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Click here to subscribeδ David Shrigley (b. 1968)Time to ChooseScreenprint in black, 2004, from the edition of unknown size, published by Pictures On Walls, London, with their blindstamp, on wove paper, the full sheet, sheet 700 x 500mm (27 1/2 x 19 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Andy Warhol (1928-1987) after.I Love Your Kiss Forever Forever (Sunday B. Morning)Screenprint in colours, 2013, numbered from the edition of 2500 in pencil verso, published by Sunday B Morning, with their rubber stamps in blue ink verso, on Vellum paper, the full sheet printed to the edges, 419 x 571mm (16 1/2 x 22 1/2in)
Andy Warhol (1928-1987) after.Marilyn Monroe (Sunday B. Morning)Screenprint in colours with diamond dust additions, 2012, numbered from the edition of 2,500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 915 x 915mm (36 x 36in)This work is accompanied by a certificate of authenticity issued by the publisher.
NO RESERVE Yaacov Agam (b.1928)Progression, from XXe Siècle 37Screenprint in colours, 1971, published by Atelier Arcoy, Paris, from the edition of unknown size, the full sheet printed to the edges, sheet 310 x 710mm (12 1/4 x 28in);Together with,Marie Taita Aihi (b.1954)Two CreaturesScreenprint in colours, 1969, signed, inscribed and dated in pencil, numbered from the edition of 40, on wove paper, with full margins, sheet 720 x 385mm (28 3/8 x 15 1/4in);andPierre Tal-coat (1905-1985)UntitledTwo etchings with aquatint, each 480 x 660mm (18 7/8 x 26in) (4)
δ Charming Baker (b.1964)Try Not to Always Think The WorstScreenprint in colours, 2013, signed in pencil, numbered from the edition of 100, printed and published by Jealous Print Studio, London, with their and the artist's blindstamps, and with the accompanying certificate of authenticity, on Somerset wove paper, the full sheet printed to near the edges, sheet 1021 x 762mm (40 1/4 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bambi (b.1982)Too Hot For my Burka (Grey)Screenprint in colours, 2014, signed in pencil, numbered from the edition of 75, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, with their blindstamp, with the accompanying certificate of authenticity issued by the publisher, the full sheet, sheet 730 x 530mm (28 3/4 x 20 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bambi (b.1982)Big Girls Need Big Diamonds (Liz Taylor Turquoise)Screenprint in colours, 2012, signed in pencil, inscribed 'A/P', an artist's proof aside from the edition of 50, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, the full sheet, 615 x 515mm (24 1/4 x 20 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bambi (b.1982)Madonna (Purple)Screenprint in colours, 2013, signed in pencil, inscribed 'A/P', an artist's proof aside from the edition of 50, on wove paper, published by Hyde Images Ltd, London, with their blindstamp, the full sheet, 615 x 515mm (24 1/4 x 20 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Bambi (b.1982)Rock And Roll Kate (Turquoise)Screenprint in colours, 2012, signed in pencil, inscribed 'A/P', an artist's proof aside from the edition of 50, on watermarked Somerset wove paper, published by Hyde Images Ltd, London, with their blindstamp, the full sheet, 615 x 515mm (24 1/4 x 20 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Mr Brainwash (b.1966)Marilyn MansonThe unique screenprint on cardboard with collage, 2015, signed in black ink, with the accompanying certificate issued by Westbank Gallery, London, overall 760 x 537mm (30 x 21 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Mr Brainwash (b.1966)Long Live The KingScreenprint in colours, 2023, signed in pencil, numbered from the edition of 816, on wove paper, with full margins, sheet 670 x 570mm (30 x 22 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Ryan Callanan aka RYCA (b. 1981)Breaking BadScreenprint in colours with vintage Japanese blue diamond dust, 2018, signed in pencil and numbered from the edition of 50, published by Print Club London, with publisher's blindstamp, on wove paper, the full sheet 700 x 500mm (27 5/8 x 19 5/8 in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ D*Face (b.1978)Warhol (Pink)Screenprint in colours, 2005, signed and numbered from the edition of 250 in silver ink, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500 x 700mm (19 5/8 x 27 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE ** δ Ben Eine (b.1970)Elton (Dark)Screenprint in colours, 2007, signed and dated in silver pen, numbered from the edition of 150, published by Pictures on Walls, London, with their blindstamp, on wove paper, the full sheet printed to the edges, sheet 685 x 685mm (27 x 27in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Jamie Hewlett (b.1968)Stained Glass Medium WindowScreenprint with lithograph printed in colours, 2005, numbered from the edition of 500 in white pencil, printed and published by Pictures on Walls, London, with their blindstamp, on heavy rag card, the full sheet, sheet 834 x 306mm (32 3/4 x 12 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Micallef (b.1975)Friendly FireScreenprint with hand-embellishments, 2006, signed in pencil, numbered from the edition of 250, published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 758 x 560mm (29 7/8 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Pure Evil (b.1968)The KennedysScreenprint in colours, 2018, signed in pencil, numbered from the edition of 100, published by Flat Blak Gallery, Ketcham, on