We found 12816 price guide item(s) matching your search

Herbert Bayer (American/Austrian, 1900-1985). Framed screenprint on paper titled "Structure on Green" from the portfolio "Edition Domberger Stuttgart Portfolio," 1968. Pencil signed along the lower right and numbered 2/85.(Portfolio) height: 20 1/2 in x width: 10 1/8 in. (Prints) sight; height: 19 in x width: 18 1/2 in. Framed; height: 27 in x width: 26 1/2 in.Condition: The print are in excellent condition. There is no undulation to the sheet; there are no rips, tears, or restorations. The sheet is slightly toned, visible only when unframed. It is framed in each corner with a bracket and the print can easily be removed; it is matted. Framed under TruView UV resistant glass; some wear to the frames.

Richard Haas (b. 1936). A photograph and screenprint proposal of the Boston architectural center mural. Pencil signed along the lower right; numbered 8/15 along the lower left. With an affixed slip of paper reading "Project: Boston Architectural Center - completed 1977 with funds from National Paint and Coatings Association and private donors."Height: 18 in x width: 32 in.Condition: The item is in good condition, with no visible tears, losses, or major creases. The emulsion appears to be smooth and great. In the upper right corner of the right image, there is a minor crease that does not affect the overall appearance. When inspected under UV light, there is no visible sign of restoration. Both images are affixed on the board; therefore, the verso of each image was not inspected.

Herbert Bayer (American/Austrian, 1900-1985). Framed screenprint on paper titled "Spectral Gate" from the portfolio "Edition Domberger Stuttgart Portfolio," 1968. Pencil signed along the lower right and numbered 2/85.(Portfolio) height: 20 1/2 in x width: 10 1/8 in. (Prints) sight; height: 19 in x width: 18 1/2 in. Framed; height: 27 in x width: 26 1/2 in.Condition: The print are in excellent condition. There is no undulation to the sheet; there are no rips, tears, or restorations. The sheet is slightly toned, visible only when unframed. It is framed in each corner with a bracket and the print can easily be removed; it is matted. Framed under plexiglass; some wear to the frames.

Paul Jenkins (American, 1923-2012). Screenprint on paper depicting an abstract burst of color, 1980. Pencil signed and dated along the lower right; numbered 15/100 along the lower left.Under the G.I. Bill, Paul Jenkins attended the Art Students League in New York from 1948-52, during which time he studied with Yasuo Kuniyoshi and Morris Kantor. He remained at the Art Students League until 1952, where he befriended fellow artists Jackson Pollock and Mark Rothko. Though he is often associated with abstract expressionism, he preferred to think of himself as "an abstract phenomenist."Jenkins' pictorial universe consists of streaks of color that awaken associations. He produced his first picture with diluted paints in 1951; later they were executed as pour pictures. The layers of pigment covering the picture supports are whisper-thin. Jenkins' handling is intuitive yet informed by philosophy. He was receptive to sources of inspiration provided by the manifold impressions he had of his immediate surroundings. His aesthetic experiments usually involve the prismatic colors of the rainbow. However, Jenkins also worked up the impressions he had received on his extensive travels. In such cases, it is the distinctive color of a particular place that he found most fascinating.Height: 59 in x width: 40 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Jo Taylor Limited edition screenprint 'Totem', study of horse on red ground, 20/50, 62cm x 50.5cm 

Michael Rothenstein (1908-1993) signed screenprint - Butterfly, image 62cm x 91cm, unframed

JAPANESE SCREENPRINT, framed and glazed, 166cm x 103cm.

John Piper (British 1903-1992): Besse - Dordogne, limited edition screenprint signed and numbered 31/70 in pencil pub. 1968, 78cm x 58cm

Itzchak Tarkay (1935-2012) - In the forefront, embellished screenprint in colours, signed lower right and numbered XXV/CCXCVI lower left, 40 x 30.5cm

§ John Piper (1903-1992) - Foliate head, etching and screenprint printed in colours, signed and numbered 86/100 in pencil to the lower margin, visible sheet dimensions 50 x 62cmPaper very good and flat.Colours appear excellent and original.No noticeable faults.

