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WARHOL, ANDY, naar, Brigitte Bardot, zeefdruk 90 x 90 cm. Warhol, Andy, after, Brigitte Bardot, screenprint 90 x 90 cm.

HENNEMAN, JEROEN (1942), ges. r.o., portret van Beatrix, zeefdruk (2/500) 40 x 30 cm. Henneman, Jeroen, signed, portrait of Beatrix, screenprint 40 x 30 cm.

LICHTENSTEIN, ROY, naar, dame in bad, zeefdruk 90 x 90 cm. Lichtenstein, Roy, after, bathing lady, screenprint 90 x 90 cm.

HARING, KEITH (1958-1990), zonder signatuur, Andy Mouse, met tekst van Henry Geldzahler, zeefdruk (1986) 100 x 78 cm. Haring, Keith, not signed, Andy Mouse, text Henry Geldzahler, screenprint 100 x 78 cm.

CREMER, JAN (1940), ges. r.o., Jan Cremer op zijn motor, zeefdruk (opl.75,1993) 100 x 69 cm. Uitgave Art Unlimited. Cremer, Jan, signed, Cremer on his motorbike, screenprint 100 x 69 cm. Edited by Art Unlimited.

RONNIE WOOD SIGNED PRINT. A limited edition screenprint of a work by Ronnie Wood titled 'Rod'. Hand titled and numbered by the artist. With Scream Art COA. Excellent condition. Measures approx 25 x 20". ***Artists’ Resale Right (“droit de suite”) may apply to this lot.***

Virginia Chihota (Zimbabwean, born 1983)Raiding Your Own (Kurera Wako), 2014 signed and dated 'Virginia Chihota 2014' (lower right)drawing and screen print on paper 189 x 152.4cm (74 7/16 x 60in).Footnotes: Provenance Tiwani Contemporary, 2015. Exhibited London, Saatchi Gallery, Pangaea II: New Art From Africa and Latin America, 2015.London, Tiwani Contemporary, Virginia Chihota: A Thorn in my Flesh (munzwa munyama yangu).LiteraturePangaea II: New Art from Africa and Latin America, Published by Saatchi Gallery, London, 2015, p.66-67.Chihota's work is deeply introspective. She uses a variety of media to express her experience of the world. Raiding Your Own (Kurera Wako) incorporates elements of drawing, painting and printmaking. Rich in colour and symbolism, the piece can be interpreted as a search for self. The theme of identity is one close to the artist's art. Born in Zimbabwe, Chihota also spent a brief period in Libya. She now divides her time between Tunisia, Zimbabwe and Austria. Her transitory lifestyle has caused her to question who she is and where she belongs. In an interview in 2015, she described this as one of the formative influences on her practice:'My work is a reflection on the search for one's self (and the perenniality of the self) in changing circumstances. Displacement creates uncertainty but the imperative to survive and the continuity one manages to maintain despite changing conditions inspires me.'In this screenprint Chihota reflects on the experience of becoming a wife and mother, and her temporary relocation to Tripoli in 2012. She uses the placement of the figure to convey nuances of dislocation, isolation and loneliness, in particular the motif of the inverted body or head.The nurture and safety associated with the womb seem antithetical to such aloneness, yet it is precisely because of this that they hold special significance for Chihota's reading and representation of isolation. Reflecting on the meaning behind her symbolic use of the womb, she has said that it is 'an all-encompassing symbol for fertility, for a woman's gift for gestation and the creation of life, a woman's intuition and psychic abilities, and the subconscious...No one is excluded from being fruit of the womb and all that that encompasses. It yields to the human condition'.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Gavin Jantjes (South African, born 1948)'It is our peoples' signed 'Gavin P Jantjes' (lower right) and numbered 14/70 (lower left)screenprint with collage 90.5 x 60.5cm (35 5/8 x 23 13/16in).Footnotes:ProvenanceA private collection, UK.For further information on this lot please visit Bonhams.com

* CAMERON SCOTT (SCOTTISH CONTEMPORARY), BARRIO CHINO, BARCELONA colour screenprint, signed, titled, dated '04 and numbered 1/25 40cm x 30cm Mounted, framed and under glass. Note: born in Kintore, a small north east Scottish village, trained at Gray’s School of Art in Aberdeen and won the coveted Cinzano National Scholarship for Great Britain which allowed Cameron to work for some of the leading design and fashion houses in France and Italy. From the world of high fashion, he moved into art schools where he taught at Falmouth School of Art, Shrewsbury School of Art, Salford University and Burnley College, moving from part time lecturer to Head of School of Art. Cameron Scott now lives in Frome, Somerset and his work is exhibited around the UK.

