We found 12813 price guide item(s) matching your search

δ Banksy (b.1974)Soup Can (Yellow/Emerald/Sky Blue)Screenprint in colours, 2005, signed, dated and numbered from the edition of 10 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 493x 348mm (19 5/8 x 13 3/4in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Leslie Duxbury (1921-2001)/The Bather/etching, plate size 12.5cm x 32cm and/Molly on the Shore/colour screenprint, sheet size 50.75cm x 75.5cm/both unframed [2] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Gorinder Nazran (1964-2008)/Passion/limited edition I 2/95, titled, signed and numbered in margin/coloured screenprint, image 57cm x 71cm, Washington Green certificate verso, unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

John Piper (1903-1992)/Thornton Abbey Gateway (Levinson 395)/signed limited edition 11/70/screenprint, image 45.5cm x 60cm/Provenance: Oxford Gallery, JP/No 20 Thornton Abbey A0531 CONDITION REPORT: Condition appears very goodARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Enrico Baj (1924-2003)/Abstract Portrait/signed artist's proof/screenprint, 40cm x 33.5cm/unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Anna Pigalle/All Over You/signed and dated '07, limited edition screenprint 8/20, 31cm x 21cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Abraham Thunderwolf/Art & Culture Proposal/limited edition screenprints numbered 2/200 dated 2007, 57cm x 40cm /Tough!, limited edition screenprint numbered 2/200, 37.5cm x 57cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Jamie Reid (British, born 1947)/Eight-Fold Year, 2005/bearing the Aquarium L-13 gallery Official Reject stamp/screenprint, 59cm x 79cm

Keith Haring (American 1958-1990)/Stars and Stripes/screenprint on card, 60cm x 91cm

Frank Kozik (American, born 1962)/Lenin 1917 poster/signed, limited edition 108/200/screenprint, 57cm x 41cm (slight scuff left corner)

Obey (Shepard Fairey, American, born 1970)/Woman with Spray Paint/limited edition screenprint 276/300, signed/58cm x 42cm CONDITION REPORT: Paper slightly discoloured with minor marks. Small tear to lower margin. Overall condition fair.

Eelus/What U Looking At?/girl with robot dog with pink background/signed in pencil and with embossed stamp of skull, limited edition 69/150/screenprint, 45cm x 64cm

Attributed to Billy Childish (British 1959) / Woman and Man in front of a Church / Screenprint with The Aquarium L-13 gallery Official Reject stamp / 74.5cm x 54.5cm

Arofish/Put Up or Shut Up/signed, limited edition screenprint on card 14/25, 80cm x 80cm

James Cauty (British, born 1956)/War is Over/signed, limited edition screenprint 12/200/print on card, 58cm x 132cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

The Aquarium L-13/Last Days Closing Down Sale screenprint on flourescent card/note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008

Jevski (Jimmy Cauty)/Stamps/inscribed Reject verso/screenprint, 31cm x 57cm

Stef/UK Tabloid/signed l.r. and with embossed stamp/limited edition screenprint, 12/40/mixed media, 46cm x 31cm

S M/Cheshire Cat/initialled lower right, limited edition screenprint, 1/10, 40cm x 30cm and /Wise Mutt/indistinctly signed, 40cm x 30cm

S M/My Arm is Long/bears Aquarium Reject stamp/screenprint, 40cm x 30cm

The Aquarium L-13/Last Days Closing Down Sale screenprint on flourescent card/note: The Aquarium was a forerunner to L-13 Light Industrial Workshop, it closed on the 23rd December 2008

Fringe (South African 1976-) REDACTION signed screenprint, spraypaint, acrylic and comic books on canvas PROVENANCEDaville Baillie Gallery, Johannesburg 100 by 100cm

John Piper, screenprint, St Simon-de-Pelouaille, Charente, (Levinson 186) numbered 14/70 but unsigned, overall 61 x 63cm

