We found 12813 price guide item(s) matching your search

Keith Haring (1958-1990)Montreux 1983 Green (Döring & Osten 9)Screenprint in colours, 1983, on heavy wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, sheet 700 x 1000mm (27 ½ x 39 3/8in)

Keith Haring (1958-1990)Montreux 1983 Pink (Döring & Osten 8)Screenprint in colours, 1983, on heavy wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, sheet 700 x 1000mm (27 ½ x 39 3/8in)

δ David Hockney (b.1937)Remember That You Cannot Look At the Sun or Death for Very LongLithograph printed in colours with screenprint in yellow, 2021, numbered from the edition of 3000 on an adhesive label verso, printed and published by Circa, London, with the accompanying Certificate of Authenticity, on smooth wove paper, with full margins, sheet 894 x 254mm (35 ¼ x 10in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

▴ Wilhelmina Barns-Graham (1912-2004)'Quiet Time'screenprint in colours, artist's proof, signed and dated 'W Barns Graham 1999' in pencil l.r. and inscribed 'A/P' l.l.sheet 57 x 75cmCondition ReportFramed 84.5 x 102cmThe print is mounted on white board and looks be in good condition with no obvious defects. Unexamined out of glazed frame.

▴ Bryan Pearce (1929-2007)'St Ives from Fernlea Terrace'screenprint in colours, signed and dated 'Bryan Pearce/05' in pencil l.r., and numbered '15/75'image 48.5 x 58cmCondition ReportFramed: 71 x 80cmIn good condition and well presented. Unexamined out of glazed frame.

▴ John Piper CH (1903-1992)'South Lopham' (Levinson 264)screenprint in colours, 1976, signed 'John Piper' in pencil l.r., and numbered 69/70 with Christie's Contemporary Art blind stamp and a Certificate of Authentication from Christie's Contemporary Art attached to the reversesheet 102.5 x 65cmCondition ReportFramed: 119 x 78.5cmThe print has deckled edges which have some time staining. There are some small dark spots to the margins, however the printed area appears unaffected, please see images. Unexamined out of glazed frame.

▴ John Piper CH (1903-1992)'Chambord' (Levinson 202)screenprint in colours, 1971, signed 'John Piper' in pencil l.r., numbered '26/70' l.l.image 49 x 68cmCondition ReportFramed 76.5 x 92.5cmSome cockling however the print appears to be in otherwise good condition. Unexamined out of glazed frame. Well presented.

▴ John Piper CH (1903-1992)'Dinton Folly' (Levinson 367)screenprint in colours,1983, signed 'John Piper' in pencil, l.r., numbered '80/100'image 46 x 66.5cmCondition ReportFramed: 72 x 91.5cmSome very light rippling but in otherwise good condition and well presented. Unexamined out of glazed frame.

▴ John Piper CH (1903-1992)'Flintham Hall' (Levinson 279)screenprint in colours, 1977, signed 'John Piper' l.r., and numbered '49/75'image 48 x 69cm (visible)'Flintham Hall' is from a portfolio of eight screenprints titled 'Victorian Dream Palaces', published by Marlborough Fine Art and printed on Vélin Arches 300gsm paper by Kelpra Studio in 1977. Flintham Hall was a large Georgian mansion in Nottinghamshire remodelled as a 'dream palace' for the Hildyard family in the early 1850s.Condition ReportFramed: 75.5 x 95cmSome time staining with light foxing visible to the margins. Unexamined out of glazed frame.

▴ Victor Pasmore CH (1908-1998)'Composite Image - Orange and Indigo'screenprint in colours, signed and dated 'VP/84' in pencil l.r.image 52 x 63cmCondition ReportFramed 75 x 86cmSheet: 61 x 75cmThere is a very faint scuff of approximately 10cm above the vertical black line which is barely visible. The work presents well and is ready to hang. Examined out of the frame there is slight discolouration where the work has been framed with a mount. There are some scuffs of surface dirt to the margins but the printed area is unaffected. The right hand margin is marked with a faint line of sticky residue and the bottom right hand corner is inscribed '49' in pen; please see images. The print has been stuck down to the board behind and it is not possible to view the reverse.

