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Click here to subscribeδ Howard Hodgkin (1932-2017)Red Flowers (Not in Heenk)Screenprint in colours, 2015, initialled, dated and numbered from the edition of 75 in pencil, on Somerset mouldmade paper, printed by King and McGaw, Newhaven, the full sheet printed to the edges, 430 x 470mm (16 7/8 x 18 1/2in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Dieter Roth (1930-1998)Swing (Dobke 87)The unique screenprint in cololurs, 1967, signed and numbered from the edition of 50 unique variants in pencil, printed by Jörg Dietrich, Stuttgart, published by Hansjörg Mayer, and the artist, Stuttgart, on wove paper, the full sheet printed to the edges, sheet, 610 x 860mm (24 x 33 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Morons (Sepia)Screenprint in colours, 2007, signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 28 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997)Haystack #3 (Corlett 67)Lithograph printed in colours with screenprint, 1969, signed, dated and inscribed A/P X in pencil, one of ten artist's proofs aside from the edition of 100, on BFK Rives paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and workshop number verso, the full sheet printed to the edges, 341 x 598mm (13 ½ x 23 5/8 in) (unframed)The Haystack series was the first in a number of works which directly reference the works of Claude Monet, following on from the Haystacks, the artist turned his eye to the depiction of Cologne Cathedral. Haystacks also marked the first time that Lichtenstein worked with the master printers at Gemini G.E.L in Los Angeles, a relationship that was to last until the year before he died.
δ Allen Jones (b.1937)Self (Lloyd 28)Screenprint in colours, 1965, signed and inscribed, one of 25 artist's proofs aside from the edition of 225, on wove paper, printed by Chiron Press, New York, published by Tanglewood Press, Los Angeles, the full sheet, 560 x 430mm (22 x 17in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Keith Haring (1958-1990)Joseph Beuys (Littmann p.61)Screenprint on canvas, 1986, signed, dated and numbered from the edition of 90 in black felt-tip pen, as included in the portfolio For Joseph Beuys, published by Galerie Bernd Kluser and Editions Schellmann, Munich and New York, the full sheet, 790 x 603mm (31 1/8 x 23 ¾ in) (unframed)
§ Joe Tilson (British B.1928) X - Malcom X, From 'Fragments of an Oneiric Alphabet' Screenprint, 20/25, printed by Kelpra London, 1969-70 (Dimensions: 78cm x 103cm (30.75in x 40.5in))Please note this work is signed and numbered in pencil(78cm x 103cm (30.75in x 40.5in))Footnote: Provenance: The Open Eye Gallery, Edinburgh
§ Ian Hamilton Finlay (Scottish 1925-2006) Seashells Screenprint, published by Wild Hawthorn Press , signed and numbered 64/350 in ink to verso of sleeve, and four further screenprints by the same artist - Interior/Interieur : Homage to Vuillard ; Homage to Malevich ; Gourd and A Full Rigged Ship, in the manner of Fuseli , each signed and numbered to the sleeve, all unframed (5) (Dimensions: 27cm x 30.5cm (10.5in x 12in))(27cm x 30.5cm (10.5in x 12in))
§ Eduardo Paolozzi K.B.E., R.A., H.R.S.A. (British 1924-2005) Leonardo, 1974 and Nine Heads, 1997 A/P and 35/40 respectively, each signed, dated and numbered in pencil to margin, screenprint, unframed (Dimensions: 60cm x 42.5cm (23.6in x 16.75in) and 56cm x 41cm (22in x 16.25in) respectively (2))(60cm x 42.5cm (23.6in x 16.75in) and 56cm x 41cm (22in x 16.25in) respectively (2))
§ Sir Howard Hodgkin C.H., C.B.E. (British 1932-2017) Untitled, 2010 Screenprint, 2/75, signed, dated and numbered in pencil to margin (Dimensions: 35cm x 24cm (13.75in x 9.5in))(35cm x 24cm (13.75in x 9.5in))Footnote: Note: This series of prints was gifted by the artist to The Art Fund 'Brushstrokes' series, it was distributed to key donors to the fund.
