We found 12816 price guide item(s) matching your search

John Piper (1903-1992). Harlaxton Through The Gate, (Levinson 275), 1977 screenprint, signed in pencil, limited edition No. 36 of 75, 70cm x 52cm

John Piper (1903-1992). Harlaxton Hall, (Levinson 372), 1984 screenprint, signed in pencil, limited edition No. 3 of 90, 52cm x 76cm

DONALD HAMILTON FRASER (1929-2009) a signed Artist Proof screenprint `Dancer Dressing with Purple Background`, No: II / XXVII, with CCA Galleries Certificate of Authentication, 99cm x 74cm including frame.

DONALD HAMILTON FRASER (1929-2009) a signed screenprint `Young Dancer Resting`, limited edition no 199/295, with CCA Galleries Certificate of Authentication, 71cm x 93cm including frame.

DONALD HAMILTON FRASER (1929-2009) a signed screenprint `Dancer in Class`, limited edition no 4/295, with CCA Galleries Certificate of Authentication, 90cm x 72cm including frame.

DONALD HAMILTON FRASER (1929-2009) a signed Artist Proof screenprint `Dancer in Practise Tutu`, limited edition no 1/25, with CCA Galleries Certificate of Authentication, 74cm x 98cm including frame.

DONALD HAMILTON FRASER (1929-2009) a signed Artist Proof screenprint `Dancer Tying Shoe`, No: II / XXVII, with CCA Galleries Certificate of Authentication, 70cm x 90cm including frame.

Andy Warhol (USA, 1928-1987) QUEEN NTOMBI TWALA OF SWAZILAND [FROM REIGNING QUEENS SERIES], 1985 screenprint on Lenox museum board; (no. 6 from trial proof edition of 80) signed and numbered lower left; with blindstamp lower right; with copyright right stamp Andy Warhol 1985"" in black on reverse"" 39.5 by 31.5in., 98.75 by 78.75cm. P Taylor Gallery, Belfast Ed., Schellman, Jorg and Feldman, Frayda, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, II., 347 Sheet size given.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Andy Warhol (USA, 1928-1987) EDWARD KENNEDY [DELUXE EDITION] 1980 screenprint in colour with diamond dust; (no. 6 from trial proof of 15) signed, inscribed [T.P.""] and numbered in pencil lower right"" 40 by 32in., 100 by 80cm. P Taylor Gallery, Belfast Ed., Schellman, Jorg and Feldman, Frayda, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, II., 241 Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Printed by Rupert Jasen Smith, New York and published by the Kennedy for President Committee, Washington DC in a portfolio `Artists for Kennedy` which contained works by twenty-two artists to raise funds for the Edward Kennedy primary campaign for president.

Andy Warhol (USA, 1928-1987) VAN HEUSEN (RONALD REAGAN), FROM ADS, 1985 screenprint; (no. 3 from an edition of 190) signed and numbered in pencil lower right; with publisher`s details printed on reverse 38 by 37.5in., 95 by 93.75cm. P Taylor Gallery, Belfast Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Publisher`s details read: Andy Warhol / Ronald Feldman Fine Arts Inc., New York.

Andy Warhol (USA, 1928-1987) QUEEN NTOMBI TWALA OF SWAZILAND [FROM REIGNING QUEENS SERIES], 1985 screenprint on Lenox museum board; (no. 12 from an edition of 40) signed and numbered lower left 39 by 31in., 97.5 by 77.5cm. P Taylor Gallery, Belfast Ed., Schellman, Jorg and Feldman, Frayda, Andy Warhol Prints: A Catalogue Raisonné 1962-1987, II., 347 Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Sheet size given.

Alex Katz (USA, b.1927) BLACK HAT IV, 2012 68 colour screenprint; (no. 11 from an edition of 50) signed and numbered lower left 28.5 by 71.5in., 71.25 by 178.75cm. L Taylor Gallery, Belfast Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Andy Warhol (USA, 1928-1987) MIGUEL BOSÉ, 1983 screenprint in colour on Saunder Waterford paper stamped by the Estate of Andy Warhol and by the Andy Warhol Foundation for the Visual Arts, Inc. and inscribed T.J.H."" in pencil on reverse"" 22 by 30in., 55 by 75cm. L Taylor Gallery, Belfast Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Sheet size given. Miguel Bosé, is a Latin Grammy-winning musician and actor. The present work is derived from a photograph by Warhol and was used on Bosé`s 1983 album, Made in Spain.

Andy Warhol (USA, 1928-1987) COW, 1976 screenprint with artist`s name and Nov 18 1976 to Jan 9, 1977 Copyright AWE"" printed in the left margin; with ""Modern Art Pavillion Seattle Art Centre"" printed in the right margin; stamped by the Estate of Andy Warhol and by the Andy Warhol Foundation for the Visual Arts, Inc. and inscribed ""T.J.H."" in pencil on reverse"" 45.75 by 28.25in., 114.375 by 70.625cm. P Taylor Gallery, Belfast Warhol: Portraits`, Modern Art Pavilion, Seattle Center, Seattle, WA, 18 November, 1976 to 9 January 1977 (another example) Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy. Published for an exhibition at the Modern Art Pavilion, Seattle Center, Seattle, WA, November 1976 this example by Warhol is one from a set of four unique colour combinations of his iconic Cow. The image was sourced from an unidentified book on animal husbandry, the image caption read “A Good Jersey Head”.

