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Click here to subscribeDavid Shrigley (British, born 1968)I Am Currently on Fire, 2018 Screenprint in colours, on Somerset wove, signed, dated and numbered '16/100' in pencil verso, printed and published by Jealous Print Studio, London, the full sheet printed to the edges757 x 564mm (29 3/4 x 22 1/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Howard Hodgkin (British, 1932-2017)The Road to Rio, from 'Official Limited Edition Prints at the Rio 2016 Olympic Games', 2016 Screenprint in colours, on wove, signed with initials, dated and numbered '172/350' in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, London, the full sheet printed to the edges760 x 600mm (29 7/8 x 23 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Martin Creed (British, born 1968)Work No. 2852, 2017 Unique screenprint in colours, on Somerset wove, signed, titled, dated and numbered from the edition of 100 in pencil verso, each unique, printed and published by Counter Editions, London, the full sheet430 x 355mm (16 7/8 x 14in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Michael Craig-Martin R.A. (Irish, born 1941)Book, 1997 The complete portfolio, comprising ten double page screenprints in colours, on Somerset White, signed, dated and numbered '122/150' in pencil on the justification page, bound as issued in the grey-cloth covered boards, one additional double page screenprint on two separate sheets, loose as issued within a matching slipcase, signed and numbered '122/150' in pencil verso, printed by Advanced Graphics, London, co-published by Cristea Roberts Gallery, London, and Ridinghouse Editions, London, housed within the original grey-cloth covered solander boxoverall 365 x 570 x 30mm (14 3/8 x 22 1/2 x 1 1/4in)(Folio)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Mr Doodle (British, born 1994)HeartLand, 2020 Screenprint in colours, on wove, signed, dated and numbered '130/300' in pencil, printed and published by the artist, the full sheet, unframed480 x 900mm (18 7/8 x 35 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake R.A. (British, born 1932)Sergeant Pepper's Lonely Hearts Club Band, 2007 Screenprint in colours, on Somerset wove, signed and numbered '113/500' in pencil, printed by Coriander Studios, London, co-published by PierreOptique Ltd. and Apple Corps, London, with their blindstamp, to celebrate the 40th anniversary of the artist's Beatles album cover, with full margins 494 x 494mm (19 1/2 x 19 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Allen Jones R.A. (British, born 1937)French Cooking, from 'Hommage á Picasso', 1973 Screenprint in colours, on wove, signed in pencil verso, a proof aside from the numbered edition of 90, printed by Kelpra Studio, London, co-published by Propyläen Verlag, Berlin and Pantheon Press, Rome, with the printer's inkstamp verso, the full sheet printed to the edges600 x 797mm (23 5/8 x 31 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake R.A. (British, born 1932)The Second Real Target 25 Years Later, 2009 Screenprint in colours with glaze and embossing, on wove, signed and numbered '30/100' in pencil, published by CCA Galleries, Tilford, with their blindstamp, with full margins870 x 665mm (34 1/4 x 26 1/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake R.A. (British, born 1932)Hat from Las Vegas, 2009 Polaroid in colours, signed, dated and titled in black ink; together with 'Costume Life Drawing', screenprint in colours, 1971, on wove, signed and numbered '80/125' in pencil, titled in black ink, printed by Kelpra Studios, London, with full margins432 x 225mm (17 x 8 7/8in)(I)(and smaller)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Peter Blake R.A. (British, born 1932)Bentley, 2016 Inkjet print in colours with screenprint varnish, on wove, signed and numbered '127/150' in pencil, co-published by Coriander Studio, London and CCA Galleries, Tilford, with full margins, unframed493 x 400mm (19 3/8 x 15 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Patrick Hughes (British, born 1939)Weather Cock, 1979 Screenprint in colours, on wove, signed, titled, dated and numbered '51/100' in white pencil, with full margins570 x 395mm (22 1/2 x 15 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Sir Eduardo Paolozzi (British, 1924-2005)Study for Pearson Tapestry, 1996 Screenprint in colours, on wove, signed, titled, dated, inscribed 'A/P' and dedicated 'For Sue & Terry' in pencil, an artist's proof aside from the edition, with margins343 x 478mm (13 1/2 x 18 3/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Dove & Molly White (British)Bowie (Face No.1), 2010no.58 of 100, signed, titled and numbered on the verso, screenprint on hand-made Rag paper, made from recycled t-shirts, published by Paul Stolper, unframed 76 x 56cm (30 x 22in)Footnotes:The 'Face' prints were first introduced at KITSCH-22, London from 1976−78. The images were about urban tribal make-up and adornment, and celebrated a new kind of face paint of the tribes of London.In '73 the image of Bowie from the Aladdin Sane album was an archetype that 70s Disco fans religiously followed to create their own styles of dress and make-up. The warehouse parties that grew from 1975 created the perfect setting for the new breed of flamboyant Punks and New Romantics who would be inspired by Bowie's unique face painting created by Brian Duffy and Pierre Le Roche. The Disco Kids would adopt that Ziggy schizophrenia and live out their own version of a Ziggy Stardust fashion fantasy in a rush to become someone else for the weekend. Some would stay with Ziggy for the duration.In September 2012 The Paul Stolper Gallery held a mini-retrospective of drawings, collages and prints on paper from John Dove & Molly White. The 'Face' prints were then included in the exhibition TWO-FACED FAME at The Studio 3 Gallery at Kent University in 2013, and in 2015 the Face No.1 T-shirt and prints were chosen for the BOWIE IS exhibition at the Victoria & Albert Museum. The original is included in the Victoria & Albert Museum British Collection.This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
John Dove & Molly White (British)Jordan (Face No.3), 2008no.1 of 100, signed, titled and dated on verso, screenprint on hand-made Rag paper, made from recycled t-shirts, published by Paul Stolper, unframed 76 x 56cm (30 x 22in)Footnotes:Jordan worked at Vivienne Westwood's SEX boutique. A 16 year-old rubber-clad real-live punk protagonist from the suburbs, Malcolm (McLaren) referred to her as the first Sex Pistol. Artists Dove and White offered her a 'Face no.3' T-shirt, but she said she'd rather have some money. Very forthright and good humoured, her provincial nonchalance gave her stark appearance a softer edge. She was stripped bare by Johnny Rotten at The El Paradiso club gig, and her part in Derek Jarman's JUBILEE as Amyl Nitrate made her a cult star. She caused such a stir while she travelled from Sussex to Kings Road, British Rail had to put her in a First Class compartment. The Jordon 'Face' print on paper was included in the John Dove and Molly White mini-retrospective FACE TO FACE at the Paul Stolper gallery in 2012, and at the exhibition TWO-FACED FAME at The Studio 3 Gallery at Kent University in 2013. Jordan retired from the Chelsea scene in the 80s to return to Sussex where she breeds Burmese cats.This lot is subject to the following lot symbols: † AR† VAT at the prevailing rate on Hammer Price and Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Russell Young (British, born 1959)Sid Vicious, from 'Mugshot Series', 2006 Screenprint in colours, on wove, signed and numbered '17/50' in pencil, published by Bankrobber Gallery, London, with full margins1130 x 890mm (44 1/2 x 35in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Gerald Laing (British, 1936-2011)The Kiss, 2007 Screenprint in colours with hand-applied gold leaf, on wove, signed, titled, dated and inscribed 'PP 2/2' in pencil, a printer's proof aside from the numbered edition of 90, printed by Artizan Editions, Hove, co-published by the artist and ocontemporary, Brighton, with full margins, unframed1105 x 942mm (43 1/2 x 37in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Julian Opie (British, born 1958)Woman Taking Off Man's Shirt, 2003 (Cristea p.244) Screenprint in colours, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Düsseldorf, with full margins, unframed1000 x 600mm (39 3/8 x 23 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Gerald Laing (British, 1936-2011)KM (Kate Moss), 2008 Screenprint in colours, on wove, signed, titled, dated and inscribed 'PP 2/2' in pencil, a printer's proof aside from the numbered edition of 90, printed by Artizan Editions, Hove, published by the artist, London, with full margins, unframed985 x 654mm (38 3/4 x 25 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Wilko Johnson and Roger Daltrey - Shepherds Bush Empire, Tuesday 25th February, limited edition screenprint poster signed in pen by Wilko Johnson and Roger Daltrey, and in pencil by artist Chris Hopwell, numbered 115/999, in mount and framed, 34 1/2 x 28 1/2 inches overall.Provenance: from a private collector.
