We found 12816 price guide item(s) matching your search

*Sir Peter Blake RA (b.1932) ‘P is for Pachyderm’ screenprint in colours, 1991, signed, inscribed with title and numbered 15/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Fold mark to upper left corner.

*Sir Peter Blake RA (b.1932) ‘F is for Football’ screenprint in colours, 1991, signed, inscribed with title and numbered 15/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light crease to upper left corner.

*Sir Peter Blake RA (b.1932) ‘E is for Everly Brothers’ screenprint in colours, 1991, signed, inscribed with title and numbered 8/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: No obvious condition problems.

*Sir Peter Blake RA (b.1932) ‘D is for Dwarfs & Midgets’ screenprint in colours, 1991, signed, inscribed with title and numbered 78/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light crease and fold to lower left corner.

*Sir Peter Blake RA (b.1932) ‘S is for Sumo’ screenprint in colours, 1991, signed, inscribed with title and numbered 75/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light handling marks.

*Sir Peter Blake RA (b.1932) ‘Q is for Quarters’ screenprint in colours, 1991, signed, inscribed with title and numbered 76/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light handling creases.

*After Sigmar Polke (German, 1941-2010) Frau mit butterbrot screenprint, with printed signature 63 x 56cm, unframed *Artist's Resale Right may apply to this lot.

Michael Carlo - Evening, screenprint, signed and numbered 15.30 in pencil to the margin, 15 x 21cm; Peter Tuffin - The sweetshop, watercolour; and Barbara Dorf - Kings College, London, print (3)

John Clibbon - Bury St Edmunds panorama, ink study, 12 x 61cm; and Peter Wagon - Crown Street, Bury St Edmunds, screenprint, 30 x 48cm (2)

PETER BLAKE R.A. (b. 1932) A.R.R. C Is For Clowning Screenprint Signed, inscribed and editioned 89/95 in pencil Plate size 72 x 53cm Full size 101.5 x 77cm

CY TWOMBLY (AMERICAN 1928-2011) NOTES FROM SALALAH - 2008 Screenprint, printed on the occasion of the artist's exhibition at Gagosian Gallery, Rome(76cm x 56cm (30in x 22in), unframed)

§ JULIAN OPIE (BRITISH B.1958) WOMAN TAKING OFF MAN'S SHIRT (CRISTEA P.244) Screenprint, 2003, from an unknown edition size, published by K21 Kunstammlung Nordrhein-Westfalen(the sheet 100cm x 60cm (39.25in x 23.5in), unframed)

ANDY WARHOL (AMERICAN 1928-1987) AND KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ FESTIVAL - Screenprint(the sheet 100cm x 70cm (39.25in x 27.5in), unframed)

§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) POVERTY, PITTED WITH LARKS Screenprint, 1992(18.5cm x 89cm (7.25in x 35in))

§ IAN HAMILTON FINLAY (SCOTTISH 1925-2006) AFTER BERNINI - 1987 Screenprint, in collaboration with Gary Hincks and two further screenprints by Finlay, 'And Even as She Fled II - 1987'(the image 68.5cm x 44cm (27in x 17.25in) and 40.5cm x 54cm (16in x 21.25in))

§ DAVID SHRIGLEY O.B.E. (BRITISH B.1968) I CANNOT LIVE WITHOUT YOU - 2019 Colour screenprint, 66/125, signed and editioned verso(the sheet 75cm x 55cm (29.5in x 21.75in))Footnote: Note: This work is accompanied by a Certificate of Authenticity from JEALOUS.

§ EDUARDO CHILLIDA (SPANISH/BASQUE 1924-2002) LOREA - 1988 Screenprint with relief, signed with monogram in plate(the sheet 46.5cm x 37cm (18.25in x 14.5in))Footnote: Provenance: Private collection, United Kingdom.

§ THE CONNOR BROTHERS (BRITISH B.1968) EVERY SAINT HAS A PAST AND EVERY SINNER HAS A FUTURE - 2017 Screenprint, 5/95, signed, dated and numbered in pencil to margin(the sheet 119.5cm x 74.5cm (47in x 29.5in), unframed)

§ EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) TURING IV - MACHINERY, 2000 Screenprint, 36/50, signed and numbered (in pencil)(the sheet 75cm x 56cm (29.5in x 22in))

§ THE CONNOR BROTHERS (BRITISH B.1968) PRIDE IN PREJUDICE BY DONALD TRUMP - 2020 Giclee with screenprint, 15/35, signed, numbered and dated in pencil to margin(the sheet 75.5cm x 50cm (29.75in x 19.75in), unframed)

‘Double Deathshead’ (1997)Screenprint on paper with glow in the dark paintSize: 71 x 86 cm (Framed and behind glass)PROVENANCE- Tate Gallery- Scream Gallery, Mayfair, London - Jamie Wood Collection, London(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