▴ Sir Terry Frost RA (1915-2003)'Three for Two'screenprint in colours, 2001, signed 'Terry Frost' and numbered '6/150' in pencilsheet 61 x 46cmCondition ReportFramed size 75 x 59.5cmNot viewed out of glazed frame. Good condition. Appears to be loosely stuck down as there are gaps visible to edges.

▴ Bruce McLean (b.1944)'Chivas Rivas'screenprint in colours, artist's proof, signed 'Bruce Mclean' in pencil, l.r., inscribed 'AP' l.l.image 45 x 60.5cmCondition ReportFramed: 73 x 85.5cmSome light rippling to the paper, there is a slight mark in the margin next to the inscription 'AP' where it appears some writing may have been erased (?). In otherwise good condition and well presented.

▴ Patrick Caulfield RA (1936-2005)'Some poems of Jules Laforgue with images by Patrick Caulfield'screenprints in colours, 1973, inscribed in book 'Edition A', signed 'Patrick Caulfield', and numbered '77/200', 22 screenprints with 6 further screenprints in accompanying folder as issued42 x 37 x 6cm overallCondition ReportBox in poor condition with tears, rubbing, and staining water damage on book's outer cover. There is further water staining to some of the pages of the book. There is a lightly raised area on the green screenprint with a blue heart in the centre (likely to have happened during the printing process rather than later damage) but the screenprints are in otherwise good condition. Please see additional images.

▴ Alan Davie RA (1920-2014)'Tresor Foné (Variation IX)'screenprint in colours, 2000, signed and dated 'Alan Davie 2000' in pencil l.r., numbered '11/30'image 69 x 57.5cmCondition ReportFramed: 99.5 x 84.5cmA small scuff to the lower left corner above the edition number but in otherwise good condition.

▴ Sir Peter Blake RA (b.1932)'Wink'screenprint in colours, 2008, signed 'Peter Blake' in pencil l.r., and numbered '129/175'image 65 x 45cmWith certificate of authentication from CCA Galleries, London.Condition Reportoverall: 95.5 x 72cmIn good condition. Unexamined out of glazed frame.

▴ Neil Canning (b.1960)'Evolution XXI'unique screenprint in colours, signed and dated 'Neil Canning '00' in pencil l.r and numbered '1/1', with Advanced Graphics London blind stampsheet 65.5 x 76.5cmCondition ReportFramed: 82.5 x 81cmSlight rippling to the paper but in otherwise good condition. Unexamined out of glazed frame.

▴ Neil Canning (b.1960)'Fusion II'screenprint in colours, signed and dated 'Neil Canning '03' in pencil l.r., numbered '3/75', with Advanced Graphics London blind stampsheet 30 x 40cmCondition ReportFramed: 52 x 63.5cmIn good condition. Unexamined out of glazed frame.

▴ Neil Canning (b.1960)'Fusion VI'screenprint in colours, signed and dated 'Neil Canning '03', in pencil l.r., numbered '32/75', with Advanced Graphics London blind stampsheet 46.5 x 58cmCondition ReportFramed: 52 x 63.5cmIn good condition. Unexamined out of glazed frame.

▴ David Shrigley (b.1968)'I Hate Human Beings'screenprint in colours, 2022, initialled, dated and numbered '84/125' in pencil versosheet 75 x 56cm, unframedCondition ReportSome light handling creases in the centre and to the bottom quarter.

David Watson - Passing cloud, screenprint, signed in pencil to the margin, 43 x 37cm

§ Damien Hirst (British, b. 1965), deckchair, screenprint on fabric and deckchair, H 79 D 100 W 53cm. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

§ Tracey Emin (British, b. 1963), deckchair, screenprint on fabric and deckchair, printed by Eyes Wide Digital, H 78 D103 W 53cm. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

§ Tracey Emin (British, b. 1963), deckchair, screenprint on fabric and deckchair, printed by Eyes Wide Digital, H 78 D103 W 53cm. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

Brendan Neiland (British, b. 1941), 'Hampton Court' (1984), screenprint in colours, ed. 39/250, signed in pencil to margin, 73 x 50cm, framed and glazed.