Friedensreich Hundertwasser (Austrian, 1928-2000)Olympische Spiele München Screenprint in colours with metallic embossing, 1972, on thick wove, stamp-numbered 3387/3999, printed by Dietz Offizin, Lengmoos, published by Edition Olympia 1972 GmbH, Munich, with their respective embossed stamps, the full sheet printed to the edges, 1022 x 635mm (40 1/4 x 25in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Friedensreich Hundertwasser (Austrian, 1928-2000)Regen auf Regentag Screenprint in colours with metallic embossing, 1971, on heavy wove, stamp-numbered 523/3000, printed by Dietz Offizin, Lengmoos/Bavaria, published by Ars Viva, Zürich, with the printer and publisher's embossed blindstamps, the full sheet, 475 x 670mm (18 3/4 x 26 3/8in (SH)(unframed)This lot is subject to the following lot symbols: AR
Friedensreich Hundertwasser (Austrian, 1928-2000)Kreisverkehr der Strassengekreuzigten Screenprint in colours with metallic embossing and glitter, 1971-2, on heavy wove, stamp-numbered 523/30000, printed by Dietz Offizin, Lengmoos/Bavaria, published by Ars Viva, Zürich, with the printer and publisher's embossed blindstamps, the full sheet, 492 x 670mm (19 3/8 x 26 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Victor Vasarely (Hungarian/French, 1906-1997)Vaar Screenprint in colours, 1988, on wove, signed, dated and inscribed 'Bon à tirer le 10. VI. 1988' in pencil, a bon à tirer impression before the numbered edition of 250, published by Mazo S.A., Paris, the full sheet, 700 x 620mm (27 1/2 x 24 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Max Ernst (German, 1891-1976)Ein Mond ist guter Dinge (Spies/Leppien A 25) Screenprint in colours, 1970, on thick wove, signed and numbered 137/150, printed by Haas, Stuttgart, published by Galerie Der Spiegel, Cologne, with margins, 546 x 460mm (21 1/2 x 18 1/8in)(I) This lot is subject to the following lot symbols: AR
Tom Wesselmann (American, 1931-2004)Cynthia Nude Screenprint in colours, 1981, on Arches, signed, dated and numbered 14/100 in pencil, printed by Maurel Studios, New York, published by Multiples Inc., New York, with their blindstamp, with full margins, 735 x 977mm (28 7/8 x 38 1/2in)(SH)(unframed)
Andy Warhol (American, 1928-1987)Lincoln Center Ticket (Feldman & Schellmann II.19) Screenprint in colours, 1967, on wove, from an unsigned edition of 500, (there was also a signed edition of 200 on opaque acrylic), published by Lincoln Center poster and print program, New York, the full sheet, 1143 x 610mm (45 x 24in)(SH)(unframed)
Ellsworth Kelly (American, 1923-2015)Blue (For Leo), from 'The Leo Castelli 90th Birthday Portfolio' Screenprint in colours, 1997, on heavy wove, signed and numbered 'XXVI/XC' in pencil, printed by Noblet Serigraphie Inc., New York, published by Jean-Christophe Castelli, New York, the full sheet, 937 x 685mm (36 7/8 x 27in)(SH)(unframed)
Donald Sultan (American, born 1951)One plate, from 'Blues' Screenprint with flocking in colours, 2008, on 2-ply Museum Board, signed, titled, dated and numbered 22/75 in pencil, printed by Fine Art Printing, Ltd., Long Island City, published by Lococo Fine Art Publisher, St. Louis, the full sheet, 560 x 560mm (22 x 22in)(SH)
Richard Hamilton (British, 1922-2011)I'm Dreaming of a Black Christmas (Lullin 82) Screenprint on collotype in colours with collage, 1971, on Schoeller Elfenbein-Karton paper, signed and numbered 1/150 in pencil, published by the Petersburg Press, London, the full sheet, 746 x 1000mm (20 3/8 x 39 1/4in)(SH)This lot is subject to the following lot symbols: AR
David Spiller (British, 1942-2018)Hold Me (Sylvester) Screenprint in colours, 2016, on wove, signed, titled and numbered 15/95 in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 935 x 940mm (36 7/8 x 37in)(SH)This lot is subject to the following lot symbols: AR
