There are 14878 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAndy Warhol (1928-1987)Ingrid Bergman. Herself (Feldman and Schellmann II.313)Screenprint in colours, 1983, signed and numbered from the edition of 250 in pencil, printed by Rupert Jasen Smith, New York, published by Galerie Börjeson, Malmö, with his rubber stamp verso, on Lenox Museum Board, the full sheet printed to the edges, sheet, 965 x 965mm., 38 x 38in.
Bridget Riley (b.1931)Blue Dominance (Tommasini & Gubay 24)Screenprint in colours, 1977, signed, dated and titled in pencil, numbered from the edition of 100, printed by Graham Henderson, London, published by Pace Editions, New York, on wove paper, with full margins, sheet 980 x 490mm (38 1/2 x 19 1/4in)
Patrick Caulfield (1936-2005)Found Objects (Cristea 10) Screenprint in colours, 1978, signed and inscribed 'AP' in pencil, one of ten artist's proofs aside from the edition of 75, printed by Kelpra Studio, published by Waddington Graphics, London, on wove paper, the full sheet printed to the edges, sheet 710 x 932mm (28 x 36 3/4in)Ex. coll. Leslie Waddington
Andy Warhol (1928-1987)Göethe (Feldman & Schellmann II.272) Screenprint in colours, 1982, signed in pencil, numbered from the edition of 100, printed by Rupert Jasen Smith, New York, published by Editions Schellmann & Klüser, Munich, with the printer's blindstamp, with the artist's copyright inkstamp and the publisher's inkstamp verso, on Lenox Museum Board, the full sheet printed to the edges, sheet 965 x 965mm (38 x 38in)
John Piper (1903-1992)Foliate Heads I (Levinson 245) Screenprint in colours, 1975, signed in yellow crayon, numbered from the edition of 75, printed by Kelpra Studio, published by Marlborough Fine Art, London, with the printer's inkstamp verso, on Arches paper, the full sheet printed to the edges, sheet 580 x 760mm (22 7/8 x 29 7/8in)
Andy Warhol (1928-1987)Franz Kafka, from Ten Portraits of Jews of the Twentieth Century (Feldman & Schellmann II.226)Screenprint in colours, 1980, signed in pencil, numbered from the edition of 200, printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts Inc., New York, and Jonathan A Editions, Tel Aviv, with the printer's blindstamp, and the publisher's inkstamp verso, on Lenox Museum Board, the full sheet printed to near the edges, sheet 1015 x 812mm (40 x 32in)
Ivon Hitchens (1893-1979)For John ConstableScreenprint in colours, 1973, signed and titled in pencil, numbered from the edition of 100, counter-signed by Betambeau, printed by Advanced Graphics, published by Bernard Jacobson, London, on wove paper, with margins, sheet 438 x 887mm (17 1/4 x 34 7/8in)
Bridget Riley (b.1931)Going Across (Tommasini & Gulbay 45)Screenprint in colours, 2001, signed, titled and dated in pencil, numbered from the edition of 90, printed by Artizan Editions, Hove, published by Parkett Publishers, New York and Zurich, on Somerset wove paper, with full margins, sheet 616 x 913mm (24 1/4 x 36in) Please note this lot is subject to VAT on the hammer price and on the buyer's premium.
Joe Tilson (1928-2023)Transparency, Vallegrande, Bolivia, October 10th (Di Martino p.56)Screenprint in colours on acetate film with metallised film, 1969, signed and dated in pencil, numbered from the edition of 70 with each being printed in a unique combination of colours, printed by Kelpra Studio, published by Marlborough Graphics, London, the full sheet printed to the edges, sheet 710 x 505mm (28 x 19 7/8in)
Bridget Riley (British 1931-), 'Wall Painting I', 2007, screenprint in colours on wove paper, signed, titled, dated, and numbered from an edition of 150 in pencil; 61 x 96cm inc frameARR †*This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. 61 x 96cm inc frame In very good condition No visible knocks, tears or creases to the sheet One extremely minor red pencil mark to the left hand side of the design, visible upon very close inspection Framed to a high standard in a white frame, using ultra-violet filtering Perspex This work has been float mounted leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
Damien Hirst (British 1965-), 'Third Prototype For Psalm', 2010, unique screenprint in colours on over paper, signed and inscribed '3rd Prototype for Psalm' in pencil, dedicated under the mount in pencil; sheet: 73.3 x 71.9cm; 84.5 x 73cm inc frameARR sheet: 73.3 x 71.9cm; 84.5 x 73cm inc frame In very good condition No visible knocks, tears or creases to the sheet Framed in a white frame and mounted leaving the face, signature and inscription of the print visible This work has not been examined outside of the frame.