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Sweet Dreams Baby! [postcard edition]". Medium: Color offset lithograph. Date: Composed 1965. Printed 1994. Dimensions: Overall size: 5 7/8 x 4 1/8 in. (149 x 105 mm). Image size: 5 1/16 x 3 5/8 in. (129 x 92 mm).Lot Note(s): Initialed in black marker, lower right; signed verso. Edition unknown, presumed small. White thick coated paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Corlett 39 for the full-size, editioned screenprint. Provenance: Through the McEvoy family, San Francisco, California; Private collection, Bethesda, Maryland. Comment(s): Postcard published on the occasion of the exhibition "The Prints of Roy Lichtenstein" at the National Gallery of Art, Washington, D.C., 1994. Rare when signed. Image copyright © Estate of Roy Lichtenstein. [25209-1-225]

BANKSY 'Save or Delete', 2002, original screenprint, commissioned by Greenpeace, accompanied by stickers and a cut out, 45cm x 60cm, framed.

Artist: Roy Lichtenstein (American, 1923-1997). Title: "Paper Plate [exhibition variation]". Medium: Original color screenprint, in yellow, red, and blue, on white paper plate. Date: Composed 1969/1977. Dimensions: Image size: (Diameter): 10 1/4 in. (260 mm).Lot Note(s): Signed in pencil, lower center, recto. Dated and copyrighted with artist's name "Roy Lichtenstein" printed on verso. Distribution text verso. The original 1969 edition was c5,000, of which very few were used for the 1977 exhibition. Fine impression. Very good condition. Literature/catalogue raisonne: Corlett III.45. Comment(s): According to 'Gordon's Art Reference' the auction record for another impression (signed) of this plate is $2,360 at Ivey-Selkirk, St. Louis, 11/12/2011, lot #393. Our impression is rare as it is stamped verso "Distributed in conjunction with the exhibition 'Roy Lichtenstein: Ceramic Sculpture' February 21 - March 20, 1977, California State University, Long Beach." Corlett notes that "Many of these plates have been autographed by the artist" (Mary Lee Corlett, "The Prints of Roy Lichtenstein: A Catalogue Raisonne, 1948-1993," pg. 286). In the permanent collection of the Museum of Modern Art. The plates were commercially printed and wrapped in clear cellophane for sale at Bert Stern's "On 1st" store. Correspondence found in the artist's records indicates that the plates may have been fabricated at Artmongers Manufactory, New York. "Paper Plate" is related to other designs the artist produced for dishware, such as the limited edition place settings produced by Jackson China Co. for Durable Dish Company in 1966, and the tea service designed for Rosenthal China in 1984. Image copyright © Estate of Roy Lichtenstein. [23415-13-800]

•AFTER ROBERT LENKIEWICZ (1941-2002) DAEMON SERIES PROJECT 18 (also called ESTHER, REAR VIEW) Screenprint, 1994, signed, inscribed with title, numbered A/P 21/25 (aside from the edition of 375) 83 x 54cm. ++ Very good condition

•SIR TERRY FROST, RA (1915-2003) BLACK MOON AND OCHRE Screenprint, 1997, signed and numbered AP 11/XII (aside from the edition of 125) 85.5 x 72cm. ++ Good condition

•JOHN PIPER. CH (1903-1992) KELHAM HALL (Levinson 278) Screenprint, 1977, from Victorian Dream Palaces, inscribed Artist's proof (the edition was 75), published by Marlborough Fine Art, printed by Kelpra Studio 46.5 x 69cm. ++ A little pale foxing

•SANDRA BLOW, RA (1925-2006) IRIDESCENT WAVE Screenprint, 2004, with collage element, signed 51 x 51cm. ++ Good condition

•PATRICK HERON, CBE (1920-1999) TWO PINK DISCS IN DARK REDS Screenprint, 1970, signed and dated 70, numbered 14/100 59.5 x 78cm. ++ Creasing, noticeably within image, where apparently formerly folded; time toning and some creasing in the margins

