We found 12816 price guide item(s) matching your search

Patrick Caulfield RA (1936-2005), 'Arita Flask Black' 1990, artist's proof, screenprint, signed in pencil and numbered AP 7/10, the paper 105x80cm, the plate 79x53cm

William Gear RA FRSA RBSA, Scottish 1915-1997 - Purple Structure, 1988; screenprint on paper, signed, dated and editioned 7/25 in pencil to the lower edge, sheet: 49 x 67 cm (ARR)Provenance:Paintings in Hospitals, London, cat.no.10557

Robert Buhler, British 1916-1989 - Winter Piece, 1988; screenprint on paper, signed, dated, titled and numbered in pencil to lower edge '39/140', image 51 x 61 cm (unframed) (ARR)Provenance:Paintings in Hospitals, London, cat.no. 11826

Tetsuro Sawada, Japanese 1933-1998 - Brilliant Zone, 1987; screenprint on paper, signed, dated, titled and editioned in pencil to the lower edge '81/150', image: 34.5 x 53 cm (unframed) Provenance:Paintings in Hospitals, London, cat.no.7861

Lin Utzon, Danish b.1946 - Untitled (yellow), 1997; screenprint on paper, signed, dated and editioned 5/40 to lower edge, sheet: 74.5 x 56 cm; together with three other similar prints by the same artist (4) (ARR)Provenance:Paintings in Hospitals, London, cat.no.10366,10367,10368 & 10369

Jennifer Dickson RA, British/Canadian b.1936 - Eve, 1965; screenprint on paper, signed, dated, titled and editioned 18/50 in pencil to lower edge, image: 49.5 x 49.5 cm (ARR)Provenance:Paintings in Hospitals, London cat.no.6220Note:Dickson’s first solo exhibition was held at New Vision Centre, London in 1962. In 1976 she was elected as a Royal Academician.

Ceri Richards CBE, Welsh 1903-1971 - Origin of a Rose, 1967; screenprint on paper, signed, dated and editioned in pencil to lower edge '37/70', image: 52 x 64.7 cm (mounted/unframed) (ARR) Provenance: Paintings in Hospitals, London cat.no.6331 Note: the Artist's Proof of this print is held in the Tate Britain collection, ref.P05069. 

Tetsuro Sawada, Japanese 1933-1998 - Blue Float, 1986; screenprint on paper, signed, dated, titled and editioned in pencil to the lower edge '128/150', image: 34.5 x 61 cm (unframed) Provenance:Paintings in Hospitals, London, cat.no.7827

Carry Akroyd,  British b.1953 - Baling, 1995;  screenprint on paper, signed, dated, titled and editioned 1/8 in pencil to lower edge, image: 56 x 41 cm (unframed) (ARR) Provenance: Paintings in Hospitals, London, cat.no.7707

Patrick Caulfield (1936 - 2005) Two Jugs, 1969 Numbered verso 15/75 Colour screenprint on paper Provenance:DM Gallery, 72 Fulham Road Dimensions: 14.25 in. (H) x 12.25 in. (W)

§ Jacques Monory (1924-2018) Untitledsigned 'MONORY' (lower right); numbered 138/200screenprint,60cm x 42cm

§ Ivor Abrahams RA (1935-2015) Winter Sundialsigned and dated 'Ivor Abrahams 75' (lower right); numbered 13/95screenprint, unframed102 x 119cm

Robert Buhler RA (1916-1989) Landscape with mountains, limited edition colour screenprint, hand-signed in pencil and numbered 10/140, 63 x 76cm

§ Ivor Abrahams RA (1935-2015) a group of three unframed prints, to include: Privacy Plot, signed and dated 'Ivor Abrahams 71' (lower right), numbered 5/75, screenprint with varnish and flock fibre, 57 x 67cm; The Sphinx, signed and dated 'Ivor Abrahams 78' (lower right), numbered 23/100, screenprint, 102 x 69cm; and Domain at Arnheim, signed and dated 'Ivor Abrahams 76' (lower right), numbered 65/93, screenprint with embossing, 52 x 36cm

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941, UNTITLED screenprint on paper, signed and dated '72Mounted, framed and under glass.image size 47cm x 35cm, overall size 62cm x 48cm

Woodcut with screenprint, printed in colours, 1962, signed and numbered 29/35, unframed Image 86 x 51cm approx. *CR Image good overall; margins with some tears at edges, paper loss upper right corner, handling marks etc.

Screenprint, published by Jonathan Stone, printed by Advanced Graphics, signed and numbered 217/250, unframed 39 x 55.5cm. *CR Margins with some foxing and pale staining.

