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Stik (British 1979-), 'Liberty (Blue)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British 1979-), 'Liberty (Orange)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British 1979-), 'Liberty (Red)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm ARR

Stik (British), 'Sleeping Baby (Silver)', 2015, screenprint in colours on Somerset Wove paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 72 x 119cm inc frame ARR

Thierry Noir (French 1958-), 'JAZZ', 2015, screenprint in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 50 in pencil, published by Howard Griffin Gallery; sheet: 101 x 67cmARR

Banksy (British 1974-), 'Sale Ends (V2)', 2017, screenprint in colours on wove paper, signed and numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 56 x 76cm ARR

Banksy (British 1974-), 'Get Out While You Can (Pink)', 2004, screenprint in colours on wove paper, numbered from an edition of 175 in pencil, published by Pictures On Walls; sheet: 50 x 35cm (Framed) ARR

Banksy (British 1974-), 'Barcode', 2003, screenprint on wove paper, numbered from an edition of 600 in pencil, stamped in red ink, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR

Banksy (British 1974-), 'Rude Copper', 2002, screenprint on paper, numbered from an edition of 250 in pencil, published by Pictures On Walls; sheet: 57 x 41cm (Framed) ARR

David Shrigley (British 1968-), 'Don't', 2018, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm (Framed) ARR

BLAKE (Peter): 'The Beatles 1962': large colour screenprint poster, pencil signed and numbered 79/500: together with a tray of misc. other posters and similar. (Qty)

