We found 12816 price guide item(s) matching your search

Sir Peter Blake CBE RDI RA, British b.1932- ''J is for James Dean''; screenprint in colours, signed, titled and numbered 41/95 in pencil, 102x77cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed and rolled in a poster tube. signed, titled, and numbered in pencil. Measurement taken from whole of sheet Speckled paint in lower right hand corner and some on top corner. Minor crease mark from rolling the picture in a tube Otherwise in good condition.

Patrick Hughes, British b.1939- "Confetti"; screenprint in colours, signed, numbered 92/150 and dated 83 in pencil, blindstamp, 76x56.5cm: together with another screenprint in colours by the same artist entitled, ''Rainbows on a Train", signed, titled, numbered 27/150 and dated 80 in pencil, 76x102cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: Unframed handling marks and minor ruckles on edges of paper. slight yellowing on 'Rainbows on a train' edges of paper. Minor mark on lower section of image - just above and to the right the title. Otherwise in good condition.

Joe Tilson RA, British b.1928- "Transparency The Five Senses- Touch", 1971; screenprint in colours and vacuum formed acrylic; signed and numbered 31/40 in black pen on label attached to the reverse, 61x61x5cm (may be subject to Droit de Suite) CONDITION REPORT: two perspex sections of casing are loose layer of glue looks to have perished significant crack to the perspex casing lower right corner further small crack top left and two very small cracks left edge some wear to the edges especially on the bottom section otherwise good

Lots 228 and 229 are by the Austrian artist, Susanne Wenger. Susanne Wenger was born in Graz, Austria. She studied art there and later in Vienna at the Academy of Fine Arts. In 1947 she co-founded the Vienna Art-Club. After living in Switzerland and Italy she moved to Paris in 1949 where she met the German linguist, Ulli Beier. Shortly after they married and moved to Ibadan, Nigeria, where he was to take up a post as a phonetician. In 1950 Wenger and her husband moved from Ibadan to nearby Ede. After becoming ill with tuberculosis, she turned to Yoruba religion and later became a Yoruba priestess. Wenger had initially been attracted to the religion after meeting one of the remaining priests of the Olorisha religion and quickly becoming engrossed in his life and rituals. During this period she and Beier mentored a group of local artists that were to become the New Sacred Art Movement. Wenger and Beier eventually divorced and in 1959 she married a local drummer Ayansola Oniru. She went on to adopt more than a dozen Yoruba children. Wenger become the guardian of the Sacred Grove of Osun goddess on the banks of the Osun river in Oshogbo and as her influence increased, the grove became a focal point for artists and those that celebrated Yoruba. The festival to worship the goddess Osun that takes place every August continues to attract thousands of visitors today. In 2005 UNESCO listed the grove as a world heritage site and in that same year, Wenger was made a member of Nigeria's federal republic. Wenger died in Osogbo in 2009. Susanne Wenger, (Adunni Olurisa), Austrian 1915-2009- Untitled figures, c.1965; screenprint in grey and black, bears label for F J Harris & Son Pictures (Bath) Ltd 13 & 14 Green Street Bath attached to the reverse of the frame, 76x51cm (may be subject to Droit de Suite) Provenance: gifted by the artist to the parents of the current owner. CONDITION REPORT: in a glazed white painted moulding frame, mid 20th century frame is the original sheet may or may not be stuck down as unexamined out of the frame some yellow staining to the sheet throughout otherwise good condition

Susanne Wenger, (Adunni Olurisa), Austrian 1915-2009- Untitled figures, c.1965; screenprint in grey and black, bears label for F J Harris & Son Pictures (Bath) Ltd 13 & 14 Green Street Bath 51x60cm (may be subject to Droit de Suite) Provenance: gifted by the artist to the parents of the current owner. CONDITION REPORT: in a glazed white painted moulding frame, mid 20th century frame is the original glass damaged lower left corner and piece loose within the frame sheet may or may not be stuck down as unexamined out of the frame some yellow staining to the sheet throughout otherwise good condition

