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Click here to subscribePatrick Caulfield R.A. (British, 1936-2005)Napkin and Onions (Cristea 28) Screenprint in colours, 1972, on wove, signed and numbered 9/72 in pencil, printed by Kelpra Studio, London, published by Leslie Waddington Prints, London, with full margins, 868 x 662mm (34 1/8 x 26in)(I)This lot is subject to the following lot symbols: AR
Patrick Caulfield R.A. (British, 1936-2005)All these confessions..., from 'Some Poems of Jules Laforgue' Screenprint in colours, 1973, on wove, signed and inscribed 'AP', an artist's proof aside from the numbered edition of 100, from Edition C, co-published by Petersburg Press and Waddington Galleries, London, with wide margins, 405 x 355mm (16 x 14in)(I)This lot is subject to the following lot symbols: AR
Patrick Caulfield (British, 1936-2005)Terracotta Vase (Cristea 44) Screenprint in colours, 1975, on wove, signed and numbered 44/70 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London, the full sheet printed to the edges, 773 x 1026mm (30 3/8 x 40 3/8in)(SH)This lot is subject to the following lot symbols: AR
Dame Elisabeth Frink R.A. (British, 1930-1993)Man and Horse (Wiseman 157) Screenprint in colours, 1990, on BFK Rives, signed and numbered 5/70 in white crayon, printed by Curwen Chilford Prints, co-published by the artist and Curwen Chilford Press, Cambridge, the full sheet printed to the edges, 1000 x 688mm (39 3/8 x 27in)(SH)This lot is subject to the following lot symbols: AR
John Piper (British, 1903-1992)Garn Fawr, Pembrokeshire (Levinson 192) Screenprint in colours, 1968, on wove, inscribed 'proof' in pencil, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the printer's inkstamp verso, with full margins, 530 x 713mm (20 7/8 x 28 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
John Piper (British, 1903-1992)Moutou (Levinson 195) Screenprint printed in colours, 1968, on J. Green, signed in black ink, numbered 35/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with the printer's inkstamp verso, the full sheet, 514 x 702mm (21 1/4 x 27 5/8in)(SH)This lot is subject to the following lot symbols: AR
John Piper (British, 1903-1992)Fountains Abbey, Yorkshire (Levinson 351) Screenprint in colours, 1983, on Arches, signed and numbered 20/150 in pencil, printed by Kelpra Studio, London, co-published by Christie's Contemporary Art and The National Trust, with the printer's and publishers' blindstamps, with margins, 450 x 623mm (17 3/4 x 24 1/2in)(I)This lot is subject to the following lot symbols: AR
Sir Peter Blake (British, born 1932)Marilyn's Door, from 'Replay Series' Screenprint in colours with glitter, 2009, on wove, signed and numbered 138/175 in pencil, published by CCA Galleries, London, with the publisher's blindstamp, with margins, 660 x 455mm (26 x 17 7/8in)(I)This lot is subject to the following lot symbols: AR
Sir Peter Blake (British, born 1932)American Trilogy (Black) Screenprint in colours, 2012, with silver leaf and embossing, on wove, signed and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 150, published by CCA Galleries, London, the full sheet, 834 x 604mm (32 7/8 x 23 3/4in)(I)This lot is subject to the following lot symbols: AR
John Hoyland R.A. (British, 1934-2011)Found Seal Screenprint with woodblock in colours, 1993, on wove, signed, titled, dated and numbered 35/90 in pencil, published by Advanced Graphics, London, with their blindstamp, with full margins, 835 x 590mm (32 7/8 x 23 1/4in)(I)This lot is subject to the following lot symbols: AR
Sir Terry Frost R.A. (British, 1915-2003)Sun and Boats (Kemp 258) Screenprint and collage in colours, 2003, on Arches, with the artist's printed signature, countersigned and dated by Lady Kathleen Frost and numbered 122/140 in pencil, printed by Coriander Studio, London, published by CCA Galleries Tilford, the full sheet, 855 x 800mm (33 5/8 x 31 1/2in)(SH)This lot is subject to the following lot symbols: AR
Sir Terry Frost R.A. (British, 1915-2003)Swing Red Newlyn (Kemp 183) Screenprint in colours, 1998, on wove, signed and numbered 78/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, the full sheet, 635 x 620mm (24 3/4 x 24 3/8in)(SH)This lot is subject to the following lot symbols: AR
Sir Terry Frost, R.A. (British, 1915-2003)Development of a Square Within a Square (Orange) (Kemp 203) Screenprint in colours, 2003, on wove, signed and numbered 49/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, the full sheet printed to the edges, 585 x 585mm (23 x 23in)(SH)This lot is subject to the following lot symbols: AR
