We found 12816 price guide item(s) matching your search

Banksy (British, born 1974)Have A Nice Day Screenprint in colours, 2003, on wove, numbered 470/500 in pencil, published by Pictures on Walls, London, with margins, 319 x 999mm (12 1/2 x 39 3/8in)(SH)Footnotes:This work is accompanied by the new certificate of authenticity issued by Pest Control Office.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Banksy (British, born 1974)Morons Screenprint in colours, 2006, on Arches 88, numbered 346/500 in pencil, published by Pictures on Walls, London, with their blindstamp, the full sheet, 578 x 767mm (22 3/4 x 30 1/4in)(SH)(unframed)Footnotes:This work has been authenticated by Pest Control Office and will be issued with a new certificate of authenticity in due course.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Michael Craig-Martin R.A. (Irish, born 1941)Love/Glove Screenprint in colours, 2011, on wove, signed, dated and numbered 146/150 in pencil, printed by Coriander Studios, London, published by Counter Editions, London, the full sheet, 722 x 662mm (28 3/8 x 26 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Nick Smith (British, born 1984)Beauty Giclée print in colours with screenprint varnish, 2022, on wove, signed, dated and numbered 32/66 in pencil, published by Rhodes Contemporary, London, with their and the artist's blindstamps, the full sheet, 621 x 601mm (24 1/2 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Ben Eine (British, born 1970)Love and Hate Screenprint in colours with glitter, 2016, on wove, signed, dated and numbered 9/15 in pencil, published by Gallery 503, Japan, the full sheet, 700 x 700mm (27 1/2 x 27 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sara Pope (British, born 1973)Mirror Mirror Unique digital archival print with screenprint in colours, 2021, mounted over steel with neon light, signed and numbered 1/1 in black ink verso, printed by RPS Prints Ltd., Brighton, published by the artist, overall 880 x 880 x 140mm (34 5/8 x 34 5/8 x 5 1/2in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

Sara Pope (British, born 1973)Allure Neon Screenprint in colours, circa 2019, on wove, signed and numbered 16/50 in pencil, the full sheet, 650 x 550mm (25 5/8 x 21 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Invader (French, born 1969)Rubik Kubrick I - Clockwork Orange (Alex) Screenprint in colours, 2006, on wove, numbered 252/300 in pencil, published by Pictures on Walls, London, with their blindstamp, the full sheet, 498 x 700mm (19 5/8 x 27 1/2in)(SH)For further information on this lot please visit Bonhams.com

David Spiller (British, 1942-2018)Hold Me (Sylvester) Screenprint in colours, 2016, on wove, signed, titled and numbered 63/95 in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 955 x 940mm (37 5/8 x 37in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Quinn (British, born 1964)Stealth Kate Digital print with screenprint varnish and diamond dust, 2013, signed, titled and numbered 7/75 in white crayon, printed by Coriander Studio, London, published by Manifold Editions, London, the full sheet printed to the edges, 930 x 710mm (36 5/8 x 28in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

KAWS (American, born 1974)Dissected Companion (Black) Screenprint in colours, 2006, on wove, signed, dated and numbered 43/100 in black ink, published by KAWSONE, Brooklyn, the full sheet, 508 x 508mm (20 x 20in)(SH)For further information on this lot please visit Bonhams.com

