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Click here to subscribe*Banksy (British, b.1975)HAPPY CHOPPERS Screenprint in colours, 2003, numbered 480/750, published by Pictures on Walls, London, on wove paper, with full margins,image 67.2 x 47.3cm, framedThis work is accompanied by a certificate of authenticity from Pest Control.*Artist's Resale Right may apply to this lot.
*Patrick Caulfield (British, 1936-2005)BLACK AND WHITE CAFE (Cristea 31)Screenprint in colours, 1973, from the 'Mark Rothko Memorial Portfolio', signed and inscribed A/P in pencil, an artist's proof aside from the edition of 75, printed at Kelpra Studios, London, published by Matthews, Miller and Dunbar, London, on wove paper, the full sheetimage 71 x 59.5cm, framed*Artist's Resale Right may apply to this lot.
*Blek le Rat (French, b.1951)HIS MASTER'S VOICELESS (GREEN)Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 20, with The Blek Rat Press blindstamp, on wove paper, with full marginssheet 74 x 72.5cm, unframed*Artist's Resale Right may apply to this lot.
*Richard Hamilton (British, 1922-2011)KENT STATEScreenprint in colours, 1970, signed and numbered 3853/5000 in pencil, printed by Dietz Offizin, published by Dorethea Leonhart, Munich, on Schoeller Durex paper, with full marginssheet 73 x 102cm, unframed*Artist's Resale Right may apply to this lot.
Andy Warhol (American, 1928-1987)SPACE FRUITS (CANTALOUPES I) (F.& S.II.201)Screenprint in colours, 1979, signed and numbered 68/150 in black ink, published by Grippi/Zivian Inc., New York, with the copyright ink stamp on the reverse, on Lenox Museum Board and Strathmore Bristol paper, the full sheetsheet 76 x 101.5cm, framed
*Banksy (British, b.1975)PULP FICTIONScreenprint in colours, 2004, numbered 308/600 in pencil, published by Pictures on Walls, London, on wove paper, with full marginssheet 50 x 70cm, framedThis work is accompanied by a certificate of authenticity from Pest Control.*Artist's Resale Right may apply to this lot.
R B Kitaj (American, 1932-2007)LET US CALL IT ARDEN AND LIVE IN ITScreenprint in colours, 1966, from the 'Mahler Becomes Politics, Beisbol' portfolio, signed, titled and numbered 39/70, printed at Kelpra, London, published by Marlborough Fine Art Ltd., London, on wove paper, the full sheetimage 70 x 46cm, framed
Claes Oldenburg (American, b.1929)N.Y.C. PRETZELScreenprint in colours, 1994, artist’s name, title and date stamped on reverse, signed in black pen, printed by Brand X Editions, New York, published by I.C. Editions & David Platzker, New York, on laser cut cardboard, the full sheetsheet 17 x 18cm, framed
*John Piper (British, 1903-1992)ST HELEN'S HALL (Levinson 325)Screenprint in colours, 1981, signed and numbered 31/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on Arches wove paper, with full marginsimage 58.4 x 70.5cm, framed*Artist's Resale Right may apply to this lot.
*Jean Tinguely (Swiss/French, 1925-1991)12TH NEW YORK FILM FESTIVALScreenprint in colours, 1974, designed for the 12th Annual New York Film Festival presented by the Film Society of Lincoln Center, on thick wove paper, with full marginssheet 107 x 107cm, unframed *Artist's Resale Right may apply to this lot.
*Lucas Price (British, b.1975)TELEPATHIC HEIGHTSScreenprint in colours, 2011, signed 'Cyclops' and inscribed in pencil, the edition was 95, published by The Black Rat Press, with their blindstamp, on thick wove paper, with full marginssheet 97 x 71.5cm*Artist's Resale Right may apply to this lot.
*John Piper (British, 1903-1992)EASTNOR CASTLE, HEREFORD (LEVINSON 353)Screenprint in colours, 1983, signed and numbered 7/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, on wove paper, with full marginssheet 54.5 x 75cm, unframed*Artist's Resale Right may apply to this lot.
James Rosenquist (American, 1933-2017)WHIPPED BUTTER FOR EUGEN RUCHIN (FROM 11 POP ARTISTS II) (G.11)Screenprint in colours, 1965, signed and numbered XXIV in pencil, aside from the edition of 200, printed by Knickerbocker Machine And Foundry Inc., New York, published by Original Editions, New York, on wove paper, the full sheet printed to the edgessheet 61 x 75.5cm, unframed
*John Piper (British, 1903-1992)DUCHENE FOUNTAIN, BLENHEIM (Levinson 418)Screenprint in colours, 1989, signed and inscribed 'A/P' in pencil, an artist proof from an edition of 100, printed by Kelpa Studio, London, published by CCA Galleries, London, on wove paper, with full marginsimage 42 x 59.5cm, framed*Artist's Resale Right may apply to this lot.