Richard Hamilton (1922-2011) and Marcel Duchamp (1887-1968)Oculist Witnesses (Lullin M2) Screenprint and silver mirror in laminated glass, 1968, signed by both artists, annotated 'd'après' and numbered 43/50 in silver ink, published by Petersburg Press, London, with the original aluminium plinth, in good conditionOverall 650 x 508 x 204mm. (25 5/8 x 20 x 8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Keith Haring (1958-1990)One plate, from Pop Shop I (Littmann p. 82) Screenprint in colours, 1987, on wove paper, signed, dated and numbered HC 2/10 in pencil, an hors-commerce impression aside from the edition of 200, published by Martin Lawrence Limited Editions, New York, the full sheet, in good condition, the colours fresh and vibrantImage 264 x 340mm. (10 3/8 x 13 3/8in.); Sheet 306 x 381mm. (12 1/8 x 15in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Pepper Pot from Campbell's Soup I (Feldman & Schellmann II.51) Screenprint in colours, 1968, on wove paper, signed in ballpoint pen and lettered Q verso, one of 26 artist's proofs aside from the edition of 250, published by Factory Additions, New York, the full sheet, with pale light-staining, the red attenuated, otherwise in good condition, framedSheet 890 x 587mm. (35 x 23 1/8in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Mick Jagger (F&S II.147) Screenprint in colours, 1975, on Arches Aquarelle paper, signed in pencil by the artist and by Mick Jagger in red felt-tip pen (attenuated), numbered 196/250 in pencil, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their ink stamp verso, the full sheet, with time staining to extreme sheet edges, with backboard staining, a 10mm. tear to the right lower sheet edge, generally in good conditionSheet 1108 x 734mm. (43 5/8 x 28 7/8in.) Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Tom Wesselmann (1931-2004)Nude from 11 Pop Artists, Volume II Screenprint in colours, 1965, on wove paper, signed, dated '1966' and dedicated 'for Rosa and Aaron' in pencil, a proof aside from the edition of 200 (there were also 50 artist's proofs in Roman numerals), printed by Knickerbocker Machine & Foundry Inc., published by Original Editions, New York, the full sheet, in good condition, the colours bright and fresh, framedSheet 607 x 753mm. (23 7/8 x 29 5/8in.)Footnotes:ProvenanceMaxwell Davidson Gallery, New York (with their label).Robert Fontaine Gallery, Miami (with their label and certificate of authenticity).Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Tom Wesselmann (1931-2004)Seascape (Foot) from Edition 68 Portfolio Screenprint in colours, 1968, on wove paper, signed, dated and numbered 138/150 in pencil, published for Documenta 4, Kassel, Germany, the full sheet, with pale mount staining, otherwise in overall good condition, the colours very fresh and bright, framedImage 460 x 459mm. (18 1/8 x 18in.); Sheet 610 x 600mm. (24 x 23 5/8in.)Footnotes:ProvenanceRobert Fontaine Gallery, Miami (with their label and certificate of authenticity).Acquired directly from the above by the current owner.Click for an instant shipping quoteThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Roy Lichtenstein (1923-1997)Landscape 9, from Ten Landscapes (Corlett 59) Screenprint with chromogenic photographic print collage, 1967, mounted onto composition board (as issued), signed, dated and numbered 29/100 in pencil verso, co-published by Original Editions and Leo Castelli gallery, New York, the full sheet, with time and light-staining, minor surface defects, otherwise in good condition, framedImage 325 x 420mm. (12 3/4 x 16 1/2in.); Board 422 x 545mm. (16 1/2 x 21 1/2in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Roy Lichtenstein (1923-1997)Still Life with Windmill (Corbett 132) Lithograph and screenprint in colours with debossing, 1974, on Rives BFK wove paper, signed, dated and numbered 37/100 in pencil (there were also ten artist's proofs), printed by Styria Studio, with their blindstamp, co-published by Multiples, Inc. andCastelli Graphics, New York, with the artist's and publishers' copyright ink stamps on the reverse, the full sheet, with the palest of time and mount staining, the yellow and blue unevenly attenuated (as is common), otherwise in overall good condition, framedImage 745 x 970mm. (29 1/4 x 38 1/4in.); Sheet 910 x 1136mm. (35 3/4 x 44 3/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Roy Lichtenstein (1923-1997)Titled (Corbett 307) Screenprint in colours, 1996, on Coventry rag wove paper, signed, dated and numbered 21/175 in pencil (there were also 25 artist's proofs), co-published by the artist and Ronald Feldman Fine Arts, Inc., New York, the full sheet, in very good condition, framedImage 613 x 830mm. (24 1/8 x 32 5/8in.); Sheet 804 x 1001mm. (31 5/8 x 39 3/4in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Tom Wesselmann (1931-2004)Bedroom Face #41 Screenprint in colours, 1990, on museum board, signed and numbered AP 3/12 in pencil, an artist's proof aside from the edition of 100, printed by Screened Images, Port Washington, New York, published by International Images, Inc., Putney, Vermont, with their blindstamps, in good condition, framedImage 1273 x 1482mm. (50 x 58 1/4in.); Sheet 1508 x 1713mm. (59 1/4 x 67 3/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Keith Haring (1958-1990)Untitled, from The Fertility Suite (Littmann p.33) Screenprint in colours, 1983, on wove paper, signed, dated and numbered 5/100 in pencil (there were also 15 artist's proofs), published by Tony Shafrazi Gallery, New York, with margins, the sheet slightly reduced at upper right and lower left extreme sheet edges, otherwise in good condition, the colours exceptionally bright and vibrant, framedSheet 1065 x 1267mm. (41 7/8 x 49 7/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Golda Meir (Feldman & Schellmann II.153A) Screenprint in blue, 1973, on felt, signed in felt-tip pen, from the edition of 550, published by the American Friends of the Israel Museum, New York, as a gift for attendees at the Beaux Arts Ball in New York, printed to the edges of the felt, lacking the label verso, the blue attenuated, framed Sheet 176 x 176mm. (6 7/8 x 6 7/8in.)Footnotes:ProvenanceSotheby's Old Master, Modern and Contemporary Prints, London, 21 June 2000, lot 397.Acquired from the above sale by the current owner.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Edward Kennedy (Feldman & Schellmann II.240) Screenprint in colours with diamond dust, 1980, on Lenox Museum Board, signed and numbered 60/300 in pencil (there were also 25 artist's proofs), printed by Rupert Jasen Smith, New York, published by the Kennedy for President Committee, Washington, D.C., the full sheet, in good condition, framedSheet 1015 x 812mm. (40 x 32in.)Footnotes:ProvenanceGeorgetown Frame Schoppe, Washington DC (with their label).Acquired directly from the above by the current owner.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