Takashi Murakami (Japanese, born 1962)Flowers on the Island Closest to Heaven Screenprint in colours with platinum leaf, 2018, on wove, signed, dated and numbered 67/100 in black ink, published by Kaikai Kiki Co., Ltd., Tokyo, with full margins, 522 x 440mm (20 1/2 x 17 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Allen Jones R.A. (British, born 1937)Pianoforte Screenprint in colours, 2003, on wove, signed, dated and numbered 12/100 in pencil, the full sheet printed to the edges, 660 x 440mm (26 x 17 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Interior: Night (Cristea 21) Screenprint in colours, 1971, on wove, signed and numbered 44/100 in pencil, printed by Kelpra Studio, London, published by Leslie Waddington Prints, London, with the printer's inkstamp verso, the full sheet printed to the edges, 710 x 584mm (27 7/8 x 23in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Brown Pot (Cristea 85) Screenprint in colours, 1994, on wove, signed and numbered 26/80 in pencil, printed by Advanced Graphics, London, co-published by Advanced Graphics and Waddington Graphics, London, with the printer's blindstamp, with margins, 735 x 520mm (29 x 20 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Various ArtistsA Collection of Contemporary Prints Including John Walker (British, b. 1939) 'Juggernaut', screenprint, 1974, signed and numbered 31/35, the full sheet, 860 x 1450mm (33 7/8 x 57 1/8in)(I); Tess Jaray (British, b. 1937) 'April Suite (Mushroom)' and 'April Suite (Blue)', screenprints with cut-outs, both signed and inscribed 'AP', artist's proofs, with margins, 530 x 665mm (21 x 26in); Richard Smith (British, 1931-2016), 'Drawing Boards', etching in colours, 1980, signed and numbered 1/60, 980 x 800mm (38 1/2 x 31 1/2in); Bill Jacklin (British, b.1943) 'Rocking & Rubbing', signed and inscribed 'AP', 240 x 215mm (9 1/2 x 8 1/2in) and Bernard Cohen (British, b. 1933) 'Surfacing', 1971, screenprint, 1590 x 1180mm (62 3/4 x 46 1/2in)(SH)(6)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 36 (Lynton G36) Screenprint in colours, 1982, on wove, signed with the initials, dated and numbered 'X/XX' in pencil, one of 20 artist's proofs aside the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the publisher's blindstamp, with full margins, 404 x 404mm (15 7/8 x 15 7/8in)(I)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 34 (Lynton G8) Screenprint in colours, 1980, on wove, signed with the initials, dated and numbered 'XIV' in pencil, one of 20 artist's proofs aside from the numbered edition of 70, printed by Kelpra Studio, published by Marlborough Fine Art, London, with the printer's blindstamp, with margins, 403 x 403mm (15 7/8 x 15 7/8in)(I)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 31 (Lynton G5) Screenprint in colours, 1979, on wove, signed with the initials, dated and numbered 58/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, 404 x 404mm (15 7/8 x 15 7/8in)(I)(unframed)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bruce McLean (British, born 1944)Vertical Dusk & Horizontal Dawn Two screenprints in colours, on wove, each signed and numbered 57/60 and 59/60 respectively, the full sheets printed to the edges; together with 'Untitled', screenprint in colours, on wove, signed and numbered 60/75 in pencil, the full sheet, 1530 x 1155mm (60 1/4 x 45 1/2in)(SH)(and smaller)(3)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Swing on Blue (Kemp 218) Screenprint in colours, 2001, on wove, signed and numbered 43/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, London, with margins, 460 x 318mm (18 1/8 x 12 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Oh, What an Effort it is to Love You as I Do (Garcia Lorca), from 'Artist's Choice' (Kemp 91) Screenprint in colours, 1987, on wove, signed and dated in pencil, from the edition of 48, printed and published by the Royal College of Art, London, the full sheet, 305 x 305mm (12 x 12in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Blue Brad (Kemp 244) Screenprint in colours with collage elements, 2003, on wove, signed and numbered 82/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 290 x 835mm (11 3/8 x 32 7/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper (1903-1992)Jazenne, Charente (Levinson 196), 196856/70, numbered in pencil (in the margin)screenprint60 x 79cm.This screenprint does not have a glass cover anymore. There is a bit of damage to the mount bottom right corner and to the left. Frame with some chips. Print itself good however minor line dent 3cm on the far left edge. Due to missing glass there are minor marks/fair blemishes only noticeable on the mount.