A framed and glazed screenprint, abstract composition, signed and dated Kevin Banbrook. H.102 W.74cm.

A framed and glazed limited edition screenprint, polychrome composition, signed indistinctly, numbered and inscribed. H.52 W.115cm.

A framed and glazed screenprint, abstract study, window panes, numbered artist's proof, signed Nicola Chandler. H.101 W.81cm.

A screenprint on canvas of two men in a pub, 80 x 105 cm 

Property of the Late Countess Haig: Gordon Skene, Taurus, screenprint, titled bottom right, gallery label verso, framed. (crack to glass) (44cmx34cm)

***John Hoyland (1934-2011) - Limited edition screenprint in colours - No. 248/300, untitled, signed and dated 96 to lower right margin and with 'London Advanced Graphics' stamp, 14ins x 18.5ins, in modern black frameThis work has not been inspected out of the frame. It appears to be in good condition with no obvious damage/loss/restoration

Sarah BELL (XX-XXI) St. Michael's Mount, Marazion Screenprint, signed and inscribed, numbered 5/25, 40.5 x 27.5cm, 53 x 43cm framed.

Terry FROST (1915-2003) Orange and Blue Space (1998) Screenprint, signed and numbered 61/150, image size 48 x 48cm, 73.5 x 73.5cm framed.

Terry FROST (1915-2003) Development of a Square within a Square (Red) (Kemp 204), 2000 Screenprint, signed and numbered 60/150, 58.5 x 58.5cm, mounted 72 x 72cmThis piece has not been examined out of the film and appears to be in very good condition.

Sarah BELL (XX-XXI) Waiting For a Friend Screenprint, signed and inscribed, numbered 9/12, 41 x 29cm, 53.5 x 43cm framed.

Terry FROST (1915-2003) Development of a Square within a Square (Green) (Kemp 202), 2000  Screenprint, signed and numbered 140/150, 58.5 x 58.5cm, mounted 72 x 72cmGood condition overall, with no areas of concern.

Bryan PEARCE (1929-2006) St Ives All Round, 1976 Screenprint, signed and dated '76, numbered 65/75, sheet size 48 x 64cm, 56 x 72cm framed.Light foxing is present throughout, together with a thin line of yellowing which is present throughout the perimeter of the piece.

‡ ANTHONY FROST (British, b. 1951) limited edition screenprint (26/75) 'Upbeat', dated '99, signed, dated and titled in pencil, blind stamp Advanced Graphics London, (i) 90 x 59cmsProvenance: priavte collection CardiffComments: framed, glazed, ready to hang, chip to frame lower left corner

Donald Hamilton Fraser (1929 - 2009) 'Close Hauled' Limited edition screenprint Measures approx 78cm x 58cm Fraser was a British artist famed for his abstract landscape paintings. This limited edition print depicts a boat on the sea in his typical abstract style, in a blue and green colour ground with splashes of orange and yellow. At the Royal Academy of Arts he was made an associate RA in 1975 and a full Royal Academician in 1985.

FRANCIS PRICE (BRITISH 20TH CENTURY): A length of 'Daysping' fabric, sewn into a curtain panel, printed 'A Francis Price Screenprint "DAYSPRING" Printed in Vat Colours' to the border; together with two lengths of 'Vortex' fabric, printed 'A Francis Price Screenprint "Vortex" to the border. (3)Dayspring: 208 x 115 cm Vortex: 133 x 120 cm and 120 x 115 cm From the V&A: The late 1940s to the 1970s was a remarkably creative era in British textile design. Aided by post-war confidence and growth, a new wave of designs was produced, influenced by art and design from around the world. Designers created markedly contemporary, buoyant styles that elevated textile design to new heights, lifted public spirits and transformed the home.

ROBERT TIERNEY (BRITISH 20TH CENTURY) FOR GRAFTON FABRICS: A length of 'Montrose' fabric, circa 1960s, sewn into two large curtain panels, printed "MONTROSE" design by Robert Tierney / a GRAFTON screenprint'. (2)263 x 224 cm 236 x 163 cm From the V&A: The late 1940s to the 1970s was a remarkably creative era in British textile design. Aided by post-war confidence and growth, a new wave of designs was produced, influenced by art and design from around the world. Designers created markedly contemporary, buoyant styles that elevated textile design to new heights, lifted public spirits and transformed the home.