SIR PETER BLAKE CBE RDI RA (BRITISH b.1932), UNTITLED screenprint, signed and numbered 23/350 in pencil 58cm x 39cm Unframed

Kenneth Martin (British, 1905-1984), Chance and Order III, 1972, signed, dated and numbered in pencil 'Kenneth Martin 72 26/70' (in lower margin), screenprint, 69 x 69cm (unframed) ARR Condition Report Narrow white tape around underside edge. A few very small spots of foxing in places. Otherwise appearance is generally good.

Dan Parry Jones Skater, Bristol, 2020 Acrylic and Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Bristol based artist Dan Parry-Jones initially trained in Illustration and Graphic Design, before turning to painting in 2008. Working from Bristol's Jamaica Street Studios, Dan produces expressive mixed media landscapes, taking inspiration from his urban surroundings, the southwest coast and travels abroad. His increasingly abstract backgrounds are constructed with a heavily textured, impasto technique in acrylics and oils with added typography, collage and silkscreen elements.   His work has been widely exhibited at major art fairs and gallery shows in Europe, Asia and the USA.  

Dan Parry Jones Skater, Bristol, 2020 Acrylic and Screenprint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Bristol based artist Dan Parry-Jones initially trained in Illustration and Graphic Design, before turning to painting in 2008. Working from Bristol's Jamaica Street Studios, Dan produces expressive mixed media landscapes, taking inspiration from his urban surroundings, the southwest coast and travels abroad. His increasingly abstract backgrounds are constructed with a heavily textured, impasto technique in acrylics and oils with added typography, collage and silkscreen elements.   His work has been widely exhibited at major art fairs and gallery shows in Europe, Asia and the USA.  

SIR SIDNEY NOLAN (1919-1992), FLORAL IMAGE V, SCREENPRINT, FULL SHEET, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED 47/70, 67 X 50.5CM In excellent preservation, fresh and unfaded, long undisturbed in the present 1970's ebonised aluminium alloy frame

JOHN PIPER CH (1903 - 1992) - EYE AND CAMERA: BLUE TO OCHRE, SCREENPRINT MOUNTED SLIGHTLY TO WITHIN IMAGE, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED 12/50, 75 X 110CM Good condition, not noticeably faded, long undisturbed in the present gilt frame

JOHN PIPER, CH 1903-1992, HUISH EPISCOPI, SCREENPRINT WITH MARGINS, SIGNED BY THE ARTIST IN PENCIL AND NUMBERED 95/100, 72.5 X 50CM In excellent, fresh, unfaded preservation. Long undisturbed in the present aluminium alloy frame

Robert Taverner, litho / screenprint, Sunflowers and Cottages, signed and numbered 11/70, 44 x 68cmCONDITION: Good clean condition.

A group of assorted prints and photographs including Carl Rowe screenprint, 'Mingus', and Niamh Collins, oil on paper, 'Wiencke', largest 108 x 83cm

John Lockee, screenprint, 'Double Incident', 18/100, signed, Lynne Stern Associates label verso, 68 x 86cmCONDITION: Good clean condition.

1973, signed and numbered 5/200 in pencil on verso, screenprint in colours, from the series 'Some Poems of Jules LaForgue' of 44 screenprints, from the Edition B of 200, published by Petersburg Press, London, on Neobond synthetic paper, the sheet printed to the edges, unframed.40cm x 35cm (15.75in x 13.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is unframed.

CHARLES MCQUEEN Abstract, signed, screenprint, 11 x 15cm, JOSEPH WALKER MCDERMOTT Old Woman, sketch, 16 x 15cm, H MAGEE Landscape, watercolour, 22 x 20cm and another (4) Condition Report: Available upon request

Mel Boyaner (1924-2020), abstract screenprint Artists Proof, signed and dated 66

Early 20th century watercolour of a rural landscape, signed 'A. Moray' and dated 1910, 30 x 45cm, together with a screenprint of birds, indistinctly signed to margin, 33 x 25cm (2)

