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Lot 95

Rodolphe Salis (French, 1851-1897) Le Chat Noir, 1896 Screenprint on paper Editions Clouet 2002 Printed in France by Contact Habillages, Beaune 100cm x 70cm (39.5" x 27.5") Presented unframed, unglazed and previously stored in roll.

Lot 118

Pablo Picasso (Spanish, 1881-1973) Guernica  Screenprint on paper Published and distributed by New York Graphic Society Printed in USA 60cm x 80cm (24" x 30") Les Demoiselles D'avignon - 1907 Screenprint on paper Published and distributed by New York Graphic Society Printed in USA 89cm x 78cm (35" x 31")

Lot 27

Henri Matisse (French, 1869 - 1954) The Door of the Casbah - 1912 Screenprint on paper Copyright Succession H Matisse/DACS 1995 Published by Enormous Art 80 cm x 60 cm (31 1/2 " x 24") The Snail - 1953  Screenprint on paper Copyright Succession H Matisse/DACS 2001 Copyright Tate Gallery Publishing 86 cm x 86 c (33 5/8" x 33 5/8") Presented unframed, unglazed and previously stored in roll.

Lot 39

Salvador Dali (Spanish, 1904-1989) The Hallucinogenic Toreador 1968 Screenprint on paper Salvador Dali - Foundation Gala Published by Enormous Art, Sheffield, England 80 cm  x 60 cm (31 1/2 x 23 5/8") La Persistance De Memoire 1931 Screenprint on paper Published by Museum of Art New York 60 cm x 80cm (3 5/8" x 31 1/2") Swans reflecting elephants  Screenprint on paper Published by Zodiac Edition AG in 2002 60 cm x 80cm (3 5/8" x 31 1/2") La Persistance De Memoire Screenprint on paper Published  by Verkerke Studio 1993 60 cm x 80cm (3 5/8" x 31 1/2") Millet's Architectonic Angelus Screenprint on paper for Hanover Gallery Published by Editions Hazan, Paris 80 cm  x 60 cm (31 1/2 x 23 5/8") The Temptation of St Anthony Print on paper Published  by Icon Copyright Demart de Art 60 cm x 80cm (3 5/8" x 31 1/2") Metamorphosis of Narcissus Screenprint on paper Published  by Icon Copyright Demart Pro Arte 60 cm x 80cm (3 5/8" x 31 1/2") Disintegration of the persistence of Memory  Screenprint on paper Published  by Icon Copyright Demart Pro Arte 60 cm x 80cm (3 5/8" x 31 1/2") Presented unframed, unglazed and previously stored in roll.

Lot 90

Edvard Munch (Norwegian, 1863–1944 Madonna  Print on paper Maestri Della Pittura N. K715 Copyright The Munch Museum - The Munch-Ellingsen Group SIAE 1999 80 cm x 60 cm (31 1/2" x 23 5/8") Ruth Alder (American, 1923-2023) Night Palm Print on paper Copyright Ruth Alder 1989 Published by King Publishing 90 cm x 64 cm (35 1/2" x 25") Klaus Malyska - (German, b 1958) Chromatic Blue 1992- 1993  Silkscreen print on paper Copyright Klaus Malyska 1993 Published by Mercurius Art Publishing  100 cm x 70 cm (39 1/2" x 27 1/2") Ljubomir Popović (Serbian, 1934 -2016) Title, Unknown LJUBA -Galerie Beaubourg - 15 Fevrier - 11 Mars 1978 Screenprint on paper 80 cm x 62 cm (31 1/2" x 24 3/8") Presented unframed, unglazed and previously stored in roll.

Lot 37

Pablo Picasso (Spanish 1881-1973) Girl with a Loop- 1919 Screenprint on paper Copyright SPADEM 1992 Printed in France 100cm x 60cm (39" x 23 2/5 ") Les Menines - 1947 Screenprint on paper Editions Hazan Copyright SPADEM 1988 Printed in France 100cm x 60cm (39" x 23 2/5 ") Presented unframed, unglazed and previously stored in roll.