JOHN PIPER (British, 1903-1992); colour screenprint on Sanderson cotton, 'Northern Cathedral', produced in 1962 to commemorate the 100th anniversary of Arthur Sanderson & Sons Ltd, 35 x 54cm, framed and glazed.

JOHN PIPER (British, 1903-1992); colour screenprint on Sanderson cotton, 'Stones of Bath', produced in 1962 to commemorate the 100th anniversary of Arthur Sanderson & Sons Ltd, 37 x 37cm, framed and glazed.

PAUL INSECT (born 1971); screenprint 'Claw Forest (2003)', published by Pictures on Walls (London), signed in pencil, 22/750, sheet size 30.5 x 68.5cm, unframed. (D)NB: Only the first 100 screenprints from this edition were signed. From a private Cheshire collector.Additional InformationThe corners are slightly folded back, otherwise good condition.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Two posters including (1) Wat Op De Tafel Staat Staat Op De Tafel. Colour screenprint, 118 x 83 cm. Published for Sonsbeek 93 Arnhem, curated by Valerie Smith. Artists included Maurizio Cattelan, Mike Kelley, Annette Messager, Michael Asher, Miroslaw Balka, Alighiero e Boetti, Allan Ruppersberg et al. Rare.(2) Lawrence Weiner: What is set upon the table sits upon the table. Works from the beginning of the sixties towards the end of the eighties. Amsterdam, Stedelijk Museum, 1988. Offset printed in 4 colours, 95 x 62.5 cm. Both copies in fine state. (total 2)

Ghent, Vereniging voor het Museum van Hedendaagse Kunst, 1983. Colour screenprint on thick white paper, 42 x 29.5 cm. Fully signed in pencil in the lower left. From a limited edition of 49 copies. Mint copy.

Poster for the Festival of Free Expression organised by J.J. Lebel in Théâtre de la Chimère, Paris April 4 - May 3 1966. Screenprint, 40 x 30 cm, this copy printed on neon green thin paper.Features the programme of happenings, performances and experimental films by Ben Vautier, Kudo, Robert Filliou, Marta Minujin, Merce Cunningham et al. Folded once, with moderate rubbing along the fold, else a very good bright copy.

Screenprint on white cloth handkerchief, featuring red and blue text, 38.5 x 41 cm.Announcement for Rauschenberg's exhibition Hoarfrost at Ace Gallery in Venice California, 1975. Folded twice. Clean. Stunning piece, in very good shape.

PURE EVIL SIGNED A LIMITED EDITION SCREENPRINT OF QUEEN ELIZABETH II & PRINCE PHILIP 79/100 44 x 54 cm

VALERIE JAUDON (b.1945) 'December - 1980' screenprint, signed and numbered with publishers embossing, framed. (Subject to ARR - see Buyers Conditions)

(1926 Emetzheim - 2002 ebenda)Abstrakte KompositionFarbserigrafie/Velin, 1964. Sign. und nummeriert 84/100. Ger. knickfaltig. Blatt 76,6 cm x 64,6 cm.Serigraph (screenprint) in colours on wove paper, 1964. Hand-signed and numbered 84/100.

(1928 Hartford - 2007 New York)Ohne TitelSerigraphie in Schwarz und Grautönen/Fabriano-Bütten, 1989. Sign. u. nummeriert XV/XXX. Aus der "Kinderstern"-Mappe, Hrsg. Edition Domberger, Filderstadt (Prägestempel). Darstellung ca. 54 cm x 72 cm, Blatt 58 cm x 76 cm.Screenprint in black and grey on Fabriano paper, 1989, from the portfolio "Kinderstern", published by Edition Domberger. Signed and numbered XV/XXX.

