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Click here to subscribeSir Eduardo Paolozzi (1924 - 2005), Multi-Channel Prototype, signed and dated 1970, limited edition screenprint 23/120, image 76 x 50.5 cm, framed and glazed 86 x 58.5 cmSealed in frame and glazed. Slight buckling evident. Slight cracking to the finish. Slight creasing to bottom left. Inscribed bottom left 'For Martin and William' (slightly faded)
Kaws (American 1974-), 'URGE', 2020, screenprint in colours on 425gm Saunders Waterford paper, signed, dated, and numbered from an edition of 250 in pencil, published by Kawsone; sheet: 43.2 x 32.5cmsheet: 43.2 x 32.5cmIn very good conditionNo knocks or tears to the sheetOne minor crease to the lower left hand corner, visible upon close inspectionThis work has been stored flat and has not been framed.
Banksy (British 1974-), 'Grin Reaper', 2005, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 300 in pencil, published by Pictures On Walls; sheet: 70 x 44cmARRsheet: 70 x 44cmProvenance: This work is accompanied by a Pest Control Certificate of AuthenticityIn very good conditionNo visible knocks, tears or creases to the sheetFramed to a high standard in a black frame, using Tru Vue Conservation Grade 99% Anti UV Artglass Float mounted leaving all corners and edges of the sheet visibleSome extremely minor wear to the top and bottom hand extreme border of the sheet, this is only visible upon very close inspectionInspected inside and outside of the frame, framing tabs still visible verso.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity
Banksy (British 1974-), 'Have A Nice Day', 2003, screenprint in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 32 x 100: 53.5 x 116cm inc frameARRsheet: 32 x 100: 53.5 x 116cm inc frameProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn very good conditionNo visible knocks or tears to the sheetNumbering is clear One small scratch to the print can be seen to the middle top edge of the sheet, just below the mount, visible upon close inspectionSections of minor markings can be seen to the white sections of the sheet, predominantly at the lower section of the sheet and around the tank area, visible upon very close inspectionOne mark to the top right-hand corner of the sheet, visible upon close inspectionFramed in a black frame with a white mountThis work has not been examined under the frameProvenance: Accompanied by a Pest Control certificate of authenticity
Kaws (American 1974-), 'URGE', 2020, screenprint in colours on 425gm Saunders Waterford paper, signed, dated, and numbered from an edition of 250 in pencil, published by Kawsone; sheet: 43.2 x 32.5cmsheet: 43.2 x 32.5cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Banksy (British 1974-), ‘Because I'm Worthless', 2004, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 75 in pencil, published by Pictures On Walls; sheet: 50 x 35cmARRsheet: 50 x 35cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In Very Good ConditionNo knocks, tears, or creases to the sheetThis signature, numbering and blind stamp are all very clearThis work has been stored flatOne extremely minor 'bend' to the upper left-hand corner, this is only visible under very close inspection and in raking lightIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Banksy (British 1974-), 'Welcome To Hell (Red)', 2004, screenprint in colours on wove paper, numbered from an edition of 175 in pencil, published by Pictures On Walls; sheet: 50 x 35cm: 65 x 49cm inc frameARRsheet: 50 x 35cm: 65 x 49cm inc frameProvenance: This work is accompanied by a Pest Control Certificate of Authenticity.In very good conditionNo visible knocks, tears or creases to the sheetNumbering and stamp are both clearSections of ‘markings’ across the sheet, believed to be due to the paper used and is not considered damageFramed in a black frame with a mount, using WaterWhite Anti-Reflective UV Blocking GlassThis work has not been examined out of the frame.Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Banksy (British 1974-), 'Golf Sale', 2003, screenprint on wove paper, signed in black ink, numbered from an edition of 750 in pencil, published by Pictures On Walls; sheet: 34 x 48cmARRsheet: 34 x 48cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Very Good ConditionNo knocks, tears, or creases to the sheetThe work has been stored flatPotential very minor discolouring to the sheet edges verso, visible under very close inspectionVery minor rubbing to the printed image, only visible under close inspection One area of minor red surface marking to the sheet verso, this is not visible recto and is a likely result of the red 'Banksy' Inkstamp used on other examples of the same editionIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
Roby Dwi Antono (Indonesian 1990-), 'Bulan', 2022, screenprint in colours with curable UV inks on 410gsm Somerset Tub Sized Radiant White paper, signed and numbered from an edition of 200 in pencil, published by Avant Arte; sheet: 50 x 44cmsheet: 50 x 44cmIn excellent conditionNo knocks, tears or creases to the sheetStored inside its original Avant Arte crateNo apparent issues.
Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cmARRsheet: 100 x 60cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored rolled.
Banksy (British 1974-), 'Jack & Jill', 2005, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 350 in pencil, published by Pictures On Walls; sheet: 50 x 70cmARRsheet: 50 x 70cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Overall Good ConditionNo knocks or tears to the sheetThis work has been stored flatCrease to the lower right corner, outside of the printed image and visible under closer inspectionSome areas of very minor/light edge wear to the extreme upper edge of the sheetTwo areas of very light rolling/handing creases, within the blue background and only visible in raking lightSurface markings to the lower edge of the sheet, outside the printed imageLight verticle waving to the sheetMinor discolouring to the sheet edges versoIn Overall Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
Banksy (British 1974-), 'Jack & Jill (Police Kids)', 2005, screenprint in colours on wove paper, numbered from an edition of 350 and inscribed DN in pencil, published by Pictures On Walls; sheet: 50 x 70cm (Framed)ARRsheet: 50 x 70cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In very good conditionNo visible knocks, tears or creases to the sheetThis work has been framed to a high standard in a black frameThis work has been examined out of the frame and is in very good condition.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Pejac (Spanish 1977-), 'Wound', 2016, screenprint in colours on 250grs Fedrigoni paper, signed and numbered from an edition of 80 in pencil; sheet: 70 x 100cmARRsheet: 70 x 100cmIn very good conditionNo knocks, tears or creases to the sheet This work has been stored flat and never been framed Signature and numbering are both clear with no smudging Blindstamp is crisp and pronounced Extremely minimal wear to top right corner of sheet, visible upon very close inspection Accompanied by a Pejac Certificate of Authenticity
David Shrigley (British 1968-), 'Extract The Juice From Everything', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 55 x 55cmARRsheet: 55 x 55cmIn very good condition No knocks, tears or creases to the sheetThis work has been stored flat and has not been frame.
Jerkface (American 1982-), 'Donut Mobile (Strawberry)', 2015, screenprint in colours on wove paper, signed and numbered from an edition of 75 in pencil, published by UTB NYC; sheet: 45.5 x 45.5cmsheet: 45.5 x 45.5cmIn very good conditionNo knocks, tears or creases to the sheetFramed in a white frame, float mounted leaving all corners and edges of the sheet visibleThis work has not been examined out of the frame.
Kaws (American 1974-), 'URGE', 2020, screenprint in colours on 425gm Saunders Waterford paper, signed, dated, and numbered from an edition of 250 in pencil, published by Kawsone; sheet: 43.2 x 32.5cmsheet: 43.2 x 32.5cmIn excellent conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.
Thierry Noir (French 1958-), 'Yes Or Noir', 2003, screenprint in colours on wove paper, signed and numbered from an edition of 100 in pencil; sheet: 50 x 60cmARRsheet: 50 x 60cmIn very good condition No knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
Dennis Osadebe (Nigerian 1991-), 'Irreverence', 2021, screenprint in colours with metallic inks on 335gsm Coventry paper, signed and numbered from an edition of 5 in pencil, published by GR Gallery; sheet: 55.9 x 55.9cm diametersheet: 55.9 x 55.9cm diameterIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and never been framed
Kaws (American 1974-), 'Untitled, from Ups And Downs', 2013, screenprint in colours on 410gsm Saunders Waterford High White paper, signed, dated and numbered from an edition of 100 in pencil, published by Kawsone; sheet: 89 x 58.5cmsheet: 89 x 58.5cmIn very good conditionNo knocks, tears or creases to the sheetThis work has not been framed.
David Shrigley (British 1968-), 'Untitled (Just Fly Away)', 2023, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Martin Whatson (Norwegian 1984-), 'Dancer (Desert)', 2015, hand-finished screenprint in colours on 350gsm Somerset Satin Paper, signed, dated and inscribed PP in pencil, aside from the regular edition of 20, published by Graffiti Prints; sheet: 80 x 80cm (Framed)ARRsheet: 80 x 80cm (Framed)In very good condition No knocks, tears or creases to the sheetThis work has been framed in a white frame with a white mount This work has not been examined outside of the frame.