Ed Sheeran Divide Stadium Tour of Ireland Screenprint by Steve Simpson, Signed by the Artist and Ed Sheeran Aiken Promotions commissioned Steve Simpson to design this unique piece of art to celebrate Ed’s history-making stadium tour of Ireland in 2018. It was given by Aiken as an end of tour gift to Ed and his team. It is called My Songs Are Where My Heart Is, referencing a line from Ed’s song You Need Me. Steve’s distinctive style is inspired by the Arts & Crafts movement, 1950s advertising and folk art. He has created a stunning piece incorporating Ed’s lyrics and tattoos and the four cities he performed in. The Galway image is based on the Galway Grill tattoo that Saoirse Ronan inked on Ed’s arm in the Galway Girl video. This is number 28 of a limited edition of 33 prints and is the last available copy. It is the only one signed by Steve Simpson and Ed Sheeran. Originally from Manchester, Steve now lives in Dublin, Ireland. Unframed 70 x 50 cm Donated by: Aiken Promotions, Ireland https://aikenpromotions.com Photo: Doug Atfield

* CAMERON SCOTT (SCOTTISH CONTEMPORARY), BARRIO CHINO, BARCELONA colour screenprint, signed, titled, dated '04 and numbered 1/25 40cm x 30cm Mounted, framed and under glass. Note: born in Kintore, a small north east Scottish village, trained at Gray’s School of Art in Aberdeen and won the coveted Cinzano National Scholarship for Great Britain which allowed Cameron to work for some of the leading design and fashion houses in France and Italy. From the world of high fashion, he moved into art schools where he taught at Falmouth School of Art, Shrewsbury School of Art, Salford University and Burnley College, moving from part time lecturer to Head of School of Art. Cameron Scott now lives in Frome, Somerset and his work is exhibited around the UK.

SIR PETER BLAKE CBE RDI RA (BRITISH b.1932), UNTITLED screenprint, signed and numbered 23/350 in pencil 58cm x 39cm Unframed

JOHN HOYLAND 'Yellow and Pink', 1971, screenprint, hand signed, suite: New York, 72cm x 95cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

THE CONNOR BROTHERS 'I Can Resist Everything Except Temptation', 2019, screenprint, A.P., signed and dated, 130cm x 80cm, floating in glazed frame. (Subject to ARR - please see Buyers Conditions)

Bruce Mclean (Scottish, b. 1944): 'Cava on Concrete', limited edition screenprint, 9/75, signed, numbered and titled below, with gallery label from Goldmark Gallery, Uppingham, 46 by 45cm, framed and glazed, 74 by 71cm.

Hon Chi Fun (Hong Kong, 1922-2019)SUMMER FOLIOscreenprint, 1982, signed in pencil, numbered 25/29image 52 x 57cm approximately, framed and glazedCondition report: Light paper cockling throughout, a little surface dirt, blue ink smudged a little bit. A possibly small ink lost from a small half-moon crease in blue section showing an orange line, possibly a few other half-moon creases in other places but difficult to tell as not seen out of frame. A small scuff in pink section. Not seen outside of frame. Provenance: originally purchased and framed at Art Forum Gallery, 03-13, Orchard Road, Singapore 0923.

Sir Eduardo Paolozzi RA (1924-2005) Pop Art pioneer, "Animals as Aliens" from General Dynamic F.U.N. published 1970 edition of 350 prints, set of four original prints, three photolithographs, one screenprint on clear PVC, unsigned and unstamped, 15" x 10", Provenance: Proofs from the printer's studio

Sir Eduardo Paolozzi RA (1924-2005) Pop Art pioneer, "Transparent Creatures Hunting New Victims" original photolithograph "New Semsester Reward of the Oppressed", original screenprint on clear PVC from General Dynamic F.U.N. published 1970 edition of 350 prints, unsigned and unstamped, 15" x 10", Provenance: Proofs from the printer's studio

Donald Hamilton Fraser RA (1929-2009) ''The Lighthouse'' Signed and numbered 110/200, screenprint, 70cm by 53cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Inspired by DC's famed toy line, Tom Whalen was commissioned to create this limited edition "Super Powers" Screen Print in 2011 which features Superman, Green Arrow, Green Lantern, Batman, The Flash, Wonder Woman, Darkseid, Joker and many others. Printed on high quality, heavy stock art paper ours is hand numbered 234/250. The artist, Tom Whalen had this to say about the poster "This represents the most aggressive screenprint I've designed when it comes to colours and characters. All told, there are 35 heroes and villains from the classic toy line (the core 33 plus send-aways Riddler and Clark Kent) represented. As a lifelong comic book collector, the project was a challenge and a dream come true. So glad I can finally show it off."24" x 36" (61 x 91.5 cm)Additional Information: Hand-Numbered #234/250Condition: ExcellentUnrestored, rolled, flat and unfolded (as issued). Very minimal handling wear. It presents and displays to excellent effect.Artist: Tom Whalen£100 - 200VAT Status: Ω