David Spiller (British, 1942-2018)Young Love (Daisy) Screenprint and mixed media in colours, 2011, on wove, signed, numbered 45/75 and inscribed 'Young Love' in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 880 x 880mm (34 5/8 x 34 5/8in)(SH)This lot is subject to the following lot symbols: AR
Julian Opie (British, born 1958)Head Series (the complete set of six) The complete set of six multiples, 2016/2017, each screenprint on acrylic, with the original publisher's packaging, published by the artist's studio, London, dimensions variable, each circa 165 x 140 x 50mm (6 3/8 x 5 3/8 x 3/16in)(6)This lot is subject to the following lot symbols: AR
Julian Opie (B.1958)Woman Taking Off Man's Shirt (Cristea p.244) Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Düsseldorf, with full margins, 1000 x 600mm (39 3/8 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
David Shrigley (British, born 1968)It's OK Screenprint in colours, 2016, on Fabriano, signed and numbered 72/100 in pencil verso, printed and published by Jealous Print Studio, London, the full sheet printed to the edges, 208 x 145mm (8 1/4 x 5 3/4in)(SH)This lot is subject to the following lot symbols: AR
The Connor Brothers (British)I Don't Want To Go To Heaven Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and inscribed 'AP 16/20' in pencil, one of 20 artist's proof aside from the numbered edition of 150, with full margins, 1660 x 1060mm (65 3/8 x 41 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
The Connor Brothers (British)If You've Got A Skeleton In Your Closet You'd Better Make It Dance Archival inkjet, screenprint and hand-colouring, 2016, on Somerset, signed, dated and numbered 4/10 in white ink, published by Jealous Print Studio, London, the full sheet printed to the edges, 1120 x 680mm (44 1/8 x 26 3/4in)(SH)This lot is subject to the following lot symbols: AR
Bambi (British, born 1982)God Save Ma'Queen (Unique) Unique screenprint in colours with goldleaf, 2019, on Saunders Waterford, signed and inscribed 'U/P' in pencil, an unique impression, printed and published by the artist and Endangered Editions, London, with their blindstamp and an additional authentication ink stamp verso, the full sheet, 760 x 560mm (29 7/8 x 22 1/8in)(SH)
Sara Pope (British, born 1973)Scarlet Starlet (Unique) An unique screenprint in colours with gold leaf, varnish and hand-painted elements, 2019, on Birch Plywood, signed and titled in red ink verso, from the edition of three, published by Jealous Print Studio, London, 1500mm (59in)(diameter)This lot is subject to the following lot symbols: AR
Chris Levine (Canadian/British, born 1972)Marks the Spot (Unique) Screenprint in pink with diamond dust, 2018, on Somerset Satin, signed in pencil, an unique impression, published by Jealous Print Studio, London, with the artist's blindstamp, the full sheet, 500 x 500mm (19 5/8 x 19 5/8in)(SH)This lot is subject to the following lot symbols: AR
William Kingett (British)Love Affair Screenprint in colours with varnish, 2015, on Somerset Tub, signed and inscribed 'AP', an artist's proof aside from the numbered edition of 50, published by Jealous Print Studio, London, 420 x 10250mm (16 1/2 x 40 3/8in)(SH)This lot is subject to the following lot symbols: AR
Damien Hirst (British, born 1965)The Independent (Red) Screenprint in colours, 2008, signed by the artist and Bono, numbered 12/300 in pencil, co-published by Other Criteria, London and The Independent in aid of the Global Fund, the full sheet, 580 x 445in (22 7/8 x 17 1/2in)(I)This lot is subject to the following lot symbols: AR
Shepard Fairey (American, born 1970)Bob Marley: Slave Driver Screenprint in colours, 2015, on wood, signed, dated and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 6, additionally signed, dated and inscribed 'AP' in pencil verso, housed in the artist's designated frame, 623 x 470 x 30mm (24 1/2 x 18 1/2 x 1 1/8in)(overall)
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