Lots 235-239 are all by the French artist Henri Chopin 1922-2008 Henri Chopin is remarkable for the diversity of his creative achievement. He was a graphic artist and designer, poet, painter, typographer, filmmaker and broadcaster, and is noted as a focal point of contact for the international arts during the second half of the twentieth century. He was a major figure of concrete and sound poetry in Britain and France and is widely considered to be a pioneer in its recognition and distribution. His work was born in the wake of Letterisme, the French avant-garde movement with its roots in both Dada and Surrealism. Chopin sought to promote the medium of poetry through books and magazines. His first volume, Signes, was published in 1957, and in 1964 he created OU magazine which he ran until 1974. OU was among the most notable reviews of the period, with William Burroughs and the Dada pioneer, Raoul Haussman, amongst the contributors. Chopin also created many graphic works on his typewriter. The typewriter poems are held in a number of international art collections including the Morra Foundation and have been the subject of Australian, British and French retrospectives. In 1968 Chopin moved from France to live in Essex, where he stayed until 1985. During this time he staged a small, international festival at his home, for which Burroughs and other artists and writers including Brion Gysin travelled to take part. In 2001 Chopin returned to England to live with his family in Norfolk, where he continued to write and perform until his death in 2008. Henri Chopin, French 1922-2008- "On Recherche les Tueurs"; screenprint in green, dated 1967 within the plate, signed with initials and inscribed in pencil, 62x45.5cm (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: in a glazed ebonised frame, late 20th century sheet has dropped within the frame sheet is not stuck down water staining along the lower right corner and bottom edge collected loose debris along the bottom edge of the sheet top left corner chipped both top corners with grubby marks sheet slightly ruckled otherwise fair to good condition

Henri Chopin, French 1922-2008- "Gentlemen, The Common Market Ladies"; screenprint in mauve and black, signed, dedicated and dated 1973 in pencil, 76x 43.5cm: Henri Chopin, French 1922-2008- "Ou, Cinquieme Saison"; lithograph, inscribed and numbered 9/32 in pencil, 45.8x62cm (2) (rolled, unframed) (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: tightly rolled markings to the reverse print surface subject to slight surface scuffs and creasing overall in fair to good condition

Henri Chopin, French 1922-2008- "Wonderful Egopoem for UK 2000"; screenprint in colours, signed, and numbered 8 AP in pencil, 49.5x34.5cm: Henri Chopin, French 1922-2008- "La Crevette Amoureuse"; lithograph, signed within the plate, 23.5x22cm., (2) (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: Wonderful egopoem: in a glazed wooden frame, late 20th century may or may not be stuck down as unexamined out of the frame full sheet visible pronounced horizontal creasing left and right edges and into image handling creases lower portion some yellow staining and minor foxing overall fair condition: La Crevette Amoureuse: mounted in a glazed ebonised frame, early 21st century may or may not be stuck down as unexamined out of the frame in very good condition

Raoul Hausmann, Austrian 1886-1971- Serpent; lithograph, signed with initials and dated VI 69 within the plate, signed in pencil, 24.5x20cm: Jeff Golyscheff Ukrainian 1897-1970- Untitled; lithographs, a pair, both signed and dated 1970 within the plate, 23x31cm., ea: Tom Phillips CBE RA, British b.1937- "A Human Document"; lithograph with screenprint in colours, signed and numbered LXXV in pencil, 37.5x26cm., (4) (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: Hausmann: in a glazed ebonised frame, late 20th century full sheet visible may or may not be stuck down as unexamined out of the frame diagonal flattened crease upper right some minor spotting otherwise good Golyscheff: both in glazed wooden frames, late 20th century one frame with loose mitre upper right both may or may not be stuck down as unexamined out of the frames both with some minor spotting overall good condition Tom Phillips: in a glazed wooden moulding frame, late 20th century sheet ruckled some minor spotting around edges sheet somewhat yellowed otherwise good

John Griffiths, British 1926-2012- "Fisherman's Cottage, Treboul"; screenprint in colours, signed, titled, numbered 2/20 and dated 1957 in black pen, 35.5x48cm: John Griffiths, British 1926-2012- "Bandstand at Morlain"; screenprint in colours, signed, titled, numbered 6/19 and dated 1957 in black pen, 35.5x48cm: John Harbour, British, mid-late 20th century- Landscape; etching with aquatint printed in sepia, signed and dated 93 in pencil, 27x34cm., (3) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: John Griffiths Fisherman's Cottage: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Griffiths Bandstand: sheet very yellowed old mount shadow round image sheet ruckled some chipping to the edges otherwise fair John Harbour: Impression not centred on sheet Margins with outside plate mark right hand side Some black marks to margins Sheet slightly ruckled Otherwise fair-good