Damien Hirst (British, b.1965) UNTITLED (SILVER SPOT LANDSCAPE) c.2008 screenprint; (no. 25 from an edition of 150) signed in pencil in the margin lower right; numbered lower left 22 by 29in., 55 by 72.5cm. L Taylor Gallery, Belfast Sheet size, 29.5 by 37in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Banksy (British, b.1974) CND SOLDIERS, 2005 screenprint; (no. 322 from an edition of 350) signed and dated lower right; numbered and blindstamped [P.O.W. printing] lower left 27 by 19in., 67.5 by 47.5cm. P Taylor Gallery, Belfast Published by Pictures on Walls, London.A certificate of authenticity accompanies this lot. Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Banksy (British, b.1974) WESTERN-SUPER-MARE [2001-2003] screenprint; (no. 611 from an edition of 750) with artist`s name printed in the plate lower right; with title printed in the margin lower centre; numbered in pencil lower right 12.5 by 37in., 31.25 by 92.5cm. L Taylor Gallery, Belfast Sheet size, 14 by 39ins.A certificate of authenticity accompanies this lot.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Banksy (British, b.1974) LOVE IS IN THE AIR, 2003 screenprint; (no. 417 from an edition of 500) signed and dated in ink in margin lower right; numbered in pencil lower right and with Banksy copyright stamp also lower right 19.5 by 27in., 48.75 by 67.5cm. L Taylor Gallery, Belfast A certificate of authenticity accompanies this lot.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

M. Tabuchi, screenprint, entitled `Paradise of Birds` 1/2, framed and mounted, 60cm x 45cm

Peter L'Estrange, 'Canterbury Cathedral, signed, screenprint, 56 x 37 cm, two others by the same hand and another picture, similar CONDITION REPORT: One with 'rippled' paper, otherwise good

ALEX KATZ [US B. 1927], SCREENPRINT & LITHOGRAPH, 1976, H 28", W 21", "PAMELA IN BLUE" MICHIGAN OPERA THEATRE POSTER: Michigan Opera Theatre 1976, 1977; pencil signed and dated `77 lower left; also numbered `14`; 28 1/4" x 21 1/2" central image size [lettering is additional]; framed.

Elizabeth Blackadder RA RSA, ARR 'Orchidaceae' Coloured screenprint, signed 43/50 in pencil, 53 x 69cm, including a print of cats (2)

Ashley Havinden O.B.E, R.D.I. (1903 - 1973) - `Abstract in Day-Glo colours`, screenprint, printed by Expedite Publicity Peckham,1951, framed, 23cm x 15cm, also a companion screenprint by the same hand (2)

Victor Pasmore (1908 - 1998) - `11 Points of Contact`, screenprint, signed with monogram in pencil and numbered XVII, framed, 40cm x 40cm

Victor Pasmore (1908 - 1998) - Abstract forms over a tan ground from the Points of Contact series, screenprint, signed with monogram in pencil, framed, 42cm x 53.5cm

Victor Pasmore (1908 - 1998) - Abstract forms over a grey ground from the Points of Contact series, screenprint, signed with monogram in pencil, marked `AP` (artist`s proof), framed, 40cm x 40cm

Patrick Caulfield (1936 - 2005) - `Black and White Cafe`, screenprint, published circa 1972-1973, signed in pencil, marked `A/P` (artist`s proof), framed, 71cm x 59.5cm

Patrick Caulfield (1936 - 2005) - `Coat Stand`, screenprint, published circa 1972-1973, signed in pencil, marked `A/P` (artist`s proof), framed, 55cm x 79cm

Patrick Caulfield (1936 - 2005) - `Curtain and Bottle`, screenprint, published circa 1972-1973, signed in pencil, marked `A/P` (artist`s proof), framed, 55cm x 78cm

Brian Cairn (Contemporary) - Abstract composition with black triangles on an orange ground, screenprint, signed in pencil and dated `81, framed, 75cm x 56cm

Gerd Winner (b.1936) - `Isle of Dogs`, screenprint, signed in pencil, framed, 95cm x 64cm

Bruce McLean (b.1944) - Abstract composition with black stripe on purple ground, screenprint, signed and dated `89 in pencil, marked `A.P. (artist`s proof), 44cm x 61cm

Patrick Caulfield (1936 - 2005) - `Wineglass`, screenprint, unframed, 59cm x 44cm

A signed Roger Law Printers proof screenprint - Platypus - 39.5 cm x 57.5 cm

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Landscape with Two Xs", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated and numbered "36/100", sheet 5 1/2 in. x 4 5/8 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL. acquired from the artist.

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Encircled", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated and numbered "36/100", sheet 7 1/2 in. x 7 1/2 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Monostitch", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated and numbered "36/100", sheet 6 1/4 in. x 6 3/4 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Quiet Boxes", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated, and numbered "36/100", sheet 6 1/4 in. x 7 1/2 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Cupid`s Work", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated and numbered "36/100", sheet 6 1/2 in. x 4 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL, acquired from the artist.

