We found 12813 price guide item(s) matching your search

*John Piper CH (1903-1992)'Death In Venice V' (Levinson 229)screenprint in colours, 1973, signed 'John Piper' and numbered 58/7038.5 x 68cm*Artist's Resale Right may apply to this lot.

*Wilhelmina Barns-Graham (1912-2004)November IV, 1991screenprint in colours, signed and dated l.r. and inscribed 'Archive I' l.l. in pencilsheet 56 x 75.5cmProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Some foxing emerging mainly to the top edge, see illustration.

*Sir Terry Frost RA (1915-2003)Red, Black and Whitescreenprint in colours, 2000, signed and dated 'Terry Frost 00' in pencil, numbered 72/10023 x 27.5cmProvenance: With Belgrave Gallery, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, stuck to backboard at corners, tiny specks of foxing emerging on backboard but sheet itself appears to be in good condition. Generally well presented.

*Sir Terry Frost RA (1915-2003)'Small Yellow Timberaine' (Kemp 216)screenprint in colours, printed and published by Galleria Multigraphic, Venice, signed 'Terry Frost' in pencil, numbered 33/60sheet 40.2 x 50.2cm, unframed*Artist's Resale Right may apply to this lot. Condition report: Light handling creases, has previously been removed from mount, generally in good condition. 

*Sir Terry Frost RA (1915-2003)'Red and Black Squeeze' (Kemp 213)screenprint in colours, collage, printed by Galleria Multigraphic, Venice, 2001, signed 'Terry Frost' and numbered 57/120 in pencil36 x 58cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Unframed. Tiny loss of ink to one of black lines where it may have been rubbed, please see photo, otherwise it is in good condition.

*Michael Craig-Martin RA (Irish, b.1941)'Close Relations'screenprint in colours, artist's proof 3/12, signed and dated 'Michael Craig-Martin 1996' in pencil96 x 75cm*Artist's Resale Right may apply to this lot.Condition report: Framed size 106 x 85cmNot viewed out of glazed frame. Dirt on the glass but print appears to be in good conditon.

*Michael Craig-Martin RA (Irish, b.1941)'Distant Relations'screenprint in colours, artist's proof 3/12, signed and dated 'Michael Craig-Martin 1996' in pencil96 x 75cm*Artist's Resale Right may apply to this lot.Condition report: Framed size 106 x 85cm.Not viewed out of glazed frame. Some dirt on glass, print appears to be in good condition.

Brett Whiteley (Australian, 1939-1992)'The Swinging Monkey 3', 1965screenprint in colours, signed 'Brett Whiteley' in pen l.r. and numbered 58/70, with printed title l.l.77.5 x 57cmThis print is part of Whiteley's series titled 'My Relationship between Screenprinting and Regent's Park Zoo between June and August 1965'.Condition report: Viewed out of frame, a little staining around edges of image, otherwise generally in good condition.

Visual Aid for Band Aid (1985)screenprint in colours, signed in pencil in the margins by all 104 contributing artists and numbered 199/500 in pencil l.c., published by Coriander Studio, London120 x 91cmSold with certificate of authenticity.Signatures include David Hockney, Bridget Riley, Howard Hodgkin, Eduardo Paolozzi, Peter Blake, Paula Rego, Sandra Blow, Elisabeth Blackadder, Elisabeth Frink, Patrick Caulfield.Band Aid were a charitable organisation featuring mostly British and Irish musicians and recording artists. It was founded by Bob Geldof and Midge Ure in 1984, to raise money for famine relief in Ethiopia, its largest event being Live Aid (1985). Visual Aid for Band Aid poster was created alongside this and aimed to raise £250,000 to support the charity.Condition report: Framed size: 131 x 102cm. Not viewed out of glazed frame, sheet is attached to backing at the corners, a few dots on mid-right edge (printing imperfection) and small indent to paper, otherwise appears to be in good condition. Small loss to top-right corner of frame, but overall well-presented.