Wilhelmina Barns-Graham (British, 1912-2004)Orange and Lemon playing Games Screenprint in colours, 1999, on wove, signed, dated and numbered 2/75 in pencil, printed and published by Graal Press, Edinburgh, with their blindstamp, the full sheet printed to the edges, 290 x 400mm (11 3/8 x 15 3/4in)(SH)This lot is subject to the following lot symbols: AR
Wilhelmina Barns-Graham (British, 1912-2004)Green, from 'Millenium Series' Screenprint in colours, 2000, on wove, signed, dated and numbered 23/75 in pencil, printed and published by Graal Press, Edinburgh, with their blindstamp, the full sheet printed to the edges, 240 x 305mm (9 1/2 x 14in)(SH)This lot is subject to the following lot symbols: AR
Elizabeth Peyton (born 1965)Thursday (Tony), 2000Lithograph and screenprint in colors on cream Somerset Velvet paper, signed in pencil, dated and numbered WKSHP 2/2 (a proof aside from the edition of 300), published/printed by Derriere L'Etoile Studios, New York, the full sheet.sheet 19 1/2 x 24 3/4in (49.5 x 62.8cm)This lot is subject to the following lot symbols: ¤
Rero (born 1983)Untitled (Nice Image But Not My Taste), 2014Hand painted screenprint on handmade paper, signed in pencil, dated, numbered 1/8, and annotated 'L.A.', published by Freeway Editions, Los Angeles, the full sheet. sheet 30 1/2 x 22 1/2in (77.5 x 57.1cm)This lot is subject to the following lot symbols: ¤
Frank Stella (born 1936)Untitled (Rabat), from X + X (Ten Works by Ten Painters), 1964Screenprint in colors on wove paper, from the edition of 500, published by Wadsworth Atheneum, Hartford, printed by Ives-Sillman, Inc., New Haven, CT, Sirocco Screenprinters, with full margins.sheet 24 x 20in (60.9 x 50.8cm)
Donald Sultan (born 1951)Pomegranate July 9, 1994, from Fruits and Flowers III, 1994Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 86/125, published/printed by Parasol Press Ltd., New York, with full margins. 12 x 12in (30.5 x 30.5cm)sheet 23 x 22in (58.4 x 55.8cm)
Andy Warhol (1928-1987) and Keith Haring (1958-1990)Montreux Jazz Festival Poster, 1986Screenprint poster in colors on wove paper, signed in marker by both artists, dated '88', with the artist's monogram and inscribed 'For Lowell' in ink by Keith Haring, copyright MTO Switzerland, printed by Albin Uldry, Bern, the full sheet. sheet 39 3/8 x 27 1/2in (100 x 69.7cm)
William Nelson Copley (1919-1996)Man and Woman, 1978Screenprint in colors on Somerset paper, signed 'CPLY' in pencil and numbered 'AP 17/30' (aside from the edition of 200), with the inkstamped date of the print and name of the printer '1978 Robert L. Freedman', verso, with full margins. 24 1/4 x 32in (61.6 x 81.3cm)sheet 26 1/8 x 34in (66.4 x 86.4cm)
Jean Dubuffet (1901-1985)The Hourloupe Cycle (Inspection of the Territory), 1974Screenprint poster in colors on wove paper, from the unsigned edition of 1000, published by Pace/Columbus Gallery, Columbus, Ohio, the full sheet. sheet 33 1/2 x 23 3/4in (85 x 60.3cm)This lot is subject to the following lot symbols: ¤
Friedensreich Hundertwasser (1928-2000)Good Morning City-Bleeding Town (K. 42), 1969Screenprint in colors with metal embossings on Fabriano paper, signed in ink, dated '1970' and numbered 1572 (from the edition of 10,000), with the stamp of the publisher/printer, Ars Viva, Zurich/Studio Quattro, Campalto-Venice, the full sheet.sheet 33 1/2 x 22in (85 x 55.8cm)
Ellsworth Kelly (1923-2015)Paris Review (Axsom IIf), 1968Screenprint in colors on heavy weight wove paper, initialed 'EK' in pencil and numbered 81/150, published by The Paris Review, New York, printed by Chiron Press, New York, with full margins. 31 x 24 1/16in (78.7 x 61.3cm)sheet 40 1/16 x 26 1/8in (102 x 66.4cm)
Audrey Grendahl Kuhn (born 1929)Spectrum Thirteen, c. 1970Screenprint in colors with embossing on wove paper, singed in pencil, titled and numbered 43/250, with margins, framed. 22 x 32in (55.8 x 81.2cm) visible sheet 25 1/2 x 35 1/4in (64.7 x 89.5cm)This lot is subject to the following lot symbols: ¤
Richard Hamilton (1922-2011) and Marcel Duchamp (1887-1968)Oculist Witnesses (Lullin M2) Screenprint and silver mirror in laminated glass, 1968, signed by both artists, annotated 'd'après' and numbered 8/50 in silver ink, published by Petersburg Press, London, with the original aluminium plinth, in very good conditionOverall 650 x 508 x 204mm. (25 5/8 x 20 x 8in.)This lot is subject to the following lot symbols: AR
Andy Warhol (1928-1987)Kiku, from the Andy Warhol Retrospective Exhibition Catalogue (not in Feldman and Schellmann) Screenprint in colours, 1983-84, on heavy wove paper, from the unsigned edition of 1500, printed and published by Gendai Hanga Centre/Modern Print Centre, Tokyo, with the Andy Warhol Art Authentication Board, Inc. stamp on a separate sheet of wove paper attached to the print verso, framedSheet 210 x 280mm. (8 1/8 x 11in.)