Crosby, Stills & Nash - two posters autographed by David Crosby, Stephen Stills and Graham Nash, one a screenprint poster, the other a for the Fillmore concerts on 14th-20th September 1997 with accompanying letter of provenance, both rolled, largest 18 x 24 inches. (2)Provenance: from a private collector.
A collection of 32 autographed items including photographs signed by Michael Caine, Christian Bale, Burt Young, Carl Weathers, Tim Allen, James Hong, Katherine Jenkins, Charles Dance, David Attenborough, Phoebe Cates, Pamela Anderson, Ian McKellen, Bryce Dallas Howard, Dick Miller, Peter Weller, Julian Glover, Andy Serkis, Rick Baker, Ron Perlman, Eddie Murphy, Joel Kinnaman, David Hasselhoff, Dolph Lundgren, John Rhys-Davies, Zach Galligan, and a screenprint, 6 framed, one canvas. (33)
The Zombies - two set lists for the UK tour 2007 (1st half and 2nd half), a screen print for the US tour 2004 signed by Colin Blunstone and Rod Argent, limited edition screenprint of The Zombies at the Austin Psych Fest, Friday 2nd May 2014, artwork by Mishka Westell, numbered 87 / 206 and signed by the artist, 18 x 24 inches, together with three duplicate posters signed by Colin Blunstone and Rod Argent and one concert poster dated Fri.12 Oct, all rolled. (8)Provenance: from a private collector.
Fernand LÉGER (1881-1955) "Ohne Titel" Grafik- Serigraphie auf dünnem Karton, 55,5 cm x 38 cm, in der Platte monogrammiert, rechts unten Nr. 377/1000 Fernand LÉGER (1881-1955) "Untitled" graphic - screenprint on thin cardboard, 55.5 cm x 38 cm, monogrammed on the plate, number 377/1000 at the lower right
Sir Peter Blake (b. 1932),'I Love You', screenprint in colours with gold leaf,signed and numbered 162/175,image 26 x 121.5 cm*Please Note: Artist Resale Rights applies to this lot at 4% CONDITION REPORT: Provenance: Shanti Galleries- see link to a Peter Blake exhibition held there in 2012. https://www.watfordobserver.co.uk/news/10001990.kings-langley-hosts-bus-displaying-work-of-pop-art-master-sir-peter-blake/Please Note: This lot will need to be delivered to the auctioneers for the purchaser to collect, so may require a couple of extra days before it is available for collection.
2006, from an edition of 250, unsigned with a photocopy of signed and numbered justification page (75/250), published by Alan Cristea Gallery, London, screenprint in colours on wove paper.sheet size 42cm x 29.5cm (16.5in x 11.5in)Condition report: The print is in very good, original condition with no obvious faults to report. The print is unframed.
2018, signed but unnumbered edition of 25, published by Jealous Gallery, with full margins, one colour screenprint with glitter overlay on somerset satin radiant white 410gsm paper.sheet size 30cm x 30cm (11.75in x 11.75in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is unframed with all original packaging.
2012, numbered 218 from the edition of 2500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, screenprint in colours with diamond dust additions.sheet size 91.5cm x 91.5cm (36in x 36in)Footnote: This work is accompanied by a certificate of authenticity issued by the publisher.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. The print is unframed.
Spoerri (Daniel), Robert Filliou, Emmett Williams, Dieter Roth & Topor. An Anecdoted Typography of Chance, 2 vol., number 28 of 100 copies with original print signed by Spoerri, original screenprint 'Cubist View of My Room, No.13' folded and loose in original ink- & blind-stamped paper folder (lightly damp-stained but not affecting print), text with illustrations, slightly stained or cockled by damp at beginning and end, original blind-stamped wrappers signed by the contributors on upper cover (except the deceased Fillou), together in original cloth slip-case (a little rubbed and marked), small 4to, Atlas Arkhive Four, 1995.⁂ The print is of a photographic collage made in 1961. Spoerri was closely involved in the Fluxus movement, of which this is a significant work. He is known for his "snare-pictures" where random objects on a horizontal plane e.g. a table are fixed to a wall.