wove paper, the full sheet printed to near the edges, sheet 540 x 457mm (21 1/4 x 18in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Blek le Rat (b.1951)Masters Voiceless (Blue)Screenprint in colours, 2008, signed in pencil, numbered from the edition of 100, published by Black Rat Press, London, with their blindstamp, with full margins, sheet 740 x 725mm (29 1/8 x 28 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Blek le Rat (b.1951)Masters Voiceless (Green)Screenprint in colours, 2008, signed in pencil, numbered from the edition of 100, published by Black Rat Press, London, with their blindstamp, with full margins, sheet 740 x 725mm (29 1/8 x 28 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Vhils (b.1987)Subsume 2Screenprint hand-finished with bleach and ink, 2019, signed in pencil, from the edition of 80, published by Magda Danysz Gallery, Paris, on wove paper, the full sheet printed to the edges, sheet 700 x 500mm (27 1/2 x 19 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Heron (1920-1999)Garden Print, from the Royal College of Art Artist's Choice PortfolioLithograph printed in colours, 1987, signed and dated in pink felt-tip pen verso, inscribed 'AP', an artist's proof aside from the edition of 48, printed and published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 305 x 305mm (12 x 12in)Provenance:This works comes from the collection of Michael Stokes, who worked with renowned British artists such as Terry Frost, Peter Blake and John Hoyland in his capacity as a Screenprint Instructor at the Royal College of Art.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Hoyland (1934-2011)Dream, from The Royal College of Art Centenary Year Twelve Artists Portfolio of PrintsScreenprint in colours, 1996, signed and dated in pencil, from the edition of 100, published by the Printmaking Course of the Royal College of Art, on wove paper, the full sheet, 760 x 570mm (30 x 22 3/8in)Provenance:This works comes from the collection of Michael Stokes, who worked with renowned British artists such as Terry Frost, Peter Blake and John Hoyland in his capacity as a Screenprint Instructor at the Royal College of Art.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ John Hoyland (1934-2011)The Red BoatScreenprint in colours, 1999, signed and dated in pencil, numbered from the edition of 300, on wove paper, with full margins, sheet 280 x 235mm (11 x 9 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Richard Smith (1931-2016)From the Logo SuiteVacuum-formed screenprint relief in colours, 1971, signed and dated in black ink, numbered from the edition of 75, also signed and dated in pencil verso, printed by Kepla Studio, published by Waddington Graphics, London, the full sheet printed to the edges, on plastic over wood, sheet 600 x 495mm (23 1/2 x 19 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 1/4 x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Patrick Hughes (b. 1939)Colour ProcessScreenprint in colours, 1984, signed, titled and dated in pencil, numbered from the edition of 250, on Arches 88 wove paper, with full margins, sheet 760 x 567mm (29 7/8 x 22 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE Susumu Kamijo (b.1975)Untitled, from White Columns PortfolioScreenprint in colours, 2021, signed and dated in pencil verso, numbered from the edition of 100 verso, published by White Columns, New York, on wove paper, the full sheet printed to the edges, sheet 735 x 600mm (29 x 23 5/8in)
NO RESERVE δ Florian Krewer (b.1986)Untitled, from White Columns PortfolioScreenprint in colours, 2021, initialled and dated in pencil verso, numbered from the edition of 100, published by White Columns, New York, on wove paper, the full sheet printed to the edges, sheet 557 x 397mm (21 7/8 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Robert Mangold (b.1937)Untitled, from Columbus - In Search of a New TomorrowScreenprint in colours, 1992, signed and inscribed 'PP1/5' in pencil, a printer's proof aside from the edition of 100, printed and published by Edition Domberger, Stuttgart, with their blindstamp, on Arches paper, the full sheet printed to near the edges, sheet 765 x 578mm (30 x 3/4in)
** Geoff McFetridge (b. 1971)UntitledScreenprint in colours, 2005, initialled and dated in black ink, from the edition of unknown size, on wallpaper, the full sheet printed to the edges, sheet 500 x 400mm (19 5/8 x 15 3/4in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
δ Julian Opie (b.1958)Woman Taking Off Man's Shirt (Cristea 244)Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39 3/8 x 23 5/8in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Otto Schade - Donut Brain (Homer Simpson), screenprint, signed, dated 2014 and editioned A/P 03/05 in ink, sheet size 59cm x 42cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Otto Schade - Bob Marley, screenprint, signed, titled, dated 2014 and editioned A/P 02 in pencil, sheet size 58cm x 41cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Cassandra Yap - Electric Ladyland, screenprint in colours, signed and editioned 4/20 in pencil, sheet size 59.5cm x 42cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Geoffrey Elliott - 'Nyman's Gardens Sussex', 20th century screenprint, signed, titled and inscribed 'artist's proof' in pencil, 46cm x 61cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Nicholas Krushenick - Chicago, screenprint, signed, dated 1979 and editioned 155/200 in pencil, sheet size 92.5cm x 66.