Bridget Riley (born 1931)Firebird (Schubert 9) Screenprint in colours, 1971, on wove paper, signed, dated and numbered 9/75 in pencil, printed at Kelpra Studio, London, with their inkstamp and serial number '7795' verso, the full sheet, with pale time staining, a few soft handling creases to the margins, otherwise in good condition, framedImage 663 x 952mm. (26 1/8 x 37 1/2in.); Sheet 764 x 1014mm. (30 1/4 x 39 3/4in.)This lot is subject to the following lot symbols: AR
Bridget Riley (born 1931)Serpentine Print (Schubert 39) Screenprint in colours, 1999, on wove paper, signed, titled, dated and numbered 86/200 in pencil (there were also 20 artist's proofs), printed by Artizan Editions, Hove, the full sheet, in very good condition, framedImage 255 x 255mm. (10 x 10in.); Sheet 420 x 405mm. (16 1/2 x 15 7/8in.)This lot is subject to the following lot symbols: AR
Bridget Riley (born 1931)Brouillard (Schubert 54) Screenprint in colours, 1981-2003, on wove paper, signed, titled, dated and numbered 31/85 in pencil (there were also 20 artist's proofs) published by the artist, printed by Artizan Editions, Hove, the full sheet, in very good condition, framedImage 784 x 720mm. (30 7/8 x 28 1/4in.); Sheet 1000 x 900mm. (39 3/8 x 35 3/8in.)This lot is subject to the following lot symbols: AR
Bridget Riley (born 1931)Light Between (Schubert 56) Screenprint in colours, 1982-2004, on wove paper, signed, titled, dated and numbered 45/75 in pencil, printed by Sally Gimson, published by Artizan Editions, Hove, the full sheet, in very good condition, framedImage 557 x 495mm. (22 x 19 1/2in.); Sheet 760 x 610mm. (29 3/4 x 24in.)This lot is subject to the following lot symbols: AR
Sol LeWitt (1928-2007)Untitled (not in Krakow) Unique screenprint in colours, circa 1980, on thick wove paper, signed in pencil, a maquette for a wall drawing made in preparation for the Wadsworth Atheneum exhibition Sol LeWitt Wall Drawings: 1968-1981, Hartford, 1981, printed to the edges of the full sheet, in very good condition, framedSheet 153 x 304mm. (6 x 12in.)This lot is subject to the following lot symbols: *
Andy Warhol (1928-1987)One plate, from Flash - November 22, 1963 (Feldman & Schellmann II.34) Screenprint in colours, 1968, on wove paper, signed in blue ball-point pen on the reverse, from the portfolio numbered 4/200 (there were also 26 folios numbered with Roman numerals), published by Racolin Press Inc., Briarcliff Manor, New York, printed to the edges of the full sheet, in very good condition, framedSheet 532 x 532mm. (21 x 21in.)
Andy Warhol (1928-1987)One plate, from Flash - November 22, 1963 (Feldman & Schellmann II.35) Screenprint in colours, 1968, on wove paper, signed in blue ball-point pen on the reverse, from the portfolio numbered 4/200 (there were also 26 folios numbered with Roman numerals), published by Racolin Press Inc., Briarcliff Manor, New York, printed to the edges of the full sheet, in very good condition, framedSheet 532 x 532mm. (21 x 21in.)
Andy Warhol (1928-1987)One plate, from Flash - November 22, 1963 (Feldman & Schellmann II.39) Screenprint in colours, 1968, on wove paper, signed in blue ball-point pen on the reverse, from the portfolio numbered 4/200 (there were also 26 folios numbered with Roman numerals), published by Racolin Press Inc., Briarcliff Manor, New York, printed to the edges of the full sheet, in very good condition, framedSheet 534 x 534mm. (21 x 21in.)