Sadamasa Motonaga, Japanese figure, screenprint, signed and numbered 60/100; Otto Herbert Hajek, Geometric Composition, screenprint, signed and numbered 80/150; Ludwig Wilding, untitled serigraph, signed and numbered 62/100; Ado, screenprint, signed and numbered 178/250; together with Akira Kurosaki, untitled lithograph, numbered 11/100 (5)
R.B. KITAJ (American 1932-2007) A PRINT, "Photographs and Philosophy," 1963-64, screenprint on paper, signed L/R, numbered 11/40 in pencil. 21 1/2" x 32" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
PATRICK CAULFIELD (British 1936–2005) A PRINT, "Pink Jug," 1981-1982, screenprint on paper, signed and numbered 29/80 L/R in pencil. 30" x 23 1/2" Note: Pink Jug was designed by the British artist Patrick Caulfield in London in 1981. As with all of his prints, Caulfield initially composed the work in the form of an acrylic painting. It was printed in 1982 at Kelpra Studio, a fine art print workshop in London, on white, heavy-weight, machine-woven paper using serigraph inks, which may have been oil-based. Colour was applied at a uniform thickness across the composition. It was published within an edition of eighty by Waddington Graphics, London, in 1982, although the edition number of this particular print is not known. The work is float-mounted on museum board using paper hinges and has been framed for display by Tate. The critic Mel Gooding has written that the ‘simple, schematic and direct’ style of Caulfield’s prints from the early 1980s represented a shift from the highly complex compositions in his prints and paintings of the mid-to-late 1970s (such as Still Life Ingredients 1976, Estate of Patrick Caulfield, London; Caulfield and Gooding 1998, p.14). Pink Jug is one of a group of four screenprints made by Caulfield in 1981–2, all of which depict jugs in the same stylized manner From the Tate Collection website Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Light mat stain, tape verso, overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
VICTOR VASARELY (Hungarian 1906-1997) A PRINT, FROM PERMUTATIONS, PARIS, 1968, shades of ocher and black, color screenprint on paper, signed in pencil in margin L/R, "Vasarely," special edition number 104/150, with Denise Rene blind stamp, publisher. 26" x 26" Provenance: From the Estate of William Woodford, Houston, Texas. Condition: In very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DOROTHY HOOD (American 1918-2000) A PRINT, "Green, Black, and Yellow on a Red Ground," CIRCA 1980s, color screenprint on paper mounted to mat board, signed in pencil L/L, and numbered 1/18 L/L. 26" x 21". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MASAMI TERAOKA (Japanese/American b. 1936) A PRINT, "31 Flavors Invading Japan: Chocolate Chip," 1977, screenprint on paper, numbered in pencil L/L 20/75. 10 3/4" x 55" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of E. David Brauer, Houston, Texas. Condition: Some scratches to frame, generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
MASAMI TERAOKA (Japanese/American b. 1936) A PRINT, "31 Flavors Invading Japan: French Vanilla," 1977, screenprint on paper, numbered in pencil L/L 20/75. 10 3/4" x 55" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Some scratches to frame, generally in good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
GERALD LAING (British 1936-2011) A PRINT, "Anna Karina," 1963-2004, screenprint on paper, signed and dated in margin in pencil L/R, titled and numbered L/L 31/100, inscribed lower center, "To David, because you were there." 37" x 22 1/4" Note: Based on a painting Laing completed in 1963, while at school at St. Martins with David Brauer. The original painting was based on a newspaper photograph of the bust of French film star Anna Karina in her leading role of a film entitled Vivre sa Vi (1962) and was installed in nine panels, stretching 12 feet tall. Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama, February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Generally in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
GERALD LAING (British 1936-2011) A PRINT, "Brigitte Bardot," 1968, screenprint on paper, signed in margin in pencil L/R, titled, dated, and numbered L/L 4/200. 21 1/4" x 20 1/2" Note: This screenprint is derived from the eponymous 1963 largely successful painting demonstrating Laing's refinement of technique on a structured ruled grid. The original painting was submitted, and selected, for the 1963 Young Contemporaries Exhibition at RBA Galleries in London. The source for the original work came from the logo on the request for entries for the exhibition - a black and white photograph of Brigitte Bardot on which a black circle had been superimposed. The graphic designer's intention with the invitation was stated as an inference about the type of work that would likely dominate the exhibition - a merging of British pop art and Russian constructivism. Laing accepted the design as "a gift," and was determined "to appropriate it in its entirety." This screenprint, along with the source painting, is the highlight of Laing's portraits of French New Wave film stars. Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama, February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Minor scuffs on frame, verso a paper exhibition label, generally in very good to excellent condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