Lot 3

David Hockney (British, b.1937) Pool and Steps, 2021 Screenprint on paper Limited edition of 500 86 cm x 64cm (34" x 25") Presented unframed, unglazed & previously stored in roll

Lot 167

Roy Fairchild-Woodard. (British. b.1953). Screenprint titled 'A Gift From Far Away'. Signed. Limited edition of 85. This one is numbered 31/85. Glazed and in a 19th century rosewood frame. H.76 W.86.cm.

Lot 1770

Shepard Fairey (b. 1970), colour screenprint, 'Obey this is your God', signed in pencil, Limited edition 48/350, 44 x 60cm.***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 51

DONALD HAMILTON FRAZER "TOY HUSSAR", screenprint, 47cm x 59cm, signed, framed.

Lot 703

A 1980s abstract screenprint tiled Man-Eagle, printed in bold block colours, indistinctly signed, dated '89, titled and numbered 1/8 screenprint in pencil to the lower margin, full sheet 86 x 59cm

Lot 754

Pure Evil (b.1968) - Marilyn (classic gold), limited edition screenprint in colours, signed and numbered 76/100 in pencil to the lower margin, 83.5 x 68.5cm

Lot 100

David Shrigley (British 1968-), 'Ignore The Ghosts', 2022, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed, dated, and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet; 76 x 56cmARR sheet; 76 x 56cm

Lot 100a

David Shrigley (British 1968-), 'The Dam Will Not Build Itself', 2023, screenprint in colours on 410gsm Somerset Tub Sized Paper, signed and numbered from an edition of 125 in pencil, published by Jealous Gallery; sheet: 75 x 55cmARR sheet: 75 x 55cm

Lot 105

Harland Miller (British 1964-), 'Hate's Outta Date (Blue)', 2022, screenprint in colours on wove paper, signed and numbered from an edition of 125 in pencil, published by White Cube; sheet: 100 x 70cm (Framed) ARR sheet: 100 x 70cm (Framed) In Excellent Condition No knocks, tears, or creases to the sheet Framed to a high standard in a white frame Float mounted leaving all corners and edges of the sheet visible In Excellent Condition

Lot 119

Pejac (Spanish 1977-), ‘Sepukku’, 2014, one-colour screenprint with hand-finished watercolour details on 250gsm Schoellerehammer 4G paper, signed and numbered from an edition of 70 in pencil; sheet: 102 x 73cm (framed)ARR sheet: 102 x 73cm In very good condition No visible knocks, tears or creases to the sheet One minor mark to the upper left hand section of the sheet, visible upon close inspection The sheet has been framed edge to edge in a white frame This work has not been examined outside of the frame.

Lot 126

Banksy (British 1974-), 'Weston Super Mare (DN)', 2003, screenprint in colours on wove paper, numbered from an edition of 750 and inscribed DN in pencil, published by Pictures On Walls; sheet: 35 x 99.5cmARR sheet: 35 x 99.5cm This work has been authenticated by Pest Control Office and will be issued with the new certificate of authenticity, this will be forwarded to the successful bidder In overall good condition No knocks or tears to the sheet Very small pinhole to each corner of the sheet, visible upon close inspection Some creasing shown to the sheet, most prominent down the right hand side and across the upper and left hand edges of the sheet Some minor markings shown around the border of the sheet recto, and to the sheet verso Slight curvature to the sheet, likely to be from previous rolling This work has been stored flat and is not currently framed.

Lot 127a

Banksy (British 1974-), 'Soup Can', 2005, screenprint in colours on wove paper, signed, dated and numbered from an edition of 50 in pencil, published by Pictures On Walls; sheet: 50 x 35cm (Framed)ARR sheet: 50 x 35cm (Framed) Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity In very good condition No visible knocks, tears or creases to the sheet Some minor markings/matter to the background of the sheet One minor mark/scratch to the silver lid of the soup can, visible upon close inspection This work has been framed in a white frame This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Lot 128