▲ Sir Eduardo Paolozzi RA (1924-2005) 'Queen of the Night'screenprint in colours, signed and dated 'Eduardo Paolozzi 1990' in pencil l.r., numbered '23/200', printed at Advanced Graphics on 250gsm Vélin Arches blanc, part of the Mozart Portfolio published by Merivale Editions, Londonimage 40 x 31cmCondition ReportFramed: 71 x 51cmExtremely slight cockling but appears to be in otherwise good condition. Not viewed out of glazed frame.

John Piper CH (1903-1992) 'Foliate Head'screenprint in colours on cotton, a furnishing fabric commissioned and produced by the textile manufacturers David Whitehead & Sons, c195546.5 x 29.5cm (visible)Condition ReportFramed: 56.5 x 48.5cmA small stain to the centre of the left edge, please see images. Appears to be in otherwise good condition with no sign of wear or fading to the fabric. Not examined out of glazed frame.

▲ Sir Peter Blake RA (b.1932) 'Homage to Joseph Cornell', 1996screenprint in colours, signed 'Peter Blake' in pencil l.r., numbered '49/250', printed at Coriander Studio, London, published by The Big Art Issue with blind stampsheet 63 x 50.5cmCondition ReportFramed: 69 x 56cmThe print appears to be stuck down in the corners and is cockled. The printed area is crisp and the colours are strong. The top edge is deckled. Not viewed out of glazed frame.

Richard Tuttle (American, b.1941) 'In Praise of Historical Determination I, II, III'two lithographs and a screenprint in colours on handmade paper, each signed and dated 'Richard Tuttle 1973-74', inscribed with title, and numbered from an edition of 50 in pencil versosheet 78.5 x 56.5cm, unframed (3)Condition ReportFoxing with dirty marks and scuffs- please refer to illustration. The sheets are cockled. The yellow print has wooden reinforcements on the reverse to support it while against a wall. The print has creases to the front caused by the wooden strips verso and a small tear to the bottom of one edge.

Shepard Fairey (American, b.1970) and Karen Bystedt (American, b.1963) 'Warhol Collage' (silver)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '119/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportIn good condition. Previously rolled.

▲ Patrick Caulfield RA (1936-2005) 'Occasional Table' (Cristea 29)screenprint in colours, 1972, signed 'Caulfield' in pencil l.r., numbered '148/500', printed by Kelpra Studios and published by Observer Art, Londonimage 58 x 71cmCondition ReportFramed: 86 x 107cmOn close inspection it is possible to see a couple of very small crescent shaped handling marks to to background beneath the table on the right side but in our opinion this does not affect overall enjoyment of the work which appears to be in otherwise good condition. Not examined out of glazed frame.

▲ Craigie Aitchison RA (1926-2009) 'Lamb in Green Field', 2007screenprint in colours, signed 'Craigie Aitchison', dated and numbered '53/75' verso15 x 13cm;sold with a postcard of the same image sent by the artist to the previous owner in July 2007 inscribed 'Dear Susan, Hope you are OK. Thanks for your card. Let me know when you come to London. XO, Craigie' (2)Provenance: Susan Ward, who was a named source for Cate Haste’s book 'Craigie Aitchison: A Life in Colour', 2014.Condition ReportFramed: 20 x 17cmThe print has been stuck down in the centre but the signature, date and edition number can be seen- please see additional images. Overall, presents well and is ready to hang.

▲ Sandra Blow RA (1925-2006) 'Inside Story'screenprint in colours, signed 'Sandra Blow' in pencil l.r., inscribed with title and numbered '50/50'120 x 120cm, visibleCondition ReportFramed: 125 x 125cmThere is a 7cm horizontal crease mark which crosses into the printed area on the left side, lower centre, please see images. The colours are bright and strong. Not viewed out of glazed frame.

Shepard Fairey (American, b.1970) 'Warhol Collage' (colour)screenprint in colours, based on a 1982 photograph of Andy Warhol by Karen Bystedt, signed with initials by both artists and dated '23' in pencil l.r., numbered '119/300', published by Obey Giant on cream Speckletone papersheet 61 x 44cm, unframedCondition ReportIn good condition. Previously rolled.

▲ Sandra Blow RA (1925-2006) 'Split Second'screenprint in colours, 1991, signed 'Sandra Blow' in pencil l.r., inscribed with title and numbered '36/50'120.5 x 120.5cmCondition ReportFramed: 125 x 125cmThere are brown watermarks to the top edge and upper right corner, please see images. Two diagonal creases to the upper right conrer and a faint crease to the upper left corner. Some slight discolouration starting to emerge to the extreme bottom edge. The colours are bright and crisp. Not viewed out of glazed frame.