Andy Warhol (1928-1987)Princess Caroline of Monaco (see Feldman and Schellmann 111B.20[a]) Unique screenprint in colours, 1983, on Lenox Museum Board, a colour and compositional variant, with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts ink stamps on the reverse, inscribed 'T.J.H.' in pencil verso, printed by Rupert Jasen Smith, New York, the full sheet, in good condition, framedSheet 1020 x 1019mm. (40 1/4 x 40 1/4in.)
Andy Warhol (1928-1987)Mobil, from Ads (Feldman and Schellmann II.350) Screenprint in colours, 1985, on Lenox Museum Board, signed and numbered 97/190 in pencil, printed by Rupert Jasen Smith, with his blindstamp, published by Ronald Feldman Fine Arts, Inc., New York, with their blindstamp, in good condition, framedSheet 965 x 965mm. (38 x 38in.)
Keith Haring (1958-1990)Statue of Liberty (Littman p.63) Screenprint in colours, 1986, on heavy wove paper, signed, dated and numbered AP 23/25 in pencil, an artist's proof aside from the edition of 100, printed by Rupert Jasen Smith, New York, with his blindstamp, the full sheet, in generally good condition, framedSheet 960 x 716mm. (37 3/4 x 28 1/4in.)
Julian Opie (born 1958)Elena, schoolgirl (with lotus blossom) (Cristea 103) Screenprint in colours, 2006, on Somerset satin paper, signed and numbered 87/100 in pencil, printed by Advanced Graphics, London, published by the artist and the Museum of Modern Art, New York, in good condition, framedImage 460 x 357mm. (17 7/8 x 14in.); Sheet 510 x 397mm. (19 7/8 x 15 5/8in.)This lot is subject to the following lot symbols: AR
Banksy (born 1975)Donuts (Chocolate) Screenprint in colours, 2009, on Arches wove paper, signed and numbered 71/299 in brown pencil, published by Pictures on Walls, London, with their blindstamp, in very good conditionSheet 560 x 760mm. (22 x 29 7/8in.)This lot is subject to the following lot symbols: AR
Banksy (born 1975)Grin Reaper Screenprint in colours, 2005, on wove paper, signed, dated and numbered 123/300 in pencil, published by Pictures on Walls, London, with their blindstamp, the full sheet printed to the edges, in very good condition, framedSheet 699 x 437mm. (27 1/2 x 17 1/4in.)This lot is subject to the following lot symbols: AR
δ James McQueen (b.1977)Who the fuck is BanksyScreenprint with extensive handcolouring, 2017, signed, dated and inscribed in pencil, one of 5 printers proof aside from the edition, on wove paper, the full sheet printed to the edges, 1360 x 1010mm (53 ½ x 39 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Silver FlagsScreenprint in colours, 2006, numbered from the edition of 1000, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 700mm (19 5/8 x 27 1/2in) (unframed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Weston Super MareScreenprint in colours, 2003, numbered from the total edition of 750 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 998 x 350mm (39 1/4 x 13 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Soup Can (Original)Screenprint in colours, 2005, numbered from the edition of 250 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 350mm (19 5/8 x 13 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)CNDScreenprint in colours, 2005, signed, dated and numbered from the edition of 350 in pencil, printed and published by Pictures on Walls, London, with full margins, 697 x 500mm (27 ⅜ x 19 ⅝in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)MoronsScreenprint in colours, 2007, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 28 3/4in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Very Little HelpsScreenprint in colours, 2008, signed in blue crayon, numbered from the edition of 299 in pencil, on wove paper, printed and published by Pictures on Walls, London, the full sheet, 600 x 470mm (23 5/8 x 18 1/2in) (framed)This work is accompanied by a certificate of authenticity issued by Pest Control office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Banksy (b.1974)Have a Nice Day (Anarchist Book Fair)Screenprint in colours, 2003, signed, inscribed 'A' (Anarchy) and numbered from the edition of 67 in pencil, on wove paper, printed and published by Pictures On Walls, London, with full margins sheet 319 x 999mm (13 1/2 x 39 1/4in) (unframed)This work is accompanied by a certificate of authenticity from Pest Control Office.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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![Andy Warhol (1928-1987)Princess Caroline of Monaco (see Feldman and Schellmann 111B.20[a]) Unique screenprint in colours, 19](https://cdn.globalauctionplatform.com/3d9ea065-b4f5-4bac-96f0-ab0c00fc7085/f82c08e4-41f9-419e-b853-ab1100a69a39/468x382.jpg)
