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Click here to subscribeJulian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cmARR sheet: 100 x 60cm In very good condition No knocks, tears or creases to the sheet Some very faint markings to the upper white border of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Blek Le Rat (French 1951-), 'Rope Pulling (Yellow)', 2021, screenprint in colours on 300gsm Arches paper, signed and numbered from an edition of 75 in pencil, sheet; 56 x 76 cmARR sheet; 56 x 76 cm In very good condition No knocks, tears or creases to the sheet Deckled edges in good condition This work has not been framed.
Ai Weiwei (Chinese 1957-), 'Middle Finger In Red', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 1285 in pencil, published by Avant Arte; sheet: 60 x 60cmsheet: 60 x 60cmIn excellent conditionNo knocks, tears or creases to the sheetStored inside its original Avant Arte crateThis work is not framed
Tracey Emin (British 1963-), 'Tracey x Tracey', 2005, screenprint in blue with red fabric stitching on calico, signed, titled, dated, and numbered from an edition of 200 in pencil, published by Counter Editions; sheet: 31 x 44cm (Framed)ARR sheet: 31 x 44cm (Framed) In very good condition No visible rips or tears to the fabric Minor creasing to the upper left hand section of the sheet, as a result of the material used One horizontal and one vertical fold/crease to the sheet, due to the nature of the fabric Frayed edges in good condition This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Mr Brainwash (French 1966-), 'Blue Pollock', 2009, unique acrylic and screenprint on wove paper, signed, dated, inscribed 'Life Is Wonderful' and numbered 1/1 in pencil verso; sheet: 56 x 76cmARR sheet: 56 x 76cm No creases to the sheet A 3.5 cm tear/hole in the middle of the print Numerous medium to smaller tears across the print, verso and recto Few marks across the sheet recto Extensive signs of mould on the right-hand side of the print, visible recto and verso Area of residue, possibly from a sticker, visible verso Deckled edges are in good condition This work requires restoration It has been stored flat and has not been framed.
Banksy (British 1974-), 'Clock', 2019, unique screenprint on archival paper and individually hand smudged, signed, and numbered from an edition of 150 in white ink verso, published by the Artist; Clock: 45cm diameterARR Clock: 45cm diameter Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In excellent condition/artist's condition No knocks, chips or cracks to the clock Stored inside original packaging, accompanied by GDP tag and Pest Control Certificate of Authenticity No apparent issues.
Banksy (British 1974-), 'Golf Sale', 2003, one colour screenprint on wove paper, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 34 x 48cmARR sheet: 34 x 48cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In good condition No visible knocks or tears to the sheet Two minor handling creases to the lower left hand section of the sheets white background Some minor markings to the upper left section of white background just above the printed image, visible upon close inspection Minor scratch/light crease to the upper left hand section of the sheet, visible in raking light This work has been framed in a black frame with a black mount This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Harland Miller (British 1964-), 'Hate's Outta Date (Blue)', 2022, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil, published by White Cube; sheet: 100 x 70cm (Framed) ARR sheet: 100 x 70cm (Framed) In Excellent Condition No knocks, tears, or creases to the sheet Framed to a high standard in a white frame Float mounted leaving all corners and edges of the sheet visible In Excellent Condition
BLU (Italian), 'Monkey', 2007, screenprint in colours on wove paper, signed and numbered from an edition of 250 in pencil, published by Pictures On Walls; sheet: 100 x 70cmARR sheet: 100 x 70cm In very good condition No visible knocks or tears to the sheet Minor handling crease to the upper edge of the sheet, visible upon close inspection This work has not been framed.
Michael Craig-Martin (British 1941-), 'Untitled', 1997, screenprint in colours on Somerset White textured wove paper, signed and numbered from an edition of 50 verso, from book, printed by Advanced Graphics London, published by Alan Cristea Gallery & Ridinghouse Editions London; sheet: 33 × 109.2cmARR sheet: 33 × 109.2cm
Blek Le Rat (French 1951-), 'The King Of Chicago', 2017, screenprint in colours on 300gsm Arches paper, signed and numbered from an edition of 50; sheet: 76 x 56cmARR sheet: 76 x 56cm In very good condition No knocks, tears or creases to the sheet One very minor mark to the upper middle edge of the sheets border, visible upon very close inspection Deckled edges in good condition This work has been stored flat and has not been framed.
