There are 12816 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeâ–´ David Shrigley (b.1968)'Artist Eaten By A Wolf', 2011screenprint in colours, numbered with stamp '106/350' l.rsheet 44.5 x 32.5cm, unframedThis print was released as part of the Fumetto Portfolio. The portfolio contained a set of 20 screenprints by different artists and was sold at the Fumetto Comic Festival in Luzern in Switzerland in 2011.Condition ReportThe print is on thick paper and has been previously rolled.
Maqbool Fida Husain (Indian, 1915-2011)Ganeshscreenprint in colours, signed 'Husain' in pen l.r., numbered '79/150' l.l.sheet 76 x 56cm, unframedCondition ReportPreviously rolled with light handling creases. Some surface scuffs, mainly to the red area in the centre of the print, please see images. There is small piece of tape affixed the the front of the print in the lower right corner.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome light surface scuffs and scratches but overall this does not detract from the image.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere is a vertical creasing running down the centre of the print. The corners are slightly dog-eared.
â–´ Victor Vasarely (Hungarian-French, 1906-1997)'Flower Girl'screenprint in colours, 1987, signed 'Vasarely' in pencil l.r., numbered '262/265'sheet 84 x 55cm (visible)Condition ReportFramed: 87.5 x 58cmUnexamined out of frame however appears to be in good condition. Well presented and ready to hang.
â–´ John Piper CH (1903-1992)'Ottery St Mary' (Levinson 402)screenprint in colours, signed 'John Piper' in pencil l.r., and numbered '77/100', printed by Kelpra Studio, 1987, on Vélin Arches 300gsmimage 57 x 75cmCondition ReportFramed: 81.5 x 98.5cmThere are some tiny specks of dust and dirt trapped between the mount and the glazing but the print itself appears to be unaffected and in good overall condition. Unexamined out of glazed frame.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome faint dirty marks to the hair, please see illustration. Overall does not detract from the image.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning 94/250' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere are two faint vertical lines to the green background in the centre of the upper edge. Overall, does not detract from the image.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning 94/250' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome black dirty marks to the background and light surface scuffs, please see images.
Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThe corners are slightly creased, but presents well overall.
Vanessa Whinney watercolour of Poppies 37cm x 27cm excluding mount & frame, together with Chloe Hillary Gear print of poppies 22/75 measuring 30cm x 22.5cm excluding mount & frame together with Ruth Hodge screenprint of Avocados limited edition 8/10, measuring 33cm x 49cm excluding mount & frame.
JAMES ROSENQUIST (AMERICAN 1933-2017) PALE CRADLE - 1974-76 Lithograph and screenprint with collage and embroidery thread, 40/40, signed, titled, dated and numbered in pencil, published by Graphicstudio, University of South Florida, TampaDimensions:the sheet 105.5cm x 75.5cm (41.5in x 29.75in), unframed
§ BARBARA RAE C.B.E., R.A., R.S.A., R.E. (SCOTTISH 1943-) VALENTINA - 2004 Screenprint, 24/30, signed, titled and numbered in pencil, published by Graal Press, with their blindstampDimensions:the sheet 121cm x 91.5cm (47.5in x 36in)Note: Exhibited: The Scottish Gallery, Edinburgh & London Art Fair, 'Modern Masters VI,' January 2017, cat. no. 40.
