We found 12813 price guide item(s) matching your search

Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm ARR Provenance: Pest Control Certificate Of Authenticity Pending

Banksy (British 1974-), 'Soup Can', 2005, screenprint in colours on wove paper, numbered from an edition of 250 in pencil, published by Pictures On Walls, bearing the publishers blind stamp; sheet: 50 x 35cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Barcode', 2003, screenprint on wove paper, numbered from an edition of 600 in pencil, stamped in red ink, published by Pictures On Walls; 69.5 x 88.5 cm inc frame ARR Provenance: Accompanied by Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Golf Sale', 2003, screenprint on wove paper, signed and numbered from an edition of 750, bearing the 'Banksy' rubber-stamp in red ink, published by Pictures On Walls; 49 x 63cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Love Rat', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 50 x 35cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

D*Face (British 1978-), 'Dog Save The Queen (Silver Wings)', 2004, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 250 in pencil, stamped by the artist, published by Pictures On Walls; sheet: 50 x 70cm (Framed) ARR

Invader (French 1969-), 'Albino Invader', 2005, screenprint in colours on paper, numbered from an edition of 200 in pencil, published by Pictures On Walls; sheet: 50 x 50cm ARR

Invader (French 1969-), 'Rubik Kubrick I - Alex', 2006, screenprint in colours on wove paper, numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 50 x 70cm ARR

Invader (French 1969-), 'Home Earth', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 29.5 x 42cm ARR

Invader (French 1969-), 'Home Mars', 2010, embossed screenprint in colours with applied foil on wove paper, signed and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 29.5 x 42cm ARR

Martin Whatson (Norwegian 1984-), 'One Small Step (Pink)', 2013, hand-embellished screenprint in colours on 300gsm Somerset paper, signed, dated and numbered from a unique edition of 10 in pencil, published by Graffiti Prints; sheet: 65 x 65cm (Framed) ARR

Shepard Fairey (American 1970-), 'Tunnel Vision (Gold)', 2018, screenprint in colours on wooden panel, signed, dated and numbered from an edition of 6 in pencil; panel: 45.5 x 61cm (Framed)

Stik (British 1979-), 'Liberty (Orange AP)', 2013, screenprint in colours on wove paper, signed and numbered from an edition of 5 APs in pencil, aside from the main edition of 25, published by Squarity; sheet: 112 x 43cmARR

Thierry Noir (French 1958-), 'Crocodile', 2013, screenprint in colours on 300gsm Somerset Textured paper, signed and numbered from an edition of 50 in pencil, published by Salted Prints; sheet: 60 x 60cm ARR

Banksy (British 1974-), 'Morons', 2007, screenprint in colours on Arches paper, signed, dated and numbered from an edition of 150 in pencil, published by Pictures On Walls; 69 x 88cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Trolleys', 2007, screenprint in colours on Arches paper, signed and dated in orange, numbered from an edition of 150 in pencil, published by Pictures On Walls; 68.5 x 87.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'CND Soldiers', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 350, published by Pictures On Walls; 81.5 x 61.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Stop & Search', 2007, screenprint in colours on Arches 88 Paper, signed in blue crayon and numbered from an edition of 500 in pencil, published by Pictures on Walls; sheet: 76.5cm x 57.5cm (Framed) ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Nola (Orange Rain)', 2008, screenprint in colours on wove paper, signed and numbered from an edition of 32, published by Pictures On Walls; sheet: 76 x 56cm; 84 x 62.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British 1974-), 'Nola (Yellow Rain)', 2008, screenprint in colours on wove paper, signed and numbered from an edition of 31, published by Pictures On Walls; sheet: 76 x 56cm; 82 x 61.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Deborah Kass (American 1952-), 'Vote Hillary', 2016, screenprint in colours on Stonehenge paper, signed, dated and numbered from an edition of 250 verso, published for the Hillary Clinton 2016 Presidential Campaign; sheet: 106.5 x 106.5cm

Adriana Oliver (Spanish 1990-), 'Someone To Love', 2021, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75, published by Moosey Art; sheet: 86 x 72cm ARR

Deborah Roberts (American 1962-), 'One History Two Versions (Bullet Points)' 2019, screenprint in colours on 600gsm Somerset Tub Sized paper, signed and dated in pencil, from an edition of 100; sheet: 59.5 x 42cm

Michael Kagan (American 1980-), 'In Memory', 2020, screenprint on wove paper, signed and numbered from an edition of 200 in pencil, published by Virginia MOCA; sheet: 35.5 x 35.cm

Peter Blake (British 1932-), 'Kate', 2010, screenprint in colours with photocollage and diamond dust on wove paper, signed by Peter Blake and Kate Moss in pencil, numbered from an edition of 100, published by Paul Stolper; sheet: 75 x 58cm (Framed) ARR

