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δ Banksy (b.1974)MoronsScreenprint in colours, 2007, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp at lower left, with full margins, sheet 575 x 762mm (22 1/4 x 30in)This work is authenticated by Pest Control Office and a certificate will be issued by them to the buyer.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)I Fought the LawScreenprint in colours, 2005, signed, dated and numbered from the edition of 150 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 703 x 700mm (27 1/2 x 27 1/2in)This work is authenticated by Pest Control Office and a certificate will be issued by them to the buyer.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)ApplauseScreenprint in colours, 2006-2007, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, with full margins, sheet 800 x 1210mm (31 1/2 x 47 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974) GranniesScreenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Morons (Sepia)Screenprint in colours, 2007, signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 28 3/4in)This work is authenticated by Pest Control Office and a certificate will be issued by them to the buyer.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)BarcodeScreenprint, 2004, signed and dated in black ink, numbered from the edition of 150 in pencil, with the red Banksy tag as issued, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 491 x 692mm (19 1/4 x 27 1/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Turf WarScreenprint in colours, 2003, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, the full sheet, 482 x 347mm (19 x 13 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Bomb Middle EnglandScreenprint in colours, 2003, numbered from the edition of 500 in pencil, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 345 x 975mm (13 5/8 x 38 1/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Weston Super MareScreenprint in colours, 2003, signed and dated in black ink from the edition of 150, numbered from the total edition of 750 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, 998 x 350mm (39 1/4 x 13 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Banksy (b.1974)Trolleys (LA Edition)Screenprint in colours, 2007, numbered from the edition of 500 in pencil, on Arches 88 wove paper, published by Modern Multiples Fine Art Editions, with full margins, sheet 580 x 780mm (22 3/4 x 30 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.Please note this print is from the Barely legal (LA Edition), which was an intended edition of 500 but only circa 100 were printed.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.

