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ANTONIO PETICOV (Brazilian, b.1946) limited edition (128/135) screenprint - Benediction, signed and dated in pencil 77, 50 x 72; and an artists proof (I/XV) screenprint, Interaction II, signed and dated 78, artists blindstamp, 62 x 42cm (2) Provenance: With Lumley Cazalet Ltd. London, Barry Levinson (Movie Producer/Filmmaker)

Jane Strother (British Contemporary): 'Anemones', printer's proof screenprint signed and titled in pencil 87cm x 61cm; Christine Church: Still Life of Fruit and Veg, coloured pencil drawing signed and dated '85, 42cm x 62cm (2) - Condition Report

* Blow (Sandra, 1925-2006). Hamlet Act 3, Scene 1, Line 89, screenprint in colours on paper, RCA watermark lower left, inscribed in pencil to lower margin 'Corialanus' [sic] and 'Sandra Blow', image size 475 x 355 mm (18.75 x 14 ins), sheet size 625 x 490 mm (24.5 x 19.25 ins)Qty: (1)NOTESIn 1964, during Sandra Blow's time as a teacher at the Royal College of Art, the RCA commissioned a group of printmakers to produce work for the commemoration of the 400th anniversary of the birth of Shakespeare. This print is of the design that Blow contributed to the project, and incorporates a line from the play Hamlet.

* Huxley (Paul, 1938-). Untitled, colour screenprint, an artist's proof, aside from the published edition, signed and marked in pencil A.P, image size 36 x 36 cm (14 x 14 ins), sheet size 535 x 460 mm (21 x 18 ins)Qty: (1)

* Procktor (Patrick, 1936-2003). Roses, 1973, colour screenprint on thick white cartridge paper, printed by Alecto Studios, published in an edition of 75 impressions, signed and numbered in pencil 39/75, image size 322 x 443 mm (12.75 x 17.5 ins), sheet size 415 x 555 mm (16.3 x 21.7 ins), together with: Marcus and a Pink, 1971, colour aquatint, in 8 colours, printed by J.C. Editions at Alecto Studios, in an edition of 500 impressions, signed and numbered 189/500 in pencil, several light creases, and mount stained, plate size 540 x 340 mm (21.25 x 13.4 ins)Qty: (2)NOTESRedfern 42.

Mr Brainwash (French 1966-), 'Not Guilty', 2011, screenprint in colours with hand-applied paint on archival paper, signed and numbered from an edition of 30 in pencil, dated in pencil verso, bearing the Artist's thumbprint ID verso; 82.5 x 62 cm inc frame ARR

Mr Brainwash (French 1966-), 'One Love', 2011, screenprint in colours on archival paper, signed and numbered from an edition of 100 in pencil, dated in pencil verso, bearing the artist's thumb print ID verso; 82 x 62 inc frame ARR

Mr Brainwash (French 1966-), 'Spock', 2009, screenprint in colours on archival paper, signed and numbered from an edition of 300 in pencil, signed in pencil on verso, bearing the artist's thumb print ID on verso; 62 x 62 cm inc frame ARR

Paul Insect (British 1970-), 'Target No.11 RC1', 2010, screenprint in colours on 250gsm Somerset Newsprint, signed and numbered from an edition of 150, published by Pictures On Walls; sheet: 105 x 42cm ARR

Pure Evil (British 1968-), 'Roman Polanski's Nightmare - Acid Nervous', 2017, unique screenprint in colours on wove paper, signed and numbered 1/1 in pencil; 98 x 83 cm inc frame ARR

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in pencil; sheet: 56 x 38cm ARR

Adriana Oliver (Spanish 1990-), 'Family', 2020, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75; sheet: 70 x 69cm ARR

Andy Warhol (American 1928-1987), 'Brooklyn Bridge', 1983, screenprint in colours on Lenox Museum Board, signed and numbered from an edition of 200 in pencil, published by the Brooklyn Bridge Centennial Commission, Inc., New York, printed by Rupert Jasen Smith, New York, bearing the Artist's Copyright Stamp in red ink verso; sheet: 100 x 100cm (Framed)

Andy Warhol (American 1928-1987), 'Karen Kain', 1980, screenprint in colours with diamond dust on Lenox Museum Board, signed by both the Artist and the Sitter in pencil, numbered from an edition of 200 in pencil, published by William Hechter, Toronto; 127 x 107cm inc frame

Christopher Wool (American 1955-), 'Assassin, from Black Book', 1989, screenprint in black on wove paper, from an edition of 350, published by Gisela Capitain, Cologne and Thea Westreich, New York; sheet: 58.5 x 41cm (Framed)