Eugenio Carmi, Italian b.1920- "Spazi e Colori Ette", publ. by Mondadori, Milano; screenprint in colours, signed and numbered 17 from the edition of 225 on label attached to the reverse, 40x40cm, (unframed) (may be subject to Droit de Suite)

Basil Beattie RA, British b.1935- "At the Hour of Midnight"; screenprint in colours, signed, numbered 46/75 and dated 99 in pencil, with blindstamp, 61x72.5cm: together with three other screenprints in colours by the same hand entitled, "Signs of Entry", "Bubble Wrapped" & "Stairing"; screenprint in colours, signed, dated and numbered in pencil, with blindstamp, various sizes, (unframed) (4) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, protected in cellophane wrapping and acid free tissue paper. On wove paper signed, dated and numbered in pencil All in very good condition

Ivor Abrahams RA, British 1935-1915- "Garden Suite V"; screenprint in colours, signed and dated 70, AP in pencil, 58x78.5cm: together with one other screenprint in colours by the same hand entitled "Garden Suite III", signed, inscribed 'AP' and dated 70 in pencil, 58x78.5cm (unframed) (2) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, mounted (stuck to mounts with tape) signed, dated and AP in pencil inscrbed verso PR0020 & PR0021 both are discoloured round the edges verso Otherwise in good general condition.

Stanley William Hayter CBE, British 1901-1988- "Slip Stream"; screenprint in colours, signed, titled, numbered 15/20 and dated 67 in pencil, with publisher's blindstamp, 77x56cm (sheet), (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, inscribed verso PR0013 Discoloured round the edges of the print Handling marks/yellowing Edges of the scuffed and ragged Slight discolouration on the print two thirds up Otherwise in reasonable condition.

Stanley William Hayter CBE, British 1901-1988- Untitled; screenprint in colours, signed, numbered 3/75 and dated 66 in pencil, 78.5x59cm (sheet), (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, inscribed PR0011 verso Edges of paper bent or discoloured. One tear on the lower edge Surface dirt on edges, and minor creases. Handling marks Otherwise in good general condition

Victor Vasarely, French/Hungarian 1906-1997- Untitled, from Permutations 51, publ by Edition Denise Rene; screenprint in colours, signed and inscribed 'E.A' in pencil, with publisher's blindstamp, 68.5x68.5cm, (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, inscribed verso JC in pencil. Print on thin card Small dog-ear on top right hand corner Surface dirt on edges of card Faint crease lower left hand corner Slight discolouration on margins. Dot on main body of print Otherwise in good general condition

William Tillyer, British b.1938- "Vase II"; screenprint in colours, signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm: together with one other screenprint in colours by the same hand entitled ''Vase V'', signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: Both Unframed Lead print has minor dog-ear in one corner Some surface dirt on the edges of the paper 'Vase V' has handling marks round some of the edges Also the surface of the print has been creased in places, which is visible in the print. Both prints are signed, dated and numbered Measurement are of the sheet size. Otherwise in good general condition.

Gordon House, British 1932-2005- "Series 8 -Vertical Tri Motif J''; screenprint in colours, signed, titled, numbered 15/40 and dated 76/77 in pencil, 78x41cm, (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Framed in a metal/chrome edged glazed frame. There is a chip broken on the lower edge on both corners. Unexamined out of frame. On textured/rough edged paper signed and numbered, titled and dated in pencil. Otherwise in good general condition.