*Storm Thorgerson (1944-2013)'Ummagumma - Pink Floyd', 2001screenprint in colours, printer's proof 3/4, signed in pencilsheet 83.7 x 64.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Some surface dirt, but generally in good order.

*Tracey Emin RA (b.1963)'Everybody Needs a Place to Think', 2002screenprint on handkerchief, signed and dated in plate, from an edition of 150052.5 x 53.5cm;together with the invitation to the VIP launch party of BBC Four (2)Sold in original box, 14 x 14 x 1cmEmin was commissioned by the BBC to create a gift to accompany the VIP invitation to the launch party of BBC Four. The invitation includes printed text by Tracey Emin in her recognisable handwriting with the instructions, 'Please bring This invitation with you/otherwise, you're not going to get in/Love Tracey X'. While event-goers were able to keep the handkerchief, they gave up their invitations on arrival, making this set of both invitation and handkerchief more rare.*Artist's Resale Right may apply to this lot.Condition report: Shipping size: 14 x 14 x 1cmA couple of tiny marks on margin of the reverse, and small mark below 'Every', with original folds. Overall, marks are very minor and handkerchief is clean and bright. Invitation has a very small crease lower left corner.

*The Connor Brothers (b.1968)'I Can Resist Everything Except Temptation'screenprint in colours, signed 'Connor Brothers' in pencil and dated '17' l.r., numbered 21/50 l.l.63.5 x 39.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition.

DEATH NYC (Contemporary American) 'Aerosol', 2016, screenprint, signed, numbered 78/100 and dated in pencil, with artist's blindstamp, 45cm x 30cm, framed and glazed.

DEATH NYC (Contemporary American) 'Campbell Soup', screenprint, signed, numbered 43/100 and dated in pencil, with artist's blindstamp, 45cm x 30cm, framed and glazed.

DEATH NYC (Contemporary American) 'Snoopy', screenprint, signed, numbered 4/100 and dated in pencil, with artist's blindstamp, 45cm x 30cm, framed and glazed.

§ § John Piper (1903-1992), screenprint, 'Harlaxton Manor' 1977, signed in pencil, 8/100, 57 x 78cm

Gerry Baptist (British 1935-): 'Came out of the Same Door as in I Went', limited edition screenprint signed titled and numbered 15/75 in pencil 24cm x 30cm

Ben Eine (British 1970-), 'Shutterfont (Black)', 2009, screenprint in colours on 320gsm Somerset Satin paper, signed, dated and numbered from an edition of 150 in silver pen, published by Nelly Duff; 84 x 84cm inc frame ARR

Blek Le Rat (French 1951-) 'Space Cowboy' 2008, screenprint with varnish on 300gm Somerset Satin paper, signed and numbered from an edition of 200 in pencil, published by Black Rat Press; sheet: 74 x 53cm ARR

Blek Le Rat (French 1951-), 'Beggar', 2006, screenprint on wove paper, signed and inscribed AP in pencil, aside from the main edition of 150, published by Black Rat Press; sheet: 69 x 52cm ARR

Blek Le Rat (French 1951-), 'Rat N°5', 2019, screenprint in colours on 300gsm Arches paper, signed and numbered from an edition of 300 in pencil; sheet: 31 x 23cm ARR

Dolk (Norwegian 1979-), 'Che (XL)', 2006, screenprint in colours on paper, signed, dated and numbered from an edition of 100 in pencil, published by Pictures On Walls; sheet: 100 x 70cm ARR

Eelus (British 1979-), 'Shat-At (Blue)', 2006, screenprint in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Eelus (British 1979-), 'Wot U Lookin At (Brown)', 2007, screenprint in colours on wove paper, signed and numbered from an edition of 150; sheet: 50 x 70cm ARR