D*Face (British 1978-), 'Dog Save The Queen (Silver Wings)', 2004, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 250 in pencil, stamped by the artist, published by Pictures On Walls; 53 x 73cm inc frameARR 53 x 73cm inc frame In very good condition No visible knocks, tears or creases to the sheet Framed edge to edge in a black frame This work has not been examined outside of the frame.
Peter Blake (British 1932-), 'I Love You (White), 2010, screenprint in colours with applied gold leaf on wove paper, signed and numbered from an edition of 175 in pencil, published by CCA Galleries, London; sheet: 42 x 13.6cmARR sheet: 42 x 13.6cm In Very Good Condition No knocks, tears, or creases to the sheet One very minor dink to the lower right corner The work has been stored flat and has never been framed
Mehdi Ghadyanloo (Iranian 1981-), 'Equlibrium', 2016, screenprint in colours on heavy wove paper, signed and numbered from an edition of 50 in pencil, published by Howard Griffin Gallery; sheet: 82.5 x 82.5cmsheet: 82.5 x 82.5cmIn very good conditionNo knocks or tears to the sheetMinor creasing along the bottom edge of the sheetThis work has been stored flat and has not been framed.
David Shrigley (British 1968-), 'Old Cat', 2022, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated, and inscribed ARC 1/1 in pencil verso, the regular edition was 125, published by Jealous Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In Good Condition No knocks or tears to the sheet One soft crease running down the upper left-hand edge of the sheet, only visible in raking light The work has been stored flat and never been framed In Good Condition
Harland Miller (British 1964-), 'XXX (Large)', 2023, screenprint in colours on Somerset paper, signed and numbered from an edition of 25 in pencil, published by The Institute of Contemporary Arts, London; sheet: 150.3 x 108.5cmARR sheet: 150.3 x 108.5cm In excellent condition No knocks, tears or creases to the sheet Currently stored rolled in its original packaging and tube No apparent issues.
Mehdi Ghadyanloo (Iranian 1981-), 'Counting Down', 2015, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition of 25, published by Howard Griffin Gallery; sheet: 68.2 x 68.2cmsheet: 68.2 x 68.2cmIn very good condition No knocks, tears or creases to the sheet Minor markings to the left hand side of the sheet verso, this is not visible rectoThere is some light wear to the extreme edges of the sheet, this is commonly seen on full bleed prints This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Love Rat', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 50 x 35cmARR sheet: 50 x 35cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No visible knocks, tears, or creases to the sheet There are some speckles to the background of the sheet, this is from the time of production and due to the nature of the material This work has been framed in a black frame and has been float-mounted on a mounting board, leaving all corners and edges of the sheet visible This work has been examined inside and outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Bridget Riley (British 1931-), 'Bagatelle 2', 2015, screenprint on wove paper, signed, titled, dated, and numbered from an edition of 75 in pencil, published by Karsten Schubert Gallery, London; 60 x 89.5cm inc frameARR 60 x 89.5cm inc frame In very good condition No visible knocks or tears to the sheet Framed to a high standard in a white frame by Pauli, using Ultraviolet Protection Plexiglass Minor undulation to the left and right edges of the sheet, due to work being mounted. This is not considered damage. One minor handling crease to the centre of the right hand edge of the sheet, visible in raking light. This work is float mounted, leaving all edges and corners of the sheet visible This work has not been examined outside of the frame.
David Shrigley (British 1968-), 'Untitled (Shit)', 2012, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 100 in pencil, published by Schaefer Grafik; sheet: 70 x 50cm ARR sheet: 70 x 50cm In very good condition No knocks or tears to the sheet There are some light handling creases to the sheet, visible in raking light Minor imperfection to extreme upper right hand corner and minor marking verso, visible upon close inspection This work has been stored flat and has not been framed.
Alec Monopoly (American 1986-), 'Monaco Grand Prix', 2024, screenprint in colours on Coventry Rag paper, signed and numbered from an edition of 150 in pencil; sheet: 76.2 × 101.6cmsheet: 76.2 × 101.6cmIn very good conditionNo knocks or tears to the sheetOne horizontal crease/indentation to the top left section of the sheet, visible in raking lightDeckled edges in good conditionThis work has been stored flat and has not been framed.
David Shrigley (British 1968-), 'Untitled (Old Dog)', 2021, screenprint in colours on 400gsm Somerset Tub Sized paper, signed, dated and inscribed AP in pencil verso, aside from the main edition of 125, published by Stephen Friedman Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet Extremely minor imperfections to upper corners of sheet, visible upon very close inspection This work has been stored flat and has not been framed.