Christopher Wool (American 1955-), 'Assistant, from Black Book', 1989, screenprint in black on wove paper, from an edition of 350, published by Gisela Capitain, Cologne and Thea Westreich, New York; sheet: 58.5 x 41cm (Framed)

Connor Brothers (British Duo), 'If You Haven't Got Anything Nice To Say Come Sit Next To Me', 2019, mixed-media acrylic, oil, screenprint and giclée print with applied varnish on Somerset Satin Enhanced paper, signed, dated, and inscribed Studio Proof in pencil, 1/1 unique, signed to the Artists label affixed verso; 166 x 106cm (Framed) ARR

David Shrigley (British 1968-), 'I Am Currently On Fire', 2018, screenprint in colours with varnish on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 100 in pencil on verso, published by Jealous Gallery; sheet: 75 x 56 cm ARR

David Shrigley (British 1968-), 'Fucking Ace', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 125 in pencil on verso, published by Jealous Gallery; sheet: 76 x 56 cm ARR

David Shrigley (British 1968-), 'I’m Sorry For Being Awful', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 125 in pencil on verso, published by Counter Editions; sheet: 76 x 56 cm ARR

David Shrigley (British 1968-), 'Be Nice', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 in pencil, published by Counter Editions; 90 x 70cm inc frame ARR

David Shrigley (British 1968-), 'Life Is Fantastic', 2016, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and inscribed AP in pencil, aside from the main edition of 125, published by Counter Editions; 90.5 x 74 cm inc frame ARR

Eddie Martinez (American 1977-), 'After Bay Area, Early 90s', 2016, screenprint in colours on wove paper, signed, dated and numbered from an edition of 30 in pencil, published by Flying Horse Editions; sheet: 76 x 97.5cm

Hank Willis Thomas (American 1976-), 'All Lies Matter', 2019, screenprint on wove paper, signed, dated, and numbered from an edition of 400; sheet: 61 x 45.5cm

Harland Miller (British 1964-), 'High On Hope', 2019, screenprint in colours on 410gsm Somerset Radiant White tub Sized paper, signed and numbered from an edition of 75, published by Counter Editions, printed by K2 Screen, London; sheet: 76 x 60cm ARR

Harland Miller (British 1964-), 'On Me Not In Me', 2015, screenprint in colours with gold leaf on wove paper, signed and numbered from an edition of 50 in pencil, published by Other Criteria, London; sheet: 79.5 x 63.5cm ARR

Harland Miller (British 1964-), 'Love, A Decisive Blow Against If', 2018, oil, acrylic and pencil on screenprint, signed and inscribed HFP in pencil; sheet: 102.5 x 76.4cm (Framed) ARR

Javier Calleja (Spanish 1971-), 'Up To You', 2020, hand-finished screenprint and lithograph with perforation cut on 315gsm Heritage Book paper, signed and numbered from a varied edition of 75 in pencil, published by Avant Arte; sheet: 98 x 65.5cm ARR

Katrin Fridriks (Icelandic 1974-), 'Royal Gene & Ethics', 2015, screenprint in colours with gloss varnish overprint and embossed details on 410gsm Somerset Satin paper, signed, dated and numbered from an edition of 70, published by Lazarides; 143 x 143cm inc frame ARR

Nicolas Party (Swiss 1980-), 'Portrait With A Moustache', 2013, screenprint and offset lithograph on wove paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 119.5 x 84.5cm

Ryan Travis Christian (American 1983-), This Print Can Also Serve As a Modest Piece of Kindling for Your Bonfire in the Unlikely Event You Survive the Upcoming Apocalypse', 2019, screenprint in colours on Mohawk Superfine UltraWhite paper, signed and numbered from an edition of 100 in pencil; sheet: 71 x 50.5cm

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

David Shrigley (British 1968-), 'It's All Your Fault', 2019, screenprint in colours with varnish on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 in pencil on verso, published by Jealous Gallery; sheet: 75 x 56 cm ARR

Banksy (British 1974-), 'Balloon Tee', 2019, screenprint on fair trade tee with pendant, released as part of the Banksy GDP Show, 2019; size: XS ARR

Invader (French 1969-), 'Home Mars', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 29.5 x 32cm ARR

Jean-Michel Basquiat (American 1960-1988), 'Ascent (1983/2017)', 2017, screenprint in colours on 300gm Somerset Satin paper, numbered from an edition of 20 APS in pencil, aside from the main edition of 50, stamped and signed verso by the administrators of the Jean Michel Basquiat Estate, published by Flatiron Editions; sheet: 56 x 76cm