Andy Warhol, American 1928-1987- "Campbell's Shopping Bag"; screenprint in colours on a shopping bag, from an edition of an unknown size, published for a Warhol exhibition at and by the Institute of Contemporary art, Boston, Massachusetts, October 1966, 63x43.2cm Note: stamped to the base of the bag, 'Guild Paper Products Co. 1154 Intervale Avenue, LU 9-3900 Bronx 59, N.Y.' CONDITION REPORT: in a plastic cover screenprint on the front has some black markings overall that were possibly produced when something was placed on top of it at one point, there is also some noticeable water marks over the printed surface most noticeable in the orange half there is a tear to the front of the bag bottom right edge approx 3.5cm horizontal overall slight grubbiness to the front of the bag base of the bag stained with watermarks back of the bag with some grubbiness overall overall fair/reasonably good condition

Erté, Russian/French 1892-1990- ''Mediterranee''; screenprint in colours, signed and numbered 2/300 in pencil, with blindstamp 'GG', 54x75.5cm CONDITION REPORT: Framed in glazed, mounted frame Unexamined out of frame Measurement of entire sheet In very good condition

Erté, Russian/French 1892-1990- ''La Somptueuse''; screenprint in colours, signed and numbered 257/300 in pencil, with blindstamp 'GG', 71x53cm CONDITION REPORT: Framed in glazed, mounted frame Unexamined out of frame Measurement of entire sheet only In very good condition

Yoshishige Furukawa, Japanese 1921-2008- "Poetry I-X"; the complete suite of ten, printed at Curwen Studio, Chilford, 1999; lithographs with screenprint in colours, ten, ea. signed and dated 99 in pencil, one inscribed 'Curwen Archive', five inscribed 'Curwen Archive I' and three inscribed 'Curwen Archive II' in pencil, ea. 38.5x45.3cm, (10) (unframed) Note: From 1955 Yoshishige Furukawa had numerous solo exhibitions in New York at Condeso-Lawler Gallery and in Japan including ones at Osaka's National Museum and Fukuoka Art Museum. He is included in the permanent collections of The National Museum of Art in Tokyo, The National Museum of Art in Kyoto, The Ohara Museum in Kurashiki and The Roland Gibson Art Museum in New Hampshire. He was also the recipient of a Pollock-Krasner Foundation award.

Daphne Odjig, Canadian b.1919- "Spirit of the Mighty Thunderbird"; screenprint in colours, signed and dated 68 within the plate, signed and dated 75 in pencil, 42x57cm: together with one other screenprint by the same hand, signed within the plate, 57x26cm., (2) CONDITION REPORT: Lead item: mounted in a glazed metallic frame late 20th century sheet has detached form the mount and is loose in the frame sheet is subject to old mount shadows and general yellowing otherwise good Part lot: mounted in a glazed metallic frame late 20th century sheet has detached form the mount and is loose in the frame sheet is subject to prominent multiple horizontal creasing left to right sheet is yellowed otherwise good

Sir Peter Blake CBE RDI RA, British b.1932- "C is for Clowning", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x74.2cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed white box-type frame may or may not be stuck down as unexamined out of the frame no visible defects or damages sheet very slightly ruckled from left to right image size 72x35cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "S is for Sumo", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x48.2cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed white box-type frame may or may not be stuck down as unexamined out of the frame no visible defects or damages image size 72x51cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "K is for King", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, white painted box-type frame may or may not be stuck down as unexamined out of the frame no visible defects or damages sheet very slightly ruckled from left to right image size 71x50.5cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "O is for Ornithology", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, wooden frame may or may not be stuck down as unexamined out of the frame no visible defects or damages image size 72x51cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "Y is for Yacht", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x74.5cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, white box-type frame may or may not be stuck down as unexamined out of the frame sheet very slightly ruckled from left to right no visible defects or damages image size 72x51cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "Q is for Quarters", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x75.5cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, wooden frame sheet very slightly ruckled from left to right extremely slight bluish-grey mark at centre of left margin, otherwise no visible defects or damages image size 71.5x51cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "Z is for Zebra", from the Alphabet series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x75.3cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, wooden frame may or may not be stuck down as unexamined out of the frame no visible defects or damages image size 72x51cm in very good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "W is for Wrestler", from the Alphabet series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.5x75.4cm, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in a glazed, wooden box-type frame image size 71.5x51cm the sheet is slightly ruckled from top to bottom and from left to right minor foxing visible in the left hand margin of the sheet otherwise in good original condition

Sir Peter Blake CBE RDI RA, British b.1932- "D is for Dwarfs", from the Alphabet Series, 1991, publ by Waddington Graphics and Coriander Studios, London; screenprint in colours, signed, titled and inscribed 'P/P I/I' in pencil, 98.4x74.3, (may be subject to Droit de Suite) Provenance: Coriander Studios, London CONDITION REPORT: in glazed, white box-type frame may or may not be stuck down as unexamined out of the frame no visible damages or defects image size 71.5x51cm in very good original condition