§ Peter Blake (British, b. 1932), 'Paris-Girl' (2010), screenprint in colours, ed. 54/100, signed in pencil to margin, image size 37 x 21cm, framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

§ Peter Blake (British, b. 1932), 'Venice - Penguins' (2009), screenprint in colours, ed. 69/75, signed in pencil to margin, image size 20 x 13cm, framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

§ Peter Blake (British, b. 1932), 'Paris-Butterflies III' (2010), screenprint in colours, ed. 54/100, signed in pencil to margin, image size 37 x 20cm, framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.

John Piper,Ceres and Proserpine,screenprint, initialled and numbered 20/70 in pencil,42x55.5cm,Goldmark Gallery label on the reverse.Provenance:Acquired Bonhams Chester, 3rd April 2012, lot 412.

Sara Pope (British, born 1973)AMPED Neon Archival print in colours with screenprint varnish and diamond dust, 2022, on Somerset Satin paper, signed and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 25, published by Tin Dogs Fine Art, Brighton, with full margins, framedSheet 800 x 800mm (31 1/2 x 31 1/2in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board in several places versoOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame. The full sheet visible within the frame.

Yayoi Kusama (Japanese, born 1929)Flowers (Kusama 83) Screenprint in colours, 1985, on wove paper, signed, titled, dated and inscribed 'A.P.' in pencil (one of 10 artist's proofs aside from the edition of 100), printed by Ishida Ryoichi, Japan, the full sheet, framedImage 455 x 530mm (17 7/8 x 20 7/8in)Sheet 533 x 608mm (21 x 23 7/8in)For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- very pale time staining to the margins- hinged to the backing board in several places along the sheet edges versoOtherwise in very good condition. The colours bright and fresh.

Sara Pope (British, born 1973)Paris Pink Archival print in colours with screenprint varnish and diamond dust, 2021, on Somerset Satin paper, signed, from the numbered edition of 20, published by Tin Dogs Fine Art, Brighton, with full margins, framedSheet 750 x 750mm (29 1/2 x 29 1/2in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board in several places versoOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame. The full sheet visible within the frame.

Nick Smith (British, born 1984)American Gothic Giclée print in colours with screenprint varnish, 2020, on wove paper, signed, dated and numbered 84/150 in pencil, with the accompanying certificate of authenticity additionally signed, titled, dated and numbered in black ink, published by Rhodes Contemporary, London, with their and the artist's blindstamps, the full sheetSheet 840 x 705mm (33 1/4 x 27 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- rolling creases throughout- a few hard creases in places at the upper left margin- a minor scuff to the lower right sheet cornerOtherwise, the printed area in good condition.

Nick Smith (British, born 1984)Whaam! Giclée print in colours with screenprint varnish, 2021, on wove paper, signed, dated and numbered 11/77 in pencil, with the accompanying certificate of authenticity additionally signed, titled, dated and numbered in black ink, published by Rhodes Contemporary, London, with their and the artist's blindstamps, the full sheet, framedSheet 640 x 1280mm (25 1/4 x 50 3/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- affixed to the backing board in places verso- very soft minor undulation to the sheetOtherwise, in very good condition, the colours fresh and bright. Unexamined outside of the frame.

Invader (French, born 1969)Rubik Kubrick Clockwork Orange (Alex) Screenprint in colours, 2006, on wove paper, signed, dated and numbered 128/150 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, framedImage 450 x 660mm (17 3/4 x 26in)Sheet 498 x 699mm (19 1/4 x 27 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- the sheet slightly undulated- a few nicks to the sheet edges- two tape remains to the upper sheet edge versoOtherwise, in very good condition, colours are fresh and bright.