‘Sex Toy 2’ (2006) No. 2 from a Limited Edition of 50Signed, dated, numbered and emboss stamped lower edge Screenprint on paperTotal sheet size: 70 x 50 cm (Framed and behind glass)PROVENANCE- Lazarides Gallery, London - Scream Gallery, Mayfair, London- Jamie Wood Collection, LondonNOTEUK contemporary artist, Paul Insect is one of street art's most famous artists. His first major show, Bullion, at the Lazarides Gallery, London in 2007, was completely purchased by Damien Hurst before being opened to the public. (Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

‘POW Skull’ (2005)Artist Proof aside no. 3 from a low edition of 10 Signed and numbered with pencilScreenprintTotal sheet size: 35 x 50 cm (Framed and behind glass)PROVENANCE - Lazarides Gallery, London - Scream Gallery, Mayfair, London- Jamie Wood Collection, LondonNOTEA very rare Paul Insect screenprint published by Pictures on Walls in 2005. In original wooden frame.(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

‘Beggars Banquet’ (1990)Screenprint on Somerset Velvet 280 gms PaperTotal sheet size: 60.5 x 80 cm (Framed and behind glass)(The print comes with a letter of authenticity by Jamie Wood)PROVENANCE- Private collection Ronnie Wood, London- Jamie Wood’s private art collection, acquired directly from his father Ronnie Wood NOTEThis screenprint is one of the few test plates that have served the printing of the final edition before signing and numbering. Highly sought after, limited edition print by Ronnie Wood based on the photographs taken by Michael Joseph for the inner sleeve of the 1968 Beggars Banquet Rolling Stones album. Featuring a gathering of past and present(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)

PAUL FEILER [1918-2013]. Aduton S II, 1973. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Adytum S II, 1973. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Adytum S III, 1974. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

PAUL FEILER [1918-2013] Adytum S V, 1978. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Adytum S VI, 1978. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Aduton S III, 1979. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Aduton S IV, 1979. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PETER SCHMIDT [1931-80]. Cycloid 111, 1966. screenprint, edition of 60, published and printed at Curwen Studio, signed and numbered in pencil. 75.5 x 48.5cm [image size]. Unframed. Provenance: publisher's archive. The British Council collection includes this print. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

YOSHISHIGE FURUKAWA [1921-2008]. Poetry Series, 1999. 8 lithographs with screenprint on wove paper printed to edges with full margins, edition of 40, published and printed at Curwen Studio, each signed, dated and numbered in pencil. 38.5 x 45.5cm [image and sheet size]. Unframed [8]. Provenance: publisher's archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

DAVID MACH RA [b. 1956]. Buff, 2000. screenprint on Arches paper with full margins, edition of 100, published and printed by the artist, London, signed and numbered in pencil. 74.5 x 74.5cm [image size]. Unframed. Provenance: the artist's studio. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

ELISABETH FRINK DBE RA [1930-1993]. Baboon, 1990. Screenprint on Rives Grey paper printed to adges, edition of 70, printed and published by Curwen Chilford Prints and the Artist, signed, and numbered in pencil. 76.5 x 55.2cm [image and sheet size]. Framed. Reference: Elisabeth Frink Original Prints [Wiseman 155]. [good condition, unexamined out of the frame]. Buyers premium of 20% + VAT is payable. This lot is stored in Devon and can be collected or shipped from there.

HOWARD HODGKIN RA [1932-2017] Indian View F, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 16. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.

MATTHEW HILTON [b. 1948]. Abstract [Jugs], 1994. screenprint; 16/30. signed. 29 x 27 cm - unframed. Matthew is the son of Roger Hilton and perhaps the only child of the famous St Ives artists with a really original voice? - very underrated. [very good condition]. Buyers premium of 20% + VAT is payable..

MATTHEW HILTON [b. 1948]. Abstract [Jugs], 1994. screenprint - 16/30. signed. 29 x 27 cm - unframed. [very good condition]. Buyers premium of 20% + VAT is payable..

MATTHEW HILTON [b. 1948]. Abstract [Jugs], 1994. screenprint; 16/30. signed. 29 x 27 cm - unframed. [very good condition]. Buyers premium of 20% + VAT is payable..

HOWARD HODGKIN RA [1932-2017]  Indian View H, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 18. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

HOWARD HODGKIN RA [1932-2017] Indian View I, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 19. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

HOWARD HODGKIN RA [1932-2017]  Indian View K, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 21. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

HOWARD HODGKIN RA [1932-2017]. Indian View L, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 22. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

PAUL FEILER [1918-2013]  Aduton S I, 1973. screenprint on wove paper with full margins, edition of 75, published by Redfern Gallery, signed, titled, dated and numbered in pencil. 45.5 x 45.5cm [image size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..

Ilya Bolotowsky (Russian-American, 1907-1981) Untitleda screenprint, signed and numbered 9/100framed

Ilya Bolotowsky (Russian-American, 1907-1981) An exhibition poster for Lincoln Center Institute112.5 x 77cm, framed;and an untitled screenprint by the same handsigned and numbered 17/125 in pencil91 x 66cm, unframed (2)Condition report: Glass cracked bottom of image.