ANDY WARHOL (1928-1987)Lamentation from Martha Graham (Feldman & Schellmann II.388) Screenprint in colours, 1986, on Lenox Museum Board, signed and numbered XIII/XXV in pencil verso, one of 25 artist's proofs aside from the edition of 100, printed by Rupert Jasen Smith, with their blindstamp, published by Martha Graham Center of Contemporary Dance, Inc., New York, with their ink stamp verso, with the artist's copyright inkstamp verso, the full sheet, in very good condition, the colours fresh and vibrant, framedSheet 914 x 914mm. (35 13/16 x 35 13/16in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

YAYOI KUSAMA (born 1929)Pumpkin 2000 (Yellow) (Kusama 298) Screenprint in colours, 2000, on wove paper, signed, titled, dated and numbered 65/200 in pencil, published by Serpentine Gallery, London, the full sheet, in good condition, framedSheet 480 x 640mm. (18 7/8 x 25 1/8in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

BRIDGET RILEY (BORN 1931)After Wall Painting (Arcadia 3) (Schubert 74) Screenprint in colours, 2010, on wove paper, signed, dated, titled and numbered 1/75, printed by Artizan Editions, Hove, published by the artist, the full sheet, in very good condition, framedImage 344 × 750mm. (13 1/2 × 29 1/2in.); Sheet 560 × 928mm. (22 × 36 1/2in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

•CRAIGIE ATCHISON CBE, RSA, RA (SCOTTISH 1926-2009) THE CRUCIFIXION Screenprint, signed, numbered III/X and dated 2000 verso, 76 x 63.5cm (30 x 25") Condition Report: On inspection the screenprint is in good condition and no significant issues.

•HOWARD HODGKIN CH, CBE (BRITISH 1932-2017) UNTITLED Screenprint, signed initials, dated 1998, printers proof, 26 x 27cm (10 1/4 x 10 1/2"), 45 x 45cm (17 3/4 x 17 3/4") (sheet) Condition Report: There are four barely visible extremely tiny spec dots located within left, upper and right margins, maybe pigment, and also on the left margin a very small hair fragment appearing to sit on the surface..

•DAME ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) FLOWER ARRANGEMENT WITH TULIPS Screenprint, signed printers proof, 57 x 66cm (22 1/2 x 26") Condition Report: The screenprint is in good condition and no significant issues.

•JOE TILSON RA (BRITISH B. 1928) PIETRA Screenprint, signed printer's proof numbered 1/3 and dated 1996, 55 x 75cm (21 1/2 x 29 1/2") Condition Report: The work is found in good condition and no significant issues.

After Andy Warhol, a limited edition screenprint numbered 75/100 of Marilyn Monroe, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

Stephen Bartlett (1942-), screenprint, 'Winter', signed, 110/150, overall 54 x 47cm and Hazel Morris (Contemporary), oil on board, Riverside Trees, 61 x 45cm

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sweet Dreams Baby! [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 5 1/16 x 3 5/8 in. (129 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett 39 for the full-size, editioned screenprint. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25209-1-225]

* BANKSY (BRITISH b 1974), RAT RADAR DIRTY FUNKER (WHITE) screenprint on record sleeve, vinyl record housed inside sleeve image size 30.5cm x 30.5cm, overall size 45cm x 45cm Framed and under glass.

After Henri Matisse (1869-1954) French ''Women and Monkeys'' Screenprint, created after a 1952 gouache from his cut-out series, 64cm by 243cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Date unknown. Stuck onto the backing board. Water damage and areas of bloom to bottom edge, see images. Staining to paper to areas of top edge, see images.

Victor Vasarely (Hungarian/French 1908-1997): 'Tegla-Hat', screenprint signed in metallic pen pub. 'Structures Universelles de l'Hexagone' c.1975, 27cm x 27cm

Sir Terry Frost RA (British 1915-2003): 'Orange Sun Newlyn' (Kemp 206), artist's proof screenprint on Velin Arches paper signed and numbered XVII/XX from an edition of 100 + 20 APs pub. 2000, 47.5cm x 38cm with full margins (unframed)

