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Lot 92
Dase (Spanish) Carne Tour Screenprint on paper Signed and numbered 2/50 by artist Measures approx. 59cm x 42cm (23" x 16 1/2") Vegan artivist and graphic designer from Barcelona focused in conceptual one line art, realistic illustrations, lettering & calligraphy. Dase's artworks are part of the urban landscape in Europe and America and works for NGOs, public administrations, multinationals, SMEs and individuals.
Lot 93
Mancsy Mancsy was here - 2016 Screenprint on paper Limited edition numbered 30/30 Signed by artist on margin Measures approx. 24cm x 24cm (91/2" x 91/2") Mancsy is an anonymous artist who has been giving away limited edition screen-prints in a game of #finderskeepers on the streets of Manchester each month since January 2012 . An early adopter of the bee graphic with a nod to creativity in the city with a hazard stripe reference to the Factory aesthetic. The prints celebrate and share messages about Manchester and encourage a non art audience to play the game and enjoy looking around the city. Mancsy engages with the public via social media, supporting creative ideas and raising awareness and funds for others.
Lot 11
Banksy (b.1974)Donuts (Strawberry) (Signed)Screenprint in colours, 2009, signed in pink crayon, numbered from the edition of 299, printed and published by Pictures on Walls, London, with their blindstamp, on Arches paper, the full sheet, sheet 555 x 756mm (21 7/8 x 29 3/4in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.
Lot 3
Banksy (b.1974) Trolleys Screenprint in colours, 2007, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches paper, the full sheet, sheet 575 x 768mm (22 5/8 x 30 1/4in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.
Lot 9
Banksy (b.1974)CND Soldiers (Signed)Screenprint in black and red, 2005, signed and dated in pencil, numbered from the edition of 350, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 700 x 500mm (27 1/2 x 19 5/8in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.
Lot 1
Banksy (b.1974) Love Rat Screenprint in black and red, 2004, numbered from the edition of 600, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 494 x 344mm (19 3/8 x 13 1/2in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.
Lot 8
Banksy (b.1974)Weston Super Mare (Signed)Screenprint in colours, 2003, signed and dated in black ink, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, on wove paper, the full sheet, sheet 348 x 991mm (13 5/8 x 39in) This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. WE ARE PLEASED TO OFFER FREE INSURED SHIPPING WORLDWIDE FOR ALL LOTS IN THIS AUCTION.
Lot 2149
§ John Piper (British, 1903-1992), Caernarvon Castle, colour screenprint, signed in pencil lower right, numbered 73/75 lower left, 57 x 81cm. Framed and glazed. Please note Artist Resale Right applies to this lot up to a maximum of 4% where above the threshold. See www.dacs.org for more information. Condition Report: § Under glass, generally good appearance.
Lot 146
*LIN JAMMET (1958-2017) 'Summer', 'Autumn' and 'Winter' 1997, signed, dated and numbered 45/50 in pencil to the margin, screenprint in colours printed at Gresham Studio and with their blindstamp, each 97 x 74cm (sheet) (unframed) (3)The son of Elisabeth Frink and architect Michel Jammet, Lin Jammet started printmaking in the 1970s under Julian Trevelyan who was close friends with his mother.In the 1980s Jammet worked in freelance and editorial illustration. In 1993, he returned to printmaking, producing a series of Lithographs with Curwen Chilford Prints and later a body of screen prints and etchings with Gresham Studio near Cambridge.Inspirations include both Napoleonic wars as well as landscape around Corbès, in the foothills of the Cévennes in the south of France where he grew up.
Lot 101
Sam Francis (American, 1923-1994). Color screenprint on Arches 88 wove paper titled "Toward Disappearance" depicting splatters of colors forming an arch, 1973. Pencil signed along the lower left; numbered 9/72 along the lower right.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Sight; height: 37 in x width: 31 1/4 in. Framed; height: 43 in x width: 37 1/4 in.br/>Condition:No visible tears, losses, or restorations. A few light creases along the corners. All four corners have a rectangular spot of acidic burn, likely from the tape along the verso. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.
Lot 104
Steve Kaufman (American, 1960-2010). Screenprint on canvas titled "George Washington, Father of Our Nation" depicting the profile of the United State's first president as he appears on the one dollar bill. Signed along the verso. Kaufman is well known for his association with Andy Warhol and the Pop Art movement.Provenance: Distinguished corporate collection, Minnesota.Height: 20 in x width: 20 in.br/>Condition:No visible tears, creases, or restoration under UV light. The color is bold and bright, and the surface is stable. To the upper and lower right corners, there is wear. Along the right side of the recto, there are light pen marks; please see the listing image. Along the verso, there is a pen inscription along the lower right; along the upper center, there are four handling marks that are visible in the listing image.
Lot 115
Frank Stella (American, b. 1936). Offset lithograph and screenprint titled "Polar Co-ordinates II" from the series "Polar Co-ordinates for Ronnie Peterson" depicting a circular shape on a curved grid, 1980. Pencil signed, dated, and numbered 40/100 along the lower right. Printed and published by Petersburg Press.The name of the series comes from the grid-like structure of the works in the series as well as the name of the Swedish motorsports race driver who died in September 1978 at the Grand Prix in Monza. Peterson was a friend of Stella's.Sight; height: 38 1/2 in x width: 37 3/4 in. Framed; height: 50 1/2 in x width: 49 3/4 in.br/>Condition:There are no visible tears, creases, or losses. The colors are bold and bright. There is undulation to the sheet. There are two holes, in the lower right and left corners, that appear original to the artwork. There is wear to the frame, framed under plexiglass. Not examined out of frame.
Lot 153
Frank Big Bear (Anishinaabe, b. 1953). Screenprint depicting a figure with antlers in bright colors, 1997. With Ben-Day dots. Pencil signed and dated along the lower right; numbered 15/100 along the lower left.Height: 30 1/4 in x width: 22 3/4 in.br/>Condition:Colors are bold and bright. There is slight undulation to the sheet. There is a minute spot of foxing along the lower edge of the recto. There is extremely light wear along the deckled edges. This print is not framed.
Lot 644
TESSA BEAVER (1932-2018) 'LOW TIDE II' A SIGNED LIMITED EDITION SCREENPRINT, depicting a coastal landscape at low tide, signed, titled and numbered 22/50 to lower margin, approximate size 53cm x 56cm including visible margins, Condition Report: some discolouration noticeable to the margins (1)
Lot 129
The Connor Brothers, British b.1968-A Dangerous Idea (Box set), 2019,six screenprints including one giclée, screenprint acrylic and oil and hand applied varnish on paper, entitled 'The Boundaries of our reality', each: 83.4 x 56.2 cm, (7 in a portfolio) (ARR)Note: the giclée print has a signed certificate signed by the artists, dated 2020.
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12813 item(s)/page