Ida Kohlmeyer (American/Louisiana, 1922-1997), "Landscape with Four Xs", from the "Diminutive" series, 1979, color screenprint, printed by Terry Weldon`s workshop, pencil initialed, dated and numbered "36/100", sheet 4 1/4 in. x 7 in., float mounted and framed. Provenance: Private Collection, Birmingham, AL, acquired from the artist.

A George Chapman (British) Screenprint No. 65/75 depicting a Stately Home with figures in the foreground framed and glazed, 70 x 52 cms.

Norman Wade 'Durham Cathedral' & 'Prebands Bridge, Durham' Screenprint, signed '76 & '77, 22 x 29cm (2)

AARA Red, Gold and Brown Screenprint Dated 1968 67 x 80cm

David Freed (contemporary American school), 'Setback and Crush', graffiti style study, signed lower right, limited edition screenprint on paper numbered 13/20, W. 51 cm, H. 67.5 cm.

Albert Irvin [ARR]/Greenwich II/signed, inscribed, dated '91 and numbered 70/90/screenprint, 69cm x 92cm (27.25" x 36.25") Condition Report: In good condition with mount and framed.

Diana Armfield [ARR]/Flags Flying, Wet Day, Piazza San Marco, Venice/initialled, dated 1984 and numbered 14/100/silk screenprint, 23cm x 18cm (9" x 7")

Lillian Budd Modern World screenprint and acrylic on paper, two found lamps with assorted bulbs, found extension cord and resin-coated copy of Damned Shall be Desire by Stephen Coulter affixed to found stand National Art Gallery, Wellington, New Zealand Museum Contemporary Art, Sydney, Australia: Touring Exhibition label attached to base of found lamp 2400mm x 2000mm x 3000mm overall Acquired by the present owner from Gregory Flint Gallery, 1992. Formerly in the collection of Budd Holdings (NZ) Ltd, Auckland Headlands: Thinking through New Zealand Art, Museum of Contemporary Art, Sydney, Australia, 1992 Barr, Mary (ed.), Headlands: Thinking Through New Zealand Art, Museum of Contemporary Art: Sydney, 1992, p. 78

Simon Denny Untitled screenprint acrylic and found chalk on paper 640mm x 450mm

Philip Guston (Canadian 1913-1980) August from Four on Plexi Suite (1966) Screenprint. Dimensions: h:40 1/4 x w: 30 1/2 in.

VICTOR VASARELY [FRENCH/HUNGARIAN, 1906-1997], SCREENPRINT, H 12 1/4", W 9 1/2": #2/150; pencil signed; 14 3/4" x 10 3/4" paper; Kulicke metal frame. Birmingham Gallery, Birmingham, MI label.

VICTOR VASARELY [FRENCH/HUNGARIAN, 1906-1997], COLOR SCREENPRINT, H 21 1/4", W 19 1/4": #1/250; pencil signed; framed.

VICTOR VASARELY [FRENCH/HUNGARIAN, 1906-1997], SCREENPRINT WITH EMBOSSING, H 10", W 5": #2/150; pencil signed lower right. Birmingham Gallery, Birmingham, MI label on verso of frame. 14 3/4" x 10 3/4" paper.

Bruce Mclean (b.1944) - Signed limited edition screenprint - Coco Butter, No.2/75, published by Art Image 1990, signed and numbered, 110.5cm x 88cm, unframed and rolled A.R. Currently unframed and rolled - ** General condition consistent with age

Bruce Mclean (b.1944) - Signed limited edition screenprint - After Sun Soother, No.2/75, published by Art Image 1990, signed and numbered, 110.5cm x 88cm, unframed and rolled A.R. Currently unframed and rolled - ** General condition consistent with age

After Bridget Riley, a screenprint of squares

Bridget Riley (née en 1931)Sans titre (from the Rothko portfolio), 1973Sérigraphie en couleursSignée, numérotée 74/75 et datée 73 en bas à droiteColor screenprint Signed, numbered 74/75 and dated 73 lower right55 x 77 cm - 21 5/8 x 30 3/8 in. Provenance :Londres, Vente Sotheby`s, 23 novembre 2006, lot 183

ADRIAN HEATH (1920 - 1992) Framed, signed, dated and numbered in pencil to margin, 1964, `17/40`, Abstract screenprint on paper, printed to bottom edge, `Screenprinted by Kelpra Studio`s`, 81cm x 54.5cm. (ARR).

A group of pictures to include an oval framed watercolour of a lady in Victorian dress indistinctly signed, a screenprint of boats in a harbour entitled `Rainstorm the Haven Boston` By C L Minton edition 2/60 37cm by 55cm and two framed reprints of motorcars (4).

ARR PAUL FEILER (German/British 1918-2013), 'Ambit SV', screenprint in colours signed and dated '73 , titled and no.17/20 in pencil to the margin, 48cm x 48cm. See illustration

Gayle Robinson 'Garden Structure' Signed in pencil V/E, screenprint, 50 x 50cm