Hank Willis Thomas (American, born 1976)Love Over Rules Screenprint in colours, 2020, on black wove paper, signed, dated and numbered 20/100 in silver ink verso, published by Wide Awakes, Washington, D.C., the full sheet, framedSheet 610 x 457mm (24 x 18in)For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- two small diagonal creases at lower right corner- a short and soft vertical crease at lower left corner- a soft and unobtrusive handling crease to the lower left corner - hinge-taped to the backboard in two places at upper sheet edge versoOtherwise in very good condition.

Thierry Noir (French, born 1958)Fast Form Manifest (Black) Screenprint in colours, 2016, on Somerset Satin paper, signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 50, the full sheetSheet 999 x 748mm (39 3/8 x 29 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- a few tiny drops of varnish outside of the proposed varnished areas, presumably inherent to the printing process- some very minor craquelure to the varnish in places towards the extreme sheet edges- areas of light surface dirt to the sheet versoOtherwise, the printed areas in very good condition.

Zhang Enli (Chinese, born 1965)Tea Garden Screenprint in colours, 2022, on Hahnemühle Photo Rag paper, signed, dated and numbered 38/50 in pencil, published by Hauser & Wirth, London, the full sheet, framedSheet 404 x 594mm (15 7/8 x 23 3/8in)For further information on this lot please visit Bonhams.com In very good condition. A small, thin vertical crease (circa 2cm.) to the extreme upper right sheet edge.The full sheet visible within the frame, unexamined outside of the frame.

David Spiller (British, 1942-2018)Love is Light (Goofy) Screenprint in colours, 2012, on wove paper, signed, titled and numbered 56/75 in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, framedSheet 905 x 880mm (35 5/8 x 34 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- attached to the backing board in places versoOtherwise, in very good condition. Unexamined outside of the frame. The full sheet visible within the frame.

David Spiller (British, 1942-2018)In Your Smile (Mutley) Screenprint in colours, 2014, on wove paper, signed, titled and inscribed 'PP' in pencil, a printer's proof aside from the numbered edition of 75, printed by Harwood King Studio, Sussex, with their blindstamp, published by the artist, with full margins, framedSheet 880 x 880mm (34 5/8 x 34 5/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- affixed to the backing board in several places versoOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame. The full sheet visible within the frame.

David Spiller (British, 1942-2018)Only Love (Felix) Screenprint in colours, 2012, on wove paper, signed, titled and numbered 48/75 in pencil, printed by Harwood King Studio, Sussex, with their blindstamp, published by the artist, with full margins, framedSheet 950 x 935mm (37 3/8 x 36 3/4in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- affixed to the backing board in several places verso- a soft half-moon crease to the lower centre marginOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame. The full sheet visible within the frame.

The Connor Brothers (British, born 1968)Fuck This Shit Giclée print in colours with screenprint varnish, 2022, on wove paper, signed, dated and inscribed 'SP 1/8' in pencil, one of eight special proofs aside from the numbered edition of 75 (there were also eight artist's proofs), published by Clarendon Fine Art, London, with full margins, framedSheet 747 x 500mm (29 3/8 x 19 3/4in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board in several places at the sheet edges verso, with associated very minor sheet undulationOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame. The full sheet visible within the frame.

The Connor Brothers (British, born 1968)The Truth Giclée print in colours with screenprint varnish, 2022, on wove paper, signed, dated and inscribed 'SP 1/8' in pencil, one of eight special proofs aside from the numbered edition of 75, published by Clarendon Fine Art, London, with full margins, framedSheet 750 x 500mm (29 1/2 x 19 3/4in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- the sheet float-mounted- a speck of surface dirt to the upper right of imageOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame.

