We found 12813 price guide item(s) matching your search

EILEEN COOPER (b. 1953) 'Come About', screenprint, signed in pencil, dated 2007, titled and numbered 29/50, 33 x 42cm

* John Piper [1903-1992]- Eye and Camera - Red, Blue and Yellow:- 1980, screenprint in colours, signed in pencil bottom right Kelpra Studio Tate Gallery blindstamp bottom left sheet size 60 x 75cm.

* John Piper [1903-1992]- Llangloffan Baptist Chapel: screenprint signed in pencil bottom right numbered 49/70 bottom left 56 x 73cm

* WILLIAM LITTLEJOHN (SCOTTISH 1929 - 2006), UNTITLED screenprint, signed and numbered 75/75 in pencil 11.5cm x 11cm Mounted, framed and under glass Label verso: The Scottish Gallery

* WILLIAM GEAR RA FRSA RBSA (1915 - 1997), YELLOW STRUCTURE screenprint on paper, signed and dated '88, and numbered 2/25 in pencil, titled verso 56cm x 76cm Mounted, framed and under glass

ANDY WARHOL, 'Marilyn' screenprint, Sunday B COA green, framed, 91cm x 90cm.

ANDY WARHOL, 'Marilyn' screenprint, Sunday B COA, pink, framed, 91cm x 90cm.

* ELSPETH LAMB, CATFISH screenprint, signed, dated '88, titled and numbered 4/75 in pencil 11cm x 11cm Mounted, framed and under glass Label verso: The Scottish Gallery

*Lloyd (Reginald J., 1926-). Figures and Claytips, 1969, colour screenprint on paper, artist's proof, pencil signed and dated to lower margin, a few minor spots, 56 x 38 cm (22 x 15 ins), framed and glazed, artist's name and address stamp and ink title details to backing board (1)

*Ert‚ (1892-1990). Three Faces, 1974, colour screenprint, an artist's proof, signed and marked 'A.P.' in pencil, 61 x 43.5cm (24 x 17.25ins) mount aperture, signed lower right, additionally inscribed "Good luck!" and signed below, Newgate Gallery label to verso, framed and glazed (1)

*Kempster (Bridget, 20th century). The owl and the rose, colour screenprint, signed in pencil to lower edge, sheet size 61 x 45cm (24 x 17.75ins), together with fourteen other similar large scale prints, mostly signed in pencil to lower edge, occasional marginal crease (15)

*@Agam (Yaacov, 1928-). Untitled 23, 1975, colour screenprint, on thick wove paper, an artist's proof, aside from the edition of 150 impressions, signed, dated and marked E.A. in pencil, sheet size 530 x 700 mm (21 x 27.5 ins), framed and glazed (1)

*Kempster (William, 1914-1976). The Bicycle Flower, colour screenprint on paper, signed and titled in pencil to lower edge, from an edition of ten, sheet size 53.5 x 77cm (21 x 30.5ins), together with sixteen similar large scale prints, all signed in pencil, one or two marginal creases (17)

*Daniel (Valerie, 20th/21st century). Anemones, & Tulips, two large mixed method engravings, limited edition 64/100 and 33/100 respectively, each approximately 55 x 40.5 cm (21.5 x 16 in), together with Partridge (Eleanor), View from marbled wall, 1981, aquatint etching, signed in pencil, limited edition 13/50, 56.5 x 43 cm (22 x 17 in), with Stokoe (Michael), Summer Vines, late 20th century, mixed method engraving, signed in pencil by artist below image, limited edition 10/50, 46 x 32.5 cm (18 x 12.75 in), plus Jones (Olwen), House Plants, colour screenprint, signed in pencil, limited edition 61/100, 44 x 32 cm (17.25 x 12.5 in), together with other 20th century prints and etchings, various sizes and condition (43)

*Kempster (William and Bridget, 20th century). Abstract, monochrome screenprint, signed in penmncil to lower edge, 49 x 72cm (19 x 28.5ins) sheet size, together with fifteen similar monochrome prints by William and Bridget Kempster (16)

Chris Reid (b.1918): Sunset Baggot Street Bridge, Screenprint, 26 x 30.5cm Signed, inscribed with tile & numbered.