Keith Haring & Eric Orr (Collaboration), 'Repeat', 2020, screenprint in colours on 320gr Coventry Rag paper, signed, dated and numbered from an edition of 250 in pencil by Eric Orr, plate signed by both artist's, published by Gary Lichtenstein Editions; sheet: 71 x 50.5cm

Martin Whatson (Norwegian 1984-), 'The Crack', 2021, embossed screenprint in colours with giclee on 300gsm Somerset Sating paper, bearing the Artists and Publishers blind stamps, published by Graffiti Prints, from a timed open edition; sheet: 50 x 25cm ARR

Martin Whatson (Norwegian 1984-), 'Sneak Peak', 2021, embossed screenprint in colours with giclee on 300gsm Somerset Sating paper, bearing the Artists and Publishers blind stamps, published by Graffiti Prints, from a timed open edition; sheet: 25 x 62cm ARR

Martin Whatson (Norwegian 1984-), 'Eternal Reflection (Multi)', 2020, screenprint in colours with gloss varnish on wove paper, numbered from an edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cm ARR

Martin Whatson (Norwegian 1984-), 'Eternal Reflection (Red)', 2020, screenprint in colours with gloss varnish on wove paper, numbered from an edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cm ARR

Mr Brainwash (French 1966-), 'Connecting Lennon (Pink)', 2011, hand-embellished screenprint on wove paper, signed and numbered from an edition of 30 in pencil, dated and bearing the Artists Thumbprint ID verso; sheet: 57 x 57cm ARR

Mr Brainwash (French 1966-),' New York Icons - Keith Haring' (Yellow), 2009, screenprint in colours with aerosol on wove paper, signed and numbered from an edition of 75, signed in pencil on verso, bearing the artist's thumb print ID on verso; 82 x 62 cm inc frame ARR

Nick Walker (British 1969-), 'Mona Simpson' 2006, screenprint in colours on wove paper, signed and numbered in pencil from an edition of 750, published by Pictures On Walls; sheet: 70 x 50cm ARR

Shepard Fairey (American 1970-), 'War By Numbers (Grenade Girl)', 2007, screenprint in colours on speckle tone paper, signed, dated, and numbered from an edition of 300 in pencil; sheet: 61 x 45.5cm

Adriana Oliver (Spanish 1990-), 'Family', 2020, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75; 78.5 x 77.5cm inc frame ARR

Andy Warhol (American 1928-1987), 'Electric Chair (F. & S. 81),' 1971, screenprint in colors on wove paper, signed and dated in black ink verso, stamp-numbered from an edition of 250, published by Bruno Bischofberger, Zurich; sheet: 90 x 121cm

Claire Tabouret (French 1981-), 'The Siblings', 2020, screenprint in colours with lithography on 410gsm Somerset paper, signed and numbered from an edition of 75, published by Perrotin; sheet: 40.7 x 47cm ARR

Connor Brothers (British Duo), 'We Must Be Careful', 2016, hand-finished pigment print on paper with acrylic, oil, screenprint, and varnish, signed and dated in white ink recto, numbered from an edition of 4 Studio Proofs in black ink to the sheet verso, signed and numbered from an edition of 4 Studio Proofs to the artist label affixed to the frame verso; 155 x 98cm inc frame ARR

Connor Brothers (British Duo), 'Every Saint Has A Past', 2016, hand-finished pigment print on paper with acrylic, oil, screenprint, and varnish, signed and dated in white ink recto, numbered from an edition of 4 Studio Proofs in black ink to the sheet verso, signed and numbered from an edition of 4 Studio Proofs to the artist label affixed to the frame verso; 155 x 98cm inc frame ARR

Coolman Coffeedan (American), 'Alley Cats', 2021, screenprint on wove paper. signed, dated and numbered from an edition of 100 in pencil; sheet: 55.5 x 43.5cm

David Shrigley (British 1968-), 'Tiger Shit', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 76 x 56cm ARR

David Shrigley (British 1968-), 'Keep Your Ass Away From The Cactus', 2020, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cm ARR