Andy Warhol - - 1928 Pittsburgh - 1987 New York After the Party. 1979. Farbserigrafie. Feldman/Schellmann/Defendi II.183. Signiert und nummeriert. Eines von 1000 Exemplaren. Auf Velin von Arches. 54,5 x 77,3 cm (21,4 x 30,4 in), blattgroß. Gedruckt von Rupert Jasen Smith, New York (mit dem Trockenstempel). Herausgegeben von Grosset and Dunlap, Inc., New York. [SM]. • Ein Exemplar dieser Serigrafie befindet sich in der Sammlung des Museum of Modern Art, New York. • Andy Warhol ist der erste Künstler des 20. Jahrhunderts, der den Siebdruck als Ausdrucksform der bildenden Kunst legitimiert. PROVENIENZ: Privatsammlung Süddeutschland. Aufrufzeit: 19.06.2021 - ca. 15.54 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONAndy Warhol -1928 Pittsburgh - 1987 New York After the Party. 1979. Silkscreen in colors. Feldman/Schellmann/Defendi II.183. Signed and numbered. From an edition of 1000 copies. On Arches wove paper. 54.5 x 77.3 cm (21.4 x 30.4 in), the full sheet. Printed by Rupert Jasen Smith, New York (with the blindstamp). Published by Grosset and Dunlap, Inc., New York. [SM]. • A copy of this silkscreen is part of the collection of the Museum of Modern Art, New York. • Andy Warhol, master pop artist of the 20th century, is one of the first artists in modern times to legitimize the screenprint as a fine art technique. PROVENANCE: Private collection Southern Germany. Called up: June 19, 2021 - ca. 15.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Patrick Hughes (British, born 1939) 'Made in Sky' Screenprint in colours, 1979, on wove, signed, titled and dated in pencil, the full sheet, 71 x 73cm. The reverse stamped 'Exhibition Copy'

Michael Potter (British, b.1951) 'Half-Done' Screenprint, unframe, signed and titled in pencil, inscribed 'A/P VIII/XX' lower left, 52 x 35cm

Patrick Hughes (British, b. 1939-), 'Inside Out' Screenprint in colours, 1981, on wove, signed, titled, dated and numbered 3/15 in pencil, 50 x 35cm

Michael Potter (British, b.1951) 'Drying Out', screenprint, unframed, signed and titled in pencil, 49 x 35cm

Michael W Potter (British b.1951) 'Breaking Away' Signed and titled in pencil, screenprint, 50 x 38cm

Antonio Peticov (b.1946) 'The Studio', screenprint, ssigned, dated 1983 and titled in pencil, 55 x 65cm

Patrick Hughes (British, b.1939) 'Splash of Colour'; signed, inscribed, dated '82 in pencil; screenprint,59 x 89cm

SERRA, RICHARD1939 San FranciscoTitel: Untitiled (or Philip Glass Poster). Datierung: 1972. Technik: Siebdruck auf BFK RIVES (Wasserzeichen). Darstellungsmaß: 75 x 104,5cm Blattmaß: 76 x 104,5cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Leo Castelli Gallery, New York (Hrsg.). Exemplar: 40/100. Rahmen: Plexiglaskastenrahmen. Im Rahmen beschrieben. Provenienz: - Kaiser Wilhelm Museum, Krefeld (Dauerleihgabe) Ausstellungen: - Kunsthalle Nürnberg 1998/99, Kat.-Nr. 112 (Aufkleber) Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 8, Abb. Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie Formen SERRA, RICHARD1939 San FranciscoTitle: Untitled (or Philip Glass Poster). Date: 1972. Techinque:  Screenprint on BFK RIVES (watermark). Depiction Size: 75 x 104,5cm. Sheet Size: 76 x 104,5cm. Notation: Signed, dated and numbered. Publisher: Leo Castelli Gallery, New York (publisher). Number: 40/100. Frame: Plexiglass box frame. Not examined out of the frame. Provenance: - Kaiser Wilhelm Museum, Krefeld (permanent loan) Exhibitions: - Kunsthalle Nürnberg 1998/99, cat. no. 112 (label) Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 8, ill. Explanations to the Catalogue

Jo Ganter RSA (British, b. 1963) Street corner Screenprint, 89cm x 60cm.  ARR

Jo Ganter RSA (British, b. 1963) Construction site Signed and dated '88 in pencil, screenprint, artist's proof, 2/10 AP, 64cm x 78cm.  ARR

Krishna Reddy (Indian, 1925 - 2018) Falling figure Signed and dated '72, screenprint, 4/10, 45cm x 60cm.CONDITION REPORT: There is some discolouration to the paper, spots/foxing, mainly to the outer borders.