R.B. KITAJ (American 1932-2007) A GROUP OF FIVE PRINTS, FROM "First Series: Some Poets," 1966-1970, comprising five works on paper from "First Series: Some Poets," a portfolio published by Kelpra Studios. "Ed Dorn," screenprint on paper, signed in image in pencil L/R, "Kitaj," numbered L/L 39/70, stamped verso, 25 5/8" x 20 1/2"; "Star Betelgeuse, Robert Duncan," screenprint and collage on paper, numbered 40/70, 33" x 17 7/8"; "Portrait of W.H. Auden," screenprint and lithograph on paper, numbered 33/70, 18 1/2" x 24 1/2"; "Revolt on the Clyde (Hugh Mac Diarmid)," screenprint and photo-screenprint on blue card, signed and numbered in pencil L/L "Kitaj 52/70," 25 1/2" x 20 1/4"; "Fifties Grad Swank: Morton Feldman," signed and numbered in pencil L/L, "Kitaj 63/70," 31 1/2" x 14 3/4". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: "Ed Dorn" has light marks from creasing along right edge, and is hinged to black matboard. Generally in good to very good condition; "Revolt on the Clyde (Hugh Mac Diarmid)" has slight residue along lower edge, along with some scratching to the frame; "Fifties Grad Swank: Morton Feldman" has slight crease in U/R corner, slight discoloration in L/L corner, along with a small crease in L/R corner, otherwise all in generally good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
RICHARD WILLIAM HAMILTON (British 1922-2011) A PRINT "Portrait of the Artist by Francis Bacon," 1970, collotype and screenprint, signed and numbered in margin in pencil L/R, "R Hamilton 18/140," along with watermark, titled L/L. 23" x 21" Note: In 1969, at the end of a characteristically wine-soaked lunch at Robert Carrier’s London restaurant with the artist Francis Bacon (1909–1992), Hamilton asked Bacon to photograph him against the drapes of the dining room. The first exposure was blurry from Bacon’s tipsy handling of the Polaroid, but Hamilton found the image to have an affinity with Bacon’s distinctive style of painting. Working with oil on collotype copies of that portrait, Hamilton produced seven studies from which Bacon was to select his favorite. He chose the seventh study in which Hamilton had covered the blurred curtains with a, particularly Bacon-esque violet.-Description from the Met Museum Collection Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Generally in good to very good condition wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
IAN HAMILTON FINLAY (Scottish 1925-2006) A PRINT, "Evening/Sail," 1970, screenprint on paper. 31 1/2" x 11" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: A crease in one corner, some mild toning, some foxing in upper left margin, mild dust and debris but overall in fair to good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
R.B. KITAJ (American 1932-2007) A PRINT, "Belgian Letters," 1972, screenprint and collage on paper, numbered 57/70. 29" x 20" Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
*After Banksy 'Bomb Hugger' screenprint in colours, with West Country Prince stamp, Banksy Copy, numbered 97/500 sheet 70 x 50cm *Artist's Resale Right may apply to this lot.Condition report: Seen out of frame. Green tissue paper stuck to print under eye. Light scratches on pink and black areas are silver in colour
*Sir Peter Blake RA (b.1932) 'U is for Unusual People' screenprint in colours, 1991, signed, inscribed with title and numbered 74/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light handling creases.
*'Cyclops' (Lucas Price) (b.1975) ‘Telepathic Heights’ screenprint in colours, 2011, artist's proof, signed 'Cyclops' in pencil, the edition was 95, published by the Black Rat Press, with their blindstamp, on thick wove paper, with full margins sheet 97 x 71.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Very light mark to right margin. Very light crease to upper left corner.
*Sir Peter Blake RA (b.1932) ‘W is for Wrestler’ screenprint in colours, 1991, signed, inscribed with title and numbered 33/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.6 x 76.7cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Crease to upper left corner, Some light creasing to extreme upper edge and right corner.
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