and numbered 3/60; 29 3/4'' x 40'' (sheet); Provenance: Private Collection, Los Angeles
Alex Katz (American, b. 1927) The Grey Ribbon (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered 50/150; 27 1/2'' x 36'' (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York
Alex Katz (American, b. 1927) Sweatshirt II (from Alex and Ada: The 1960's to the 1980's), 1990; Screenprint in colors; Signed and numbered AP 6/30; 36'' x 28 3/4'' (sheet); Printer: Styria Studio, New York (stamp on verso); Publisher: Gaultney Klineman Art, New York; Provenance: Private Collection, New York
Sol LeWitt (American, 1928-2007) Brushstrokes In All Directions, 1994; Screenprint on Folio white paper (framed); Signed and numbered 236/500; 20'' x 20'' (sheet); Printer: Hidemi Nomura, Watanabe Studio, New York; Publisher: Film Forum, New York; Provenance: Film Forum, New York; Private Collection, New Jersey
ROBERT STEWART (1924-1995) WEIGHTLIFTERS, CIRCA 1950 screenprint on linen 110cm x 55.5cm Literature; Arthur, Liz. 'Robert Stewart Design 1945-95. A&C Black (London; 2003) Note: Centrapetal design motif is similarly apparent in the screen-printed panel (P.68. Ibid) Mary Schoeser in the same text describes Stewart's 1950s textiles as "...drawing from an oeuvre that was consistently humane, dealing with the human form, face and features... Stewart tapped into cultural iconography representative of individuality, risk-taking and idealism that were, on the one hand, particularly Scottish and socialist, and on the other, universally understood." (P.67. Ibid)
DDS. Joe Tilson, RA (British, b.1928) Clip-o-matic Breast, signed upper left "Joe Tilson 1971" and numbered 16/120, colour screenprint with collage, 70 x 49cm. Joe Tilson initially worked as a carpenter and joiner from 1944 to 1946, before carrying out his National Service in the RAF until 1949. He went on to study at St Martin's School of Art, London from 1949 to 1952 and at the Royal College of Art, London from 1952 to 1955 where he received the Rome Prize, taking him to live in Italy in 1955. He returned to London in 1957, and from 1958 to 1963 he taught at St Martin's School of Art, and subsequently at the Slade School of Fine Art, University College London, Kings College, Newcastle upon Tyne, The School of Visual Arts, New York and the Hochschule fur Bildende Kunste, Hamburg
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12813 item(s)/page