δ Banksy (b.1974)Stop and SearchScreenprint in colours, 2007, signed in blue pencil, numbered from the edition of 500, on Arches 88 paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, the sheet 765 x 575mm (30 x 22 5/8in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Welcome to HellScreenprint in colours, 2005, signed, dated and inscribed AP/DN in pencil, an artist's proof aside from the edition of 75, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp at lower right, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Various ArtistsThe Penwith PortfolioThe complete portfolio comprising eleven lithographs and one screenprint in colours, 1973, the Lanyon with a stamped signature, the others all signed in pencil, numbered from the edition of 90, printed by Stanley Jones at Curwen Studio, London, published by Penwith Galleries Ltd., St Ives, on TH Saunders wove paper, the sheets loose in the original paper folders and brown linen covered portfolio, each sheet circa 559 x 763mm (22 x 30in) (11) (unframed)Artist's include: Robert Adams (Screen Form); Alan Davie (Bird Through The Wall); Merlyn Evans (St Ives Beach); Duncan Grant (Interior); Dame Barbara Hepworth DBE (Moon Landscape); Peter Lanyon (The Returned Seaman); Bernard Leach (Drawing for a pot); F E McWilliam (Women of Belfast); Henry Moore (Silhouette Figures with Border Design); Ben Nicholson OM (Abstract 1936); John Piper (Annunciation to the Sheperds); Michael Rothenstein (Sunrise at 36,000 feet).δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Gerald Laing (1936-2011)AAD (Ingram & Halliwell 18)Screenprint in colours, 1968, signed, titled, dated and numbered from the edition of 150 in pencil, published by the artist, with his blindstamp, on wove paper, the full sheet, 585 x 890mm (23 x 35in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Howson (b.1958)Bandit CheckpointScreenprint in colours, 1994, signed, titled, dated and numbered from the edition of 100 in pencil, on wove paper, the full sheet 700 x 780mm (27 1/2 x 30 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ The Connor Brothers (b.1968)Vice VersaHand-painted vintage paperback with screenprint additions, 2020, signed in black ink and numbered from the edition of 2, on a label affixed to the reverse, housed within the artist's designated frame, overall 270 x 205 x 30mm (10 1/2 x 8 x 1 1/4in) (artist's frame)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ John Hoyland (1934-2011)DreamScreenprint in colours, 1996, signed and numbered from the edition of 100, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet, 760 x 550mm (30 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ William Scott (1913-1989)Forms Encaged (Archeus 41)Screenprint in colours, 1972, signed and dated in pencil, numbered from the edition of 72, printed at Kelpra Studio, published by Leslie Waddington Prints, London, on wove paper, with full margins, 576 x 390mm (22 7/8 x 15 ½in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Blake (b.1932)'It isn't manners for us to begin, you know' said the RoseScreenprint in colours, 1970, signed and numbered from the edition of 100 in pencil, titled in black ink, from the portfolio 'Alice in Wonderland', printed by Kelpra Studio, published by Waddington Graphics, London, on cream wove paper, the full sheet, 665 x 499mm (26 1/8 x 19 5/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Pasmore (1908-1998)Untitled 7 (Lynton G.65)Screenprint in colours, 1990, intitalled and dated in pencil, numbered from the edition of 70, printed by Kelpra Studios, with their blindstamp, published by Marlborough Graphics, London, on wove paper, the full sheet printed to the edges, sheet 731 x 1036mm (28 3/4 x 40 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bruce Mclean (b.1944)Cactus HeadScreenprint in colours, 1996, signed and numbered from the edition of 100, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet, 760 x 550mm (30 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Mr Doodle (b.1994)Untitled (Tenterden)Screenprint in colours, 2017, signed in black ink, a proof aside from the edition, on wove paper, the full sheet printed to the edges, 296 x 421mm (11 3/4 x 16 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ John Piper (1903-1992)West Walton (Levinson 332)Screenprint in colours, 1981, signed and titled in pencil, numbered from the edition of 10 artist proofs, printed by Kelpra Studio, published by Marlborough Fine Art, London, on Arches paper, with full margins, 690 x 906mm (69 1/8 x 35 5/8 in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)Still Life (Heenk see page 222)Screenprint in colours, 1980, initialled and dated in pencil, numbered from the edition of 100, printed by Douglas Corker at Kelpra Studio, published by Bernard Jacobson Gallery, London, on Arches paper, the full sheet printed to the edges, sheet 787 x 722mm (31 x 28 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)Tropic Fruit (See Heenk p.222)Screenprint in colours, 1981, initialled, dated and numbered from the edition of 100 in pencil, on Arches paper, printed at Kelpra Studio, published by Bernard Jacobson Gallery, London, on Arches paper, the full sheet printed to the edges, sheet 785 x 938mm (30 7/8 x 36 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Julian Opie (b.1958)Woman taking off man's shirt (Cristea p.244)Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, on thick wove paper, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Patrick Heron (1920-1999)January 1973 : 1Screenprint in colours, 1973, signed and dated in pencil, numbered from the edition of 72, on printed by Chris Prater at Kelpra Studios, published by Waddington Graphics, London, on wove paper, with full margins, 585 x 813mm (23 x 32in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Bridget Riley (b.1931)Untitled (La Lune en Rodage - Carlo Belloli) (Riley Foundation 7; Schubert 6)Screenprint, 1965, signed, dated and numbered from the edition of 200 in pencil, printed at Kelpra Studio, London, published by Editions Panderma, Basel, on wove paper, the full sheet printed near to the edges, sheet 319 x 319mm (12 3/8 x 12 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Damien Hirst (b.1965)Blue ButterflyScreenprint in colours with glaze, 2006, signed and numbered from the edition of 60 in black ink, as included in the portfolio In the Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, the full sheet printed to the edges, sheet 420 x 295mm (16 ½ 11 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Norman Ackroyd (b.1938)Cartmell Fell- WindermereLithograph and screenprint in colours, 1996, signed and numbered from the edition of 100, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet, 760 x 550mm (30 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Gillian Wise (1936-2020)Interlace: Double LatticeScreenprint in colours, 1978, signed, dated numbered from the edition of 30 in pencil, on wove paper, the full sheet 415 x 420mm (16 3/8 x 16 1/2in) (framed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Howard Hodgkin (1932-2017)In a French Restaurant (Heenk p.223)Screenprint in colours, 1982, signed in orange pencil, a proof aside from the edition of 500, printed by Cromacomp, published by Petersburg Press, New York, on TH Saunders Waterford white wove paper, the full sheet printed to the edges, 1210 x 1460mm (47 5/8 x 57 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