Felicity Rainnie (b.1945) - Mimosa and the Lions, etching, signed, titled and numbered 122/175 in pencil to the lower margin, visible sheet dimensions 24 x 23cm; together with M.C.E. - Adam and Eve, black and white screenprint, visible sheet dimensions 22.5 x 16.5cm (2)

** Ugo Rondinone (b.1964)StarsScreenprint, 2009, signed in black pen verso, numbered from the edition of 300, published by Editions Eric Seydoux, Paris, on Rives paper, with full margins, sheet 1050 x 747mm (41 1/4 x 29 3/8in)This lot is currently stored in Europe and shipping quotes will be from there rather than from the U.K.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Stephen Powers (b.1968)Everything Is Shit Except You Love (Cream)Screenprint in colours, 2009, signed in pencil, numbered from the edition of 100, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 495 x 495mm (19 1/2 x 19 1/2in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ The Connor Brothers (b.1968)Thou Shall Not Be a CuntGiclée with screenprint, 2022, signed and dated in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, London, on wove paper, with margins, sheet 750 x 500mm (29 1/2 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Keith Haring (1958-1990)Three EyesScreenprint in colours, 1982, from the edition of 2000, printed by Fleetwood Press, published by Tony Shafrazi Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 215 x 225mm (8 1/2 x 8 7/8in)

δ Peter Max (b. 1937)Better WorldScreenprint in colours, 2015, signed in pencil, numbered from the edition of 350, with the artist's blindstamp, on wove paper, with margins, sheet 780 x 435mm (30 3/4 x 17 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** Geoff McFetridge (b. 1971)UntitledScreenprint in colours, 2005, initialled and dated in black ink, from the edition of unknown size, on wallpaper, the full sheet printed to the edges, sheet 500 x 400mm (19 5/8 x 15 3/4in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Raymond Pettibon (b.1957)Untitled (We Still Have Something Easy to Destroy)Screenprint, signed and numbered from the edition of 120 in pencil, on wove paper, the full sheet, 915 x 610mm (36 x 24in)

** Clare Rojas (b.1976)BeerScreenprint, from the edition of unknown size, published by the artist, on wove paper, with full margins, sheet 355 x 280mm (14 x 11in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Jake and Dinos Chapman (b.1966 & 1962)California Über-AllesScreenprint in colours, 2017, signed in black ink, numbered from the edition of 50, published the artist on the occasion of The Art Car Boot Fair, with full margins, sheet 420 x 595mm (16 1/2 x 23 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Andy Warhol (1928-1987) after.I Love Your Kiss Forever Forever (Sunday B. Morning)Screenprint in colours, 2013, numbered from the edition of 2500 in pencil verso, published by Sunday B Morning, with their rubber stamps in blue ink verso, on Vellum paper, the full sheet printed to the edges, sheet 419 x 571mm (16 1/2 x 22 1/2in)This work is accompanied by a certificate of authenticity issued by the publisher.

** Eric Haze (b.1961)S-IzmScreenprint in colours, 2007, signed and dated in pencil, numbered from the edition of 250, on wove paper, the full sheet printed to near the edges, sheet 760 x 565mm (30 x 22 1/4in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ D*Face (b. 1978)Better Than NeverScreenprint in colours, 2022, signed in pencil and numbered from the edition of 95, with artist's blindstamp, published by Corey Helford Gallery, Los Angeles, on Lambeth wove paper, with full margins, sheet 870 x 700mm (34 1/4 x 27 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Robyn Denny (1930-2014)The Paramount Suite (orange) Screenprint in colours, 1969, signed and dated in pencil, numbered from the edition of 75, published by Bernard Jacobson Gallery, London, on wove paper, the full sheet 665 x 861 (26 1/8 x 33 7/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Ivor Abrahams (1935-2015)Domain at Arnheim IIScreenprint in colours, 1976, signed and dated in pencil, numbered from the edition of 97, printed by Advanced Graphics, London, with their blindstamp, published by Bernard Jacobson Gallery, London, on wove paper, with full margins, sheet 525 x 362mm (20 7/8 x 14 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Beryl Cook (1926-2008)The BathroomScreenprint in colours, 1987, signed and titled in pencil, numbered from the edition of 300, published by Flanagan Graphics, Florida, on wove paper, with full margins, image 715 x 370mm (28 1/4 x 14 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Peter Max (b. 1937)Brooklyn BridgeScreenprint in colours, 2017, signed in pencil, numbered from the edition of 495, with the artist's blindstamp, on wove paper, with margins, sheet 390 x 520mm (15 3/8 x 20 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ David Hockney (b.1937)Remember That You Cannot Look At The Sun Or Death For Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Shepard Fairey (b. 1970)Cover to Overt Water Tower (Gold)Screenprint in colours, 2015, signed and dated in pencil, also signed by Jonathan Furlong, numbered from the edition of 350, published by Obey Giant, Los Angeles, on wove paper, the full sheet 610 x 460mm (24 x 18 in)