Martin Whatson (Norwegian 1984-), 'Lighthouse', 2023, hand-embellished screenprint and archival pigment print with flood varnish on 300gsm Somerset paper, signed, dated, and numbered from an edition of 50 in pencil, published by Harman Projects; sheet: 41.9 x 49.8cmsheet: 41.9 x 49.8cmIn good conditionNo knocks or tears to the sheet Vertical creasing down the left hand section of the sheet, mainly visible in raking light Minor markings to the sheet verso, potentially from the time of productionThis work has been stored flat and has not been framed.
Mehdi Ghadyanloo (Iranian 1981-), 'Exploration Of Gravity', 2015, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition was 25, published by Howard Griffin Gallery; sheet: 68 x 68cm; 83.5 x 82.5cm inc framesheet: 68 x 68cm; 83.5 x 82.5cm inc frameIn very good conditionNo visible knocks, tears or creases to the sheetFramed in a black frame with a white mountThis work has not been examined outside of the frame.
David Shrigley (British 1968-), 'To Hell With Zoos', 2021, screenprint in colours on 410gsm Somerset Satin Tub sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 76 x 56cmARR sheet: 76 x 56cm In good condition No knocks or tears to the sheet Light horizontal waving to the sheet, visible in raking light Minor wear to left and right hand edges of sheet and very minor imperfections to corners Some light markings recto and verso, visible upon close inspection This work has been stored flat and has not been framed.
Tracey Emin (British 1963-), 'Deck Chair', 2007, screenprint in colours on fabric with wooden support, from an edition of 250, printed by Eyes Wide Digital for The Royal Parks Foundation; 130 x 53 x 4.5cmARR 130 x 53 x 4.5cm In very good condition No rips or tears to the fabric Wooden frame is structurally sound No apparent issues.
Thierry Noir (French 1958-), 'Yes Or Noir', 2003, screenprint in colours on wove paper, signed and numbered from an edition of 100 in pencil; sheet: 50 x 60cmARR sheet: 50 x 60cm In very good condition No knocks, tears or creases to the sheet This work is stored flat and has not been framed.
David Shrigley (British 1968-), 'Stop Panicking', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 75.5 x 56cmARR sheet: 75.5 x 56cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Queen Victoria', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks or tears to the sheet There is some light horizontal creasing shown to the upper and lower sections of the sheet. This is mainly visible verso in raking light Minor scratching to the upper right section of the sheets background and some minor imperfections to lower section, visible upon close inspection Very minor imperfection to the lower right hand edge of the sheet, and some potential very minor marks to the white border This work has been stored flat and is not currently framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Nick Walker (British 1969-), 'TMA New York (First Edition)', 2011, screenprint in colours on wove paper, signed and numbered from an edition of 150, sheet; 100 x 116cm inc frameARR sheet; 100 x 116cm inc frame In Very Good Condition No visible knocks, tears, or creases to the sheet One small mark/irregularity to the upper white border, this appears to be within the paper and may be from the time of production rather than later damage Three extremely faint vertical lines radiating from the top of the image to the top of the sheet, this appears to be from the time of screening and not later damage The work is in a black frame with a white mount and black border, using acrylic glazing Chips to the frame Not examined out of the frame In Very Good Condition
Ai Weiwei (Chinese 1957-), 'Free Speech', 2023, screenprint in colours on 600gsm Somerset Tub Sized Radiant White paper, signed and numbered from an edition of 100, sheet; 60 x 60cmsheet; 60 x 60cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Kaws (American 1974-), 'Gone', 2019, screenprint on 300gsm Arches Aquarelle paper, signed, dated, and numbered from an edition of 750 in pencil, published by NGV Melbourne, accompanied by 'Kaws, Companionship In The Age Of Loneliness'; sheet: 38 x 30.5cmsheet: 38 x 30.5cmPrint:In excellent conditionNo knocks, tears or creases to the sheetStored inside its original slipcase, inside the book caseSlipcase in very good conditionBook:In excellent conditionNo apparent issues.Book Case:Minor markings to the inside and outside of the case, visible upon close inspection
David Shrigley (British 1968-), 'The World', 2020, screenprint in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 125 in pencil, published by Nicolai Wallner; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
David Shrigley (British 1968-), 'Tiger Shit', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed and numbered from an edition of 125 in pencil verso, sheet: 76 x 56cmARR sheet: 76 x 56cm In excellent condition No knocks, tears or creases to the sheet This work has been stored flat and has never been framed.