Banksy (British 1974-), 'Banksquiat (Grey)', 2019, screenprint on board, signed and numbered from an edition of 300, bearing the Banksy Heavy Weaponry Blind Stamp, published by the Artist; sheet: 70 x 70cmARR sheet: 70 x 70cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity. In very good condition No visible knocks, tears or creases to the sheet This work has been framed to a high standard in a black frame with a black mount. The work has been float mounted within the black mount, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Lot 128a

Banksy (British 1974-), ‘Donuts (Strawberry)’, 2009, screenprint in colours on Arches 88 paper, signed and numbered from an edition of 299 in pink pencil, published by Pictures On Walls; sheet: 56 x 76cm (Framed)ARR sheet: 56 x 76cm Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity In very good condition No knocks or tears to the sheet Minor wear in sections to the top edge of the sheet, visible upon very close inspection Lower left edge of the sheet is deckled The signature and numbering are both clear This work has been float mounted and framed in a black box frame This work has not been examined out of the frame. Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Lot 130

Invader (French 1969-), 'Homeworks', 2006, screenprint in colours on wove paper,numbered from an edition of 100 in pencil, published by Pictures On Walls; sheet: 50 x 70cmARR sheet: 50 x 70cm In very good condition No knocks, tears or creases to the sheet This work has been stored flat and has not been framed.

Lot 144

Mr Brainwash (French 1966-), 'Long Live The King', 2023, screenprint in colours on archival paper, signed and numbered from an edition of 816 in pencil; sheet: 76.2 x 55.8cm (Framed)ARR sheet: 76.2 x 55.8cm In very good condition No visible knocks, tears or creases to the sheet Some minor markings around the sheets white border, most likely from the time of production Deckled edges in good condition This work has been framed in a black frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Lot 145

Paul Insect (British 1970-), 'The Reflection (Blue)', 2021, screenprint in colours with a mixture of metallic and pearlised inks and applied glitter on 410gsm Somerset Radiant White Satin paper, signed, dated and numbered from an edition of 100 in pencil, published by Avant Arte; 93cm diameter (Framed)ARR 93cm diameter (Framed) In Excellent Condition No visible knocks, tears or creases to the sheet Framed in a circular white frame by the publisher (as issued) Float mounted leaving all corners and edges of the sheet visible The work has been stored in it's original Avant Arte shipping crate Some minor irregularities to the edges of the frame, from the time of framing and not later damage. Not examined out of the frame In Excellent Condition

Lot 146

Pez (French), 'MC2 AU CM2', 2022, screenprint in colours on 300gsm Somerset Satin paper, signed and numbered from an edition of 50, published by Graffiti Prints; sheet: 85 x 85cmARR sheet: 85 x 85cm In very good condition No knocks, tears or creases to the sheet Some minor markinga to the sheet verso, visible upon close inspection This work has been stored flat and has not been framed.

Lot 163

Ben Eine (British 1970-), 'Forever', 2022, screenprint in colours on 300gsm Somerset Matt Black paper, signed, dated and numbered from an edition of 50; sheet: 70 x 70cmARR sheet: 70 x 70cm

Lot 164

Blek Le Rat (French 1951-), 'Beggar', 2006, screenprint on wove paper, signed and numbered from an edition of 150 in pencil, published by Black Rat Press; sheet: 69 x 52cmARR sheet: 69 x 52cm In good condition No knocks or tears to the sheet Some minor creasing to the upper edge and upper left hand corner of the sheet, visible recto and verso Very minor markings to white background of the sheet, visible upon close inspection Deckled edges in good condition This work has been stored flat and has not been framed.

Lot 165

Blek Le Rat (French 1951-), Rat (Gold on Black, White on Black & White on Red), 2020, a complete set of 3, screenprint in colours on 300gsm Arches paper, all signed and numbered from matching editions of 120 in pencil; sheets: 25 x 25cm each (3)ARR sheets: 25 x 25cm each (3) In very good condition No knocks, tears, or creases to the sheet One very minor marking to the sheet verso visible upon close inspection, not visible recto This work has been stored flat and has never been framed.