SYLVIA MOLLOY SIGNED LIMITED EDITION OF SCREENPRINT LONE TREE

SYLVIA MOLLOY SIGNED LIMITED EDITION OF SCREENPRINT ARCTIC LANDSCAPE

Damien Hirst, (B. 1965), untitled gold gift spot, framed screenprint in colours, gold glitter/ wove paper, signed in pencil and incribed 'for Jon Thank-You', numbered 22/100, paper dimensions 30" x 37", Image dimensions 22" x 30".

ARTHUR CHARLTON screenprint - dramatic South Wales coastal scene, entitled 'Gower Cliffs', signed verso, 45 x 59cms Provenance: from the Charlton family Presentation & Condition: no problems, neatly framed and glazed

(See English version below)Claes Oldenburg (Stockholm 1929 – lebt in New York). „Soft Alphabet“. 197841 sandbefüllte Leinenbeutel in Holzbox mit Serigrafie. 74,4 × 56,2 × 7,5 cm ( 29 ¼ × 22 ⅛ × 3 in.). Auf der Unterseite der Holzkiste signiert.Eines von 16 nummerierten Exemplaren + 2 A.P. [3659] Wir berechnen auf den Hammerpreis 30% Aufgeld.Claes Oldenburg (Stockholm 1929 – lives in New York). ”Soft Alphabet”. 197841 sand-filled linen bags in a wooden box with screenprint. 74,4 × 56,2 × 7,5 cm ( 29 ¼ × 22 ⅛ × 3 in.). Signed in black felt-tip pen on the underside of the wooden box.One of 16 numbered copies and 2 a.p.. [3659] We charge 30% premium on the hammerprice.

(See English version below)Yves Klein (Nizza 1928 – 1962 Paris). „Monochrome und Feuer“ (Triptychon). 19613-teilig: Siebdruck und Blattgold auf Karton in Mappe. Jeweils 32 × 23,5 cm ( 12 ⅝ × 9 ¼ in.). Krefeld, Kaiser Wilhelm Museum, 1961. [3702] Provenienz: Privatsammlung, RheinlandWir berechnen auf den Hammerpreis 30% Aufgeld.Yves Klein (Nice 1928 – 1962 Paris). ”Monochrome und Feuer” (Triptychon). 19613-part: screenprint and gold leaf on cardboard in portfolio. Each 32 × 23,5 cm ( 12 ⅝ × 9 ¼ in.). Krefeld, Kaiser Wilhelm Museum, 1961. [3702] Provenance: Private Collection, RhinelandWe charge 30% premium on the hammerprice.

John Lockee, screenprint, 'Double Incident', 18/100, signed, Lynne Stern Associates label verso, 68 x 86cmCONDITION: Good clean condition.

* DONALD HAMILTON FRASER (1929 - 2009), WASHING LINE limited edition screenprint, signed and numbered 265/275 in pencil 45cm x 57cm Mounted, framed and under glass