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Antonio Saura - 'Memorias del Subdesarrollo' (Cuban Movie Poster), screenprint, published by ICAIC circa 1968, 70cm x 45cm, together with a contemporary urban art screenprint.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ernest Trova - 'Study of Fallen Man', 20th century screenprint on canvas, signed and dated '67 recto, Redfern Gallery label verso, 60cm x 60cm, within an aluminium box frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Peter Blake - 'I Love You', screenprint with gold leaf, signed and editioned 69/175 in pencil and with blindstamp, published by CCA Galleries 2010, 39cm x 134cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Marcia Gillespie - '000-175', 21st century mixed media screenprint, signed, titled and editioned 'A/P' in pencil, 18.5cm x 15.5cm, within an ebonized frame, together with three other contemporary artworks by Fiona Graham, Nina Troitsky and Bungy.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Hayden Kays - 'I Cxxt Spell', screenprint, signed, dated 2014 and editioned 110/125 in pencil, sheet size 34cm x 43cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Eduardo Paolozzi - 'Selasa', screenprint in colours on wove paper, published for PSA Supplies Division by Editions Alecto Ltd., London 1975, sheet size 86.5cm x 67.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Mayeu Passa - Abstract Figure Composition, 20th century screenprint, signed and editioned 42/175 in pencil, 86cm x 56cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Robert O. Lenkiewicz - 'The Painter with Mary, Project 14', screenprint on Arches velin paper, signed, titled and editioned 'A/P' 29/50 in pencil recto, Washington Green certificate verso, 51cm x 65cm, within a mount.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Tom Phillips - 'Ten Union Jacks', screenprint in colours on wove paper, published for PSA Supplies Division by Editions Alecto Ltd., London 1976, sheet size 96.5cm x 56.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
λ DAME ELISABETH FRINK (BRITISH 1930-1993)UNTITLED (MAN AND HORSE)Acrylic, charcoal and chalk Signed and dated 90 (lower right) 176 x 120cm (69¼ x 47 in.)Provenance:Beaux Arts, London/Bath Purchased from the above by the present owner Literature:Edward Lucie-Smith, Elisabeth Frink, Sculpture and Drawings Since 1984, Arts Books International, 1994, p. 171, illus.Recorded in the Frink Archive held at the Dorset History Centre under Ref D-FRK/1/1/2/4/16 'The drawing is suffused with magic: it seems as if man and beast are communing in the moonlight, denizens of some mythical realm.' Edward Lucie-Smith, p. 171By 1987 Frink had started to explore large-scale drawings in colour, experimenting with acrylic paint over charcoal producing bold and expressionist works. Using graphic techniques that Frink had explored through her printmaking practice she experimented with pairing back ideas to their simplest forms emphasising large areas of block colour. Frink's drawings were not preparatory sketches for sculpture as she saw exploration through draughtsmanship an important avenue as an artist. The viewer is immediately struck by the scale of this work on paper looming over passers-by. Frink showcases one of her masculine heroes; a nude man is seated directly facing the viewer with his head turned towards a white horse that lies beside him. The present work signifies Frink's move to compositional drawings where she explored combining elements such as man and horse, both subject matter she had explored previously. Man is depicted alongside his companion. The relationship between humanity and nature preoccupied her practice and she explored the interdependence between humans and domestic animals. Her fascination with horses dominated her artistic output throughout her career. In search of peace and serenity away from the pressures of the British art world Frink moved to Camargue in 1966. This isolated living, surrounded by the vast remote lagoons and marshland, was an important exploration of her identity. Camargue is also renowned for the herds of wild horses that graze across the plains. These horses served as great models for Frink who had always been fascinated by these majestic animals. In particular, she was drawn to their form in their most primitive state and drew on illustrations recorded in cave paintings in Lascaux. Large jaw bones, oversized hooves, sturdy shoulders, and large solid heads. A three colour screenprint also from 1990 is recorded as 'Man and Horse' this is a very similar composition but shows the male figure's right leg outstretched with the horses' hoof resting on his knee. This shows Frink's playful experimentation with compositional drawings and prints and is likely to have been in preparation for the final composition that we see here in oil and watercolour across the sheet.
Screenprint, 1988, printed at Coriander Studio, published by Pirelli UK, signed, titled, dated and numbered 56/150 Image 81.5 x 61cm. * This print commemorates the Great Storm of October 1987 and the proceeds from the sale of this subject contributed to the Kew Gardens Relief Fund. *Condition: Image good; some slight blemishes and marks in the margins.
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![Shepard Fairey [OBEY] - 'POWer', screenprint, signed and dated 2016 in pencil, sheet size 91m x 61cm.Buyer’s Premium 29.4% (i](https://cdn.globalauctionplatform.com/3490025d-3648-4b86-84ac-b02d0095eed5/9f0b61ec-a38a-44fb-a29a-b031010ed29e/468x382.jpg)