David Shrigley (British 1968-), 'Be Kind To Everyone', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed, dated, and numbered from an edition of 125 verso, published by Nicolai Wallner; sheet: 76 x 56cm ARR

David Shrigley (British 1968-), 'Untitled (The World)', 2019, screenprint in colours on 300gsm Rives paper, signed, dated, and numbered from an edition of 125 in pencil verso; sheet: 76 x 56cm ARR

David Shrigley, 'I Am Elegant I Am Oh So Very Very Elegant', 2021, screenprint in colours on wove paper, numbered from an edition of 125 verso, published by Ding Dong Takuhaibin; sheet: 76 × 56cm ARR

David Shrigley (British 1968-), 'To Hell With Zoos', 2021, screenprint in colours on 410gsm Somerset Satin Tub sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 75 x 56cmARR

David Shrigley (British 1968-), 'I Cannot Live Without You', 2019, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 verso, published by Jealous Gallery; sheet: 76 x 56cm ARR

David Shrigley (British 1968-), 'Untitled (Old Dog)', 2021, screenprint in colours on 400gsm Somerset Tub Sized paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cm ARR

Ed Ruscha (American 1937-), 'Compass', 1990, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 60 in pencil, published by Gemini G.E.L; 121.5 x 93cm inc frame

Gerald Laing (British 1936-2011), 'The Kiss', 2007, screenprint in colours with applied gold leaf on wove paper, signed, titled, dated, and numbered from an edition of 90 in pencil; sheet: 110.5 x 94cm ARR

Hank Willis Thomas (American 1976-), 'All Lies Matter', 2019, screenprint on black wove paper, signed, dated, and numbered from an edition of 400; sheet: 61 x 45.5cm (Framed)

Harland Miller (British 1964-), 'Death, What's In It For Me?', 2011, screenprint in colours on 410gsm Somerset paper, signed, dated and numbered from an edition of 50 in pencil, published by White Cube; sheet: 96 x 66cm ARR

Joan Miro (Spanish 1893-1983), 'Untitled', 1964, screenprint in colours on wove paper, signed and numbered from an edition of 100 in pencil; sheet: 78.5 x 58.5cm ARR

Nick Smith (British), 'Haring Dog (Gold)', 2019, giclee print in colours with 24ct Gold Leaf and screenprint varnish in 330gsm Somerset Satin paper, signed, dated, and numbered from an edition of 33 in pencil, published by Rhodes Contemporary Art; sheet: 54 x 61cm ARR

Oli Epp (British 1994-), 'Bon Voyage', 2021, screenprint in colours with silver ink and varnish on wove paper, signed and numbered from an edition of 50 in pencil, published by Blouin Division; sheet: 86 x 76cm ARR

Peter Blake (British 1932-), 'Dazzle Disc', 2016, screenprint in colours with glazes on wove paper, signed and numbered from an edition of 100 in pencil, published by CCA Galleries; sheet: 81 x 72.5cm ARR

Peter Blake (British 1932-), 'Union Flag (Greyscale)', 2016, screenprint in colours with glitter overlay on archival fine art paper, signed and numbered from an edition of 75 in pencil, published by CCA Galleries; sheet: 72 x 89cm ARR

Peter Blake (British 1932-), 'Union Flag', 2016, screenprint in colours with glitter overlay on archival fine art paper, signed and numbered from an edition of 75 in pencil, published by CCA Galleries; sheet: 72 x 89cm ARR

Roy Lichtenstein (American 1923-1997), 'Finger Pointing', 1973, screenprint in colours on wove paper, numbered from an edition of 300 in pencil verso, with the Artist's copyright stamp veros, published by Experiments in Art and Technology; 46 x 38.5cm inc frame

Tauba Auerbach (American 1981-), 'Untitled (Fold)', 2009, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 150 verso, published by Printed Matter; 89.5 x 64.5cm inc frame

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; 50 x 60cm inc frame ARR