Patrick Heron (1920-1999), Interlocking Pink and Vermilion with Blue, screenprint, signed and dated '73, unframed, 23cm x 29cm.DDS

*John Piper (1902 - 1992), signed limited edition screenprint - Capesthorne, Macclesfield 1977, numbered 5 / 75, in glazed gilt frame, 68cm x 104cm Provenance: Purchased from Marlborough Fine Art, 27th October 1977 for the sum of £167.40. The original receipt included CONDITION REPORT Overall very good condition, some very light discoloration where the hessian mount meets the outer border

*John Piper CH (1903-1992)THE DUCHENE FOUNTAIN, BLENHEIM (Levinson 418)Screenprint printed in colours, 1989, on Arches, signed l.r. and numbered 36/100 l.l.42 x 59.5cm*Artist's Resale Right may apply to this lot.

Romano Rimolo(?)UNTITLED,Screenprint, indistinctly signed and dated 1974 in pencil, inscribed and numbered 112/15042 x 42cm

A poster designed by Martin Sharp and King Kong'SEX'Screenprint on silver foil laminated paper, published by BIG O Posters Ltd.75 x 50cm

COLIN LANCELEY (New Zealand, 1938-2015) 'Some Adventures of Pomquixole de la Mancha' series of seven, screenprint on paper, 1972, signed lower right. (7)

VICTOR PASMORE (British, 1908-1998), 'A lot of colour', screenprint, initials and dated 1984 lower right, numbered 10/70 lower left, 66cm x 64cm, framed and glazed.(Subject to ARR - Please see Buyers Conditions)

ANDY WARHOL, (American, 1928-1987), 'Chicken noodle soup' screenprint, 50cm x 37cm, 1417/3000 handwritten by the artist, signed in plate, framed and glazed.

ANDY WARHOL (American, 1928-1987), 'Mickey Mouse' screenprint, 41cm x 32cm, 4222/5000 handwritten by the artist, signed in plate, framed and glazed.

ANDY WARHOL (American, 1928-1987), 'Superman' screenprint, 41cm x 32cm, 3754/2000 handwritten by the artist, signed in plate, framed and glazed.

RUSSELL MARSHALL (British contemporary artist) 'Kate Moss' screenprint, AP edition 1/2, 97cm x 25cm, signed and framed.

John Piper (British, 1903-1992), 'Flintham Hall', Nottinghamshire, from Victorian Dream Palaces, (Levinson 279), screenprint in colours, signed and numbered 50/75 in pencil, pub. Kelpra Studio, c.1977, 20¼ x 27¼in. (51.5 x 69.25cm.). * Condition: Good condition. No foxing or time staining. In a gilt frame with linen covered slip. Ivory mount.  

* WILLIAM LITTLEJOHN (SCOTTISH 1929 - 2006), UNTITLED screenprint, signed and numbered 75/75 in pencil 11.5cm x 11cm Mounted, framed and under glass Label verso: The Scottish Gallery

* ELSPETH LAMB, CATFISH screenprint, signed, dated '88, titled and numbered 4/75 in pencil 11cm x 11cm Mounted, framed and under glass Label verso: The Scottish Gallery

* PATRICK HUGHES, REGISTERED RAINBOWS screenprint, signed and inscribed in pencil, numbered 20/150 66cm x 56cm Framed and under glass

ANDREW MARTIN SCREENPRINT ON CANVAS, Casino scene with Marilyn Monroe at the roulet tables, 180cm H x 140cm W (with faults).

WILLIAM LITTLEJOHN RSA RSW (1926-2006) Silver Fish Signed screenprint, 14/36, 43cm x 65cm

NICHOLAS MONRO [1936 - ]. Figures with Crosses, 1970. Screenprint, edition of 75 prints. Signed and dated, 60 x 93 [image]. [good condition – unframed].

Andrew Ingamells (British, born 1956) /Prospectus Londinensis/signed, dated 1999 and numbered in pencil 87/350/screenprint in colours, 71cm x 50cm Condition Report: Artist's Resale Rights may apply to this Lot. In good overall condition

SCREENPRINT BY YAYOI KUSAMA: Yellow PumpkinColor screenprint on paper by Yayoi Kusama (Japanese, b. 1929); depicting a bright yellow spotted pumpkin on a tessellated black background; editioned 42/98 lower left; dated 1994 at center; and signed lower right; 17 3/4" x 20 1/2"; framed

SCREENPRINT BY YAYOI KUSAMA: Yellow PumpkinColor screenprint on paper by Yayoi Kusama (Japanese, b. 1929); depicting a stylized wavy spotted yellow pumpkin on a tessellated red background; editioned 46/80 lower left; dated 2004 at center; and signed lower right; 15 1/2" x 22 1/4"; framed

John Piper (British, 1903-1992) Carew Castle (Levinson 334) 91/100, signed and numbered in pencil (in the margin) screenprint 43.5cm x 64cm.