Schoony (British 1974-), 'Boy Soldier 3D', 2019, screenprint in colours on wove paper, signed, dated and numbered from an edition of 10 in pencil; sheet: 70 x 50cm ARR

Schoony (British 1974-), 'Boots', 2019, unique hand-finished screenprint on paper, signed and dated in black ink; sheet: 56 x 38cm ARR

Banksy (British 1974-), 'Radar Rat - Dirty Funker Vinyl (Brown)', 2008, screenprint in colours on record sleeve, with vinyl record; sleeve: 30.5 x 30.5cm ARR

Banksy (British 1974-), 'Radar Rat - Dirty Funker Vinyl (White)', 2008, screenprint in colours on record sleeve, with vinyl record; sleeve: 30.5 x 30.5cm ARR

Chris Levine (Canadian 1960-), '#Compassion', 2020, screenprint in colours on 410gsm Somerset Satin White Paper, dated in pencil, signed to the accompanying COA, published by Jealous Gallery; sheet: 58 x 45.5cm ARR

Banksy (British 1974-), 'GDP Rat', 2019, screenprint on 50gsm paper; sheet: 38.5 x 50.5cm ARR

Banksy (British 1974-), 'Marks & Stencils', 2010, screenprint on brown paper shopping bag; 30.5 × 41 cm ARR

Blek Le Rat (French 1951-), 'The Man Who Walks Through Walls', 2007, screenprint in colours on 300gsm Somerset Satin white paper, signed and numbered from an edition of 250 in pencil, published by Black Rat Press; sheet: 73.5 x 53.5cm ARR

Claire Tabouret (French 1981-), 'The Siblings', 2020, screenprint in colours with lithography on 410gsm Somerset paper, signed and numbered from an edition of 75, published by Perrotin; sheet: 40.7 x 47cm ARR

Blek Le Rat (French 1951-), 'The Anarchist', 2020, screenprint in colours on 300gsm Arches paper, signed and numbered from an edition of 300 in pencil; sheet: 23 x 31cm ARR

Conor Harrington (Irish 1980-), ‘Small Town Tale With A Global Punch’, 2014, 1 colour screenprint on Arches 88 paper, signed and numbered from an edition of 10 APS in pencil, aside from the main edition of 100, published by Lazarides; sheet: 56 x 82cm ARR

D*Face (British 1978-), 'Left For Dead', 2021, screenprint in colours on 370gsm Lambeth Drawing Cartridge paper, signed and numbered from an edition of 140 in pencil, published by Stolen Space; sheet: 99 x 70cm ARR

James Joyce (British), 'Perseverance In The Face Of Absurdity', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 56 x 56cm ARR

Jerkface (American 1982-), 'Astro Cat (Clouds Edition)', 2018, screenprint in colours on wove paper, signed and numbered from an edition of 15 APs in pencil, aside from the main edition of 50; sheet: 20 x 20cm (Framed)

*Clare Woods (b.1972) 'Cross in Hands', 2006screenprint in colours, signed and dated 'C Woods 2006' in pencil l.r., inscribed as titled l.c., and numbered '65/200' l.r.sheet 88 x 68cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, loosley attached to the backboard (not mounted), gentle wave to sheet, appears to be in good condition.

*John Piper CH (1903-1992)'The Glyders'screenprint on cotton, published by A Sanderson & Sons Ltd.52 x 58cm*Artist's Resale Right may apply to this lot.Condition report: In apparently good condition, unexamined out of frame.

Sir Terry FROST (1915-2003)Longbow (Kemp 176)Screenprint with collage elementsSigned and dated '98Numbered 2/50Image size 27.5 x 87cm, paper size 50 x 108cmIt is highly probable that this work was bought directly from the artist.Condition report: Lovely condition but for a few very faint foxing spots. The paper is not flat

‡Sophie Ryder (b.1963) PaintpotsSigned, dated, numbered and inscribed AP/9 for André & Galina with/love from Sophie Ryder 2001 (in pencil)Screenprint in colours, 1 of 9 artist's proofs aside from the edition of 5053 x 67.8cm (sheet)

‡John Piper CH (1903-1992) Waddesdon (Levinson 423) Signed John Piper (in pencil) Screenprint in colours, 1989 42.2 x 56.9cm (image)

Alex Colville (Canadian 1920-2013) Dog with Bone Signed and dated Alex Colville/1961 (in pencil lower right) Screenprint, from the edition of 2075.2 x 53.2cm Provenance: Collection of Ian Murray; And by descent Ian Murray was born in Scotland in 1928, but as a young man fell in love with Canada, becoming a Canadian citizen in 1957. He was a great supporter of Canadian artists and an avid collector of their work. He was additionally a master mariner, owned a superb collection of cars, and socialised with Noel Coward, Ian Fleming, Princess Margaret and Elvis Presley, once purchasing a car with the latter.