Neil Welliver (American, 1929-2005) 'Si's Hill'screenprint in colours, signed 'Welliver' in pencil l.r. and numbered '64/144'image 92 x 91cmCondition ReportFramed: 103 x 103cmLight time staining to the margins. There are some watermarks along the bottom edge but the printed area does not appear to be affected. The bottom right corner is a little rippled. A small 2.5cm tear to the bottom margin, centre right. Light creasing to the centre of the top margin. A couple of small dirty marks to the centre of the bottom edge of the printed area and top right corner. A small surface abrasion to the clouds to the left of the top of the tree. On close inspection some light surface dirt and scuffs are visible, predominantly to the top of the tree, please refer to additional condition images. Not examined out of glazed frame.

▲ Sir Howard Hodgkin CH (1932-2017) 'Indian View L' screenprint in colours, signed and dated 'Hodgkin 71' in pencil l.r., numbered '5/75', from the series 'Indian Views', printed on J Green paper at Kelpra Studios, published by Leslie Waddington Prints, Londonsheet 57 x 77cmCondition ReportThe sheet appears to have been stuck down by the corners and has two deckled edges. Some light cockling. The printed area appears to be in good condition. Not viewed out of glazed frame.

A framed and glazed numbered edition (7/7) screenprint, abstract composition, signed D Gibson. H.113 W.94cm.

JOE TILSON (1928-2023), 'Clip-O-Matic Lips', screenprint, signed and dated 1967, numbered 68/70, 70cm x 50, framed. (Subject to ARR - see Buyers Conditions)

MARJ BOND, RSW RGI (SCOTTISH, B.1939) EAGLE WARRIORS, screenprint numbered 19/30, signed in pencil and dated '93, framed under glass, 18 x 18cm

John Piper (British, 1903-1992): 'Whithorn Priory, 1975', limited edition signed screenprint in colours black, green, yellow, and tan showing a church ruin without roof and graveyard, signed in pencil in lower right and numbered 66/70 lower left, 67 by 98cm paper size, in oak frame.

Lieke Ritman, Lavatory Window, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 39cms by 36cms togther with another screen print by John Emanuel, Seated Female Nude, Signed, limited edition number 69/100, 55cms by 40cms

Margo Maeckelberghe, High Sky, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 39cms by 52cms, togther with another screenprint by Roy Walker, Twist, Signed, limited edition number 69/100, 40cms by 54cms

Bob Crossley, Abstract, Signed, limited edition screenprint number 69/100 from the Penwith Society of Arts Ten Prints, 1980, 53cms by 40cms, together with another screen print by Tom Cross, In a Window, Signed, limited edition number 69/100, 54cms by 40cms

Michael Heindorff (B.1949) Tasso's Trees XIII 1977 Screenprint Edition 60/100 92 x 69cms***Artists resale rights may apply to this lot***

Michael Heindorff (B.1949) Tasso's Trees VIII1977 Screenprint Edition 58/100 92 x 69cmsTogether with another Tasso Tree, No 51/100***Artists resale rights may apply to this lot***

Michael Heindorff (B.1949) Tasso's Trees IV1977 Screenprint Edition 81/100 92 x 69cmsTogether with another "Tasso Tree II" No.88/100***Artists resale rights may apply to this lot***

Michael Heindorff (B.1949) Tasso's Trees III 1977 Screenprint Edition 84/100 92 x 69cmsTogether with another "Tasso Tree IX" No.92/100***Artists resale rights may apply to this lot***

Ivor Abrahams (1935-2015)Garden Suite II (Diptych)Screenprint on paperSigned and dated '70 to the marginNo.65/7529.5 x 52cm (image size)***Artists resale rights may apply to this lot***

Ivor Abrahams (1935-2015)Garden Suite I (Yellow lawn with statue)Screenprint on paperSigned and dated '70 to the marginNo.4/7532.5 x 53cm (image size)***Artists resale rights may apply to this lot***

Oli EPP (Né en 1994) Your spin me right round,2019 Sérigraphie sur papier, signée et numérotée. Edition sur 100 exemplaires. 70 x 60 cm Accompagné d’un certificat – COA Screenprint in colors/410gsm Somerset Satin paper.

Oli EPP (Né en 1994) Pride,2019 Sérigraphie sur papier, signée et numérotée. Edition Richard Heller Gallery. sur 100 exemplaires. 61 x 61 cm Accompagné d’un certificat – COA Screenprint in colors/Mohawk Superfine Ultrawhite paper, published by Richard Heller Gallery.