Jean-Michel Basquiat (American 1960-1988), 'Flexible (1984/2016)', 2016, screenprint in colours on heavy wove paper, numbered from an edition of 15 APs in pencil, outside of the main edition of 85, signed by Lisane Basquiat and Jeanine Heriveaux verso, stamped verso, published by Flatiron Editions; sheet: 153 x 115.5cm

Jean-Michel Basquiat (American 1960-1988), 'Rome Pays Off (1984/2005)', 2005, screenprint in colours on wove paper, numbered from an edition of 85 in pencil, signed and dated in pencil verso by Gerard Basquiat, the administrator of the artist's estate, published by David DeSanctis Contemporary Art, Inc., Los Angeles; sheet: 113 x 101.5cm

David Shrigley (British 1968-), 'Make Your Mark', 2020, screenprint in colours with varnish on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 on verso, published by Jealous Gallery; sheet: 75 x 55 cm ARR

Martin Whatson (Norwegian 1984-), 'Tiger', 2017, screenprint in colours on 300gsm Somerset paper, signed, dated and numbered from an edition of 195 in pencil, published by Graffiti Prints; sheet: 58 x 108cm ARR

Martin Whatson (Norwegian 1984-), 'Eternal Reflection (Lime)', 2012, screenprint in colours on wove paper, signed, dated and numbered from an edition of 3 Test Proofs, published by Graffiti Prints; 74 x 93cm inc frame ARR

Mr Brainwash (French 1966-), 'Follow Your Dreams', 2019, unique screenprint and mixed media on paper; 127 x 96cm (Framed) ARR

Banksy (British 1974-), ‘Flag (Silver)’, 2006, screenprint on silver cheomalux paper, numbered from an edition of 1000 in black pen verso, published by Pictures On Walls; sheet: 49.5 x 69cm

Banksy (British 1974-) 'Sale Ends Today', 2006, screenprint in colours on arches 88 paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; 67.5 x 87cm inc frame ARR

Banksy (British 1974-), 'Bomb Middle England', 2003, screenprint in colours on wove paper, numbered from an edition 500 in pencil, published by Pictures On Walls; 50.5 x 114cm inc frame ARR

Banksy (British 1974-), 'I Fought The Law', 2004, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 70 x 70cm ARR

Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; 55 x 177cm inc frame ARR

Banksy (British 1974-), 'Festival', 2006, screenprint in colours on arches 88 paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; 68 x 87cm inc frame ARR

Banksy (British 1974-), 'Sale Ends (V2)', 2017, screenprint in colours on wove paper, signed and numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm (Framed)ARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), ‘Gangsta Rat’, 2004, screenprint in colours on wove paper, numbered from an edition of 350 in pencil, published by Pictures On Walls; 81.5 x 64 cm inc frame ARR

Banksy (British 1974-), 'Grannies', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 56 x 76cm (Framed)ARRProvenance: This work is accompanied by a Pest Control Certificate of Authenticity

Banksy (British 1974-), 'Banksquiat (Grey)', 2019, screenprint on board, signed and numbered from an edition of 300, bearing the Banksy Heavy Weaponry Blind Stamp, published by the Artist; sheet: 70 x 70cm (Framed) ARR

Banksy (British 1974-), ‘I Fought The Law', 2004, screenprint in colours on wove paper, signed, dated and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 70 x 70cm (Framed)ARRProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Donuts (Chocolate)', 2009, screenprint in colours on Arches 88 paper, signed and numbered from an edition of 299, published by Pictures On Walls; sheet: 56 x 76cm (Framed) ARR

Banksy (British 1974-), 'Love Rat', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; 56 x 41cm inc frame ARR

Banksy (British 1974-), 'Laugh Now', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed) ARR

Banksy (British 1974-), 'Monkey Queen', 2004, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 150 in pencil, published by Pictures on Walls; 70 x 55cm inc frame ARR

Banksy (British 1974-), 'Morons (Sepia)', 2007, screenprint in colours on wove paper, signed and numbered from an edition of 300, published by Pictures On Walls; sheet: 56 x 76cm ARR

Banksy (British 1974-), 'Barcode', 2003, single colour screenprint on wove paper, signed and numbered from an edition of 150, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR

Banksy (British 1974-), 'Thrower (Grey)', 2019, triptych, screenprint in colours on 1500 micron board, signed and numbered from an edition of 300 in pencil to the Flower panel recto, numbered from an edition of 300 to the Thrower panel verso, numbered from an edition of 300 to the Hand panel verso, published by the Artist; panels: Flower: 74.8 x 55cm; Thrower: 91.8 x 61cm; Hand: 47 x 37.2cm ARR