§ William Scott C.B.E., R.A. (British 1913-1989) Cup, Bowl, Pan, Reds and Ochres, 1970 84/100, signed, dated and numbered (in pencil to margin), screenprint(59cm x 88cm (23.25in x 34.5in) (plate), 69cm x 100cm (27in x 39.5in) (inc. margins))

§ Bruce McLean (British 1944-) Uncluttered Simplicity, 1991 signed (to edge), enamel pigment and screenprint on steel panels(168cm x 112cm (66cm x 44in))

§ After Andy Warhol (American 1928-1987) Siberian Tiger, 1983 from Endangered Species , aside from the main edition of 150, screenprint in colour, bears a stamp with the publishers red ink stamp 'copyright Andy Warhol 1983 / Publisher: Ronald Feldman Fine Arts, Inc. New York' (to reverse)(96.5cm x 96.5cm (38in x 38in))

λ Gerd Winner (German b.1936)Hermitage Wall (Dockland 3)Screenprint in coloursSigned in pencil and numbered 73/10061.5 x 84.5cm (24 x 33¼ in.)Provenance:Marlborough Graphics, LondonPrivate Collection, Mr Alan Angas Thorman (acquired from the above in 1973)

Donald J. White : Government Health Warning - I Warn You Not to be Ordinary, screenprint, numbered 2/6, signed in pencil, 33 cm x 29 cm, framed.

*Albert Irvin RA (1922-2015)Untitledscreenprint, signed and dated '0420.5 x 14.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper float mounted. No obvious condition issues.

*John Piper CH (1903-1992) Still Life with a Gargoyle, circa 1981 signed upside down u.l., titled verso, pen and ink, watercolour and gouache 56 x 78.5cm Provenance: Sir David Tang, Hong Kong The dark colours and bold juxtaposition of foreground subjects can be found in several works executed in the early 1980s - a period when Piper experimented with new compositions, drawing from his existing painting and work in other media, such as photography and ceramics. The sculpted head relates to similar female forms found notably in 'Girl’s head with flowers' (1981) and 'A Window at North Moreton' (1982), which both introduce a woman’s face into the artist’s more familiar subject matter. Similar dog-like gargoyles appear in one of Piper’s photographs now held at the Tate Gallery, (ref: TGA 8728/1/21/115), while the background figures are drawn from a large screenprint, 'Eye and Camera: Blue to Ochre' (c.1977), also at the Tate. For further details and illustration of related work in this period, see D F Jenkins and H Fowler-Wright, 'The Art of John Piper' (Unicorn/Portland Gallery: 2016, pp.397-400). *Artist's Resale Right may apply to this lot.

*David Studwell (contemporary) 'Elton John: Home Run - Dodger Stadium 1975'screenprint in colours with hand embellished diamond dust, signed and numbered 4/50 in pencil, created in collaboration with Sir Elton John and Terry O'Neill, on wove paper, with margins sheet 48.7 x 67.1cm, unframed*Artist's Resale Right may apply to this lot.Condition report: No obvious condition issues.

*Julian Opie (b.1958) 'Woman taking off a man's shirt' (Cristea 244) screenprint in colours, 2003, from an edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, with full margins sheet 100 x 60cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Previously rolled and in a tube. Some faint white marks visible on red part of print.

Keith Haring (American, 1958-1990)Green Montreux, 1983screenprint100 x 70cm, unframedCondition report: A few very light half moon handling creases, only visible under raking light.

Keith Haring (American, 1958-1990)Pink Montreux, 1983screenprint100 x 70cm, unframedCondition report: A couple of extremely light half moon handling creases close to edges, barely visible.A few scattered light surface scuffs to the black sections, only visible from certain angles.

*Patrick Hughes (b.1939)Untitled (Rainbow Vase)screenprint in colours, signed l.r. and numbered 14/25 l.l. in pencilimage 27.5 x 18.5cm*Artist's Resale Right may apply to this lot.