Robyn Denny, British 1930-2014- "Dream", publ by Leslie Waddington Prints Ltd., printed by Advanced Graphics, London; screenprint in colours, signed, dated '72 and numbered 61/100 in pencil, 101x151cm, (may be subject to Droit de Suite) Provenance: from the Estate of the late Eugene Rosenberg: Purchased by Eugene Rosenberg from Leslie Waddington Prints Ltd, 4th April 1972 Literature: Fourteen Big Prints, Bernard Jacobson Ltd., London, 1982, p.27 CONDITION REPORT: in a glazed brushed aluminium frame whole sheet visible, may or may not be stuck down unexamined out of the frame appears in overall good original condition with no noticeable sign of defects

Sir Eduardo Luigi Paolozzi KBE RA, Scottish 1924-2005- Untitled, from the Buñuel Suite; screenprint in colours, 46.5x37.2cm: together with a mixed technique lithograph and screenprint depicting a four head collage, 53x38cm, (2), (unframed) (may be subject to Droit de Suite) Note: Luis Buñuel, 1900-1983 was a Spanish-born filmmaker who worked in Spain, France, Mexico and USA. His films are known and admired for their surrealist imagery and their critical attitude towards organised religion and bourgeois morals. CONDITION REPORT: Bunuel- unsigned, appears in overall good original condition with no noticeable signs of defects Four heads- unsigned, a blue ink spot top left edge just touching the image, otherwise appears in overall good original condition

Rob Wass (Contemporary), 'Darkside Moth', screenprint, signed in pencil lower right, limited edition 50/70. H.48cm W.70cm

Josef Herman (1911-2000): A Limited Edition hand-signed colour screenprint depicting a man, woman and donkey, H 39 x W 46 cm

Giacomo Balla (Italian, 1871-1958): Equilibrio spaziale, colour screenprint, blind stamped & numbered 130/150

Michael A. Romel (20th century): Cordoba, colour screenprint, limited edition, hand signed in pencil; together with 'After Glow IV', colour screenprint, limited edition, indistinctly signed in pencil (2)

Lee Crew - screenprint in colours Moonstone, framed & glazed, 54 x 50cm

Lee Crew - screenprint in colours Turquoise, framed and glazed, 51 x 50cm

Lee Crew - screenprint in colours Goldfish, framed and glazed, signed, 81 x 52cm

TERRY FROST Lemon and Blue Screenprint Signed and numbered 57 out of an edition of 150 53 x 79cm

JULIAN DYSON Out for a Walk Screenprint Signed, dated '00 and numbered 27 out of an edition of 50 41 x 52cm

MARY BERESFORD-WILLIAMS The Tug/Infinity Screenprint, two works Each signed, inscribed and numbered out of an edition of 75

MAX BILL Screenprint 1972 59.8 x 59.8cm

TERRY FROST Black Circle Screenprint Signed and numbered 38 out of an edition of 150 47 x 90.5cm (See illustration)

ALBERT IRVIN Untitled Screenprint Signed and dated '97 15 x 20.5cm

DONALD HAMILTON FRASER, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (25/250), COLOURED SCREENPRINT, Dancer at Rehearsal, 27 x 18 (WITH CCA GALLERIES CERTIFICATE)

FOUR FRAMED SCREEN PRINTS AND WATERCOLOURS including a Stewart Hume watercolour titled 'Flag Irises', Haswell Smith watercolour titled 'Beneath the Gletsherhorn', a watercolour and conte crayon study of birds by John Bilsby title 'Fieldfares feeding on Cotoneaster berries' and dated 2003 plus a Molly Bullick screenprint titled 'Waiting for Spring', largest 64cm long

* SIR EDUARDO PAOLOZZI KBE RA HRSA (SCOTTISH 1924 - 2005), APPENDIX FOUR FROM EARLY ITALIAN POETS limited edition screenprint, signed, dated 1975 and numbered 65/200 in pencil 63cm x 61cm Mounted, framed and under glass