‡Craigie Aitchison CBE, RSA, RA (Scottish 1926-2009) Sheep in the Moonlight Signed, dated and numbered Craigie Aitchison 10/75 1999 (in white ink, lower centre) Screenprint in colours, published by Advanced Graphics, London 68.7 x 56cm (sheet) Provenance: Private Collection, Kent

‡Peter Sedgley (b.1930) Looking Glass Suite I Signed and numbered Peter Sedgley 30/75 (in pen lower centre) Screenprint, 1966 49.5 x 49.5cm Unframed

‡Sophie Smallhorn (b.1971) Colour Wheel 2 Signed, dated and numbered 13/30 Sophie Smallhorn 01 (in pencil) Screenprint 84.5 x 84.5cm (sheet) Provenance: Francis Graham-Dixon, London, where purchased by the present private collector, September 2001

‡Ceri Richards CBE (Welsh 1903-1971) Prometheus I (from The Beethoven Suite) Screenprint, with Ceri Richards blindstamp 66 x 50cm (image) Provenance: The artist's estate; Martin Tinney Gallery, Cardiff; The Collection of Sir Alan and Lady Cox

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) Moonstrips Empire News: Memory Core Units; The Silken World of Michelangelo; High Life; Cover for a Journal Four, each signed Eduardo Paolozzi, three inscribed Artists Proof, and one numbered 86/500 (in pencil) Each screenprint, 1967 Each 38 x 25.4cm (sheet) Unframed (4)

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) Moonstrips Empire News: Ernie and T. T. at St Louis Airport; Donald Duck meets Mondrian; Formica-Formikel; Secrets of the Internal Combustion Engine Four, each signed Eduardo Paolozzi (in pencil) Each screenprint, 1967 Each 38 x 25.4cm (sheet) Unframed (4)

‡Victor Vasarely (Hungarian/French 1906-1997) CTA 102 (Gold) Signed Vasarely (in ball point) Screenprint 70.5 x 70.5cm Unframed Provenance: Purchased from the artist's studio, 1960s

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) General Dynamic F.U.N.: An Empire of Silly Statistics...A Fake War for Public Relations; Inside Down Under...What Are the Building Blocks of Structuralism?; Will Man Desert the Dog for the Dolphin?; Jesus Colour by Numbers Four, each signed Eduardo Paolozzi, three numbered 1/350, and one numbered 22/350 (in pencil) Each screenprint, 1965-1970 One 25.5 x 38.2cm; Three 38.2 x 25.5cm (sheet) Unframed (4)

‡John Hoyland RA (1934-2011) Betwixt and Between Signed, dated and numbered 33/60 John Hoyland 82 (in pencil to margin) Aquatint and screenprint 139.5 x 103.5 (sheet) Provenance: Waddington Galleries, London

‡John Keane (b.1954) Car; Home Two, each signed, dated and numbered 12/75 John Keane 1994 (in pastel lower right) Each screenprint with woodblock and collage Both 125.5 x 99cm (sheet) (2) Provenance: Both with Flowers East, London, where purchased by the present private collector, December 1994

‡Peter Sedgley (b.1930) Looking Glass Suite V Signed and numbered Peter Sedgley 30/75 (in pen lower right) Screenprint, 1966 49.5 x 49.5cm Unframed

Robert Gordy (American 1933-1986) Folly Signed Robert Gordy (lower right) and numbered 84/100 (lower left) Screenprint 63.4 x 83.8cm Unframed

Peter LANYON (1918-1964)In the TreesScreenprintThe Fine Art Society PLC label to verso21.8 x 19.5cmProvenance - Reba and Dave WilliamsPrinted by the artist and Warren MacKenzie in an edition of 8. In a letter to the Tate Gallery dated 10 August 1985 Warren MacKenzie has written about this screenprint by Lanyon: ‘Like the "Underground" he printed & then washed off the first screen or two & then overprinted with at least three & possibly four screens. There is a dark green, white, then black in this order'. The TateOther editions of this screenprint are held in the British Museum and The Tate. Condition report: This has not been examined out of its distinguished glazed frame but it appears to be in excellent condition. As might be expected the paper is not perfectly flat.

§ John Piper (1903-1992) Moutou, 1968screenprintSigned in pencil, 69/70, printed by Kelpra Studio, published by Marlborough Fine Art,52 x 70cm. Unframed.

John Piper (1903-1992) Floirac, 1968screenprintSigned in pencil, 23/70 (L.194)52 x 72cm, unframed.