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "Chicken Noodle Soup" aus dem "Campbell's Soup I portfolio" Farbserigraphie/Velin, 1968. Verso sign. u. gestempelte Nummerierung 47/250. Herausgegeben von Factory Additions, New York; Druck Salvatore Silkscreen Co., Inc., New York. Wvz. Feldman/Schellmann II.45. Warhols "Chicken Noodle Soup" ist eines der häufigsten ikonischen Arbeiten Warhols. Schon 1962 hatte er eine seinerzeit provokante Gemälde-Werkreihe mit 32 Campbell's Suppendosen geschaffen. Sechs Jahre später setzte er die Motive in ein Portfolio mit zehn Siebdrucken um. Warhol war fasziniert von der Konsumkultur und diese Arbeit erinnert zugleich an die Werbung der bekannten Suppenmarke, die er jahrzehntelang selbst zu sich genommen hatte. Die einfache Darstellung der Dose hat einen besonders großen Wiedererkennungswert. Als Beispiel für Warhols auffälligen Pop Art-Stil ist sie zu einem wesentlichen Bestandteil seines Oeuvres, der amerikanischen und internationalen Kunstgeschichte geworden. Leicht gleichmäßig gebräunt. Blatt 88,5 cm x 58 cm. Serigraph (screenprint) in colours on wove paper. Hand-signed on the reverse with stamped edition-no. 47/250. Slight light toning.

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "White Burning Car". Originaltitel Offset-Lithographie/Papier. Verso Sign.-Stempel. Wohl in den 1960er Jahren erschienenes Blatt nach dem gleichnamigen berühmten Siebdruck des Pop Art-Künstlers aus dem Jahr 1963. Gebräunt, Lagerspuren. Blatt 44 cm x 59 cm. Offset lithograph on paper. Signature stamp on the reverse. Published probably in the 1960ies, after the screenprint conceived by Warhol in 1963. Toning, traces of storage.

Henri Matisse Henri Matisse Henri Matisse (1869 Le-Cateau-Cambrésis - 1954 Cimiez) nach "Algue Verte" (Grüne Alge). Originaltitel Farbserigraphie/Papier, um 1965-1970. Im Druck sign. u. dat. (19)53. Nach einem Scherenschnitt von Matisse, herausgegeben von Editions des Nouvelles images/SPADEM, Frankreich, um 1965-1970. Blatt 47,5 cm x 39,5 cm. Rahmen. Serigraph (screenprint) in colours on paper, circa 1965-1970. Signed and dated (19)53 in the print. Published by Editions des Nouvelles images/SPADEM, France, circa 1965-1970.

Niki de Saint Phalle Niki de Saint Phalle Niki de Saint Phalle (1930 Neuilly-sur-Seine - 2002 San Diego) "Merry Christmas". Originaltitel Farbserigraphie/Papier. Originalplakat für die Ausstellung "Niki de Saint Phalle" des Kunstvereins für die Rheinlande, Düsseldorf, 1968/69. Partiell Lagerspuren, Randläsuren u. Knickfalten. Blatt ca. 74 cm x 54 cm. Rahmen. Serigraph (screenprint) in colours on paper. Original poster for the exhibition in Düsseldorf, 1968. Traces of storage and creases to some areas, flaws to the edges.

Roy Lichtenstein Roy Lichtenstein Roy Lichtenstein (1923 New York - 1997 ebenda) "Brushstroke". Originaltitel Farbserigraphie/festes Velin, 1965. Sign. u. nummeriert 236/280. Auflage 280 plus 15 HC-Abzüge und einer unbekannte Anzahl von Artist's proofs. Herausgegeben von der Leo Castelli Gallery/Leo Castelli Graphics, gedruckt von Chiron Press, beide New York. Wvz. Corlett II.5. Das berühmte Blatt des Pop Art-Künstlers gehört zu einer 1965 begonnenen bedeutenden Werkreihe von Gemälden und Grafiken Lichtensteins, in denen er sich in subversiver, ironisch-kritischer Weise mit der überhöhten Bedeutung des Pinselstrichs im Abstrakten Expressionismus bei Jackson Pollock und Willem de Kooning auseinandersetzte. Hierbei stellte er ausschnitthaft scheinbar spontane Pinselstriche sowie Farbspritzer in klaren leuchtenden Farben mit schwarzen Kontur- und Strichlinien dar, die sich vom gleichmäßigen Raster-Hintergrund aus sog. "Benday Dots" abheben. Gebräunt, partiell Randretuschen (Deckweiß). Darstellung ca. 56,2 cm x 72,2 cm; Blatt ca. 58,2 cm x 73,5 cm. Rahmen. Lit.: "Gli altri. I percorsi inquieti di Bruno Bruni", Ausstellungs-Kat. Musei Civici di Pesaro, 16.7.-11.11.2011, S. 53 (mit ganzseitiger Farbabb.). Vergleichsexemplare befinden sich u.a. im Museum of Modern Art in New York und in der National Gallery of Art in Washington D.C. Provenienz: Sammlung Bruno Bruni. Serigraph (screenprint) in colours on heavy wove paper, 1965. Hand-signed and numbered 236/280 (there were also 15 HC impressions and an unknown number of artist's proofs). Light toning, some retouches with whitening to the edges.