John Hoyland RA, British 1934–2011, Red boat, 1999; screenprint on wove, signed, dated and numbered 284/300 in pencil, sheet: 28 x 24 cm, (framed) (ARR) Please refer to department for condition report

John Hoyland RA, British, 1934–2011, Galaxy, 1987; screenprint with glaze in colours on wove, signed, dated and numbered 46/48 in pencil on the reverse, sheet: 30.6 x 30.6 cm, (unframed) (ARR)Please refer to department for condition report

Gordon House, British 1932-2004, Off the black hill portfolio: Black Hill, Studio, Pages, Bench, Work Shop, Rostra, 2000; each screenprint in colours on Arches wove, complete set, each signed, titled, dated and numbered 17/25 in pencil, each 64 x 48.5 cm, (unframed) (ARR) (6)Please refer to department for condition report

Bruce McLean, Scottish b. 1944, Untitled,1985; screenprint in colours on wove, signed and dated, 80.5 x 118 cm, (framed) (ARR) Please refer to department for condition report

Patrick Caulfield CBE RA, British 1936-2005, Brown Pot, 1994; screenprint in colours on wove, signed in pencil and inscribed AP 8, printed and published by Advance Graphics, London, with their blindstamp, sheet 94 x 70 cm, (unframed) (ARR) Note: see Tate Britain, accession no. P79200, for another example.Please refer to department for condition report

Sir Eduardo Paolozzi RA, Scottish 1924–2005, As is when, 1965; screenprint on thin wove, 91.4 x 66 cm, (unframed) (ARR) Please refer to department for condition report

Allan D'Arcangelo; William Bailey; Raymond Saunders; Velox Ward, Four works from America: The Third Century Portfolio, 1975: Beginning; Still Life with Eggs, Candlestick and Bowl; Duck Out of Water; The Home My Daddy Built; Concord; (i) lithograph and screenprint on wove, signed, dated and numbered 83/200 in pencil, (ii) collotype on wove, signed and numbered 83/200 in pencil on the reverse, (iii) lithograph and screenprint with collage additions on wove, signed and numbered 83/200 in pencil, (iv) collotype on wove, signed and numbered 83/200 in ink, each published by APC Editions, each printed by Styria Studio, Inc., New York, each sheet approx.: 76.3 x 57 cm (unframed) (4)Please refer to department for condition report

Sir Peter Blake CBE RDI RA, British b.1932- O is for Ornithology, from the Blake Alphabet Series, 1991; screenprint in colours on wove, signed and numbered 36/95 in pencil, published by Waddington Graphics, London, sheet: 102.5 x 78 cm, (unframed) (ARR)Please refer to department for condition report

Sir Peter Blake CBE RDI RA, British b.1932- 75 Years of the Beano, 2014; screenprint on wove, signed and numbered 102/175, image: 55 x 74.5 cm, (framed) (ARR) Note: together with COA Please refer to department for condition report

Sir Peter Blake CBE RDI RA, British b.1932- Vichy - The butterfly man; screenprint on wove, signed and numbered 45/125, image: 37.8 x 39.2 cm, (framed) (ARR) Note: together with COA Please refer to department for condition report

Patrick Hughes, British b. 1939- Deja vu, 1976; screenprint in colours on wove, signed, titled, dated and numbered 40/60 in pencil, image: 50.5 x 95.5 cm, (framed) (ARR) Please refer to department for condition report

Patrick Hughes, British b. 1939- Crash landing 1981; and Under the weather 1981;each screenprint in colours on wove, each signed dated and numbered 110/200; 86/125 in pencil,image: 40.5 x 60.5 cm; 42.5 x 63.5 cm, (framed)(ARR)(2) Please refer to department for condition report

Michael Rothenstein RA, British 1908–1993, Untitled (Cockerel); woodblock and screenprint in colours on wove, signed and inscribed A/P, image: 34.5 x 38 cm, (framed) (ARR) Please refer to department for condition report

Keith Haring, American 1958-1990, Montreux Jazz Festival (green), 1983; screenprint on smooth wove, printed by Albin Uldry, Bern, Switzerland, for the Montreux Jazz Festival, sheet: 100 x 70 cm, (framed) Please refer to department for condition report