Oli Epp (British, born 1994)Spin Me Right Round Screenprint in colours, 2019, on Somerset wove paper, signed and numbered 64/100 in pencil (there were also 15 artist's proofs), printed by Jealous Gallery & Print Studio, London, published by Carl Kostyál, London, with full marginsImage 555 x 460mm (21 7/8 x 18 1/8in)Sheet 700 x 600mm (27 5/8 x 23 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- the sheet slightly curved from previous rolling- pale spots of discolouration visible in the upper margin recto and upper sheet verso- tips of corners slightly softOtherwise, the printed area in very good condition, colours are fresh and bright.

The Connor Brothers (British, born 1968)Every Saint Has A Past Pigment print in colours with hand-colouring and screenprint varnish, 2019, on wove paper, signed, dated and inscribed 'SP' in pencil, one of 12 special proofs aside from the numbered edition of 12, published by the artists, London, with full margins, framedSheet 415 x 290mm (16 3/8 x 11 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- the sheet float-mounted with associated soft undulation to the sheetOtherwise, in very good original condition, colours are fresh and bright. Unexamined outside of the frame.

The Connor Brothers (British, born 1968)I Don't Want to Belong to Any Club That Would Have Me As a Member (Blue) Screenprint in colours, 2019, on wove paper, signed, dated and numbered 17/50 in pencil, with full margins, framedSheet 1000 x 680mm (39 3/8 x 26 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted within the frameOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame.

Miles Aldridge (British, born 1964)In the Shadows I Boogie (after Miller) Screenprint in colours, 2017, on wove paper, signed and numbered 9/15 in pencil verso, printed by K2 Screen, London, published by Polígrafa Obra Gràfica, Barcelona, the full sheet, framedSheet 1034 x 750mm (40 3/4 x 29 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- small linear areas of ink loss to the extreme centre and upper right sheet edgeOtherwise, in very good condition, colours are fresh and bright.

The Connor Brothers (British, born 1968)I Can Resist Everything Except Temptation Giclée print in colours with screenprint varnish, 2021, on wove paper, signed, dated and inscribed 'SP 1/8' in pencil, one of eight special proofs aside from the numbered edition of 150 (there were also 15 artist's proofs), published by Clarendon Fine Art, London, with full margins, framedSheet 1195 x 750mm (47 x 29 1/2in)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- the sheet float-mountedOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame.

The Connor Brothers (British, born 1968)Come Sit Next To Me Giclée print in colours with screenprint varnish, 2019, on wove paper, signed, dated and inscribed 'PP' in pencil, a printer's proof aside from the numbered edition of 150, published by Clarendon Fine Art, London, with full margins, framedSheet 750 x 1200mm (29 1/2 x 47 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board in several places at the sheet edges versoOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frame.

Harland Miller (British, born 1964)I am the one I've been waiting for (Unique) Unique screenprint in colours with extensive hand-finishing, 2012, on wove paper, signed and inscribed 'H.F.P 1/1' in pencil, a unique hand-finished proof aside from the edition of 75 without hand-finishing, the full sheet Sheet 1247 x 997mm (48 7/8 x 39 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is accompanied by a certificate of authenticity from Maddox Advisory, London.In addition to the catalogue entry:- a soft diagonal crease to the upper left corner - with short, unobtrusive creases at each sheet corner- with traces of ink and paint in places verso, inherent to the production processOtherwise as described and in very good condition. This work is unframed.

Harland Miller (British, born 1964)High on Hope Screenprint in colours, 2019, on Somerset White paper, signed and numbered 37/75 in pencil, printed by K2 Screen, London, published by Counter Editions, London, with full marginsSheet 760 x 600mm (29 7/8 x 23 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- a small area of discolouration to the upper left corner versoOtherwise, in very good condition, colours are fresh and bright.

Harland Miller (British, born 1964)Hate's Outta Date (Blue) Screenprint in colours, 2022, on wove paper, signed and numbered 102/125 in pencil verso, published by White Cube, London, the full sheetSheet 1000 x 700mm (39 3/8 x 27 1/2in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In very good condition, colours are fresh and bright.