*Banksy (b.1974)GDP ratscreenprintimage 35 x 40.5cm*Artist's Resale Right may apply to this lot.

*Ben Eine (b.1970)'Oranges and Lemons'screenprint in colours with screenprinted varnish, 2012, signed, dated and numbered 140/300 in pencil, on wove paper, with marginssheet 70 x 70cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light surface dirt in the margins, possibly finger prints. No other obvious flaws

*Ben Eine (b.1970)'Scary'screenprint in colours, signed and dated 2008 l.l. and numbered 125/200 l.r. in pencilimage 20 x 70cm*Artist's Resale Right may apply to this lot.

* ASHLEY COOK (SCOTTISH CONTEMPORARY), ON THE ATRAL PLAIN; and THE GREAT ESCAPE screenprint, signed, titled and numbered 3/10; and an artist's proof 18.5cm x 18.5cm; and 21.5cm x 21.5cm Framed and under glass

* MURRAY ROBERTSON (SCOTTISH CONTEMPORARY), CALYDONIAN BEAR HUNT screenprint, signed, titled and numbered 3/40 in pencil 60cm x 80cm Mounted, framed and under glass

ERIC MALTHOUSE limited edition (20/20) screenprint - abstract in pink, Welsh title in pencil to margin 'Prynu Dol, Dau' (buying two dolls), signed and dated 1970, 33 x 16cms

 Fun Run, limited edition screenprint, numbered 15/20, indistinctly signed & dated 1982, together with a vibrant pastel landscape signed 'KaR', dated 1992, and four small 20th-century prints of Paris and birds (6) 

Early Nesters signed, titled and numbered 75/75 screenprint 54 x 59cm

Sue Coe Second Millennium, 1997, 16 colour screenprint on paper (two copies)

Faile (Collaboration), 'Bunny Girl (Blue)', 2006, screenprint and mixed media on 140 Lb Watercolour Paper, signed and inscribed front, dated Dec 05 2006 in red ink verso, from an un-numbered varied edition of 9; sheet: 61 x 45.5cm

Gonefellow (British), 'Box Head', 2017, screenprint on Sirio Ultra Black 280 gsm paper, signed and numbered from an edition of 100 in white pencil, published by Castle Gallery; sheet: 77 x 58cm ARR

Paul Insect (British 1970-), 'In A Dreamland', 2019, screenprint in colours on wove paper, signed, dated, inscribed 'Margate' and numbered from an edition of 50 in pencil, published by Coriander Studio; sheet: 30.5 x 38cm (Framed) ARR

Shepard Fairey (American 1970-), 'Hendrix', 2004, screenprint in colours on speckle tone paper, signed, dated and numbered from an edition of 300 in pencil; sheet: 61 x 45.5cm

Shepard Fairey (American 1970-), 'Dark Wave (Cream)', 2010, screenprint on wove paper, signed, dated and numbered from an edition of 400 in pencil; sheet: 45.5 x 61cm

Shepard Fairey (American 1970-), 'NINETEENEIGHTYFOURIA', 2007, screenprint in colours on speckle tone paper, signed, dated and numbered from an edition of 200 in pencil, published by Stolen Space; sheet: 66 x 86.5cm

Snik & Dilk (Collaboration), 'The Girl In The Red Dress', 2016, hand-embellished screenprint in colours in wove paper, signed by both artists in pencil; sheet: 93 x 64cm (Framed) ARR

Andy Warhol (American 1928-1987), 'Mickey Mouse, from Myths', 1981, screenprint in colours with diamond dust on Lenox Museum Board, un-signed and un-numbered test print, aside from the main edition of 200, published by Ronald Feldman Fine Arts, Inc., New York, stamped with the Publishers And Artist's Copyright stamp verso; sheet: 96.5 x 96.5cm