§ DAME ELIZABETH BLACKADDER O.B.E., R.A., R.S.A., R.S.W., R.G.I., D.Litt (SCOTTISH 1931-2021) KOI CARP, CHION-IN, KYOTO - 1997 Screenprint, 15/80, signed, titled and numbered in pencil to margin, published by Glasgow Print Studio, with their blindstampDimensions:the sheet 75cm x 108.5cm (29.5in x 42.75in)
§ SIR TERRY FROST R.A. (BRITISH 1915-2003) TOLCARNE MOON BLUE NEWLYN (KEMP 171) - 1997 Screenprint, XI/XX, aside from the edition of 150, signed and numbered in pencil to margin, printed by Coriander Studio, London, published by CCA Galleries, TilfordDimensions:the sheet 64.5cm x 63.5cm (25.5in x 25in)
United Artists (publisher) - The Beatles 'Help!' (USA One Sheet Movie Poster), lithograph/screenprint, printed 1965, 105cm x 67.5cm. Note: scarce.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Matt Small - Saul, screenprint, circa 2007, signed and editioned 'A/P' in pencil, 49cm x 31.5cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
OTTO GRASSL (GERMAN, 1891-1976) (4)The Drunkard signed and dated 'OTTO GRASSL 1913' (lower right) ink heightened with white 40.5 x 32cm ARR Provenance Sale, Phillips London, 29th June 1998, lot 79 Together with Head study, a screenprint by Martin Hoenig; Women with a white horse; and The Gathering by other hands (all unframed) (4)
A group of six unframed posters, two for Arthur Aeschbacher at Galerie A.L, Paris, 1999-2000, Otmar Alt for universe art, 1974, David Leverett at the Redfern Gallery, Michael Stokoe at Centre 8, and a Hammersmith Music Hall & Variety show poster; together with an unsigned screenprint, two Steve Kramer lithographs, and an untitled screenprint by Margo Margolis (10)
Alistair Grant (1925 - 1997), Boulogne Red and White, signed and numbered 1/15 in pencil, lithograph and screenprint, 56.5 x 76 cm, framed and glazed, frame 68.5 x 87 cm, The New Academy Gallery London label versoSealed in the frame and glazed - not inspected out of the frame. Overall good, possibly some very small deposits on the printed surface. Slight paper buckelling evident on both sides near the frame. Print with uncut edges mounted onto white back paper/board. Glass chipped bottom right corner
CAULFIELD, Patrick. Quelques Poèmes de Jules Laforgue. London: Petersburg Press and Waddington Galleries, 1973. Limited 'Edition B', being number 60 of 200 copies signed and numbered in pencil by Patrick Caulfield and with the suite of 6 colour screenprints signed and editioned by Caulfield in pencil to the verso, folio (405 x 353mm.) 22 colour screenprints accompanying the text in French. (Occasional, minor mark.) Original periwinkle blue calf covers (some rubbing and wear to spine ends), periwinkle blue calf slipcase (rubbing to extremities), the screenprints mounted and in matching silvered frames (a crease to the signed screenprint 'I'll take my life monotonous' and also a crease to 'I've only the friendship of hotel rooms', some scraping to the frames). Note: the screenprints are: 'Ah! Storm Clouds Rushed From the Channel Coasts', 'I've Only the Friendship of Hotel Rooms', 'I'll Take My Life Monotonous', 'Her Handkerchief Swept Me Along the Rhine', 'My Life Inspires So Many Desires' and 'And I'm Alone in My House'.This lot is subject to a Buyer’s Premium of 29.4% (including VAT @ 20%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
§ John Piper (British, 1903-1992), 'Eye and Camera: Marble, Red, Black', screenprint in colours, ed. 3/70, signed in pencil to margin, published by Marlborough Fine Art c. 1972, 69 x 45cm, framed and glazed.Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
§ Peter Blake (British, b. 1932), 'Venice - Dancing' (2009), screenprint in colours, ed. 69/75, signed in pencil to margin, image size 20 x 13cm, framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
Tomas Sanchez (Cuban, b. 1948). Screenprint on paper titled "Contemplar al Otro en Tarde Rosa" depicting a peaceful riverside landscape with an archway of trees, 2021. Signed and dated along the lower right, numbered 44/75 along the lower left.Unframed; height: 25 1/4 in x width: 21 in. Framed; height: 28 in x width: 24 in.Condition: The artwork appears to be free of any rips, tears or losses. Colors are bold and bright. Framed under plexiglass, light wear to the frame. Not inspected out of frame.
Will Barnet (American, 1911-2012). Screenprint on paper titled "5th Season" depicting a woman feeding a robin while a nearby perched cat watches intently, 1977. Pencil signed along the lower right; inscribed "Artist's Imp" along the lower center; titled along the lower left.Unframed; height: 27 1/2 in x width: 22 in. Framed; height: 29 1/2 in x width: 23 3/4 in.Condition: No visible tears, creases, or losses. The sheet is floating on the mat; all four margins are visible. There is toning throughout the recto. To the upper left quadrant, there are minute light brown networks; however, it does not appear to be foxing. Framed under plexiglass; not inspected out of frame. To the external of the glass, there are a few scattered accretions. Light wear to the frame.