Shepard Fairey (b. 1970)Radiant LotusScreenprint in colours, 2022, signed and dated in pencil, numbered from the edition of 550, published by Obey Giant, Los Angeles, on wove paper, the full sheet 610 x 610mm (24 x 24in)

δ The Connor Brothers (b.1968)Just Because You're ParanoidGiclée in colours with screenprint varnish, 2019, signed and dated in pencil, numbered from the edition of 50, published by the artist, on wove paper, with full margins, sheet 42 x 290mm (16 1/2 x 11 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** Neck Face (b.1984)El DiabloScreenprint in colours, 2004, signed and dated in red ink, from the edition of unknown size, on wove paper, with full margins, sheet 327 x 250mm (12 7/8 x 9 7/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Andy Warhol (1928-1987) after.Marilyn Monroe (Sunday B. Morning)Screenprint in colours with diamond dust additions, 2012, numbered from the edition of 2500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 915 x 915mm (36 x 36in)This work is accompanied by a certificate of authenticity issued by the publisher.

R.B. Kitaj (1932-2007)Nancy and Jim Dine (Ramkalawon 150)Screenprint in colours with collage, 1970, signed in pencil, numbered from the edition of 70, printed by Kelpra Studio, London, with their stamp verso, on wove paper, the full sheet printed to the edges, sheet 850 x 584mm (in)

Shepard Fairey (b.1970)Progress (Obama)Screenprint in colours, 2008, signed and dated in pencil, numbered from the edition of 400, published by Obey Giant, Los Angeles, on wove paper, the full sheet printed to the edges, sheet 305 x 228mm (12 x 9in)

δ The Connor Brothers (b.1968)Fuck This ShitGiclée with screenprint, 2022, signed and dated in pencil, a printer's proof aside from the edition of 75, published by DeMontfort Fine Art, London, on wove paper, with margins, sheet 750 x 500mm (29 1/2 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Ben Eine (b.1970)Elton (Light)Screenprint in colours, 2007, signed and dated in silver pen, numbered from the edition of 150, published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet printed to near the edges, sheet 688 x 685mm (27 x 26 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Ben Eine (b.1970)Tasty PScreenprint, 2008, signed and dated in pencil, numbered from the edition of 35, on wove paper, with full margins, sheet 700 x 500mm (27 1/2 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Shepard Fairey (b. 1970) Love LotusScreenprint in colours, 2021, signed and dated in pencil, numbered from the edition of 550, published by Obey Giant, Los Angeles, on wove paper, the full sheet 612 x 457mm (24 x 18in)