Lot 167

Dolk (Norwegian 1979-), 'Girl With Teddybear', 2007, screenprint in colours on 250gsm Somerset Satin paper, signed, dated, and numbered from an edition of 200 in pencil, published by Handmadeposters; sheet: 70 x 50cmARR sheet: 70 x 50cm In very good condition  No visible knocks, tears or creases to the sheet  This work has been framed in a black frame with a black and white layered mount  Some minor markings around the white mount, visible upon close inspection  This work has not been examined outside of the frame. 

Lot 177

Keith Haring (American 1958-1990) 'Three Eyes', 1982, screenprint in colour on wove paper, from an unnumbered edition of 2000, published by Tony Shafrazi Gallery, New York; sheet: 22.9 x 23cmsheet: 22.9 x 23cmIn good condition No knocks or tears to the sheet Minor wear to around the edges and corners of the sheet, and some discolouration to the sheet versoMinor crease to the lower left hand corner of the sheet, visible upon close inspection Some minor scratches to the sheet and one mark to the lower right hand section This work has been stored flat and has not been framed.

Lot 181

Martin Whatson (Norwegian 1984-), 'Eternal Reflection - Mini Print (Green)', 2020, screenprint in colours with gloss varnish on wove paper, inscribed p/p aside from the main edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cmARR sheet: 25 x 25cm In very good condition  No knocks, tears or creases to the sheet  This work has been stored flat and has not been framed.

Lot 182

Martin Whatson (Norwegian 1984-), 'Eternal Reflection - Mini Print (Multi)', 2020, screenprint in colours with gloss varnish on wove paper, inscribed p/p aside from the main edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cmARR sheet: 25 x 25cm

Lot 183

Martin Whatson (Norwegian 1984-), 'Eternal Reflection - Mini Print (Purple)', 2020, screenprint in colours with gloss varnish on wove paper, inscribed p/p aside from the main edition of 100 in pencil, published by Graffiti Prints, bearing the Artist's blind stamp; sheet: 25 x 25cmARR sheet: 25 x 25cm

Lot 184

Martin Whatson (Norwegian 1984-), 'Son Of Man - Mini Print (Mint)', 2017, screenprint in colours on wove paper, inscribed p/p aside from the main edition of 100 in pencil, bearing Martin Whatson blind stamp; sheet: 30.5 x 30.5cmARR sheet: 30.5 x 30.5cm

Lot 185

Martin Whatson (Norwegian 1984-), 'Scuba Diver', 2023, giclee with 19 colour screenprint on 300gsm Somerset Satin Paper, signed, dated, and numbered from an edition of 250, published by Graffiti Prints; sheet: 50 x 100cmARR sheet: 50 x 100cm In Very Good Condition No knocks or tears to the sheet This work has been stored inside it's original tube as issued Minor crease/waving to the sheet verso, visible upon close inspection This work has never been framed In Very Good Condition

Lot 185a

Martin Whatson (Norwegian 1984-), 'Passe', 2019, screenprint in colours on 300gsm Somerset Satin paper, signed, dated, and inscribed PP in pencil, apart from the regular edition of 295, published by Graffiti Prints; sheet: 80 x 56cmARR sheet: 80 x 56cm

Lot 186

Mr Doodle (British 1994-), 'Doodle Hug', 2022, screenprint in colours on 420gsm Somerset paper, signed, dated, and numbered from an edition of 300 in pencil, with original Mr Doodle presentation box; sheet: 54 x 60cmARR sheet: 54 x 60cm

Lot 187

Nick Walker (British 1969-), 'Love Goes On (Gold)', 2018, screenprint in colours on wove paper, signed and numbered from an edition of 25 in pencil, published by Nelly Duff; sheet: 70 x 70cm (Framed)ARR sheet: 70 x 70cm (Framed)

Lot 197

Snik (British Duo), 'Transcend', 2020, unique, hand finished screenprint in colours on 300gsm Somerset paper, signed and numbered p/p aside from the main edition of 60, published by Graffiti Prints; sheet: 97 x 60 cmARR sheet: 97 x 60 cm In good condition No knocks or tears to the sheet Creasing to the lower right hand corner/section of the sheet Some minor handling marks across the lower edge and minor marking to the lower right hand section of the sheets white border, visible upon close inspection Deckled edges in good condition This work has been stored flat and has not been framed.