Keith Haring & Andy Warhol, American 1958-1990 & 1928-1987- Montreux Jazz Festival Poster, 1986; screenprint in colours on wove, printed by Albin Uldry, Bern, Switzerland, for the Montreux Jazz Festival, sheet 100 x 70 cm, (unframed)Please refer to department for condition report

Amendment - please note this work is numbered 45/250 and signed and dated 74 on the reverse in pencilAndy Warhol, American 1962-1987, Flowers (hand coloured) (F and S.110-119) 1974; screenprint with hand colouring with Dr Martin's aniline watercolour dyes on Arches, signed with initials on the front in pencil, printed by Alexander Henrici, New York, co-published by Peter Brant, Castelli Graphics and Multiples Inc, New York, sheet 104 x 69 cm, (framed) Note: Feldman and Schellmann, Andy Warhol prints, a catalogue raisonne, no.s 110-119. Please refer to department for condition report

After Andy Warhol, American 1928–1987, Marilyn; screenprint in colours on wove, numbered 15/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse, published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blindstamp, sheet: 57 x 37.7 cm, (unframed)Please refer to department for condition report

After Andy Warhol, American 1928–1987, Queen; screenprint in colours on wove, stamped with artist's signature and numbered 10/100 in pencil, stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse, published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blindstamp, sheet: 57 x 37.7 cm, (unframed)Please refer to department for condition report

After Andy Warhol, American 1928–1987, Mickey; screenprint in colours on wove, stamped with artist's signature and numbered 94/100 in pencil, stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse, published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blindstamp, sheet: 57 x 37.7 cm, (unframed)Please refer to department for condition report

After Andy Warhol, American 1928–1987, Mao; screenprint in colours on wove, numbered 12/100 in pencil, and stamped with artist's signature and stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse, published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blindstamp, sheet: 57 x 37.7 cm, (unframed)Please refer to department for condition report

Roy Lichtenstein, American 1923-1997, Paper Plate, 1969; screenprint in colours on paper plate, stamped Roy Lichtenstein © On 1st Inc 1969 in ink verso, from the limited edition of an unknown size, published by On First Inc., New York, 26 cm diameter, (framed)Please refer to department for condition report

James Brooks, American 1906–1992, Concord, from America: The Third Century Portfolio, 1975; screenprint on wove, signed, dated and numbered 83/200 in pencil, published by APC Editions, printed by Styria Studio, Inc., New York, with blindstamp, 76.5 x 56.8 cm, (unframed) Please refer to department for condition report

Tom Wesselmann, American 1931–2004, Olympische Spiele München, 1972; screenprint in colours on thin wove, signed within the print, printed by Editions Olympia, Munich, sheet: 101 x 64 cm, (unframed) Please refer to department for condition report

Jim Dine, American b. 1935- Toolbox 2; Toolbox 3, 1966; each screenprint with collage on wove, (i) signed and numbered 129/150 in pencil, stamped ea329, (ii) signed in pencil, stamped ea330, each printed by Kelpra Studios, each published by Editions Alecto, London, with their inkstamps verso, each sheet: 60.7 x 47.7 cm, (unframed) Note: See Tate Britain, accession numbers P04217 and P04218 for another example of these Please refer to department for condition report

Louise Bourgeois, French 1911-2010- Be Calm, 2005; screenprint with embroidery on linen tea towel, signed in the plate, numbered 703/1000 in black pen, in original paper packaging, published by Third Drawer Down and Tate, London, sheet: 68 x 49.5 cm, (unframed) (ARR) Note: In 2005, Bourgeois created ''Be Calm'' a drypoint etching, after which this tea towel is reproduction. It was created two years prior to Louise Bourgeois's monumental exhibition at the Tate Modern, London in 2007.Please refer to department for condition report