Mehdi Ghadyanloo (Iranian 1981-), 'Exploration Of Gravity', 2015, hand-embellished screenprint in colours on wove paper, signed and inscribed AP in pencil, aside from the regular edition of 25; sheet: 68 x 68cmsheet: 68 x 68cmIn good condition No visible knocks or tears to the sheet Some sections of cracking/creasing to the upper middle/right section of the sheet, visible recto and verso Minor markings to the lower section of the sheet and some very minor wear to the edges of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Ryan Travis Christian (American 1983-), This Print Can Also Serve As a Modest Piece of Kindling for Your Bonfire in the Unlikely Event You Survive the Upcoming Apocalypse', 2019, screenprint in colours on Mohawk Superfine UltraWhite paper, signed and numbered from an edition of 100 in pencil; sheet: 71 x 50.5cmsheet: 71 x 50.5cm**please note a stock image has been used, please contact info@tateward.com for additional images**
Kaws (American 1974-), 'Clean Slate', 2022, screenprint on Colorplan Dark Grey paper, signed, dated and numbered from an edition of 100 in pencil, Co-published by KAWS and Brand X Editions; sheet: 76.2 x 61cm (Framed)sheet: 76.2 x 61cm (Framed)In very good conditionNo visible knocks, tears or creases to the sheetFramed in a white frame with a white mount, using premium anti-reflective Artglass This work has not been inspected out of the frame
Ai Weiwei (Chinese 1957-), 'Cats (Pink)', 2022, screenprint on 300gsm Somerset Velvet paper, signed, dated, and numbered from an edition of 300 in pencil, published by Kettle's Yard; sheet: 45 x 62cmsheet: 45 x 62cmIn very good conditionNo knocks tears or creases to the sheetThis work has been stored rolled and has not been framed.
Keith Haring (American 1958-1990) 'Three Eyes', 1982, screenprint in colour on wove paper, from an unnumbered edition of 2000, published by Tony Shafrazi Gallery, New York; sheet: 22.9 x 23 cmSheet: 22.9 x 23 cmIn overall good condition No knocks or tears to the sheetSome wear/creasing around the edges/corners of the sheet, and some minor markings across the sheetSome scratches to the sheet, visible in raking light Some minor discolouration to the sheet verso, this is not visible rectoThis work has been stored flat and has not been framed.
Martin Whatson (Norwegian 1984-), 'Rock Climber', 2021, screenprint in colours and giclee print on 300gsm Somerset Satin paper, signed, dated, and numbered from an edition of 250 in pencil, published by Graffiti Prints; sheet: 80 x 80cmARR sheet: 80 x 80cm In very good condition No knocks or tears to the sheet One light handling crease to the central upper edge of the sheet and one minor crease to the lower-left corner, only visible under close inspection. Both creases are to the white border and away from the printed image Minor markings to the upper white border of the sheet, visible upon very close inspection This work has been stored flat and has never been framed.
Martin Whatson (Norwegian 1984-), 'Kingdom For A Crown', 2015, hand embellish screenprint on 180gsm Conqueror Connoisseur paper, signed, dated, and numbered from an edition of 150 in pencil; sheet: 30 x 30cmARR sheet: 30 x 30cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.
Mr Brainwash (French 1966-), 'Obama Superman (Silver)', 2009, screenprint in colours on archival paper, signed and numbered from an edition of 500 in pencil, sheet: 91.5 x 61cmsheet: 91.5 x 61cmIn good condition No knocks or tears to the sheetDeckled edges in good condition Creasing to the lower right hand edge of the sheet, this is visible recto and verso One minor mark/scratch to the lower left hand edge of the sheet, visible upon close inspection Some minor markings to the sheet versoThis work has not been framed.