"Thief, Warrior, Gladiator, King". Originally released by Mondo at San Diego Comic Con in July 2013, Martin Ansin's hand-signed and numbered (#416/450) "Conan the Barbarian" (1982) screenprint was a huge sell out success. Focusing on Schwarzenegger's Conan it's a great use of negative space with the snakes coiling around the breaking chains a nice piece of detailing. Presented flat and unfolded (as issued) in excellent condition, it displays superbly and represents a marvellous piece of fantasy artwork.24" x 36" (61 x 91.5 cm)Additional Information: Signed and Hand-Numbered #416/450Condition: ExcellentUnrestored, flat and unfolded (as issued). Very minimal handling wear. Presents and displays to excellent effect.Artist: Martin Ansin£150 - 250VAT Status: M

Produced as a Private Commission by the artist Chris Weston as part of a Kurt Russell/John Carpenter triptych in 2013 (the others being "Escape From New York" and "Big Trouble in Little China"), this "The Thing" screenprint is an Artist Proof edition of only eighteen prints with this being #5. Printed by Seizure Palace on 100 lb Cougar White art paper this has also been hand-signed and dated by the artist.26" x 36" (66 x 91.5 cm)Additional Information: Artist Proof #5/18 - Signed and DatedCondition: ExcellentUnrestored, rolled, flat/unfolded (as issued). Excellent with minimal handling wear.Artist: Chris Weston£100 - 200VAT Status: M

Vance Kelly's Limited Edition release for John Carpenter's "The Thing" (1982) was exclusively only available and issued at the New York Comic Con (NYCC) in 2019. Concentrating on the character of MacReady (Kurt Russell) with subtle border art this "Man is the Warmest Place to Hide" screenprint is offered in excellent flat, unfolded condition.26" x 36" (66 x 91.5 cm)Condition: ExcellentUnrestored, rolled, flat/unfolded (as issued). Excellent with minimal handling wear.Artist: Vance Kelly£100 - 200VAT Status: M

Released in 2017 to promote the "Punisher" TV series showing on Netflix, this portrait style screenprint is the classic image of Marvel's controversial vigilante. A fan of the character, Jock said of the commission: "I've always wanted to take a crack at The Punisher and this was a unique opportunity to do so, tying it into Jon Bernthal's super tough performance in the show. The concept started with the figure far more hidden, wearing night vision goggles appearing out of the smoke, but morphed into the clearer image we see now. I wanted him to appear as dangerous as possible. Deadly". This is a printers proof edition and has also been signed by Jock. (From the Private Archive of the Artist, Jock.)18" x 24" (46 x 61 cm) Additional Information: Printers ProofCondition: ExcellentUnrestored, rolled, flat and unfolded (as issued). Very minimal handling wear. Presents and displays to excellent effect.Artist: Jock£100 - 200VAT Status: M

LeRoy Neiman (American 1921-2012), Pool Room Screenprint Signed and numbered 17/350 44 x 53cm (17¼ x 20¾ in.) Framed and glazed Condition Report: Some spotting to mount and image- paper slightly cockled and evidence of old damp Condition Report Disclaimer

Damien Hirst, (B. 1965), untitled gold gift spot, framed screenprint in colours, gold glitter/ wove paper, signed in pencil, paper dimensions 38 "x 30", Image dimensions 30" x 22".

Eduardo Paolozzi (1924-2005), Brazil, screenprint, signed and dated 1988 within the print, unframed, H.28cm W.18cm

*Tass Bell (20th century) Puffins screenprint, signed, dated '81 and numbered 116/150 in pencil 58 x 79cm; and three further prints, Swans, Kingfisher Bird with outstretched wings, all unframed (4) Provenance: The Estate of Robin and Patricia Pickard. *Artist's Resale Right may apply to this lot.

*Tass Bell (20th century) Kingfisher screenprint, signed, dated '81 and numbered 102/150 in pencil 63 x 73cm, and two further prints Swans; bird with outrstretched wings all unframed (3) Provenance: The Estate of Robin and Patricia Pickard. *Artist's Resale Right may apply to this lot.

*Tass Bell (20th century) Swans screenprint, signed, dated '82 and numbered 96/180 in pencil 56 x 77cm, and two further prints Kingfisher; bird with outstretched wings all unframed (3) Provenance: The Estate of Robin and Patricia Pickard. *Artist's Resale Right may apply to this lot.