Mehdi Ghadyanloo (Iranian 1981-), 'Hat Trick Without Encouragement', 2015, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencil, the regular edition was 25, published by Howard Griffin Gallery; sheet: 68.2 x 68.2cmARR sheet: 68.2 x 68.2cm In very good condition No knocks or tears to the sheet Minor crease to the lower right hand and upper left hand corners of the sheet, visible upon close inspection There are some minor wear to the extreme edges of the sheet, this is commonly seen on full bleed prints This work has been stored flat and has not been framed.
Robert Indiana (American 1928-2018), 'Hope (Canvas)', 2015, acrylic and screenprint on canvas, from a series of 25 unique colourways; canvas: 25.5 x 25.5cm (framed)canvas: 25.5 x 25.5cm (framed)In Very Good ConditionNo sign of paint loss or restorationNo tears, rips, or re-patching to the canvasFramed in a white frame leaving the canvas visible both recto and versoNot examined out of the frame
David Shrigley (British 1968-), 'Be Nice', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated, and numbered from an edition of 125 in pencil, published by Counter Editions; sheet: 76 x 56cm (framed)ARR sheet: 76 x 56cm (framed) In very good condition No visible knocks, tears or creases to the sheet Extremely minor imperfection to the upper right hand corner of the sheet, visible upon very close inspection This work has been framed in a black frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
David Shrigley (British 1968-), 'The Elephant', 2022, screenprint in colours on Somerset Tub Sized 410gsm Paper, signed and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet Very light marking to upper right hand corner, visible upon close inspection This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Laugh Now', 2004, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARR sheet: 70 x 50cm Provenance: This work is accompanied by a Pest Control Certificate of Authenticity. In very good condition No knocks, tears or creases to the sheet Minor smudging to the lower edge of the sheets border, likely from the time of production and commonly seen on these works Minor rubbing/light marking around the edges of the sheet verso, this is not visible recto Minor marks shown to black sections of sheet, visible upon close inspection and in raking light This work has been stored flat and is not currently framed.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
D*Face (British 1978-), 'Pop Tart (Grey)', 2007, screenprint in colours on 410gsm Somerset Satin Paper, signed and numbered from an edition of 35, published by Black Rat Press, sheet; 74 x 76 cm (framed)ARR sheet; 74 x 76 cm In very good conditon No visible knocks or tears to the sheet Two horizontal creases to the lower right section of the sheet Minor crease to upper and lower section of sheets white border, visible upon close inspection This work has been framed in a black frame with a white mount This work has not been examined outside of the frame.
David Shrigley (British 1968-), 'Fucking Ace', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and inscribed AP in pencil on verso, the main edition was 125, published by Jealous Gallery; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet Minor imperfection on the left hand edge of the sheet and minor mark to the right of the main image Minor markings to the upper edge of the sheet, likely from time of production This work has been stored flat and has not been framed.
Mr Doodle (British 1994-), 'Jellyfish Passion', 2021, screenprint in colours on 410gsm Somerset Radiant White Tub-sized paper, signed, dated, and numbered from an edition of 300 in black ink; sheet: 60 x 60cmARR sheet: 60 x 60cm In very good condition Still sealed in original unopened packaging No apparent issues.
Howard Hodgkin (British 1932-2017), 'The Road To Rio', 2016, screenprint in colours on 300gsm Somerset Paper, signed, dated, and numbered from an edition of 350 in pencil, published by Counter Editions; sheet: 76 x 60cmARR sheet: 76 x 60cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.
Patrick Caulfield (British 1936-2005), 'Lamp and Lung Ch'uan Ware, from 'White Ware', 1990, screenprint in colours on wove paper, signed and numbered from an edition of 45 in pencil, published by Waddington Graphics, London; 114 x 88cm inc frameARR 114 x 88cm inc frame In Very Good Condition No knocks, tears, or creases to the sheet The work has been framed to a good standard in a black frame The work is float-mounted leaving all corners and edges of the sheet visible Not examined out of the frame In Very Good Condition
Roby Dwi Antono (Indonesian 1990-), 'Clara', 2022, screenprint in colours with curable UV inks on 410gsm Somerset Tub Sized Radiant White paper, signed and numbered from an edition of 200 in pencil, published by Avant Arte; sheet: 50 x 44cmsheet: 50 x 44cmIn Very Good ConditionNo tears to the sheetOne irregularity/potential crease to the lower edge of the sheet, away from the printed imageThe work has been stored flat and never been framed
Loading...