Lot 2

Ai Weiwei (Chinese 1957-), 'Middle Finger In Red', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 1285 in pencil, published by Avant Arte; sheet: 60 x 60cmsheet: 60 x 60cmIn very good conditionNo knocks, tears or creases to the sheetStored inside its original Avant Arte CrateNo apparent issues.

Lot 201

Thierry Noir & Stik (Collaboration), 'In Conversation', 2013, screenprint in colours on wove paper, signed by both artists in pencil; sheet: 59 x 42cm, 75.5 x 58 cm inc frameARR sheet: 59 x 42cm In very good condition No visible knocks, tears or creases to the sheet Some minor markings to the left hand figure and to the lower right hand corner, visible upon close inspection This work has been framed in a white frame with a white mount This work has not been examined outside of the frame.

Lot 39

David Shrigley (British 1968-), 'Leap Into The Void', 2023, screenprint in colours on 410gsm Somerset Tub Sized paper, signed, dated and numbered from an edition of 125 in pencil verso, published by Jealous Gallery; sheet: 55 x 55cmARR sheet: 55 x 55cm In very good condition No knocks, tears, or creases One extremely minor mark verso, only visible upon This work has been stored flat and has never been framed.

Lot 56

Julian Opie (British 1958-), 'Woman Taking Off Man's Shirt. 5', 2003, screenprint in colours on paper, published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf; sheet: 100 x 60cmARR sheet: 100 x 60cm In very good condition No knocks, tears or creases to the sheet This work has not been framed.

Lot 59a

Mehdi Ghadyanloo (Iranian 1981-), 'An Illusion Of Happiness', 2016, hand-embellished screenprint in colours on wove paper, signed and numbered from an edition of 50 in pencil; sheet: 81 x 81cmsheet: 81 x 81cmIn very good condition No tears or creases to the sheetMinor wear to the right hand edge of the sheet and to the lower right hand corner, visible upon close inspectionMinor markings to the sheet verso, this is not visible recto This work has been stored flat and has not been framed.

Lot 67

Oli Epp (British 1994-), 'Pride', 2019, screenprint in colours on Mohawk Superfine Ultrawhite paper, signed and numbered from an edition of 100 in pencil, published by Richard Heller Gallery; sheet: 61 x 61cmARR sheet: 61 x 61cm

Lot 69

Oli Epp (British 1994-), 'Bon Voyage', 2021, screenprint in colours with silver ink and varnish on wove paper, signed and numbered from an edition of 50 in pencil, published by Blouin Division; sheet: 86 x 76cmARR sheet: 86 x 76cm In very good condition No visible knocks, creases or tears to the sheet Minor wear to the upper right-hand corner, visible upon close inspection Minor markings visible verso, these are not visible recto This work has been stored flat and has never been framed.

Lot 71

Oli Epp (British 1994-), 'Multi Multitasking', 2018, screenprint in colours on Rivoli paper, signed and numbered from an edition of 100 in pencil, published by Semiose Gallery; sheet: 70 x 50cmARR sheet: 70 x 50cm In very good condition No knocks, tears or creases to the sheet Some very minor markings to the sheets white border, visible upon close inspection This work has been stored flat and has not been framed.

Lot 78

Suanjaya Kencut (Indonesian 1994-), 'All In Home', 2022, screenprint in colours on wove paper, signed and inscribed AP aside from the main edition of 100; sheet: 76.2cm x 58.4cmsheet: 76.2cm x 58.4cm

Lot 79

Tracey Emin (British 1963-), 'Everybody Needs A Place To Think', 2002, screenprint on linen handkerchief, signed and dated, from an edition of 1500, commissioned by the BBC; handkerchief: 54 x 54cmARR handkerchief: 54 x 54cm

Lot 81a

Tracey Emin (British 1963-), 'Hades Hades Hades', 2009, screenprint and embroidery on floral cotton fabric, signed, dated and numbered 200/200, published by Counter Editions; 41 x 52.5cmARR 41 x 52.5cm In very good condition No visible rips, holes or loose threads to the fabric Frayed edges in good condition This work has been framed in a wooden frame and float mounted, leaving all corners and edges of the fabric visible This work has not been examined outside of the frame.