*Tass Bell (20th century) Peacock screenprint, signed, dated '81 and numbered 89/150 in pencil 29 x 22cm, and two further prints Swans; Kingfisher all unframed (3) Provenance: The Estate of Robin and Patricia Pickard. *Artist's Resale Right may apply to this lot.

*Beryl Cook (1926-2008) 'Big Olives, Little Olives' screenprint, signed and numbered 108/300 in white crayon, with blindstamp for Flanagan Graphics image 67 x 69cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Overall tone is blue, suggests some colour loss.

*Ceri Richards (1903-1971) 'Pastorale' screenprint, from 'Beethoven Suite with Variations', signed, titled and dated in pencil image 74 x 44cm *Artist's Resale Right may apply to this lot.

*Ceri Richards (1903-1971) 'Major-Minor Orange-Blue' screenprint, from 'Beethoven Suite with Variations', signed, titled and dated '70 in pencil, artist's proof 74 x 53.5cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some light creases.

*Wendy Bray (20th century) 'Umbrellas 1951' screenprint in colours, printer's proof, inscribed, signed and numbered 4/4 in pencil sheet 47 x 63.5cm *Artist's Resale Right may apply to this lot.

*John Hoyland (1934-2011) Abstract screenprint in colours sheet 68 x 54cm *Artist's Resale Right may apply to this lot.

*Sir Peter Blake RA (b.1932) 'U is for Unusual People' screenprint in colours, 1991, signed, inscribed with title and numbered 80/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few light half-moon handling creases in the printed area, only visible under raking light. A light crease close to extreme left edge.

*Sir Peter Blake RA (b.1932) 'W is for Wrestler' screenprint in colours, 1991, signed, inscribed with title and numbered 15/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.3 x 78cm *Artist's Resale Right may apply to this lot.Condition report: One or two very light half-moon handling creases, barely visible. Edges a little bumped. No other obvious flaws.

*Sir Peter Blake RA (b.1932) 'Z is for Zebra' screenprint in colours, 1991, signed, inscribed with title and numbered 15/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 77.2cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A couple of light half-moon handling creases, only visible under raking light. Top edge very lightly bumped. No other obvious flaws.

*Sir Peter Blake RA (b.1932) 'Y is for Yacht' screenprint in colours, 1991, signed, inscribed with title and numbered 75/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 77cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few scattered light half-moon handling creases. Top edge and corners lightly bumped. A little light dirt in lower margin.

*Sir Peter Blake RA (b.1932) 'X is for Xylophone' screenprint in colours, 1991, signed, inscribed with title and numbered 58/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.2 x 78cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few scattered light half-moon handling creases. Top corners are creased. An ink stain verso but this does not show through. One or two flecks of dirt to paper margins, and a light line of dirt in the printed beige margin of the lower picture.

*Sir Peter Blake RA (b.1932) 'J is for James Dean' screenprint in colours, 1991, signed, inscribed with title and numbered 30/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 77.1cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some scattered light half-moon handling creases. Lower right corner is bumped and there are a couple of bumps to the edges.

*Sir Peter Blake RA (b.1932) 'L is for Love' screenprint in colours, 1991, signed, inscribed with title and numbered 73/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.7 x 76.9cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few scattered light half-moon creases. Top left corner lightly bumped.

*Sir Peter Blake RA (b.1932) 'N is for Nude' screenprint in colours, 1991, signed, inscribed with title and numbered 40/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.7 x 77cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few scattered light half-moon creases. Small pieces of white tape verso on top and bottom edges.

*Sir Peter Blake RA (b.1932) 'Q is for Quarters' screenprint in colours, 1991, signed, inscribed with title and numbered 70/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.5 x 77cm *Artist's Resale Right may apply to this lot.Condition report: A couple of light half-moon creases. A small indent verso showing through in the green section. The left edge of the paper a little bumped. One or two flecks of surface dirt in the margins. A couple of light surface scuffs in the grey and green sections, visible from certain angles.

*Sir Peter Blake RA (b.1932) 'O is for Ornithology' screenprint in colours, 1991, signed, inscribed with title and numbered 12/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.2 x 77.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few light half-moon creases. A very small indent to the neck of the second bird lower left, barely noticeable. A couple of smudges of very light surface dirt. Lower left corner is curled and bumped with a few small tears at the extreme edge.