* REINHARD BEHRENS RSW PPSSA, MAROONED ON THE ICE-FLOE etching, signed, titled, dated 1988 and numbered 74/100 16cm x 15cm and * LYS HANSEN, HEAD IN HANDS screenprint, signed and dated '87 in pen 22cm x 20cm and * JAMES GIBSON, THE OLD SCHOOL YARD wash drawing, signed, titled and dated February 1989 on label verso 15cm x 15cm Label verso: Compass Gallery, Glasgow and * JOHN KINGSLEY COOK, THE DANCER wood engraving, signed and numbered 22/25 in pencil 8cm x 8cm Label verso: The Open Eye Gallery, Edinburgh Each mounted, framed and under glass (4)

•JOHN BYRNE RSA (Scottish b.1940) THE ARTIST Screenprint artist's proof, signed and inscribed with title, 36.5 x 27.5cm (14 1/4 x 10 3/4") Open Eye Gallery label verso

Margaret B Mayor - 'Graven Image II', artist proof etching, 2/6, pencil signed, titled and dated '97 to margin, 74 x 51 cm to/w 'Let there be light', artist proof screenprint 3/10, pencil signed, titled and dated '97 to margin, 79 x 55 cm, the reverse with The Society of Women Artists exhibition label for 139th Annual Exhibition, 2000

Margaret B Mayor - 'Trance', artist proof print 3/10, pencil signed, titled and dated 1993 to margin, 39 x 33 cm; 'Cherubim and Seraphim', artist proof print, pencil signed to margin, 33 x 25 cm; 'Cherubim and Seraphim', artist proof screenprint 3/10, pencil signed, titled and dated '97, 78 x 56 cm; and 'Higler I', monoprint, signed and dated 1991 to margin, 70 x 50 cm (4)

Sir Terry Frost RA, British 1915-2003- "Variations"; screenprint in black and white, signed, dated '73 and numbered 9/40 in pencil, 26x19cm, (may be subject to Droit de Suite) Provenance: Purchased from Bonham's, Knightsbridge, 21st October 2009, lot 72 CONDITION REPORT: mounted in a glazed modern ebonised frame may or may not be stuck down unexamined out of the frame appears in overall good condition with no noticeable signs of defects

P A Swan, British, late 20th/early 21st century- Black and white; screenprint and collage, 2007, 8.5x14cm, (may be subject to Droit de Suite) Provenance: Purchased from Eastern Open Exhibition, Kings Lynn CONDITION REPORT: mounted in a glazed frame whole sheet visible, appears stuck down overall but unexamined out of the frame appears in good original condition with no noticeable signs of defects

D*Face, British 20th/21st Century- 'Feels so Good'; unique hand-coloured screenprint, signed in pencil, 192x114cm (may be subject to Droit de Suite) Provenance: Black Rat Press Notes: British born, D*Face and has been a leading figure in urban art for over a decade. The revealing of his true identity as Dean Stockton signalled a shift from his work as street artist to gallery artist. The book 'The Art of D'Face - One Man and His Dog' was published in 2013 by Laurence King Publishing. CONDITION REPORT: In a wooden stained black, perpex box style frame. Unexamined out of frame. Paper stuck down on white mount behind, on floating mount. Paper slightly ruckled on the sides. The print lacks definition in some areas, suggesting the process was not as successful as it should have been when it was pulled through the screen. There is some smudging, dripping and dragging of paint during the making process, not part of the design left on the paper. It is signed and has a cartoon face drawn beside this in pencil. Otherwise image and frame is in very good condition.

Tracey Emin (b.1963) ''Hades, Hades, Hades'' Signed and dated (19)09, numbered 27/200 in ball point pen, published by Counter Editions, the full sheet, screenprint on cotton, 2009, hand stitched on to floral fabric, unframed, 41.5cm by 51cm *ARR/(Droit de Suite) applies to this lot In an excellent state of preservation.

§ BRUCE MCLEAN (SCOTTISH B.1944) WHITE WOMAN GREY MAN RED LINO, 1985 Signed and numbered 35/100 in pencil, screenprint with handcolouring 79.5cm x 96.5cm (31.25in x 38in) Exhibited: The Scottish Gallery, Edinburgh

§ BRUCE MCLEAN (SCOTTISH B.1944) HORIZONTAL DAWN Signed and numbered 9/60, hand-finished screenprint 153cm x 115.5cm (60.25in x 45.5in)