*Gerald Laing (British, 1936-2011)CT STROKERS (SRG 19)Screenprint in colours, 1968, signed, titled, dated and numbered 138/150 in pencil, printed and published by the artist with his blindstamp, on wove paper, with full marginssheet 58.5 x 89cm, unframed *Artist's Resale Right may apply to this lot.
*Banksy (British, b.1975) TURF WAR Screenprint in colours, 2003, numbered from the edition of 750 in pencil, printed and published by Pictures on Walls, London, the full sheet sheet 48.2 x 34.7cm, framedThis work is accompanied by a certificate of authenticity from Pest Control.*Artist's Resale Right may apply to this lot.
*John Piper (British, 1903-1992)BOISSY-EN-DRONAIS (Levinson 433)Screenprint in colours, 1990 for 'The Hope and Optimism Portfolio', bearing the stamp signature as issued, inscribed 'A/P' in pencil, an artist proof aside from the edition of 200, published by The Hope and Optimism Foundation, Oxfordshire, on Arches wove paper with full marginsimage 42 x 52cm, framed*Artist's Resale Right may apply to this lot.
*Nick Walker (British, b.1936)THE MORNING AFTER (HOLLYWOOD)Screenprint in colours, 2008, signed and inscribed ‘archive 2’ in pencil, a proof aside from the edition of 150, with The Blek Rat Press blindstamp, on wove paper, with full marginssheet 73 x 79cm, unframed*Artist's Resale Right may apply to this lot.
*Bruce McLean (British, b.1944)PIPE DREAM (YELLOW BACKGROUND) (C.43)Screenprint in colours, 1984, signed, dated and numbered 20/30 in pencil, printed at Coriander Studio, London, published by Bernhard Jacobson Gallery, London, on Arches wove paper, the full sheetsheet 100 x 89.5cm*Artist's Resale Right may apply to this lot.
*Gerald Laing (British, 1936-2011)CHEUELERE ASSIGNE (SRG 30)Screenprint in colours with die-cut Mylar, 1968, signed, titled, dated and numbered 55/75 in pencil, printed and published by the artist with his blindstamp, on wove paper, the full sheetsheet 58.5 x 73.5cm, unframed*Artist's Resale Right may apply to this lot.
*Eduardo Paolozzi (British, 1924-2005)WHO IS AFRAID OF SUGAR PINK AND LIME GREEN Screenprint in colours, 1971, signed, dated and numbered 81/100 in pencil, from the '14 Big Prints' portfolio, printed by Advanced Graphics, London, published by Bernard Jacobson, London, on wove paper, with full marginsimage 144 x 104cm, framed*Artist's Resale Right may apply to this lot.
*Jamie Reid (British, b.1947)GOD SAVE THE QUEEN SWASTIKA EYEBALLSScreenprint in black, limited edition print designed by Jamie Reid for Aquarium, signed, titled and numbered 63/750 in pencil, on beige wove paper, the full sheetimage 61 x 43cm, framed*Artist's Resale Right may apply to this lot.
*Patrick Caulfield (British, 1936-2005)VASE ON DISPLAY (Cristea 23)Screenprint in colours, 1971, signed and inscribed A/P in pencil, an artist's proof aside from the edition of 100, printed at Kelpra Studios, London, published by Leslie Waddington Prints, London, on wove paper, the full sheetimage 64.5 x 55cm, framed*Artist's Resale Right may apply to this lot.
*Russell Young (British, b.1959)MARILYN GLAMOUR (PINK & WHITE)Screenprint with acrylic, enamel and diamond dust on linen, 2010, signed with a Peace sign, titled and dated on the reverse94 x 73.5cm, framed (not glazed)As an artist, Russell Young has long been captivated by the contradiction of the myth and reality of the 'American Dream'. Celebrated for his transformations of cultural icons through the process of silk screen printing, his finished works depict the jaded reality of glamorous excess of 21st-century America.Marilyn Monroe is generally regarded as Young’s most iconic and in demand subject. His early diamond dust works on linen normally were created in a series of 10 (plus 2 to 3 proofs). Diamond dust is a glittering material that when applied to paper and ink in the silkscreen printing process creates a textured and incandescent finish.*Artist's Resale Right may apply to this lot.
*John Piper (British, 1903-1992)GEFFRYE MUSEUM (Levinson 379)Screenprint in colours, 1985, signed and numbered 58/100 in pencil, printed by Kelpro Studio, London, published by The Friends of Geffrye Museum, on Arches wove paper, full marginsimage 46 x 63cm, framed*Artist's Resale Right may apply to this lot.
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