Martin Whatson & Sandra Chevrier (Collaboration), 'La Cage Entre Les Frontieres (Hand Finished)', 2022, heavily hand-finished screenprint in colours on 300gsm Somerset paper, signed by both artists and numbered from an edition of 50 in pencil, published by Graffiti Prints; sheet: 100 x 70cmARRsheet: 100 x 70cmIn Very Good ConditionNo tears or creases to the sheet1 very minor knock to the extreme right edge of the sheet, approximately 5cm from the lower border. This is visible under close inspection and would be covered with a mount if framed This work has never been framedIn Very Good Condition
Charming Baker (British 1964-), 'Love Birds I & II', 2019, hand-embellished archival inkjet print with screenprint varnish on 330gsm Somerset Satin paper, signed and numbered from editions of 125 in pencil, published by Jealous Gallery; sheets: 37 x 32cm each (2)ARRsheets: 37 x 32cm each (2)In very good conditionNo knocks or tears to the sheetsOne minor crease to the left hand side verso of the right hand sheet (as shown in image), visible upon close inspectionThese works have been stored flat and have not been framed.
David Shrigley (British 1968-), 'Live Each Day As If It Were Your First', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARRsheet; 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Banksy (British 1974-), 'Weston Super Mare', 2003, screenprint in colours on wove paper, signed and dated in black ink, numbered from an edition of 750 in pencil, published by Picture On Walls; sheet: 35 x 99.5cmARRsheet: 35 x 99.5cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In Good ConditionNo knocks or tears to the sheetThe work has been stored flatBoth the signature and numbering are clearTwo light creases to the main body of the sheet, just away from the printed image and visible in raking light, the largest measuring approximately 9cmLight surface markings to the upper right and left edges of the sheet, away from the printed imageIn Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.
Blek Le Rat (French 1951-), 'Sheep', 2006, screenprint on wove paper, signed and numbered from an edition of 145 in pencil, published by Black Rat Press; 67.5 x 67.5cm inc frameARR67.5 x 67.5cm inc frameIn very good condition No knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been framed in a black frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
D*Face (British 1978-), 'Pop Tart (Blue/Grey AP)', 2007, screenprint in colours on 410gsm Somerset Satin paper, signed, dated, and numbered from an edition of 10APs in pencil, aside from the regular edition of 35, published by Black Rat Press; sheet: 74 x 76cm (Framed)ARRsheet: 74 x 76cm (Framed)In very good condition No visible knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been framed in a white frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.
Takashi Murakami (Japanese 1962-), 'MADSAKI Flowers A Beige', 2017, screenprint in colours on wove paper, signed, dated, and numbered 9/100 in pencil, published by Kaikai Kiki Co; 52 x 42.5cm inc frame52 x 42.5cm inc frameIn very good condition No knocks, tears or creases to the sheetThis work has been framed in a black frame and float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.
Banksy (British 1974-), 'Bomb Middle England', 2003, screenprint in colours on wove paper, numbered from an edition 500 in pencil, published by Pictures On Walls; sheet: 35 x 98cmARRsheet: 35 x 98cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Good ConditionNo knocks or tears to the sheetThis work has been stored flatPotential minor verticle waving to the sheet, visible under close inspectionThree very light handling creases to the sheet, only visible in raking lightDried tape residue is present to all four of the sheet edge verso, this is not visible rectoIn Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
Banksy (British 1974-), 'Soup Can - Pink/Cherry/Blue', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 10 in pencil, published by Pictures On Walls; sheet: 50 x 35cmARRsheet: 50 x 35cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Good ConditionNo tears or creases to the sheetThis work has been stored flatOne light creases to the lower right corner, visible in raking lightDried tape residue to all four edges of the sheet verso, this is not visible rectoIn Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
Paul Insect (British 1970-), 'A Lasting Look', 2019, screenprint in colours with applied diamond dust on wove paper, signed, dated, and numbered from an edition of 75 in pencil; sheet: 72 x 64cmARRsheet: 72 x 64cmIn Very Good ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Very Good Condition
Adriana Oliver (Spanish 1990-), 'Someone To Love', 2021, screenprint in colours on 300gsm Somerset Velvet paper, signed and numbered from an edition of 75, published by Moosey Art; sheet: 86 x 72cmARRsheet: 86 x 72cmIn very good conditionNo knocks or tears to the sheetMinor creasing to the top section of the right hand border of the sheetDeckled edges in very good conditionThis work has been stored flat and has never been framed.