After Sir Peter Blake (b.1932)Screenprint in coloursLetters X, Y and Z from the Alphabet Series, all numbered 18/60, signed in pencil lower right, 52cm x 37cm (3) Condition ReportThe prints are in good condition. Prints Y and Z are away from their mounts

* WILLIAM BALLIE, AREA screenprint, signed and numbered 22/60 42.5cm x 55.5cm Mounted, framed and under glass

* IAN MCKENZIE SMITH CBE PPRSA PPRSW LLD RGI (SCOTTISH B.1935), UNTITLED chine colle screenprint, signed and numbered 22/60 36cm x 23.5cm Mounted, framed and under glass

JOHN PIPER 'Snape Maltings', red screenprint, signed in the plate, 85cm x 80cm, framed and glazed.

SARAH HOPKINS limited edition (7/30) screenprint - Llandeilo, signed and dated in pencil 1988, 29 x 38.5cms COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

* Davis (Miles, 1926-1991). Don Quixote, circa 1985, colour screenprint, printed signature, red seal and signature in blind lower right, 59.5 x 44 cm (23.5 x 17.25 in) mount aperture, framed and glazedQty: (1)NOTESLimited edition 308/450.

Donald Hamilton Fraser - Limited Edition Screenprint, 'Still Life Toys', Signed & Numbered in Pencil. 17" x 22".

Damien Hirst, (B. 1965), Untitled gift spot, framed screenprint in colours, signed in pencil, 'For Loic', numbered '43/500', 22.5" x 20".

Damien Hirst, (B. 1965), "For the Love of God" Screenprint in colours with diamond dust on wove paper, signed and numbered '366/1000',12.5" x 9.25", along with a book, "Damien Hirst - for the Love of God - the Making of the Diamond Skull".

Damien Hirst, (B. 1965), untitled gold gift spot, framed screenprint in colours, gold glitter/ wove paper, signed in pencil 'For Sarah', numbered 59/100, paper dimensions 37.5" x 30", Image dimensions 22" x 30".

Damien Hirst, (B. 1965), untitled gold gift spot, framed screenprint in colours, gold glitter/ wove paper, signed in pencil 'For Franco Big It Up!', numbered 34/150, paper dimensions 38.5" x 30", Image dimensions 29.5" x 20".

λ  GERALD LAING (BRITISH 1936-2011)KM (KATE MOSS)Screenprint in seven colours Signed in pencil, numbered 57/90, titled KM (Kate Moss) and dated 2008 Sheet 98 x 65cm (38½ x 25½ in.)Provenance:The Fine Art Society, London Gerald Laing was one of Britain's leading contemporary artists of his generation at the forefront of the British and American Pop art movements. Laing spent most of the 60s in New York painting film stars and big American icons. From 1965 Laing moved away from painting and began to experiment with abstract sculptures using spray-paint, lacquer and chrome-plating on metal. A move to the highlands in 1970 saw a shift in technique as Laing responded through sculpture to the beauty and roughness of the landscape. Towards the end of his career Laing returned to pop art and his fascination with popular culture, creating some of the most iconic images of Amy Winehouse.Condition Report: The print is unexamined out of its frame. The sheet is slightly uneven, but this is to be expected as it is loosely attached to its mount. It appears to be in excellent original condition. There are some minor chips and abrasions to the edges of the frame. Condition Report Disclaimer

YAYOI KUSAMA (JAPANESE B. 1929)PUMPKIN (GT) (KUSAMA 229)Screenprint in colours, 1996Signed in pencil, titled in Japanese, numbered 111/120 and dated 1996Image 29.5 x 22.5cm (11½ x 8¾ in.)Provenance: Mori Art Museum, TokyoAcquired from the above in 2004 during the exhibition 'Yayoi Kusama: Exhibition Kusamatrix'.Yayoi Kusama was born into a farming family in Matsumoto, Japan in 1929. Kusama recalls the first time she ever saw a pumpkin. When she was a young girl she visited a seed-harvesting ground with her grandfather and noted that she was 'enchanted by their charming and winsome form'. In her autobiography Infinity Net, Kusama quotes 'And there it was: a pumpkin the size of a man's head... it immediately began speaking to me in a most animated manner.' Consumed by drawing and painting from a young age Kusama's parents did not support her following her passion for art. Eventually her parents let her attend art school at the Yoto School of Arts and Crafts to study Nihonga, a traditional Japanese painting style. In 1958 Kusama moved to New York and became embedded within the pop-art movement coming into contact with artists including Andy Warhol, Donald Judd and Joseph Cornell. Kusama's work was ground-breaking as a Japanese artist in a Western society and a female artist in a male-dominated world. The recurring patterns and dots stemmed from a frightening experience as a young child where she was struck by hallucinations of talking flowers in a field, the expanse of flowers looked like a field of endless dots. Kusama's work is iconic for its vivid, colourful and playful nature. Her name has become synonymous with dots, pumpkins and infinity mirror rooms, which have led her success in interactive art installations. Condition Report: The print is unexamined out of its frame. it appears to be in excellent original conditionCondition Report Disclaimer

Albert Irvin R. A. (1922-2015), 'Tooley', screenprint, signed, numbered 49/75 and dated '80, 64 x 67cm