Lot 88

Andy Warhol (American 1928-1987), 'Cow', 1989, screenprint in colours on wallpaper, created for the 'Andy Warhol 1989 Retrospective' at The Museum of Modern Art, New York; sheet: 115.6 x 74.9 cm (mounted)sheet: 115.6 x 74.9 cm (mounted)In overall good condition No visible knocks or tears to the sheet Some creasing and wear around the edges of the sheet, predominently to the upper right hand edge and down the left hand edge of the sheet There are some scratches visible to the blue background of the sheet Minor markings down the white edges of the sheet, visible upon close inspection This work has been attached to a white mountThis work has been stored flat and has not been framed.

Lot 9

Barbara Kruger (American 1945-), 'Untitled (Flag)', 2020, screenprint in colours on cotton, published by Artists Band Together; 56 x 53.5cm56 x 53.5cm

Lot 98

David Shrigley (British 1968-), 'Black Cats', 2021, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 125 in pencil verso; sheet: 76 x 56cmARR sheet: 76 x 56cm

Lot 99

David Shrigley (British 1968-), 'I Hate Human Beings', 2021, screenprint in colours on wove paper, numbered from an edition of 125 in pencil verso, published by DING DONG Takuhaibin; sheet: 76 x 56cmARR sheet: 76 x 56cm

Lot 99a

David Shrigley (British 1968-), 'A Gap In The Clouds', 2020, screenprint in colours on 410gsm Somerset Tub Sized paper, signed and numbered from an edition of 120 in pencil verso, published by Jealous Gallery; 85 x 64 cm inc frame85 x 64 cm inc frame 

Lot 29

R. B. Kitaj (American 1932-2007) "Plays for Total Stakes" 1968, signed in pencil, from the edition of 70, screenprint in colours on Astralux paper mounted on green.65.5 x 65.5cm (framed 82.5 x 83cm)The print is in very good, original condition. There is a small area of paint loss and the tape on the reverse is showing through near the upper centre edge of the disc. There are some minor creases around the edges of the mount. The print is ornately reframed and glazed.

Lot 22

R. B. Kitaj (American 1932-2007) Greetings Pablo Ruiz (Ramkalawon 165b) 1972, signed and marked AP (Artist's Proof) in pencil, from Hommage a Picasso, on tissue-thin japan paper, printed by Kelpra Studios, London, published by Propylaen Verlag, Berlin, the full sheet printed to the edges, screenprint in colours. 75.5 x 52.5cm (framed 86.5 x 63.5cm)The print is in very good, original condition. There are some minor surface marks and creases across the sheet. The print is framed and glazed.

Lot 660

Sir Terry Frost R.A. (1915-2003) - Limited edition screenprint - Possibly 'Sun and Boat' (but erroneously titled 'Pink Newlyn' on gallery label), circa 1992-1996, signed and numbered 1/50 in pencil, 31cm x 33.5cm, framed under glass

Lot 661

Jane O'Malley (b.1944) - Signed limited edition screenprint - 'Fruit Bowl', signed and numbered 41/100, image size 32 x 46cm, framed under glass

Lot 108

Allen Jones R.A. (British, born 1937)Cut-a-Way (Lloyd 75) Screenprint in colours, 1976, on wove paper, signed, dated and dedicated 'For Doug with thanks.' in pencil, a proof aside from the numbered edition of 70 (there were also five artist's proofs), printed and published by Kelpra Studio, London, the full sheetSheet 685 x 545mm (27 x 21 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 60

Sir Terry Frost, R.A. (British, 1915-2003)Blue Love Tree (Kemp 245) Screenprint in colours with collage elements, 2003, on heavy wove paper, signed and inscribed 'B.A.T.' in pencil, a bon à tirer impression before the numbered edition of 85 (there were also nine artist's proofs in Roman numerals), printed by Coriander Studio, London, published by CCA Galleries, Tilford, the full sheet, framedSheet 1010 x 605mm (39 3/4 x 23 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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