Joe Tilson (British, b.1928) Stones of Venice Goldfinch, Diptych, 2012 3/60, signed, dated and numbered in pencil (in the margin) screenprint 32cm x 44cm.

Ronald King (British, b.1932) Sea Anemones I, 1966 proof, signed, inscribed and titled in pencil (in the margin) screenprint Editions Alecto, London 57.5cm x 86.4cm, unframed. Provenance: From the collection of the publishers.

Ronald King (British, b.1932) Sea Anemones II, 1966 proof, edition of 50, signed, inscribed and titled in pencil (in the margin) screenprint Editions Alecto, London 57.7cm x 85.5cm, unframed. Provenance: From the collection of the publishers.

Ronald King (British, b.1932) Sea Anemones III, 1966 artist's proof, edition of 50, signed, inscribed and titled in pencil (in the margin) screenprint Editions Alecto, London 86.5cm x 57cm, unframed. Provenance: Collection of the publishers.

Albert Irvin (British, 1922-2015) Trinity II, 1995 46/125, signed, titled, dated and numbered in pencil (in the margin) screenprint published by Advanced Graphics, London 97cm x 131cm.

Patrick Hughes (British, b.1939) 'Angela's Flowers', 1977 56/60, signed, titled, dated and numbered in pencil (in the margin) screenprint 48.5cm x 36cm.

John Piper (British, 1903-1992) Blenheim Bridge, 1988 (Levinson 416) 71/100, signed and numbered in pencil (in the margin) screenprint 42cm x 59cm.

Tim Mara (British, 1948-1997) Plastic Funnel, Mortar and Pestle, 1992 30/50, signed, numbered, titled and dated in pencil (lower right) screenprint from Six Artists: The 1992 Royal College of Art Portfolio of Prints 75.7cm x 56.7cm.

Peter Blake (British, b.1932) Party (Sing Song) 30/100, signed and numbered in pencil (in the margin) lithograph and screenprint from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 49.7cm x 43.7cm, unframed.

Alistair Grant (British, 1925-1997) Fête Champêtre 30/100, signed and numbered in pencil (in the margin) lithograph and screenprint from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 54cm x 72cm.

John Hewitt Raft, 1996 30/100, signed, numbered, titled and dated in pencil etching from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 56.5cm x 76cm, unframed and Freya Payne (b.1968), Bruise, 30/100, signed, numbered and titled in pencil (in the margin), screenprint, lithograph and etching, 47.5cm x 69.5cm, unframed and Kate Whiteford (b.1952), In the Eye of the Beholder, screenprint, 58cm x 45.5cm (3).

John Hoyland (British, 1934-2011) Dream, 1996 30/100, signed, numbered and dated in pencil (in the margin) screenprint from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 56cm x 46cm, unframed.

Tim Mara (British, 1948-1997) Wire Glass and Carrier Bag 30/100, signed and numbered in pencil (lower left) screenprint and lithograph from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 55.5cm x 75.5cm.

Bruce McLean (British, b.1944) Cactus 'Head' 30/100, signed, numbered and titled in pencil (in the margin) screenprint from Twelve Artists: The Royal College of Art Centenary Portfolio of Prints 1996 43cm x 31.5cm, unframed.

Bruce McLean (British, b.1944) Swiss Bank, 1989 artist's proof, signed, dated and inscribed in pencil (in the margin) screenprint 42.5cm x 61.5cm.

John Mclean (British, b.1939) Untitled, 1995 14/40, initialled, dated and numbered in pencil (in the margin) screenprint 69cm x 51.5cm.

Yoshishige Furukawa (Japanese, 1921-2008) Poetry II and Poetry VII, 1999 4/40, each signed, dated and numbered in pencil lithographs with screenprint overlay each 38.5cm x 45.2cm (2).

Craigie Aitchison (British, 1926-2009) Daffodils and Candlesticks, 1998 6/75, signed and numbered in white pen (in the margin) screenprint 49.5cm x 38cm.

Eduardo Paolozzi (British, 1924-2005) Ponti, 1988 signed, dated and titled in pencil (in the margin) screenprint 59.7cm x 40.5cm.

Eduardo Paolozzi (British, 1924-2005) Leonardo, 1974 artist's proof, signed, dated and inscribed in pencil (in the margin) screenprint 59.5cm x 42.2cm.

Geoffrey Robinson (British, b.1945) Dream Boat 5/10, signed, titled and numbered in pencil (in the margin) screenprint 29.5cm x 39.5cm.

John Piper (British, 1903-1992) Eye and Camera: Claret and Blue, 1973 (Levinson 235) signed in pencil (lower right) screenprint 47.3cm x 69.7cm.