Jo Ganter RSA (British, b. 1963) Barred window Signed in pencil and dated '88, screenprint, artist's proof, 65cm x 50cm.  ARR

Silkscreen edition 6/99, dated '84. Hand signed in pencil lower right. Stan Greene is considered to be one of the leaders in the revival of Coast Salish art. He produced the first Coast Salish screenprint* in 1978 and is renowned for his prints and carvings internationally. Sight size: 15 x 14 1/2 in. Overall size: 20 1/4 x 20 1/4 in. Please note that all sales are final. No refunds will be given under any circumstances.

Lee Crew (British 1970-): 'Orange Sun', screenprint signed titled and numbered 91/150 in pencil 41cm x 64cm with full margins (unframed)

Tanya Short (British 1955-): 'Blue Fins', screenprint signed with initials titled and numbered 11/225, 49cm x 40cm with full margins (unframed)

Tanya Short (British 1955-): 'Orchid', artist's proof screenprint signed with initials titled and numbered XV/XXV, 58cm x 40cm with full margins (unframed)

Sol Lewitt (1928-2007) Bands of Lines in Four Directions in Four Colors, 1977 Screenprint 1/70, signed in pencil. Bands of Lines in Four Directions in Four Colors, 1977 Zeefdruk 1/70, gesigneerd in potlood. 32 x 42 cm

(See English version below)Friedrich Kunath (Chemnitz 1974 – lebt in Los Angeles). Beach Party. 2009Aquarell und Acryllack über Serigrafie auf Leinwand. 65,5 × 69,5 cm ( 25 ¾ × 27 ⅜ in.). Auf dem Überspann mit Filzstift in Schwarz signiert und datiert: Friedrich Kunath, 2009. Auf dem Keilrahmen monogrammiert und bezeichnet: FK 978. Ebendort mit dem Etikett der Galerie BQ, Berlin.[3258] Gerahmt. Provenienz: Privatsammlung, BerlinWir berechnen auf den Hammerpreis 30% Aufgeld.Friedrich Kunath (Chemnitz 1974 – lives in Los Angeles). Beach Party. 2009Screenprint, watercolour and acrylic paint on canvas. 65,5 × 69,5 cm ( 25 ¾ × 27 ⅜ in.). Signed and dated in black felt-tip pen on the overlap: Friedrich Kunath, 2009. Monogrammed and inscribed on the stretcher: FK 978. There also a label of the Galerie BQ, Berlin.[3258] Framed. Provenance: Private Collection, BerlinWe charge 30% premium on the hammerprice.

(See English version below)Michel Majerus (Esch/Luxemburg 1967 – 2002 Niederanven/Luxemburg). Ohne Titel, o.J. (2001)Siebdruck auf Baumwollleinwand. 60 × 60 cm ( 23 ⅝ × 23 ⅝ in.). Rückseitig monogrammiert und datiert: MM 17.06.XI. Ebendort mit dem Nachlassstempel: Michel Majerus Nachlass und einem Etikett der Galerie neugerriemenschneider, Berlin.[3524]Addendum/Erratum: Titel: Ohne Titel, o.J. (2001). Korrektur des Titels im gedruckten KatalogWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Michel Majerus (Esch/Luxembourg 1967 – 2002 Niederanven/Luxembourg). Ohne Titel, o.J. (2001)Screenprint on cotton canvas. 60 × 60 cm ( 23 ⅝ × 23 ⅝ in.). Monogrammed and dated on the reverse: MM 17.06.XI. There also the estate stamp: Michel Majerus Nachlass, and a label of Galerie neugerriemenschneider, Berlin.[3524]Addendum/Erratum: Title: Ohne Titel, o.J. (2001). Correction of the title in the printed catalogueWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.

δ Banksy (b.1974)Soup CanScreenprint in colours, 2005, numbered from the edition of 250, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500 x 348mm (19 5/8 x 13 5/8in)This work is accompanied by a Certificate of Authenticity issued by Pest Control Office. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Banksy (b.1974)Weston Super MareScreenprint in colours, 2003, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, on wove paper, with full margins, sheet 350 x 998mm (13 3/4 x 39 1/4in)This work has been authenticated by Pest Control Office and a new Certificate of Authenticity is being issued.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.