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "Marilyn". Originaltitel Farbserigraphie/leichter Karton, 1981. Sign.; Herausgegeben von Castelli Graphics. Unterhalb sowie verso typographisch bezeichnet. Druck Colour Editions Inc., New York. Verkleinerte Version des berühmten Siebdrucks von 1967 als Ankündigung der Ausstellung "Andy Warhol: A Print Retrospective 1963-1981" in der Galerie Castelli Graphics, New York, 1981. 30,5 cm x 30,5 cm. In Passepartout montiert. Serigraph (screenprint) in colours on smooth wove paper, 1981. Hand-signed. Announcement for the exhibition "Andy Warhol: A Print Retrospective 1963-1981". Printed by Colour Editions Inc., published by Castelli Graphics, New York, 1981.

Victor Vasarely Victor Vasarely Victor Vasarely (1906 Pécs - 1997 Paris) "Zebras". Originaltitel Serigraphie/Papier. Sign.; "E.A."-Abzug. Das Positiv-Negativ-Phänomen mit dem Motiv der Zebras beschäftigte den berühmten Op Art-Künstler seit 1943 in vielen Versionen. Darstellung ca. 45 cm x 36,5 cm. Rahmen. Serigraph (screenprint) on paper. Hand-signed. "E.A."-print.

Markus Lüpertz Markus Lüpertz Markus Lüpertz (Geb. 1941 Liberec. Ansässig in Düsseldorf) "Beethoven". Originaltitel Farbserigrahie über Farbaquatinta/Velin, 2011. Sign. (monogr.) u. nummeriert 37/60. Expressive Darstellung des sitzenden Beethoven, mit dem sich Lüpertz künstlerisch intensiv auseinandersetzte - die gleiche Komposition findet sich in einer Bronze desselben Jahres; 2014 und 2017 schuf er Großskulpturen für Bonn und Wien. Plattenmaß ca. 75,5 cm x 49,5 cm. Rahmen. Screenprint (serigraph) and aquatint in colours on wove paper, 2011. Hand-signed (monogrammed) and numbered 37/60.

Lothar QUINTE (1923-2000) "Composition of stripes in blue" Grafik- Farbsiebdruck , 70 x 49,5 cm, rechts unten handsigniert und datiert 71, links unten Nr. 97/250 Lothar QUINTE (1923-2000) "Composition of stripes in blue" graphic- color screenprint , 70 x 49,5 cm, handsigned at the lower right and dated 71, at the lower left numbered 97/250

Lothar QUINTE (1923-2000) "Composition of stripes in yellow" Grafik- Farbsiebdruck , 70 x 49,5 cm, rechts unten handsigniert und datiert 71, links unten Nr. 59/500 Lothar QUINTE (1923-2000) "Composition of stripes in yellow" graphic- color screenprint , 70 x 49,5 cm, handsigned at the lower right and dated 71, at the lower left numbered 59/500