δ Martin Whatson (b. 1984)Sneak PeekGiclée with screenprint in colours, 2021, from the 12 hour open edition, published by Graffiti Prints, Newcastle, with theirs and the artist's monogram blindstamps, with the Certificate of Authenticity, on Somerset Satin paper, with full margins, sheet 249 x 618mm (9 3/4 x 24 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Allen Jones (b.1937)Self (Lloyd 28)Screenprint in colours, 1965, signed and dated in pencil, numbered from the edition of 225, printed by Chiron Press, New York, with their blindstamp, published by Tanglewood Press, Los Angeles, on wove paper, the full sheet printed to near the edges, sheet 558 x 429mm (22 x 16 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Victor Vasarely (1906-1997)Louisiana IIIScreenprint in colours, 1983-1984, signed in pencil, numbered from the edition of 275, printed by Atelier Sillium, Paris, published by Borjeson, Malmo, on Arches paper, with full margins, sheet 780 x 755mm (30 3/4 x 29 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Robyn Denny (1930-2014)All Through the Day (Purple)Screenprint in colours, 1970, signed, dated and inscribed in pencil, numbered XXV/XXV, an artist's proof aside from the edition of 95, published by Bernard Jacobson Gallery, London, on wove paper, the full sheet printed to the edges, sheet 725 x 761mm (28 1/2 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Charming Baker (b.1964)Try Not to Always Think The WorstScreenprint in colours, 2013, signed in pencil, numbered from the edition of 100, printed and published by Jealous Print Studio, London, with their and the artist's blindstamps, and with the accompanying certificate of authenticity, on Somerset wove paper, the full sheet printed to near the edges, sheet 1021 x 762mm (40 1/4 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Keith Haring (1958-1990)Montreux 1983 Green (Döring & Osten 9)Screenprint in colours, 1983, on heavy wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, sheet 700 x 1000mm (27 ½ x 39 3/8in)

** Stephen Powers (b.1969)New YorkScreenprint in colours, 2009, signed in pencil, numbered from the edition of 125, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet printed to the edges, sheet 635 x 638mm (25 1/8 x 25 1/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Shepard Fairey (b. 1970)Eyes of the King VerdictScreenprint in colours, 2022, signed and dated in pencil, also signed by Ted Soqui, numbered from the edition of 600, published by Obey Giant, Los Angeles, on wove paper, with full margins, sheet 612 x 457mm (24 x 18in)

Barbara Rae RA RSA RSW, Scottish b.1943 - Sunflowers - Alayrac; screenprint on paper, signed, titled and numbered bottom edge 'Sunflowers A/P Rae', 57.6 x 75.5 cm (ARR)Provenance: the Collection of an Important Patron of British Art 

Norman Wade (British, 20th century), 'Durham Cathedral', 1968, limited edition screenprint in colours (36/100), signed and numbered in pencil below, 24 x 43 cm, framed and glazed.

DEATH NYC (American, b.1979) 'Kate Moss Snoop Red', screenprint in colours, signed, dated and numbered in pencil, from the edition of 100, with the artist's blindstamp, 45cm x 30cm, framed.

DEATH NYC (American, b.1979) 'Hello Kitty Kate Moss', screenprint in colours, signed, dated and numbered in pencil, from the edition of 100, with the artist's blindstamp, 45cm x 30cm, framed.

Hilary Adair (British 1943-) - 'Mozart -A Memorial' artist signed limited edition print dated '91 numbered 6/75, 47cm x 35cm; Dickson (British 20th century): 'The Moon Ponds of Studley Royal', artist's proof screenprint signed and titled 38cm x 55cm (2)

Follower of Stuart Davies (British 1892-1964): Abstract Composition of Figures, artists proof screenprint indistinctly signed and titled 42cm x 31cm (unframed)

Contemporary School, Lancaster Bomber over an aerodrome, screenprint, mounted,12x12ins, unframed.

ILZE CLARK (B. 1976) 'Velta' 2003, signed titled and dated to the stretcher verso, acrylic on canvas, 61cm x 83cm; together with a screenprint 'Icons' indistinctly signed and numbered 1/6 in pencil to the margin, the image 67cm x 46cm (2)

John Piper CH. (1903-1992) - Limited edition screenprint - Capesthorne, 1977, 41/75, signed and numbered in pencil to the margin, 67cm x 102cm (framed and glazed)

John Piper (British, 1903-1992) - Screenprint - Photographic view from the roof of Longleat, from the 'Stones and Bones' portfolio, 1978, the edition was 50+10, printed at the Kelpra Studios, published by Kelpra Editions, London, on wove paper, 60 x 80cmPurchased from the Goldmark Gallery, Uppingham

Bryan Pearce (1929-2006) - Signed limited edition screenprint, St. Ives Harbour, 62/150, signed and dated (19)90, 42.5cm x 52cm, framed, behind glass

William Tillyer (1938-)Landscapesigned ‘Tillyer’ (lower right); numbered '21/100'screenprint on paper72 x 91cm

Ken Fleming, screenprint of 4 cats sitting under a pot plant, 58cm x 66cm, framed