Banksy (British 1974-), 'Bomb Hugger', 2003, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRsheet: 70 x 50cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In very good conditionNo visible knocks, tears or creases to the sheetMinor section of discolouration to the bottom left-hand corner of the sheet Extremely minor markings to right hand border of the sheet, visible upon very close inspection and could potentially be due to the paper used.Framed in a temporary display frame and float mounted leaving all edges and corners of the sheet visible, no adhesive or tape has been used. Mylar corners have been used to protect the corners of the sheet.This work has not been examined outside of the frame. Provenance: This work is accompanied by a Pest Control Certificate of Authenticity.
Ai Weiwei (Chinese 1957-), 'Cats (Red)', 2022, screenprint on 300gsm Saunders Waterford paper, signed, dated, and numbered from an edition of 150 in pencil; sheet: 28 x 32.8cmsheet: 28 x 32.8cmIn very good conditionNo knocks, tears or creases to the sheetThis work has been stored flat and has not been framed.
David Shrigley (British 1968-), 'Be Kind To Everyone', 2021, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed, dated, and numbered from an edition of 125 verso, published by Nicolai Wallner; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
Mr Brainwash (French 1966-), 'Never Give Up (American Flag)', 2017, screenprint in colours on archival paper, signed and numbered from an edition of 100 in pencil recto, dated and bearing the artists thumbprint ID verso; sheet: 52 x 76cmsheet: 52 x 76cmIn very good conditionNo knocks, tears or creases to the sheetDeckled edges in good conditionThis work has been stored flat and has never been framed.
Banksy (British 1974-), 'I Fought The Law', 2004, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 150 in pencil, published by Pictures On Walls; sheet: 70 x 70cmARRsheet: 70 x 70cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Very Good ConditionNo knocks, tears, or creases to the sheetThe signature and numbering are clearSome very minor rubbing to the printed imageVarious areas of irregularities to the printed image, this is frequently seen in this edition and is believed to be from the time of production/screening, not later damageThis work has been stored flat with no sign of previously being framedIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity
David Shrigley (British 1968-), 'Untitled (Enjoy Each Moment)', 2022, screenprint in colours on 410gsm Somerset Satin Tub Sized paper, signed and numbered from an edition of 125 in pencil verso, published by Nicolai Wallner; sheet: 75 x 56cmARRsheet: 75 x 56cmIn Excellent ConditionNo knocks, tears or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
George Rouy (British 1994-), 'Keeping It For Myself', 2022, screenprint in colours with matte finish on 300gsm Somerset Satin paper, signed and numbered from an edition of 50, published by Avant Arte; sheet: 68 x 53cmARRsheet: 68 x 53cmIn very good condition No knocks, tears or creases to the sheetThis work has been stored flat and has never been framed.
Takashi Murakami (Japanese 1962-), 'MADSAKI Flowers C Beige', 2017, screenprint in colours on wove paper, signed, dated, and numbered 9/100 in pencil, published by Kaikai Kiki Co; 52 x 42.5cm inc frame52 x 42.5cm inc frameIn very good condition No knocks, tears or creases to the sheetThis work has been framed in a black frame and float mounted, leaving all corners and edges of the sheet visibleThis work has not been examined outside of the frame.
Shepard Fairey (American 1970-), 'Hope (Transparency)', 2008, unique screenprint transparency, signed and dated; transparency sheet: 91.5 x 61cmtransparency sheet: 91.5 x 61cmProvenance: Accompanied by a Letter Of Provenance from the Obama '08 OfficeIn Good Condition/Production ConditionNo knocks, tears or creases to the sheetLight rubbing throughout the printArea of media/ink loss to the bottom edge, away from the body of the imageSurface mark/ink to the bottom edgeIn Good ConditionPlease note this was a working screenprint transparency sheet and irregularities are to be expectedProvenance: Accompanied by a Letter Of Provenance from the Obama '08 Office
David Shrigley (British 1968-), 'Untitled (The Elephant)', 2023, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil verso, published by Stephen Friedman Gallery; sheet: 76 x 56cmARRsheet: 76 x 56cmIn Excellent ConditionNo knocks, tears, or creases to the sheetThis work has been stored flat and never been framedIn Excellent Condition
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