Ruben Nusz (American, b. 1978). Screenprint on paper titled "Between Walls," depicting a geometric abstraction with a hint of color peeking from behind the white square along the left, 2015. Pencil initialed along the lower right; numbered 23/40 along the lower right.Height: 24 3/4 in x width: 39 in.Condition: No visible tears, creases, or losses. No visible signs of restoration under UV light. The color is bold and bright, and the surface is stable.
Robert Indiana (American, 1928-2018). Screenprint on paper titled "The American Art" depicting a geometric minimalistic composition in red and blue, 1970. Pencil signed and dated along the lower right. Numbered X/XVII (10/17) along the lower left. With a Domberger Stuttgart edition stamp in the lower left.Unframed; height: 19 3/4 in x width: 19 1/2 in. Framed; height: 27 1/2 in x width: 27 1/2 in.Condition: There are no visible rips, tears or losses when examined under UV light. Artwork is in excellent condition. The colors are bold and bright. There is a very light undulation to the sheet. There are a few light creases along he top edge, possibly from hinging. The artwork is floated in frame; framed under plexiglass; light wear to the frame; not inspected out of frame.
Cameron Martin (American, b. 1970). Screenprint in 39 colors titled "Conflation" depicting mountain peaks rising from a purple background, 2006. Published by Highpoint Editions. Pencil signed and dated along the lower right; numbered 6/25 along the lower left.Sight; height: 31 1/4 in x width: 41 1/4 in. Matted; height: 39 1/2 in x width: 49 in.Condition: The colors are bold and deep. There are no creases, tears, losses, or restorations. There are some very light surface accretions/dust throughout. There is some light surface marks or rubbing along the lower center, the center left margin, and the sky; not visible at arm's length. The work is hinged along four points along the top edge. Some light wear to the mat. The work is not framed.
Will Barnet (American, 1911-2012). Screenprint on paper titled "Silent Season - Spring 1971" depicting a woman wistfully smelling a flower while a turntable spins a record and a parrot perches on her window, 1971. Pencil signed along the lower right; numbered 44/225 along the lower center; titled along the lower left.Sight: height: 23 1/4 in x width: 17 3/4 in. Framed: height: 32 in x width: 26 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Herbert Bayer (American/Austrian, 1900-1985). Framed screenprint on paper titled "From Light to Dark" from the portfolio "Edition Domberger Stuttgart Portfolio," 1968. Pencil signed along the lower right and numbered 2/85. With the original portfolio.(Portfolio) height: 20 1/2 in x width: 10 1/8 in. (Prints) sight; height: 19 in x width: 18 1/2 in. Framed; height: 27 in x width: 26 1/2 in.Condition: No visible tears, creases, or losses. No visible signs of restoration under UV light. The sheet is lightly toned and has light undulation throughout. The case is plexiglass; light scratches to the surface. Along the back of the case, there are areas with discoloration and adhesive residue; please see the listing image.
§ Gordon House (1932-2004) an untitled screenprint, dedicated and signed and dated 'Gordon' 1967 (lower right), 53 x 83cm;together with an unsigned modern abstracted still life, mixed media, 52 x 80cm, and Stella Marsden, Pears, lithograph, signed and numbered 'Marsden 3/8' (lower right), 28.5 x 37.5(3)
** Stephen Powers (b.1968)Everything Is Shit Except You Love (Cream)Screenprint in colours, 2009, signed in pencil, numbered from the edition of 100, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 495 x 495mm (19 1/2 x 19 1/2in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
** Clare Rojas (b.1976)BeerScreenprint, from the edition of unknown size, published by the artist, on wove paper, with full margins, sheet 355 x 280mm (14 x 11in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
NO RESERVE Sara Cwynar (b.1985)Untitled, from White Columns PortfolioScreenprint in colours, 2021, signed and dated in pencil verso, numbered from the edition of 100 verso, published by White Columns, New York, on wove paper, the full sheet printed to the edges, sheet 609 x 761mm (24 x 29 7/8in)
NO RESERVE Leilah Babirye (b.1985)Untitled, from White Columns PortfolioScreenprint, 2021, signed and dated in black ink verso, numbered from the edition of 100 verso, published by White Columns, New York, on wove paper, the full sheet printed to the edges, sheet 608 x 455mm (23 7/8 x 17 7/8in)
Loading...