Stik (British 1979-), 'Book (Yellow PP)', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 4 PPs in pencil, published by Squarity; sheet: 76 x 24cm (Framed), 85 x 33 cm inc frameARR sheet: 76 x 24cm (Framed) In very good condition No visible, knocks or creases to the sheet Framed to a high standard in a white frame with a white mount This work has not been examined under the frame
Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cmARR sheet: 50 x 70cm In overall good condition No knocks or tears to the sheet There is some yellowing to the extreme edges of the sheet Minor markings to the sheet verso, not visible recto One crease to the top middle of the sheet, in the border Speckles can be seen in various sections of the sheets border recto Some waving can be seen across the sheet, this could potentially be due to how it was previously stored. This work has been stored flat and has not been framed.
Futura (American 1955-), 'Characterization', 2021, screenprint in colours on 100# Cougar Natural Cover paper, pulbished by the Artist; sheet: 61 x 46cm61 x 46 cmIn good conditionNo tears or knocks to the sheetCreasing on the upper left-hand corner of the sheet, visible recto and versoA very minor crease at the lower left-hand edge verso, visible upon close inspectionThis work has been stored flat and has not been framedNo apparent issues.
Michael Craig-Martin (British 1941-), 'Book', 1997, set of 10 double page screenprints in colours on archival rag endleaf white paper, signed, dated and numbered from an edition of 150 on the justification page, bound as issued in grey-cloth covered boards, with one additional double page screenprint on two separate sheets, signed and numbered from the edition of 150 verso, loose as issued within a matching slipcase, published by Alan Cristea Gallery; slipcase: 33 x 54.5cmARR slipcase: 33 x 54.5cm
D*Face (British 1978-), 'Kant Complain', 2007, hand-finished screenprint in colours on wove paper, signed and numbered from an edition of 50, published by Ocontemporary; sheet: 56 x 76cm (Framed)ARR sheet: 56 x 76cm (Framed) In good condition No visible knocks or tears to the sheet Light rubbing to the upper left hand corner of the sheet and minor grazing/creasing to upper right hand corner of black background Minor foxing to lower right hand edge of the sheets white border and some minor markings around border, visible upon close inspection This work has been framed in a black frame with a white mount This work has not been examined outside of the frame.
Stik (British 1979-), 'Liberty (Orange)', 2013, screenprint in colours on Somerset paper, signed and numbered from an edition of 25 in pencil, published by Squarity; sheet: 112 x 43cm (Framed), 124 x 52 cm inc frameARR sheet: 112 x 43cm (Framed) In very good condition No visible knocks, tears or creases to the sheet One minor mark to the lower right section of the figures body, visible upon close inspection This work has been framed in a white frame with a white mount This work has not been examined outside of the frame.
Blek Le Rat (French 1951-), 'Last Tango In Paris (46 Rats)', 2017, unique screenprint in colours on 300gsm Arches paper with 46 hand-sprayed black rats, one white rat and one silver stencilled rat, signed and numbered 1/1 in pencil, sheet: 56 x 76cmARR sheet: 56 x 76cm In very good condition No visible knocks, tears or creases to the sheet Deckled edges in good condition This work has been stored flat and has not been framed.
Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 32 x 100ARR sheet: 32 x 100 Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In overall good condition No visible knocks or tears to the sheet Some markings across the sheet, mostly visible to the upper left hand corner and the right hand side of the sheet Some minor wear to the lower left hand edge of the sheet, visible upon close inspection Signs of previous framing to the sheet verso and tape residue to the upper left and upper right hand corner verso Markings can be seen to the sheet verso One crease to the upper right hand section of the sheet and some handling creases across the upper edge and lower middle edge of the sheet This work has been stored flat and has not been framed.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Michael Craig-Martin (British 1941-), 'Untitled', 1997, screenprint in colours on Somerset White textured wove paper, signed and numbered from an edition of 50 verso, from book, printed by Advanced Graphics London, published by Alan Cristea Gallery & Ridinghouse Editions London; sheet: 33 × 109.2cmsheet: 33 × 109.2cm
David Rathman (American, b. 1958). Screenprint titled "Maps" depicting a view of the world with "Maps" written above and "All Kinds, Reasonably Accurate - Handsome and Affordable. After 6PM Kevin 447-0582" written below. Pencil signed and dated 2000 along the lower left margin.Sight; height: 31 in x width: 21 3/4 in. Framed; height: 35 in x width: 26 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Robert Zakanitch (American, b. 1935). Lithograph, screenprint, and pochoir on paper print titled "Hearts of Swan (Black)" depicting two interlocked white swans beneath a floral swag. Surrounded by a border of foliate motifs, 1980-1981. Pencil signed and dated along the lower right; numbered 21/75 along the lower left.Height: 27 1/4 in x width: 22 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Shepard Fairey/Obey (American, b. 1970). Screenprint poster depicting the artist's iconic portrayal of Andre the Giant above block letters spelling "Obey" in black, white, and red. Pencil signed and dated 2017 along the lower right.Sight; height: 36 in x width: 24 in. Framed; height: 38 3/4 in x width: 26 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Donald Sultan (American, b. 1951). Screenprint in colors with collage on wove paper titled "Red Poppies" depicting bold Pop art red flowers against a black background. Pencil titled and dated August 8, 2010 along the left margin; numbered 35/75 along the lower right.Height: 37 in x width: 20 3/4 in.Condition: There are no rips, tears, losses, creases, or restorations. Some light wear along the extreme edges. A few minor spots of soiling to the verso original to production. The artwork is not framed.
Friedensreich Hundertwasser (1928 Wien - 2000 an Bord der Queen Elizabeth II vor Brisbane/Australien)"Good Morning City". OriginaltitelFarbserigraphie mit Metallfolienprägung/CM Fabriano-Velinkarton, 1969. Sign. u. dat. "Friedensreich, am 15. Dezember in Rom" sowie mit zwei roten, japanischen Inkan-Stempeln, nummeriert 4451/10000. Gedruckt bei Studio Quattro, Campalto-Venedig, verlegt von Dorothea Leonhardt München, unten mit deren vier silbernen Prägestempeln. Wvz. Koschatzky 41a (von b). Prachtvoller Druck in leuchtender Farbigkeit mit Rand. Darstellung ca. 76,5 cm x 47 cm; Blatt ca. 84,8 cm x 55,5 cm. Serigraph (screenprint) in colours and metal foil embossing on CM Fabriano wove cardboard, 1969. Hand-signed, dated 15th of December in Rome, numbered 4451/10000.
Andy Warhol (1928 Pittsburgh - 1987 New York) nach "Goethe". OriginaltitelFarboffset/Papier, 1993. Nach der gleichnamigen Farbserigraphie Warhols von 1983. Copyright Andy Warhol Foundation for Visual Arts, Inc.; Hrsg. te Neues Publishing Company, New York, u. Achenbach Art Edition, Düsseldorf. Blatt 66 cm x 66 cm. Rahmen.After Andy Warhol (1928 - 1987). Offset print in colours, 1993. After the serigraph (screenprint) by Warhol (1983).
Andy Warhol (1928-1987) after.Queen Elizabeth II of the United Kingdom 336 (Yellow), from Reigning Queens (Sunday B. Morning)Screenprint in colours, 2022, numbered from the edition of 3500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 964 x 776mm (38 x 30 1/2in)This work is accompanied by a certificate of authenticity issued by the publisher.
NO RESERVE δ Scott King (b.1969) and Christopher Logue (1926-2011)Last Night in Notting HillScreenprint in colours, 2002, signed in ink by Christopher Logue, an artist's proof aside from the edition of unknown size, published by Faber & Faber Ltd., London, the full sheet printed to the edges, sheet 560 x 760mm (22 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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