Miles Aldridge (British, born 1964)Better Than Life (after Miller) Screenprint in colours, 2017, on wove paper, signed and numbered 9/15 in pencil verso, printed by K2 Screen, London, published by Polígrafa Obra Gràfica, Barcelona, the full sheet, framedSheet 745 x 1040mm (29 3/8 x 41in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- a circa 2cm diagonal hard crease to the upper right corner, with associated minor ink loss- a circa 8cm diagonal crease to the upper right corner, mainly visible in raking light- linear areas of ink loss in places along the extreme lower right and right sheet edges- the slightest of ink loss to the extreme tips of cornersOtherwise, in very good condition, colours are fresh and bright.

David Shrigley (British, born 1968)Fuck Screenprint in colours, 2021, on wove paper, signed with the initials, in black ink and dated on the accompanying certificate of authenticity, numbered 123/125 in pencil verso, published by AllRightsReserved, Hong Kong, the full sheetSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- the numbering verso slightly smudged- indentations along the sheet edges verso, not showing through rectoOtherwise, in very good condition.

David Shrigley (British, born 1968)Live Each Day As If It Was Your First Screenprint in colours, 2022, on wove paper, signed with the initials, dated and numbered 97/125 in pencil verso, published by Jealous Gallery & Print Studio, London, the full sheet, framedSheet 760 x 558mm (30 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board versoOtherwise, in very good condition, colours are fresh and bright.

David Shrigley (British, born 1968)Balance the Ball on Your Nose Screenprint in colours, 2022, on Somerset Satin paper, signed with the initials, dated and numbered 56/125 in pencil verso, published by Shrig Shop, Copenhagen, the full sheetSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This sheet is unframed.In addition to the catalogue entry:- A few nicks to the sheet edges in placesOtherwise, in very good condition, colours are fresh and bright.

David Shrigley (British, born 1968)I Will Retrieve Your Phone Screenprint with varnish overlay, 2021, on Somerset Satin paper, signed with the initials, dated and numbered 73/125 in pencil verso (there were also 12 artist's proofs), published by Galleri Nicolai Wallner, Copenhagen, the full sheetSheet 749 x 560mm (29 1/2 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed.In addition to the catalogue entry:- two very soft handling creases at the lower left sheet edge, visible only in raking light- a few very minor nicks in places to the extreme sheet edges- a spot of brown discolouration in the lower right sheet verso- a few minor areas of additional ink in places versoOtherwise, in very good condition, colours are fresh and bright.

David Shrigley (British, born 1968)I've Never Seen You Screenprint in colours, 2020, on Somerset Satin paper, signed with the initials, dated and numbered 76/125 in pencil verso, printed and published by Jealous Gallery & Print Studio, London, the full sheetSheet 751 x 559mm (29 1/2 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com This work is unframed. In addition to the catalogue entry:- a soft crease to the lower left unprinted area- a paper imperfection at the extreme lower right corner, due to production- a short soft crease to the extreme upper right corner Otherwise, in very good condition, the colours are fresh and bright.

David Shrigley (British, born 1968)Old Cat Screenprint in colours with varnish overlay, 2022, on Somerset wove paper, signed with the initials, dated and numbered 97/125 in pencil verso, published by Jealous Gallery & Print Studio, London, the full sheetSheet 760 x 562mm (29 7/8 x 22 1/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In very good condition. This work is unframed.

David Shrigley (British, born 1968)No One Is Happier than Me Screenprint in colours, 2022, on wove paper, signed with the initials, dated and numbered 8/125 in pencil verso, published by Jealous Gallery & Print Studio, London, the full sheet, framedSheet 760 x 560mm (29 7/8 x 22in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing board in several places at the sheet edges versoOtherwise, in very good condition, colours are fresh and bright.

David Shrigley (British, born 1968)I Hate Human Beings Screenprint in colours, 2022, on Somerset Satin paper, signed with the initials, dated and numbered 68/125 in pencil verso, published by Shrig Shop, Copenhagen, the full sheetSheet 750 x 560mm (29 1/2 x 22in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com In very good condition. This work is unframed.