Helga Philipp (*2. Juni 1939)"Ohne Titel" Helga Philipp wurde am 2. Juni 1939 in Wien geboren. Im Jahr 1953 begann die Künstlerin im Alter von sechzehn Jahren eine vorbereitende Ausbildung an der Akademie für Angewandte Kunst, um mit dem Studium der Bildhauerei bei Hans Knesl fortzusetzen (Abschluss 1961). Durch die Biennale in Venedig 1958 und durch Freunde wie Marc Adrian kam sie im Jahr 1961 in Kontakt mit der aufkommenden Op-Art-Avantgarde und der konkreten Kunst.(helgaphilipp.net), Farbserigraphie, 59 x 42 cm Helga Philipp "Untitled" Helga Philipp was born in Vienna on June 2, 1939. In 1953, at the age of sixteen, the artist began preparatory training at the Academy of Applied Arts in order to continue studying sculpture with Hans Knesl (graduation in 1961). Through the Venice Biennale in 1958 and friends like Marc Adrian, she came into contact with the emerging op art avant-garde and concrete art in 1961. (helgaphilipp.net), color screenprint, 59 x 42 cm

019 - - Richard Hamilton. (1922 London). Kent State. 1970. Screenprint from 13 stencils. No 3453/5000. 72.7 × 102.2 cm. Signiert, nummeriert. Im Jahr 1956 präsentierte Hamilton in der Whitechapel Art Gallery die zukunftsweisende Ausstellung "This is Tomorrow". Mit der kleinen Collage "Just what is it that makes today's homes so different, so appealing?" kreierte er eine Ikone der Pop Art. Dies gilt als Beginn der Pop Art, obwohl Hamilton nie der "Vater der Pop Art" sein wollte. Er setzte fortan Gebrauchsgegenstände und moderne Technik in der Bildenden Kunst ein und verwendete Fotografien, Werbung, Plakate und auch computergenerierte Bilder für seine Gemälde und Collagen. Eine bedeutsame Sammlung seiner Werke ist in der Tate Gallery zu sehen. 1970 switchte Hamilton von Pop zu Agitprop, indem er das Fernsehbild eines von der Polizei erschossenen Studenten der Kent State University als großformartigen Siebdruck mit 13 Farbschichten in 5000er Auflage oroduzieren ließ. Es sollte in jeder WG-Kommune hängen. Die Münchner Druckerei stieß dabei an ihre Grenzen. Heute ist "Kent State" eine Ikone des Politpop, vertreten in der Sammlung von Tate und MoMa. und darf in keiner gut sortierten Privatsammlung fehlen. Fun Fact: "Von der ursprünglichen Auflage von Richard Hamiltons Kent State sind 5000 sind 3000 bei einem Wasserschaden verloren gegeangen, sodass nur noch 2000 Exemplare zirkulieren." Provenienz: Sammlung Hückstedt

CORNEILLE (1922-2010), ges. r.o., kat en vogel, zeefdruk (e.a.) 38 x 58 cm. Corneille, signed, cat and bird, screenprint 38 x 58 cm.

WARHOL, ANDY, naar, Mao Tse Tung, zeefdruk 90 x 90 cm. Warhol, Andy, after, Mao Tse Tung, screenprint 90 x 90 cm.

CORNELIS, BENITI, ges., abstract, zeefdruk 53 x 42 cm. Cornelis, Beniti, signed, abstract, screenprint 53 x 42 cm.

GERRITZ, HARRIE (1940), ges. en gedat. 1991 r.o., huis in venster, zeefdruk (17/30) 72 x 57 cm. Gerritz, Harrie, signed, house in window, screenprint 72 x 57 cm.

WOLVECAMP, THEO (1925-1992), ges. en gedat. 1992 r.o., abstract, zeefdruk (52/125) 56 x 46 cm. Wolvecamp, Theo, signed, abstract, screenprint 56 x 46 cm.

LUCASSEN, REINIER (1939), ges. en gedat. 1979 r.o., abstract, zeefdruk (100/200) 48 x 41 cm. Lucassen, Reinier, signed, abstract, screenprint 48 x 41 cm.

GERRITZ, HARRIE (1940), ges. en gedat. 1996 r.o., huis in landschap, zeefdruk (50/100) 67 x 51 cm. Gerritz, Harrie, signed, house in landscape, screenprint 67 x 51 cm.

BOGART, BRAM (1921-2012), ges. en gedat. 1981 r.o., compositie in geel en rood, zeefdruk (38/60) 64 x 81 cm. Bogart, Bram, signed, composition in yellow and red, screenprint 64 x 81 cm.